| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ace in the Hole [CET9022 - 9] |
1'50 | Nick Tzios | Propulsive & sweeping intro with clanching clock. Nervous, heady & | 令人不安 冲击 不平稳 预告片 | Dbm | 120 | ||||
|
Ace in the Hole Alternate 1 [CET9022 - 29] |
版本. | 1'50 | Nick Tzios | Alternate without percussion. Propulsive & sweeping intro. | 令人不安 不平稳 预告片 紧急 | Dbm | 120 | |||
|
Ace in the Hole Alternate 2 [CET9022 - 30] |
版本. | 1'48 | Nick Tzios | Alternate percussion only. Propulsive intro with clanching clock. | 冲击 不平稳 时间(滴答声) 预告片 | Abm | 120 | |||
|
Mercenary [CEZ4114 - 7] |
1'35 | Baptiste Thiry | Epic rock. Powerful & uplifting. Electronics,symphony orchestra & | 史诗 动作片 战士 气势 | Gm | 110 | ||||
|
Mercenary 2 [CEZ4114 - 16] |
版本. | 1'33 | Baptiste Thiry | Epic rock. Powerful & uplifting. Electronics,symphony orchestra & | 动作片 战士 气势 冲突 | Gm | 110 | |||
|
Mercenary 3 [CEZ4114 - 17] |
版本. | 1'16 | Baptiste Thiry | Epic rock. Powerful & uplifting. Electronics & drums. | 冲击 有节奏感 冲突 战士 | Abm | 110 | |||
|
Interior Eyes [CEZ4084 - 28] |
0 | 2'04 | Daniel Finot, Jean-Francois Morin, Arnaud Rozenblat | Introspective & stripped. Electric guitar. | 调查研究 社会悲剧 伴音 抱歉 | E | 69 | |||
|
Max Chaos [INP084 - 2] |
2'48 | Edward Pszeniczka | Powerful, dramatic, badass. Growing guitar fuzz explodes into metal | 周期性的 电吉他效果器 动作游戏 固执 | Dm | 150 | ||||
|
Max Chaos (Underscore) [INP084 - 12] |
版本. | 2'48 | Edward Pszeniczka | Powerful, dramatic, badass. Growing guitar fuzz explodes into metal | 周期性的 电吉他效果器 动作游戏 固执 | Dm | 150 | |||
|
Legacy Of Power [INP084 - 9] |
2'45 | Edward Pszeniczka | Honourable, passionate, dark. Piano and guitar set out on a dramatic | 电吉他效果器 动作游戏 动作片 火热 | Am | 120 | ||||
|
Legacy Of Power (Underscore) [INP084 - 19] |
版本. | 2'45 | Edward Pszeniczka | Honourable, passionate, dark. Piano and guitar set out on a dramatic | 电吉他效果器 动作游戏 动作片 火热 | Am | 120 | |||
|
Hail Mary [INP082 - 4] |
2'19 | Quinn Struke, Joseph Westerlund | Rustic, dirty, fun. Country-coded overdriven guitar plays out with | 摇滚蓝调 团队运动 态度 动作游戏 | Em | 145 | ||||
|
Hail Mary (Underscore) [INP082 - 14] |
版本. | 2'19 | Quinn Struke, Joseph Westerlund | Rustic, dirty, fun. Country-coded overdriven guitar plays out with | 摇滚蓝调 团队运动 态度 动作游戏 | Em | 145 | |||
|
Visceral Trip [INP082 - 8] |
2'15 | Sergey Kolosov | Lively, dark, dramatic. Creaking percussion is joined by chugging | 工业摇滚 态度 极限运动 动人 | Cm | 108 | ||||
|
Visceral Trip (Underscore) [INP082 - 18] |
版本. | 2'15 | Sergey Kolosov | Lively, dark, dramatic. Creaking percussion is joined by chugging | 工业摇滚 态度 极限运动 动人 | Cm | 108 | |||
|
Dream Weaver [INP078 - 4] |
2'36 | Sergey Kolosov | Refined, elegant, passionate. Classical-tinged piano sequence unfurls | 社会悲剧 令人激动 后摇滚 画面感 | Dbm | 121 | ||||
|
Dream Weaver (Underscore A) [INP078 - 15] |
版本. | 2'33 | Sergey Kolosov | Refined, elegant, passionate. Classical-tinged piano sequence unfurls | 命运 令人激动 感动 内心 | Dbm | 121 | |||
|
Dream Weaver (Underscore B) [INP078 - 16] |
版本. | 2'20 | Sergey Kolosov | Methodical, elegant, passionate. Trip hop percussion offers a cold | 社会悲剧 令人激动 画面感 果断 | Dbm | 121 | |||
|
Breach [AMS5047 - 2] |
1'50 | Salvador Casais | Cinematic percussion. Ominous intro. Build-up @ 0'16 with fast | 冲击 冲突 吵闹 画面感 | Em | 130 | ||||
|
Breach Alternate 1 [AMS5047 - 14] |
版本. | 1'50 | Salvador Casais | Version without percussion | 画面感 预告片 高潮 史诗 | Em | 130 | |||
|
Breach Alternate 2 [AMS5047 - 15] |
版本. | 1'50 | Salvador Casais | Version with percussion only | 冲击 冲突 画面感 高潮 | Am | 130 | |||
|
Breach Alternate 3 [AMS5047 - 16] |
版本. | 1'50 | Salvador Casais | Bed version | 画面感 高潮 预告片 吵闹 | Em | 130 | |||
|
Breach Alternate 4 [AMS5047 - 17] |
版本. | 1'50 | Salvador Casais | Underscore version | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Breach Edit 1 (30 sec) [AMS5047 - 18] |
版本. | 0'32 | Salvador Casais | 30 second cut | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Breach Edit 2 (15 sec) [AMS5047 - 19] |
版本. | 0'16 | Salvador Casais | 15 second cut | 冲击 冲突 吵闹 画面感 | Em | 130 | |||
|
Goodbye [AMS5043 - 4] |
3'09 | Aleksandar Dimitrijevic | Post-apocalyptic cinematic rock. Build-up with nostalgic electric | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | ||||
|
Goodbye Alternate 1 [AMS5043 - 25] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without bass & drums | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 2 [AMS5043 - 26] |
版本. | 3'09 | Aleksandar Dimitrijevic | Underscore version | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Alternate 3 [AMS5043 - 27] |
版本. | 3'09 | Aleksandar Dimitrijevic | Version without guitars | 忧伤 后摇滚 高潮 恐怖片 | Abm | 100 | |||
|
Goodbye Edit 1 (30 sec) [AMS5043 - 28] |
版本. | 0'30 | Aleksandar Dimitrijevic | 30 seconds cut | 忧伤 后摇滚 恐怖片 令人不安 | Abm | 100 | |||
|
Goodbye Edit 2 (15 sec) [AMS5043 - 29] |
版本. | 0'15 | Aleksandar Dimitrijevic | 15 seconds cut | 忧伤 后摇滚 高潮 恐怖片 | Eb | 100 | |||
|
Agressive Bend SFX 3 From A
[CSDL1007 - 17] |
0 | 0'56 | Salvador Casais, Thomas Dubreuil | Sound Design element. Alarming, hitting & growling pitched up bends | 画面感 爆炸 令人不安 大电影打击乐 | Em | 112 | |||
|
Fingerprints [CEG5041 - 4] |
2'08 | Sami Laine | Investigation score. Suddenly, disturbing, somber & inexorable. | 司法 进行中 警匪片 令人不安 | E | 96 | ||||
|
Fingerprints Alternate [CEG5041 - 17] |
版本. | 2'07 | Sami Laine | Alternate without percussion. | 司法 画面感 进行中 警匪片 | E | 96 | |||
|
Fingerprints 30 secondes [CEG5041 - 18] |
版本. | 0'29 | Sami Laine | Alternate 30s. | 司法 画面感 进行中 警匪片 | E | 96 | |||
|
Conflict of Interest [ISC041 - 9] |
2'17 | Giorgos Lorantakis | Aggressive intro with sudden deafening impacts creating a rhythm. | 战争 金属 机械的 冲突 | Bbm | 125 | ||||
|
Conflict of Interest Alternate [ISC041 - 25] |
版本. | 2'17 | Giorgos Lorantakis | Alternate version without guns. | 战争 机械的 冲突 战士 | Bbm | 125 | |||
|
Rock Invaders Alternate [AMS5010 - 15] |
1'33 | Philippe Briand, Salvador Casais | Alternate version without percussion. | 气势 团队运动 摇滚圣歌 态度 | Em | 137 | ||||
|
Rock Invaders [AMS5010 - 5] |
版本. | 1'33 | Philippe Briand, Salvador Casais | Cinematic rock. Energetic, determined with attitude, driving, | 摇滚圣歌 气势 团队运动 预告片 | Em | 137 | |||
|
Synthetic Life [AMS5002 - 2] |
3'07 | Philippe Briand, Salvador Casais | Emotional electro / Synthwave. Emotive intro with piano, strings & | 果断 团队运动 令人激动 进步 | Em | 110 | ||||
|
Synthetic Life Alternate [AMS5002 - 12] |
版本. | 3'07 | Philippe Briand, Salvador Casais | Alternative version without percussion. | 合成波 果断 都市景色 电子琴 | Em | 110 | |||
|
Match Penalty [CEZ4538 - 25] |
1'17 | Mark Alberts, Morgan Sansous | Anthemic/stomp rock. Strong, motivating, proud, confident, heavy & | 摇滚圣歌 固执 极限运动 强调突出 | Em | 65 | ||||
|
Match Penalty Alternate [CEZ4538 - 46] |
版本. | 1'18 | Mark Alberts, Morgan Sansous | Alternate version without vocals. | 摇滚圣歌 固执 极限运动 强调突出 | Bm | 65 | |||
|
Laws of the Game [CET9058 - 5] |
2'19 | Philippe Briand, Salvador Casais | Motivating power chords intro with lead guitar & trailer percussion. | 气势 团队运动 男人 赛车 | Am | 110 | ||||
|
Laws of the Game Alternate [CET9058 - 15] |
版本. | 2'19 | Philippe Briand, Salvador Casais | Alternate without percussion. | 气势 团队运动 男人 赛车 | Am | 110 | |||
|
Detroit Motor Show [CET9058 - 7] |
1'58 | Philippe Briand, Salvador Casais | Bluesy guitar intro evolving with trailer percussion (riser), | 态度 男人 气势 团队运动 | E | 120 | ||||
|
Detroit Motor Show Alternate [CET9058 - 17] |
版本. | 1'58 | Philippe Briand, Salvador Casais | Alternate without percussion. | 态度 男人 气势 团队运动 | E | 120 | |||
|
Scars and Tattoos [CET9058 - 10] |
2'37 | Philippe Briand, Salvador Casais | Mysterious intro with intriguing guitar & cinematic percussion. Weird | 气势 冲突 男人 固执 | Fm | 100 | ||||
|
Scars and Tattoos Alternate [CET9058 - 20] |
版本. | 2'37 | Philippe Briand, Salvador Casais | Alternate without percussion. | 气势 冲突 男人 固执 | Fm | 100 | |||
|
Tactical Warfare [CET9056 - 12] |
2'59 | Salvador Casais | Harsh beat intro fading suddenly for suspenseful & gritty layers. | 动作片 动作游戏 极限运动 冲突 | Em | 150 | ||||
|
Tactical Warfare Alternate [CET9056 - 26] |
版本. | 2'59 | Salvador Casais | Alternate without percussion. | 动作片 动作游戏 极限运动 冲突 | E | 150 |