| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Dragon King [AMS5018 - 7] |
1'58 | Salvador Casais | Cinematic. Wild, sinister, aggressive & ferocious. Tribal & cinematic | 战争 野性 冲突 画面感 | Cm | 172 | ||||
|
The Dragon King Alternate 1 [AMS5018 - 60] |
版本. | 1'58 | Salvador Casais | Alternate version without percussion. | 战争 野性 冲突 画面感 | C | 172 | |||
|
The Dragon King Alternate 2 [AMS5018 - 61] |
版本. | 1'58 | Salvador Casais | Alternate version without choirs. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 3 [AMS5018 - 62] |
版本. | 1'58 | Salvador Casais | Alternate version without strings. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 4 [AMS5018 - 63] |
版本. | 1'58 | Salvador Casais | Alternate version percussion only. | 战争 野性 冲突 画面感 | Gbm | 172 | |||
|
The Dragon King Alternate 5 [AMS5018 - 64] |
版本. | 1'58 | Salvador Casais | Alternate bed version. | 战争 野性 冲突 画面感 | C | 113 | |||
|
The Dragon King Alternate 6 [AMS5018 - 65] |
版本. | 1'58 | Salvador Casais | Alternate underscore version. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 7 [AMS5018 - 66] |
版本. | 0'59 | Salvador Casais | Alternate version 60 seconds. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 8 [AMS5018 - 67] |
版本. | 0'31 | Salvador Casais | Alternate version 30 seconds. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
The Dragon King Alternate 9 [AMS5018 - 68] |
版本. | 0'16 | Salvador Casais | Alternate version 15 seconds. | 战争 野性 冲突 画面感 | Cm | 172 | |||
|
Subjugation [ISC053 - 10] |
0 | 2'08 | Gabriel Saban | ☆ Nominated "Best Crime/Investigative" @Mark Awards US 2024 ☆ | 恐怖片 恐怖 画面感 无情 | F | 120 | |||
|
Carmen Habanera [INP060 - 7] |
2'55 | Georges Bizet | Tense, dramatic, sophisticated. Large string impacts backed up by | 恐怖喜剧 令人不安 无电声钢琴 摇摆 | D | 120 | ||||
|
Carmen Habanera (Underscore) [INP060 - 26] |
版本. | 2'55 | Georges Bizet | Tense, dramatic, sophisticated. Steady string pulses lead into riser | 令人不安 无电声钢琴 摇摆 画面感 | D | 120 | |||
|
Dance Of The Sugar Plum Fairy [INP060 - 11] |
2'09 | Pyotr Tchaikovsky | Heavy, spritely, gothic. Slow ticking FX as mischievous tune emerges | 恐怖片 冲突 摇摆 恐怖 | Em | 104 | ||||
|
Dance Of The Sugar Plum Fairy
[INP060 - 32] |
版本. | 2'09 | Pyotr Tchaikovsky | Heavy, spritely, gothic. Mischievous tune emerges from echoes, giving | 恐怖片 冲突 摇摆 恐怖 | Em | 104 | |||
|
Angels We Have Heard On High [INP060 - 12] |
2'11 | Edward Barnes | Momentous, eerie, warlike. Echoing dissonance sets an atmosphere of | 战士 史诗 无情 凯旋 | F | 107 | ||||
|
Angels We Have Heard On High
[INP060 - 33] |
版本. | 2'08 | Edward Barnes | Momentous, eerie, warlike. Echoing dissonance sets an atmosphere of | 战士 史诗 无情 凯旋 | F | 107 | |||
|
A New Beginning [BIB252 - 2] |
3'05 | Yannick Clermont | Majestic, renewed, powerful. Euphoric strings play out with | 自信 进步 飞行 令人激动 | D | 140 | ||||
|
A New Beginning (Instrumental) [BIB252 - 13] |
版本. | 3'05 | Yannick Clermont | Majestic, renewed, powerful. Euphoric strings play out with | 自信 进步 飞行 令人激动 | D | 140 | |||
|
A New Beginning (Underscore) [BIB252 - 14] |
版本. | 3'05 | Yannick Clermont | Majestic, renewed, powerful. Euphoric strings play out with | 自信 进步 飞行 令人激动 | D | 137 | |||
|
Daybreak [BIB252 - 6] |
1'59 | David Birnie | Hopeful, delicate, elegant. Quiet piano plays out modest sequence, | 无电声钢琴 进步 动画 改变 | E | 142 | ||||
|
Daybreak (Underscore A) [BIB252 - 20] |
版本. | 1'59 | David Birnie | Hopeful, delicate, elegant. Quiet piano plays out modest sequence, | 进步 动画 改变 画面感 | E | 142 | |||
|
Daybreak (Underscore B) [BIB252 - 21] |
版本. | 1'59 | David Birnie | Hopeful, delicate, elegant. Quiet piano plays out modest sequence, | 无电声钢琴 进步 动画 改变 | E | 142 | |||
|
A Magical Portal [CET9090 - 3] |
2'56 | Tony Gram | Cinematic. Luminous, delicate, wonderful, fairytale intro with | 冒险片 令人激动 庄严 预告片 | A | 161 | ||||
|
A Magical Portal Alternate 1 [CET9090 - 15] |
版本. | 2'56 | Tony Gram | Alternate version without percussion. | 令人激动 庄严 画面感 感动 | A | 80 | |||
|
A Magical Portal Alternate 2 [CET9090 - 16] |
版本. | 2'56 | Tony Gram | Alternate version without choirs. | 令人激动 庄严 画面感 感动 | A | 162 | |||
|
Collapsology [ISC052 - 6] |
2'14 | Anne-Sophie Versnaeyen | Cinematic neoclassical. Tragic, insidious & obsessive. Violin, synth | 画面感 小说纪录片 社会悲剧 电子琴 | Cm | 89 | ||||
|
Collapsology Alternate 1 [ISC052 - 17] |
版本. | 2'14 | Anne-Sophie Versnaeyen | Alternate version without percussion. | 画面感 小说纪录片 社会悲剧 电子琴 | Cm | 89 | |||
|
Collapsology Alternate 2 [ISC052 - 18] |
版本. | 2'14 | Anne-Sophie Versnaeyen | Alternate version without strings. | 画面感 小说纪录片 社会悲剧 电子琴 | Cm | 93 | |||
|
Resilience [ISC052 - 7] |
3'24 | Anne-Sophie Versnaeyen | Cinematic neoclassical. Tense, heavy & psychotic. Electronics, | 画面感 小说纪录片 心理剧 地理政治 | Cm | 162 | ||||
|
Resilience Alternate 1 [ISC052 - 19] |
版本. | 3'24 | Anne-Sophie Versnaeyen | Alternate version without percussion. | 画面感 小说纪录片 心理剧 地理政治 | Cm | 162 | |||
|
Resilience Alternate 2 [ISC052 - 20] |
版本. | 3'24 | Anne-Sophie Versnaeyen | Alternate version without strings. | 画面感 小说纪录片 心理剧 地理政治 | Cm | 162 | |||
|
Through Memories [INP058 - 1] |
2'45 | Adrian Mena Arrabal | Hopeful, determined, thoughtful. Positive synth keys twinkle | 冒险片 团队运动 飞行 命运 | F | 145 | ||||
|
Through Memories (Underscore
[INP058 - 11] |
版本. | 2'45 | Adrian Mena Arrabal | Hopeful, determined, thoughtful. Positive synth keys twinkle | 飞行 进步 pulsation 电子琴 | F | 145 | |||
|
Through Memories (Underscore
[INP058 - 12] |
版本. | 2'45 | Adrian Mena Arrabal | Hopeful, determined, thoughtful. Positive synth keys twinkle | 飞行 进步 pulsation 电子琴 | F | 145 | |||
|
You Belong [INP058 - 9] |
2'23 | Adrian Mena Arrabal | Uplifting, meaningful, determined. Modern electronic drumbeat gives | 画面感 果断 体育中的戏剧性 动人 | Gm | 95 | ||||
|
You Belong (Underscore A) [INP058 - 27] |
版本. | 2'23 | Adrian Mena Arrabal | Uplifting, meaningful, determined. Modern electronic drumbeat gives | 画面感 果断 体育中的戏剧性 动人 | Gm | 95 | |||
|
You Belong (Underscore B) [INP058 - 28] |
版本. | 2'23 | Adrian Mena Arrabal | Uplifting, meaningful, determined. Thoughtful piano any synth | 画面感 果断 体育中的戏剧性 动人 | Gm | 95 | |||
|
We Must Believe [INP058 - 10] |
3'12 | Adrian Mena Arrabal | Heavenly, hopeful, spiritual. Epic euphoric keys join with swirling | 画面感 令人激动 全景图 进步 | Bbm | 140 | ||||
|
We Must Believe (Underscore A) [INP058 - 29] |
版本. | 3'12 | Adrian Mena Arrabal | Heavenly, hopeful, spiritual. Epic euphoric keys join with swirling | 令人激动 全景图 进步 电子琴 | Bbm | 140 | |||
|
We Must Believe (Underscore B) [INP058 - 30] |
版本. | 3'12 | Adrian Mena Arrabal | Heavenly, hopeful, spiritual. Epic euphoric keys join with swirling | 令人激动 全景图 进步 电子琴 | Bbm | 140 | |||
|
Portal of Life [ISC049 - 7] |
2'50 | David Eman | Emotional orchestral builds. Mysterious intro with piano, reverb & | 史诗 气势 科幻片 画面感 | Dm | 150 | ||||
|
Portal of Life Alternate [ISC049 - 17] |
版本. | 2'50 | David Eman | Alternate version without percussion. | 史诗 气势 科幻片 画面感 | Dm | 150 | |||
|
Echoes of Eternity [ISC049 - 8] |
3'33 | David Eman | Emotional orchestral builds. Melancholic & intriguing intro with | 令人激动 动物世界 庄严 画面感 | Dbm | 85 | ||||
|
Echoes of Eternity Alternate 1 [ISC049 - 18] |
版本. | 3'33 | David Eman | Alternate version without percussion. | 令人激动 动物世界 庄严 画面感 | Dbm | 85 | |||
|
Echoes of Eternity Alternate 2 [ISC049 - 19] |
版本. | 3'33 | David Eman | Alternate version without piano. | 令人激动 动物世界 庄严 画面感 | Dbm | 85 | |||
|
Inner Journey [ISC049 - 9] |
3'22 | David Eman | Emotional orchestral builds. Hypnotic intro with synth pads & piano | 动物世界 画面感 小说纪录片 太空 | Dbm | 147 | ||||
|
Inner Journey Alternate [ISC049 - 20] |
版本. | 3'22 | David Eman | Alternate version without percussion. | 动物世界 画面感 小说纪录片 太空 | Dbm | 147 | |||
|
Until the End of Time [ISC049 - 10] |
2'46 | David Eman | Emotional orchestral builds. Waiting intro of pizzicato strings & | 动物世界 令人激动 画面感 小说纪录片 | Gbm | 106 | ||||
|
Until the End of Time
[ISC049 - 21] |
版本. | 2'46 | David Eman | Alternate version without percussion. | 动物世界 令人激动 画面感 小说纪录片 | Gbm | 106 | |||
|
Othello [CET9089 - 3] |
1'54 | Philippe Briand | Cinematic tension trailer. Animated, enigmatic & lively intro with | 间谍片 动人 动作片 画面感 | Em | 110 | ||||
|
Othello Alternate [CET9089 - 17] |
版本. | 1'54 | Philippe Briand | Alternate version without percussion. | 间谍片 动人 动作片 画面感 | Em | 109 | |||
|
Othello 15 sec [CET9089 - 18] |
版本. | 0'16 | Philippe Briand | Alternate version - 15 sec | 间谍片 动人 动作片 画面感 | A | 110 | |||
|
Othello 30 sec [CET9089 - 19] |
版本. | 0'30 | Philippe Briand | Alternate version - 30 sec | 间谍片 动人 动作片 画面感 | Em | 110 | |||
|
Othello 60 sec [CET9089 - 20] |
版本. | 1'00 | Philippe Briand | Alternate version - 60 sec | 间谍片 动人 动作片 画面感 | Em | 110 | |||
|
Exit Strategy [CET9089 - 4] |
2'33 | Philippe Briand | Cinematic tension trailer. Insidious & discontinuous intro with piano | 司法 令人不安 政治 警匪片 | Cm | 100 | ||||
|
Exit Strategy Alternate [CET9089 - 21] |
版本. | 2'33 | Philippe Briand | Alternate version without percussion. | 司法 令人不安 政治 警匪片 | C | 100 | |||
|
Exit Strategy 15 sec [CET9089 - 22] |
版本. | 0'15 | Philippe Briand | Alternate version - 15 sec | 司法 令人不安 政治 警匪片 | Cm | 100 | |||
|
Exit Strategy 30 sec [CET9089 - 23] |
版本. | 0'30 | Philippe Briand | Alternate version - 30 sec | 司法 令人不安 政治 警匪片 | Cm | 100 | |||
|
Exit Strategy 60 sec [CET9089 - 24] |
版本. | 1'00 | Philippe Briand | Alternate version - 60 sec | 司法 令人不安 政治 警匪片 | C | 100 | |||
|
The World After [ISC047 - 4] |
0 | 2'33 | Gabriel Saban | Restrained staccato & pizzicato string movement in a neo-classical | 历史片 新古典音乐 弦乐部分 画面感 | Cm | 124 |