专辑 | 曲名 | 版本 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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Leaders of Tomorrow [ISC047 - 8] |
0 | 2'05 | Gabriel Saban | Staccato & pizzicato string movements like percussion. Authoritative, ... | 新古典音乐 固执 弦乐部分 历史片 ... | Em | 85 |
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Endless Creation [ISC047 - 9] |
0 | 1'56 | Gabriel Saban | Staccato string movement. Haughty, rigorous, mechanical, prestigious ... | 历史旁白 历史片 新古典音乐 弦乐部分 ... | Fm | 132 |
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Behind the Scene [ISC047 - 10] |
0 | 2'36 | Gabriel Saban | Staccato string movement. Grave, obstinate, serious & noble. String ... | 弦乐部分 司法 新古典音乐 历史片 ... | Eb | 92 |
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The New Chic [CEZ4596 - 8] |
3'31 | Rémo | Neoclassical electro, electro synthwave. Obstinate, determined & ... | 新古典电音 果断 动人 令人激动 ... | Am | 115 |
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The New Chic Alternate [CEZ4596 - 21] |
版本. | 3'29 | Rémo | Alternate no rhythm. | 果断 新古典电音 动人 令人激动 ... | G | 115 |
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From the Mongolian Steppes [CEC8041 - 6] |
0 | 3'07 | Bo Tian | Poignant, ancestral, proud & majestic. Morin khuur (Mongolian cello), ... | 马头琴 蒙古 爱情 迷人 ... | Bm | 102 |
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Treacherous [CET9085 - 7] |
2'09 | Zoltan Zadori | Horror track. Insidious ticking clock intro. Build up @ 0'30 with ... | 高潮 恐怖片 摩擦声 令人不安 ... | D | 100 |
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Treacherous Alternate [CET9085 - 16] |
版本. | 2'09 | Zoltan Zadori | Alternate version without strings. | 高潮 恐怖片 令人不安 阴险 ... | Gm | 100 |
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Time Is Of The Essence [BIX008 - 2] |
3'15 | Peter Mills | Anticipatory, adventurous, apocalyptic. Large bell followed by ... | 画面感 电影乐团 历史巨片 悲剧 ... | Bm | 82 |
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Time Is Of The Essence ...
[BIX008 - 13] |
版本. | 3'15 | Peter Mills | Anticipatory, adventurous, apocalyptic. Large bell followed by ... | 画面感 悲剧 进行中 史诗 ... | Bm | 82 |
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Time Is Of The Essence ...
[BIX008 - 14] |
版本. | 3'15 | Peter Mills | Anticipatory, adventurous, apocalyptic. Large bell followed by ... | 画面感 悲剧 进行中 史诗 ... | Bm | 82 |
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The Descent [BIX008 - 3] |
3'15 | Peter Mills | Serious, mysterious, eerie. Witchy bells play out, producing a ... | 画面感 调查研究 悬念 冒险片 ... | Em | 130 |
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The Descent (Instrumental) [BIX008 - 15] |
版本. | 3'11 | Peter Mills | Serious, mysterious, eerie. Witchy bells play out, producing a ... | 画面感 调查研究 悬念 冒险片 ... | Em | 130 |
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The Descent (Underscore) [BIX008 - 16] |
版本. | 3'11 | Peter Mills | Serious, mysterious, eerie. Witchy bells play out, producing a ... | 画面感 调查研究 悬念 冒险片 ... | Em | 130 |
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The Beginning Of Everything [BIX008 - 5] |
2'03 | Matthew Terry | Intense, frantic, climactic. Heavy war drums fade in, echoing with a ... | 气势 预告片 冲突 画面感 ... | Em | 140 |
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The Beginning Of Everything ...
[BIX008 - 20] |
版本. | 2'03 | Matthew Terry | Intense, frantic, climactic. Heavy war drums fade in, echoing with a ... | 气势 预告片 冲突 画面感 ... | Em | 140 |
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The Beginning Of Everything ...
[BIX008 - 21] |
版本. | 1'46 | Matthew Terry | Intense, frantic, climactic. Heavy war drums fade in, echoing with a ... | 气势 预告片 冲突 画面感 ... | C | 140 |
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Hyades [BIX008 - 8] |
3'15 | Peter Mills | Soulful, vast, rapid. Emotive female vocals inject a sense of spirit ... | 画面感 重唱团 令人不安 电影乐团 ... | Dbm | 88 |
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Hyades (Instrumental) [BIX008 - 26] |
版本. | 2'52 | Peter Mills | Soulful, vast, rapid. Tragic strings emerge quietly, giving a sense ... | 画面感 令人不安 电影乐团 声音设计 ... | Dbm | 88 |
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Hyades (Underscore) [BIX008 - 27] |
版本. | 2'52 | Peter Mills | Soulful, vast, rapid. Tragic strings emerge quietly, giving a sense ... | 画面感 重唱团 令人不安 电影乐团 ... | Dbm | 88 |
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Summon The Gods [BIX008 - 9] |
2'46 | Matthew Terry | Confrontational, powerful, intense. Rumbling strings with urgent ... | 令人不安 画面感 战士 无情 ... | Cm | 140 |
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Summon The Gods (Instrumental) [BIX008 - 28] |
版本. | 2'46 | Matthew Terry | Confrontational, powerful, intense. Rumbling strings with urgent ... | 令人不安 画面感 战士 无情 ... | Cm | 140 |
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Summon The Gods (Underscore) [BIX008 - 29] |
版本. | 2'43 | Matthew Terry | Confrontational, powerful, intense. Rumbling strings with urgent ... | 令人不安 画面感 战士 无情 ... | C | 140 |
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Remaining Questions [CEG5038 - 9] |
0 | 2'33 | Felix Halbe | Haunting, constant, narrative & sad. Staccato strings @ 0'55. ... | 信息技术 调查研究 动荡 稳定的 ... | Dm | 89 |
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Groove Mania [AMS5012 - 6] |
2'04 | Ilan Kunik | Percussion beats. Wild, intriguing, rhythmic & determined. Keyboards, ... | 喜剧 火热 侦探喜剧 进行中 ... | Cm | 162 |
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Groove Mania Alternate [AMS5012 - 16] |
版本. | 2'04 | Ilan Kunik | Alternative version without percussion. | 喜剧 进行中 画面感 侦探喜剧 ... | C | 107 |
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Juggling Flames [AMS5012 - 7] |
2'07 | Ilan Kunik | Dramedy beats. Mischievous, lively, curious & determined. Pizzicato ... | 悲喜剧 侦探喜剧 进行中 讽刺 & 恶意 ... | Gm | 102 |
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Juggling Flames Alternate [AMS5012 - 17] |
版本. | 2'07 | Ilan Kunik | Alternative version without percussion. | 悲喜剧 进行中 讽刺 & 恶意 预告片 ... | Gm | 102 |
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Clap Your Hand [AMS5012 - 8] |
2'02 | Ilan Kunik | Percussion beats. Inquisitive, arresting & hurried. Pizzicato ... | 拍手 侦探喜剧 火热 紧急 ... | Cm | 136 |
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Clap Your Hand Alternate [AMS5012 - 18] |
版本. | 2'02 | Ilan Kunik | Alternative version without percussion. | 侦探喜剧 火热 紧急 画面感 ... | C | 136 |
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Me And The Gang [AMS5012 - 9] |
2'01 | Ilan Kunik | Groove percussion trailer. Enigmatic, subtle & captivating. ... | 黑人电影 电声低音 拍手 侦探喜剧 ... | Cm | 138 |
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Me And The Gang Alternate [AMS5012 - 19] |
版本. | 2'01 | Ilan Kunik | Alternative version without percussion. | 黑人电影 电声低音 侦探喜剧 时髦 ... | Bb | 137 |
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My Beating Drums [AMS5012 - 10] |
2'00 | Ilan Kunik | Percussion beats. Childlike, mischievous, innocent & percussive. ... | 童年 好玩 天真幼稚 追逐场面 ... | C | 120 |
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My Beating Drums Alternate [AMS5012 - 20] |
版本. | 2'00 | Ilan Kunik | Alternative version without percussion. | 童年 好玩 天真幼稚 动画 ... | C | 120 |
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The Anticipation [INP056 - 10] |
2'44 | Killian Magee | Atmospheric, cataclysmic, modern. Dulcet bells and piano play out ... | 果断 冒险片 画面感 史诗 ... | Cm | 152 |
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The Anticipation (Underscore) [INP056 - 25] |
版本. | 2'43 | Killian Magee | Atmospheric, cataclysmic, modern. Dulcet bells and piano play out ... | 果断 冒险片 画面感 史诗 ... | Cm | 152 |
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Constructed Death [AMS5011 - 2] |
0 | 2'12 | Sigurd Johnk-Jensen | Cinematic thriller. Ominous intro. Nocturnal, gloomy & ... | 恐怖片 令人不安 恐怖 (音效)铁轨 ... | Cm | 120 |
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Empty Coffin [AMS5011 - 6] |
0 | 2'21 | Sigurd Johnk-Jensen | Cinematic thriller. Grim, ominous, tense & satanic. Imposing sound ... | 恐怖 恐怖片 神经病 鬼 ... | Am | 100 |
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