| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dark Offering [ISC117 - 8] |
2'22 | Caleb Swift | Hybrid Dystopian Trailer. From a dark, desolate & ominous atmosphere | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | ||||
|
Dark Offering Alternate 1 [ISC117 - 21] |
版本. | 2'22 | Caleb Swift | Version without percussion. | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | |||
|
Dark Offering Alternate 2 [ISC117 - 22] |
版本. | 2'22 | Caleb Swift | Version without lead. | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | |||
|
The Last Sanctuary [ISC117 - 10] |
2'35 | Caleb Swift | Hybrid Dystopian Trailer. Sparse & frightening with distressing synth | 恐怖 恐怖片 科幻片 进行中 | Em | 120 | ||||
|
The Last Sanctuary Alternate [ISC117 - 25] |
版本. | 2'35 | Caleb Swift | Version without percussion. | 恐怖 恐怖片 科幻片 进行中 | E | 90 | |||
|
Tenebris [ISC115 - 3] |
2'39 | Christophe Le Guen | Horror trailer. Perfect jump scar intro with rumbling sounds & dull | 恐怖 沉重 预告片 冲突 | Dbm | 100 | ||||
|
Tenebris Alternate 1 [ISC115 - 15] |
版本. | 2'39 | Christophe Le Guen | Version without percussion. | 恐怖 预告片 强调突出 画面感 | Dbm | 100 | |||
|
Tenebris Alternate 2 [ISC115 - 16] |
版本. | 2'39 | Christophe Le Guen | Light version. | 恐怖 沉重 预告片 冲突 | Dbm | 100 | |||
|
The Blood Rite [ISC115 - 5] |
3'09 | Christophe Le Guen | Horror trailer. Gloomy intro. Build-up @ 0'30 with ghostly enchanting | 画面感 高潮 史诗 预告片 | Cm | 100 | ||||
|
The Blood Rite Alternate 1 [ISC115 - 19] |
版本. | 3'09 | Christophe Le Guen | Version without percussion. | 画面感 高潮 史诗 预告片 | Cm | 100 | |||
|
The Blood Rite Alternate 2 [ISC115 - 20] |
版本. | 3'09 | Christophe Le Guen | Light version. | 画面感 高潮 史诗 预告片 | Cm | 100 | |||
|
The Gates of Hell [ISC115 - 10] |
3'59 | Christophe Le Guen | Horror trailer. Dark & murky intro with shrilling strings & synth. | 固执 冲突 画面感 史诗 | Cm | 120 | ||||
|
The Gates of Hell Alternate 1 [ISC115 - 29] |
版本. | 3'59 | Christophe Le Guen | Version without percussion. | 固执 画面感 史诗 动作片 | Cm | 120 | |||
|
The Gates of Hell Alternate 2 [ISC115 - 30] |
版本. | 3'59 | Christophe Le Guen | Light version. | 固执 冲突 画面感 史诗 | Cm | 120 | |||
|
Gallop Of The Gael [AMS5064 - 1] |
2'00 | Ilan Kunik | Celtic cinematic. Introduction with Irish flute. Determined, bold & | 冒险片 画面感 果断 进步 | G | 130 | ||||
|
Gallop Of The Gael Alternate 1 [AMS5064 - 9] |
版本. | 2'00 | Ilan Kunik | Version without percussion. | 冒险片 画面感 果断 进步 | G | 132 | |||
|
Gallop Of The Gael Alternate 2 [AMS5064 - 10] |
版本. | 2'00 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 果断 动画 | Em | 132 | |||
|
Gallop Of The Gael Alternate 3 [AMS5064 - 11] |
版本. | 2'00 | Ilan Kunik | Version without strings. | 冒险片 画面感 果断 进步 | G | 132 | |||
|
Gallop Of The Gael Alternate 4 [AMS5064 - 12] |
版本. | 2'00 | Ilan Kunik | Version without voices. | 冒险片 画面感 果断 进步 | G | 132 | |||
|
Gallop Of The Gael Alternate 5 [AMS5064 - 13] |
版本. | 2'00 | Ilan Kunik | "Bed" version. | 冒险片 画面感 果断 进步 | G | 132 | |||
|
Gallop Of The Gael Alternate 6 [AMS5064 - 14] |
版本. | 2'00 | Ilan Kunik | Underscore version. | 冒险片 画面感 果断 进步 | G | 132 | |||
|
Gallop Of The Gael Edit 1 30
[AMS5064 - 15] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 果断 动画 | G | 132 | |||
|
Gallop Of The Gael Edit 2 15
[AMS5064 - 16] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 果断 动画 | G | 132 | |||
|
Lost In Mumbai [AMS5064 - 2] |
2'14 | Ilan Kunik | Indian cinematic. Mysterious intro with sitar, tabla, then chimes. | 紧急 骑马 画面感 固执 | Cm | 127 | ||||
|
Lost In Mumbai Alternate 1 [AMS5064 - 17] |
版本. | 2'14 | Ilan Kunik | Version without percussion. | 紧急 骑马 画面感 固执 | C | 128 | |||
|
Lost In Mumbai Alternate 2 [AMS5064 - 18] |
版本. | 2'14 | Ilan Kunik | Version with percussion only. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Alternate 3 [AMS5064 - 19] |
版本. | 2'14 | Ilan Kunik | Version without strings. | 紧急 骑马 画面感 固执 | Cm | 128 | |||
|
Lost In Mumbai Alternate 4 [AMS5064 - 20] |
版本. | 2'14 | Ilan Kunik | Version without voices. | 紧急 骑马 画面感 固执 | Cm | 128 | |||
|
Lost In Mumbai Alternate 5 [AMS5064 - 21] |
版本. | 2'14 | Ilan Kunik | "Bed" version. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Alternate 6 [AMS5064 - 22] |
版本. | 2'14 | Ilan Kunik | Underscore version. | 紧急 骑马 画面感 固执 | Cm | 127 | |||
|
Lost In Mumbai Edit 1 30 sec [AMS5064 - 23] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 紧急 骑马 画面感 固执 | C | 127 | |||
|
Lost In Mumbai Edit 2 15 sec [AMS5064 - 24] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 紧急 骑马 画面感 固执 | C | 127 | |||
|
Rhythms Of The Savannah [AMS5064 - 3] |
2'17 | Ilan Kunik | African cinematic. Percussive, joyful, childlike, and lively. | 冒险片 画面感 开心 好玩 | D | 110 | ||||
|
Rhythms Of The Savannah
[AMS5064 - 25] |
版本. | 2'17 | Ilan Kunik | Version without percussion. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 26] |
版本. | 2'17 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 开心 好玩 | Gbm | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 27] |
版本. | 2'17 | Ilan Kunik | Version without voices. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 28] |
版本. | 2'17 | Ilan Kunik | "Bed" version. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah
[AMS5064 - 29] |
版本. | 2'17 | Ilan Kunik | Underscore version. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah Edit
[AMS5064 - 30] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
Rhythms Of The Savannah Edit
[AMS5064 - 31] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 开心 好玩 | D | 110 | |||
|
The Orients [AMS5064 - 5] |
2'06 | Ilan Kunik | Asian cinematic. Ceremonial intro. Assertive, jerky & determined. | 冒险片 画面感 中断 亚洲 | Bm | 143 | ||||
|
The Orients Alternate 1 [AMS5064 - 40] |
版本. | 2'06 | Ilan Kunik | Version without percussion. | 冒险片 画面感 中断 亚洲 | Bm | 143 | |||
|
The Orients Alternate 2 [AMS5064 - 41] |
版本. | 2'06 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 中断 亚洲 | Em | 144 | |||
|
The Orients Alternate 3 [AMS5064 - 42] |
版本. | 2'06 | Ilan Kunik | Version without strings. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 4 [AMS5064 - 43] |
版本. | 2'06 | Ilan Kunik | Version without voices. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 5 [AMS5064 - 44] |
版本. | 2'06 | Ilan Kunik | "Bed" version. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Alternate 6 [AMS5064 - 45] |
版本. | 2'06 | Ilan Kunik | Underscore version. | 冒险片 画面感 中断 亚洲 | Bm | 144 | |||
|
The Orients Edit 1 30 sec [AMS5064 - 46] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 亚洲 功夫 | Bm | 144 | |||
|
The Orients Edit 2 15 sec [AMS5064 - 47] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 亚洲 功夫 | Bm | 144 | |||
|
Latin America In A Day [AMS5064 - 7] |
2'05 | Ilan Kunik | Latin cinematic. Festive, urgent, danceable & determined. Accordion, | 冒险片 画面感 动人 南非 | Em | 108 | ||||
|
Latin America In A Day
[AMS5064 - 54] |
版本. | 2'05 | Ilan Kunik | Version without percussion. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 55] |
版本. | 2'05 | Ilan Kunik | Version with percussion only. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 56] |
版本. | 2'05 | Ilan Kunik | Version without voices. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 57] |
版本. | 2'05 | Ilan Kunik | "Bed" version. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day
[AMS5064 - 58] |
版本. | 2'05 | Ilan Kunik | Underscore version. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day Edit 1
[AMS5064 - 59] |
版本. | 0'30 | Ilan Kunik | 30 second cut. | 冒险片 画面感 动人 南非 | Em | 108 | |||
|
Latin America In A Day Edit 2
[AMS5064 - 60] |
版本. | 0'15 | Ilan Kunik | 15 second cut. | 冒险片 画面感 动人 南非 | Em | 107 | |||
|
Secret Betrayed [CEG5059 - 3] |
0 | 1'24 | Felix Halbe | Jerky, punctuated, dramatic & determined in a neo-classical spirit. | 动荡 小说纪录片 心理剧 有节奏感 | C | 81 | |||
|
A Dramatic Dilemma [CEG5059 - 4] |
2'38 | Felix Halbe | Sad, questioning, introspective & haunting. Constant piano arpeggio, | 反省 神秘 令人不安 疑问 | Cm | 89 | ||||
|
A Dramatic Dilemma Alternate [CEG5059 - 15] |
版本. | 2'37 | Felix Halbe | Version without percussion & less strings | 反省 神秘 令人不安 疑问 | Cm | 178 | |||
|
Facing the Crossroad [CEG5059 - 6] |
0 | 2'22 | Felix Halbe | Moving, tormented, haunting & tragic. String ensemble. Suggested for | 心理剧 社会悲剧 动荡 伴音 | Dbm | 77 | |||
|
Echoes of Guilt [CEG5059 - 7] |
0 | 2'29 | Felix Halbe | Doubtful questioning, dramatic & tragic. Electric guitar with delay | 心理剧 悲剧 阴险 疑问 | Cm | 89 | |||
|
The Moral Paradox [CEG5059 - 10] |
2'21 | Felix Halbe | Cautious, patient, questioning & investigative. Slow keyboard loop | 疑问 耐心 严谨 伴音 | Em | 72 | ||||
|
The Moral Paradox Alternate [CEG5059 - 19] |
版本. | 2'18 | Felix Halbe | Reduced version. | 疑问 耐心 严谨 伴音 | Em | 72 | |||
|
Dragon Protocol [CET9110 - 7] |
4'15 | Gabriel Saban, Bo Tian | Orchestral East Asian trailer. Suspended intro with erhu & guzheng. | 中国电影 冒险片 史诗 预告片 | Dm | 166 | ||||
|
Dragon Protocol Alternate [CET9110 - 20] |
版本. | 4'15 | Gabriel Saban, Bo Tian | Version without percussion | 中国电影 冒险片 史诗 预告片 | Dm | 167 | |||
|
False Light Theory [AMS5063 - 1] |
2'22 | Zoltan Zadori | Investigation underscore. Eerie, atmospheric & suspended. Piano, | 进行中 悬念 画面感 疑问 | Dm | 108 | ||||
|
False Light Theory Alternate 1 [AMS5063 - 9] |
版本. | 2'22 | Zoltan Zadori | Version without percussion | 悬念 画面感 疑问 调查研究 | Dm | 108 | |||
|
False Light Theory Alternate 2 [AMS5063 - 10] |
版本. | 2'22 | Zoltan Zadori | Bed version | 悬念 画面感 疑问 调查研究 | Dm | 108 | |||
|
False Light Theory Alternate 3 [AMS5063 - 11] |
版本. | 2'22 | Zoltan Zadori | Underscore version | 悬念 画面感 疑问 调查研究 | Dm | 108 | |||
|
Adrenal Code [AMS5063 - 2] |
1'59 | Zoltan Zadori | Investigation underscore. Pulsating, rough & industrial. Gritty bass | 画面感 阴险 动作游戏 周期性的 | C | 152 | ||||
|
Adrenal Code Alternate 1 [AMS5063 - 12] |
版本. | 1'59 | Zoltan Zadori | Version without percussion | 画面感 阴险 动作游戏 周期性的 | C | 152 | |||
|
Adrenal Code Alternate 2 [AMS5063 - 13] |
版本. | 1'59 | Zoltan Zadori | Bed version | 画面感 阴险 动作游戏 周期性的 | C | 152 | |||
|
Adrenal Code Alternate 3 [AMS5063 - 14] |
版本. | 1'59 | Zoltan Zadori | Underscore version | 画面感 阴险 动作游戏 周期性的 | C | 152 | |||
|
Elevate Frequency [AMS5063 - 3] |
2'08 | Zoltan Zadori | Investigation underscore. Intro with pulse that comes & goes. | 画面感 稳定的 进行中 间谍片 | E | 128 | ||||
|
Elevate Frequency Alternate 1 [AMS5063 - 15] |
版本. | 2'08 | Zoltan Zadori | Version without percussion | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 2 [AMS5063 - 16] |
版本. | 2'08 | Zoltan Zadori | Bed version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Elevate Frequency Alternate 3 [AMS5063 - 17] |
版本. | 2'08 | Zoltan Zadori | Underscore version | 画面感 稳定的 间谍片 严谨 | E | 128 | |||
|
Recursive Thoughts [AMS5063 - 5] |
2'00 | Zoltan Zadori | Investigation underscore. Intro with deep guitar & riser. Dangerous | 画面感 令人不安 动作游戏 进行中 | Em | 162 | ||||
|
Recursive Thoughts Alternate 1 [AMS5063 - 21] |
版本. | 2'00 | Zoltan Zadori | Version without percussion | 画面感 令人不安 动作游戏 恐怖片 | Em | 162 | |||
|
Recursive Thoughts Alternate 2 [AMS5063 - 22] |
版本. | 2'00 | Zoltan Zadori | Version without vocals | 画面感 令人不安 动作游戏 恐怖片 | Em | 162 | |||
|
Recursive Thoughts Alternate 3 [AMS5063 - 23] |
版本. | 2'00 | Zoltan Zadori | Bed version | 画面感 令人不安 动作游戏 恐怖片 | Em | 162 | |||
|
Recursive Thoughts Alternate 4 [AMS5063 - 24] |
版本. | 2'00 | Zoltan Zadori | Underscore version | 画面感 令人不安 动作游戏 恐怖片 | Em | 162 |