| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Voyage Continues [INP040 - 2] |
2'18 | Killian Magee | Epic, emotional, austere. Buoyant percussion sets out a sturdy but | 画面感 感动 动作片 进步 | Dm | 110 | ||||
|
The Voyage Continues
[INP040 - 13] |
版本. | 2'18 | Killian Magee | Epic, emotional, austere. Buoyant percussion sets out a sturdy but | 感动 进步 果断 疑问 | Dm | 110 | |||
|
The Voyage Continues
[INP040 - 14] |
版本. | 2'09 | Killian Magee | Epic, emotional, austere. Emotive guitars ushering in euphoria with a | 感动 进步 伴音 固执 | Dm | 110 | |||
|
Unhinged [INP040 - 5] |
1'53 | Killian Magee | Scary, intense, energetic. Dissonant moaning percussion sets out a | 工业噪音 动作片 固执 画面感 | Db | 140 | ||||
|
Unhinged (Underscore A) [INP040 - 18] |
版本. | 1'42 | Killian Magee | Scary, intense, energetic. Whirring dissonance joins with bubbly | 工业噪音 动作片 固执 画面感 | Db | 140 | |||
|
Unhinged (Underscore B) [INP040 - 19] |
版本. | 1'43 | Killian Magee | Scary, intense, energetic. Whirring dissonance plays out, wavering | 工业噪音 电子琴 调查研究 固执 | Db | 137 | |||
|
Night Terrors [INP040 - 6] |
1'52 | Killian Magee | Heavy, raw, intense. Sharp, resonant bass thunders, creating an | 冲突 强调突出 画面感 轰隆声 | Dbm | 162 | ||||
|
Night Terrors (Underscore) [INP040 - 20] |
版本. | 1'26 | Killian Magee | Heavy, raw, intense. Deep kick drum pounds set out steady consistent | 强调突出 画面感 无情 动作游戏 | Dbm | 107 | |||
|
Time Is The Enemy [INP040 - 7] |
2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 动作片 令人不安 冲突 | Am | 120 | ||||
|
Time Is The Enemy (Underscore
[INP040 - 21] |
版本. | 2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 动作片 令人不安 冲突 | Am | 120 | |||
|
Time Is The Enemy (Underscore
[INP040 - 22] |
版本. | 2'04 | Killian Magee | Desolate, uncertain, nervy. Droning low piano note sets out a | 画面感 阴险 悬念 动作片 | A | 120 | |||
|
Decision Day [INP040 - 8] |
2'08 | Killian Magee | Austere, grave, determined. Heartbeat kick drum taps out a steady | 画面感 果断 固执 预告片 | Bm | 100 | ||||
|
Decision Day (Underscore A) [INP040 - 23] |
版本. | 2'08 | Killian Magee | Austere, grave, determined. Slow bass synth echoes out with a steady | 果断 社会悲剧 动作片 固执 | Bm | 100 | |||
|
Decision Day (Underscore B) [INP040 - 24] |
版本. | 2'08 | Killian Magee | Austere, grave, determined. Slow bass synth echoes out with a steady | 社会悲剧 固执 警匪片 电子琴 | Bm | 100 | |||
|
Avoiding Detection [INP040 - 9] |
2'33 | Killian Magee | Tense, uncertain, serious. Bell melody conveys a feeling of growing | 科幻片 画面感 动作片 固执 | Em | 92 | ||||
|
Avoiding Detection
[INP040 - 25] |
版本. | 2'33 | Killian Magee | Tense, uncertain, serious. Bell melody conveys a feeling of growing | 画面感 动作片 固执 冲击 | E | 123 | |||
|
Avoiding Detection
[INP040 - 26] |
版本. | 2'33 | Killian Magee | Tense, uncertain, serious. Wavering dissonant notes inspire feelings | pulsation 科幻片 画面感 动作片 | E | 123 | |||
|
The Obvious Suspect [INP040 - 11] |
1'55 | Killian Magee | Charged, serious, futuristic. Steady bass synth sets out an austere | pulsation 画面感 稳定的 信息技术 | Em | 143 | ||||
|
The Obvious Suspect
[INP040 - 29] |
版本. | 1'55 | Killian Magee | Charged, serious, futuristic. Steady bass synth sets out an austere | pulsation 稳定的 令人不安 科学 | E | 142 | |||
|
The Obvious Suspect
[INP040 - 30] |
版本. | 1'49 | Killian Magee | Charged, serious, futuristic. Synth note echoes out, setting an | 稳定的 工业噪音 令人不安 科学 | Em | 142 | |||
|
Midnight Hunt [TBX124 - 6] |
1'52 | Yoav Alyagon | Rousing, spirited, proud. Heavy bass hums alongside whistling | 固执 画面感 骄傲 政治 | Em | 90 | ||||
|
Midnight Hunt (Underscore) [TBX124 - 16] |
版本. | 1'52 | Yoav Alyagon | Rousing, spirited, proud. Heavy bass hums alongside whistling | 固执 画面感 骄傲 政治 | E | 101 | |||
|
Call To War [BIB189 - 8] |
2'45 | Pete Wilson | Eerie, brave, daunting. Monstrous dissonant note peels off into a | 固执 画面感 果断 令人激动 | Dm | 92 | ||||
|
Call To War (Underscore A) [BIB189 - 24] |
版本. | 2'45 | Pete Wilson | Eerie, brave, daunting. Monstrous dissonant note peels off into a | 固执 画面感 果断 令人激动 | F | 92 | |||
|
Call To War (Underscore B) [BIB189 - 25] |
版本. | 2'26 | Pete Wilson | Eerie, brave, daunting. Repeated muffled brass scale sets out an | 气氛 悬念 神秘 伴音 | F | 92 | |||
|
Fight Me [BIB189 - 10] |
1'44 | Pete Wilson | Beastly, daunting, powerful. Bass section churns out a slow, | 沉重 固执 画面感 军事冲突 | D | 128 | ||||
|
Fight Me (Underscore) [BIB189 - 28] |
版本. | 1'44 | Pete Wilson | Beastly, daunting, powerful. Bass section churns out a slow, | 沉重 固执 画面感 军事冲突 | D | 129 | |||
|
Red Light Green Light [CEZ4502 - 12] |
0 | 2'25 | EE HOON | Suspenseful. Almost military march. Solemn, martial, disturbing, | 韩剧 画面感 打击乐合奏 令人不安 | Bm | 100 | |||
|
Altered Reality [CET9057 - 5] |
2'24 | Alexandros Nikolaidis | Low, strange & underground pads intro evolving with trailer | 冒险游戏 预告片 果断 史诗 | Am | 105 | ||||
|
Altered Reality Alternate [CET9057 - 19] |
版本. | 2'24 | Alexandros Nikolaidis | Alternate without percussion. | 果断 史诗 科幻片 预告片 | Am | 104 | |||
|
Wheels of the Universe [CET9057 - 7] |
2'51 | Alexandros Nikolaidis | Underwater & floating intro with whale song FX. Alluring & majestic | 画面感 太空 令人不安 固执 | Abm | 130 | ||||
|
Wheels of the Universe
[CET9057 - 22] |
版本. | 2'51 | Alexandros Nikolaidis | Alternate without percussion. | 画面感 太空 令人不安 固执 | Abm | 130 | |||
|
Wheels of the Universe
[CET9057 - 23] |
版本. | 2'51 | Alexandros Nikolaidis | Alternate without choir. | 画面感 太空 令人不安 固执 | Abm | 130 | |||
|
Unlocking the Secrets [CET9057 - 10] |
2'46 | Alexandros Nikolaidis | Floating, misty & suspenseful intro with broody sound FX. Confident & | 科幻片 画面感 气势 固执 | Em | 130 | ||||
|
Unlocking the Secrets
[CET9057 - 28] |
版本. | 2'46 | Alexandros Nikolaidis | Alternate without percussion. | 科幻片 画面感 气势 固执 | C | 130 | |||
|
Unlocking the Secrets
[CET9057 - 29] |
版本. | 2'46 | Alexandros Nikolaidis | Alternate without choir. | 科幻片 画面感 气势 固执 | Em | 130 | |||
|
Chaos As a Weapon [CET9056 - 3] |
2'44 | Salvador Casais | Anticipating textures intro evolving with dangerous electro beat & | 追逐场面 预告片 冲突 画面感 | Dm | 120 | ||||
|
Chaos As a Weapon Alternate [CET9056 - 15] |
版本. | 2'44 | Salvador Casais | Alternate without percussion. | 冲突 画面感 令人不安 动作游戏 | Dm | 120 | |||
|
The Last Shelter [CET9056 - 6] |
2'37 | Felix Weber | Introspective & profound intro evolving with floating layers, | 冲突 战士 画面感 令人不安 | Ebm | 162 | ||||
|
The Last Shelter Alternate [CET9056 - 19] |
版本. | 2'37 | Felix Weber | Alternate without percussion. | 画面感 令人不安 冲突 动作片 | Ebm | 162 | |||
|
The Last Shelter Alternate 2 [CET9056 - 20] |
版本. | 2'37 | Felix Weber | Alternate without choir. | 画面感 令人不安 冲突 动作片 | Ebm | 162 | |||
|
Terminal Velocity [CET9056 - 7] |
2'19 | Felix Weber | Dark & menacing intro with clocklike percussion, kick beat & alarm | 令人不安 动作游戏 紧急 画面感 | Fm | 100 | ||||
|
Terminal Velocity Alternate [CET9056 - 21] |
版本. | 2'19 | Felix Weber | Alternate without percussion. | 画面感 动作片 令人不安 动作游戏 | Fm | 133 | |||
|
Master of Strategy [CET9056 - 8] |
2'41 | Salvador Casais | Sudden impact intro with suspenseful synth layers & aggressive | 气势 画面感 动作游戏 固执 | Dm | 146 | ||||
|
Master of Strategy Alternate [CET9056 - 22] |
版本. | 2'41 | Salvador Casais | Alternate without percussion. | 气势 画面感 动作游戏 固执 | Dm | 146 | |||
|
Preparation is the Key [CET9056 - 9] |
3'04 | Salvador Casais | Menacing & anticipating intro evolving with industrial percussion & | 冲突 气势 画面感 军事冲突 | Bm | 86 | ||||
|
Preparation is the Key
[CET9056 - 23] |
版本. | 3'04 | Salvador Casais | Alternate without percussion. | 冲突 气势 画面感 军事冲突 | Bm | 86 | |||
|
Two Worlds [ISC007 - 1] |
3'17 | Emmanuel Rousseau | Fascinating, beautiful, adventurous & uplifting. Cinematic orchestra | 动物世界 冒险片 庄严 飞行 | Bb | 178 | ||||
|
Two Worlds Alternate 1 [ISC007 - 11] |
版本. | 3'17 | Emmanuel Rousseau | Alternate without percussion. | 庄严 飞行 豪言壮语 令人激动 | Bb | 178 | |||
|
Two Worlds Alternate 2 [ISC007 - 12] |
版本. | 3'17 | Emmanuel Rousseau | Alternate without choir. | 庄严 飞行 冒险片 画面感 | Bb | 90 |