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| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
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Rapazinho Bo É Tentadu [OCR560146 - 3] |
0 | 6'46 | Nacia Gomi | Finaçon. Hands clapping, female voice & choir. | 女声民族合唱团 拍手 身体打击乐 民族女声独唱 佛得角半岛克里奥尔语歌唱 巴突克舞 佛得角 原声 感动 | Am | 91 |
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Tchani Pamôdi [OCR560132 - 1] |
0 | 12'13 | Traditionnal | "Tchani, why?". About Tchani, an appaling crook who takes advantage of his power to abuse starving perople. Acoustic guitar, cimboa (Cape Verdean | cimboa 民族 佛得角 巴突克舞 女声民族合唱团 拍手 传统男声独唱 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Gm | 81 |
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Si m'sabeba, n'ta mataba el [OCR561151 - 1] |
0 | 6'01 | Traditionnal | "If I caught him, I'd kill him". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Fm | 90 |
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Sao Joao, gossi [OCR561151 - 2] |
0 | 6'43 | Traditionnal | "Just arrived from Sao Joao". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Gm | 89 |
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Mai Qui Tem Si Fidjo [OCR561151 - 3] |
0 | 3'36 | Traditionnal | "The mother whose child is far away". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Bbm | 89 |
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Cria Minhoto [OCR561151 - 4] |
0 | 3'13 | Traditionnal | "Hunt the bird of prey". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Am | 90 |
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Finaçon [OCR561151 - 5] |
0 | 10'36 | Traditionnal | Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Fm | 89 |
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Nho Compadre Djon Francisco [OCR561151 - 6] |
0 | 2'51 | Traditionnal | Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Bm | 90 |
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Agu na labada [OCR561151 - 7] |
0 | 8'25 | Traditionnal | "Water in the irrigation channel". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Bbm | 89 |
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Santcho Na Batata [OCR561151 - 8] |
0 | 3'38 | Traditionnal | "Monkey in a potato field". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Bbm | 89 |
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A Mi Ku Nobo N'Ka Ta Buli [OCR561151 - 9] |
0 | 4'24 | Traditionnal | "I who am a virgin, nobody touches me". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Bbm | 89 |
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La Na Meio di Mar Ki Tem
[OCR561151 - 10] |
0 | 4'26 | Traditionnal | "The whale is in the open sea". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Abm | 89 |
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Serra Malagueta e Sabi [OCR561151 - 11] |
0 | 4'46 | Traditionnal | "Beautiful is the Serra Malagueta". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | B | 89 |
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Nos Amigos Ki Bem Di Longi [OCR561151 - 12] |
0 | 6'48 | Traditionnal | "Our friends from far away". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Bb | 89 |
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Dispidida [OCR561151 - 13] |
0 | 3'44 | Traditionnal | "Separation". Traditional female singer with female choir & percussion. | 佛得角 民族女声独唱 女声民族合唱团 拍手 loincloth beating 巴突克舞 原声 节奏感 人声 | Abm | 89 |
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Baxu Cama [OCR560132 - 2] |
0 | 9'42 | Traditionnal | "Under the bed". This euphoric song pays homage to the unmatched happiness of life intercourse. Acoustic guitar, cimboa (Cape Verdean monochord | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 巴突克舞 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Gm | 83 |
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Santa Catarina [OCR560132 - 3] |
0 | 11'53 | Traditionnal | This song reflects a strong concern about the short-term future of Cape Verde. Acoustic guitar, cimboa (Cape Verdean monochord vielle), djembe, | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 巴突克舞 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Abm | 82 |
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Dotor Ki Flâ [OCR560132 - 4] |
0 | 8'25 | Traditionnal | "It's the doctor speaking". Song in praise of virility. Acoustic guitar, cimboa (Cape Verdean monochord vielle), djembe, drums, clap, male voice & | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 巴突克舞 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Gm | 81 |
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Sambuna E Finacon [OCR560132 - 5] |
0 | 16'13 | Traditionnal | About events which have affected the community. Acoustic guitar, cimboa (Cape Verdean monochord vielle), djembe, drums, clap, male voice & female's | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 民族吉他 原声 巴突克舞 佛得角半岛克里奥尔语歌唱 | Bb | 80 |
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Reforma Agrária [OCR560132 - 6] |
0 | 7'01 | Traditionnal | "Agrarian reform". This song pays homage to the memory of Amilcar Cabral, the theorician of Cape Verde's liberation. Acoustic guitar, cimboa (Cape | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 民族吉他 原声 巴突克舞 佛得角半岛克里奥尔语歌唱 | Eb | 82 |
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