| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Dressed Naked [BIB296 - 5] |
2'27 | Elias Kolkas | Tragic, futuristic, laidback. Arpeggiated synths and dusty pad chords | 令人激动 时尚 夜晚 广告 | Am | 106 | ||||
|
Dressed Naked (Instrumental) [BIB296 - 21] |
版本. | 2'27 | Elias Kolkas | Tragic, futuristic, laidback. Arpeggiated synths and dusty pad chords | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Dressed Naked (Bed) [BIB296 - 22] |
版本. | 2'19 | Elias Kolkas | Tragic, futuristic, laidback. Dusty pad chords create a super modern | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Dressed Naked (30 sec) [BIB296 - 23] |
版本. | 0'30 | Elias Kolkas | Tragic, futuristic, laidback. Glamorous energy tinged with melancholy | 令人激动 时尚 夜晚 广告 | Am | 106 | |||
|
Tribal Space [CEZ4694 - 6] |
3'24 | Gwadakongo | Afrofuturism. Rhythmic, captivating & celestial. Percussion, beats, | 非洲流行乐 气氛 媚俗 & 艳俗 非洲 | Bm | 110 | ||||
|
Tribal Space Alternate [CEZ4694 - 21] |
版本. | 3'24 | Gwadakongo | Underscore version | 非洲流行乐 气氛 媚俗 & 艳俗 非洲 | Gbm | 110 | |||
|
Tribal Space Edit 30 sec [CEZ4694 - 22] |
版本. | 0'30 | Gwadakongo | 30 second cut | 非洲流行乐 气氛 媚俗 & 艳俗 非洲 | Bm | 110 | |||
|
Tech Obsession [CEZ4679 - 12] |
2'28 | Veens | Electro beat, corporate electro. Triumphant, modern & rousing. Synth | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | ||||
|
Tech Obsession Edit 60 sec [CEZ4679 - 71] |
版本. | 0'59 | Veens | 60 second cut. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
Tech Obsession Edit 30 sec [CEZ4679 - 72] |
版本. | 0'30 | Veens | 30 second cut. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
Tech Obsession Edit 20 sec [CEZ4679 - 73] |
版本. | 0'20 | Veens | 20 second cut. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
Tech Obsession Edit Sting [CEZ4679 - 74] |
版本. | 0'10 | Veens | Sting. | 俱乐部 令人激动 联盟 凯旋 | Bbm | 117 | |||
|
All for the Better [CCB1068 - 2] |
2'22 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Elastic, | 命运 史诗 果断 令人激动 | Bbm | 151 | ||||
|
All for the Better Edit 20 sec [CCB1068 - 13] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 命运 史诗 果断 令人激动 | Bbm | 150 | |||
|
All for the Better Edit 30 sec [CCB1068 - 14] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | 命运 史诗 果断 令人激动 | Bbm | 151 | |||
|
All for the Better Sting [CCB1068 - 15] |
版本. | 0'08 | Louis-Ronan Choisy | Sting | 命运 史诗 果断 令人激动 | B | 151 | |||
|
Future Challenges [CCB1068 - 7] |
2'54 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Disturbing, | 果断 旋律重复的音乐 科幻片 周期性的 | Bm | 84 | ||||
|
Future Challenges Edit 20 sec [CCB1068 - 28] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 果断 旋律重复的音乐 科幻片 周期性的 | Bm | 126 | |||
|
Future Challenges Edit 30 sec [CCB1068 - 29] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | 果断 旋律重复的音乐 科幻片 周期性的 | Bm | 126 | |||
|
Future Challenges Sting [CCB1068 - 30] |
版本. | 0'08 | Louis-Ronan Choisy | Sting | 果断 旋律重复的音乐 科幻片 周期性的 | Bm | 126 | |||
|
Particle Shower [CCB1068 - 8] |
2'15 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Mathematical, | 加速镜头 信息技术 科学 催眠 | Fm | 130 | ||||
|
Particle Shower Edit 20 sec [CCB1068 - 31] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 加速镜头 信息技术 科学 催眠 | Fm | 130 | |||
|
Particle Shower Edit 30 sec [CCB1068 - 32] |
版本. | 0'30 | Louis-Ronan Choisy | 30 second cut. | 加速镜头 信息技术 科学 催眠 | Fm | 130 | |||
|
Particle Shower Sting [CCB1068 - 33] |
版本. | 0'11 | Louis-Ronan Choisy | Sting | 加速镜头 信息技术 科学 催眠 | Fm | 129 | |||
|
Mainframe [TBX217 - 5] |
2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 科学 调查研究 信息技术 太空 | Eb | 109 | ||||
|
Mainframe (Underscore) [TBX217 - 27] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Underscore No
[TBX217 - 28] |
版本. | 2'05 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (30 Sec) [TBX217 - 29] |
版本. | 0'30 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle amid | 调查研究 科学 信息技术 太空 | Eb | 109 | |||
|
Mainframe (Sting) [TBX217 - 30] |
版本. | 0'15 | Gary Meek | Explorative, technological, important. Bright synth notes dazzle | 调查研究 科学 信息技术 太空 | Eb | 108 | |||
|
Source Code [TBX217 - 8] |
2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | ||||
|
Source Code (Underscore) [TBX217 - 38] |
版本. | 2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is met with signal-like | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (Underscore No
[TBX217 - 39] |
版本. | 2'03 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (30 Sec) [TBX217 - 40] |
版本. | 0'30 | Gary Meek | Cold, eerie, distant. Simply ascending tune is frozen by icey lead | 信息技术 神秘 电子琴 气氛 | E | 110 | |||
|
Source Code (Sting) [TBX217 - 41] |
版本. | 0'13 | Gary Meek | Cold, eerie, distant. Icey synths driven forward by drums with | 信息技术 神秘 电子琴 气氛 | E | 109 | |||
|
Break the Fake [CEZ4653 - 9] |
2'04 | G.Bonson | Big Beat. 1990s. Upbeat, edgy & relentless. Male vocals, drums & | 赛车 大节奏 沉重 极限运动 | Gm | 127 | ||||
|
Break The Fake Alternate [CEZ4653 - 134] |
版本. | 2'03 | G.Bonson | Instrumental version | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 1 (60 sec) [CEZ4653 - 135] |
版本. | 1'00 | G.Bonson | 60 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 2 (60 sec) [CEZ4653 - 136] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 3 (60 sec) [CEZ4653 - 137] |
版本. | 1'00 | G.Bonson | 60 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 4 (60 sec) [CEZ4653 - 138] |
版本. | 1'00 | G.Bonson | 60 second instrumental cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 5 (30 sec) [CEZ4653 - 139] |
版本. | 0'30 | G.Bonson | 30 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 6 (30 sec) [CEZ4653 - 140] |
版本. | 0'30 | G.Bonson | 30 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 7 (30 sec) [CEZ4653 - 141] |
版本. | 0'30 | G.Bonson | 30 second cut 2 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 8 (15 sec) [CEZ4653 - 142] |
版本. | 0'15 | G.Bonson | 15 second cut | 赛车 大节奏 沉重 极限运动 | Gm | 128 | |||
|
Break The Fake Edit 9 (15 sec) [CEZ4653 - 143] |
版本. | 0'15 | G.Bonson | 15 second instrumental cut | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Break The Fake Edit 10 (15
[CEZ4653 - 144] |
版本. | 0'15 | G.Bonson | 15 second cut 2 | 赛车 大节奏 沉重 极限运动 | G | 127 | |||
|
Break The Fake Edit 11 (Sting
[CEZ4653 - 145] |
版本. | 0'09 | G.Bonson | Sting 1 | 赛车 大节奏 沉重 极限运动 | Bb | 128 | |||
|
Break The Fake Edit 12 (Sting
[CEZ4653 - 146] |
版本. | 0'08 | G.Bonson | Sting instrumental 1 | 赛车 大节奏 沉重 极限运动 | Bb | 124 | |||
|
Break The Fake Edit 13 (Sting
[CEZ4653 - 147] |
版本. | 0'07 | G.Bonson | Sting 2 | 赛车 大节奏 沉重 极限运动 | Gm | 129 | |||
|
Break The Fake Edit 14 (Sting
[CEZ4653 - 148] |
版本. | 0'07 | G.Bonson | Sting 3 | 赛车 大节奏 沉重 极限运动 | Em | 130 | |||
|
Break The Fake Edit 15 (Sting
[CEZ4653 - 149] |
版本. | 0'05 | G.Bonson | Sting instrumental 3 | 赛车 大节奏 沉重 极限运动 | Gm | 127 | |||
|
Percussion, Piano & Bass [BIB280 - 10] |
3'00 | Benedic Lamdin, Riaan Vosloo | Hurt, hopeful, determined. Glassy piano chords give a sense of loss | 电影爵士乐 夜晚 疑问 悬疑探案 | Dm | 96 | ||||
|
Percussion, Piano & Bass
[BIB280 - 20] |
版本. | 3'00 | Benedic Lamdin, Riaan Vosloo | Hurt, hopeful, determined. Piano chords give a sense of loss and | 电影爵士乐 夜晚 疑问 悬疑探案 | Dm | 96 | |||
|
Digitalis [BIB279 - 4] |
3'32 | Luke Coltman | Dramatic, retrofuturist, elegant. Warm keys offer a melancholy mood | 原声乐器 电影原声带 反省 气氛 | Eb | 110 | ||||
|
Digitalis (Underscore) [BIB279 - 15] |
版本. | 3'30 | Luke Coltman | Dramatic, retrofuturist, elegant. Warm keys offer a melancholy mood | 原声乐器 电影原声带 反省 气氛 | Eb | 109 | |||
|
The Go-Getter [CEZ4635 - 4] |
2'25 | Amaury Louvet | Electro / Percussive Track. Impactful, upbeat, strong, constant & | 俱乐部 动人 舞动 果断 | Gm | 124 | ||||
|
The Go-Getter 15 sec edit [CEZ4635 - 25] |
版本. | 0'15 | Amaury Louvet | 15 second cut. | 俱乐部 动人 舞动 果断 | Gm | 124 | |||
|
The Go-Getter 30 sec edit [CEZ4635 - 26] |
版本. | 0'30 | Amaury Louvet | 30 second cut. | 俱乐部 动人 舞动 果断 | Gm | 125 | |||
|
The Go-Getter 60 sec edit [CEZ4635 - 27] |
版本. | 1'00 | Amaury Louvet | 60 second cut. | 俱乐部 动人 舞动 果断 | Gm | 125 | |||
|
The Go-Getter sting 1 [CEZ4635 - 28] |
版本. | 0'08 | Amaury Louvet | Sting. | 俱乐部 动人 舞动 果断 | Gm | 124 | |||
|
The Go-Getter sting 2 [CEZ4635 - 29] |
版本. | 0'09 | Amaury Louvet | Sting. | 俱乐部 动人 舞动 果断 | Abm | 124 | |||
|
One More Controversy [CEG5047 - 9] |
2'13 | Sebastijan Duh | Investigation / News. Sensational, crucial & intense. Acceleratic & | 政治 气势 画面感 高潮 | Cm | 116 | ||||
|
One More Controversy
[CEG5047 - 60] |
版本. | 2'11 | Sebastijan Duh | Alternate version. | 政治 气势 画面感 高潮 | Cm | 115 | |||
|
One More Controversy
[CEG5047 - 61] |
版本. | 2'14 | Sebastijan Duh | Underscore alternate version. | 政治 气势 画面感 高潮 | Cm | 115 | |||
|
One More Controversy
[CEG5047 - 62] |
版本. | 2'11 | Sebastijan Duh | Underscore / beds alternate version. | 政治 气势 高潮 进行中 | Cm | 115 | |||
|
One More Controversy 15 sec
[CEG5047 - 63] |
版本. | 0'15 | Sebastijan Duh | 15 second cut. | 政治 气势 画面感 高潮 | Cm | 115 | |||
|
One More Controversy 30 sec
[CEG5047 - 64] |
版本. | 0'30 | Sebastijan Duh | 30 second cut. | 政治 气势 画面感 高潮 | Cm | 115 | |||
|
One More Controversy 60 sec
[CEG5047 - 65] |
版本. | 1'00 | Sebastijan Duh | 60 second cut. | 政治 气势 画面感 高潮 | Cm | 115 | |||
|
One More Controversy sting [CEG5047 - 66] |
版本. | 0'10 | Sebastijan Duh | Sting. | 政治 气势 画面感 高潮 | C | 115 | |||
|
Danger Zone [BIB270 - 5] |
1'54 | Omer Agca | Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass | 撞击电子乐 态度 合成贝斯 俱乐部 | Dbm | 126 | ||||
|
Danger Zone (Instrumental) [BIB270 - 19] |
版本. | 1'54 | Omer Agca | Heavy, cool, sci fi. Electro drumbeat leads into heavy thudding bass | 固执 俱乐部 撞击电子乐 时尚 | Dbm | 126 | |||
|
Danger Zone (Underscore) [BIB270 - 20] |
版本. | 1'54 | Omer Agca | Heavy, cool, sci fi. Electro snares leads into heavy thudding bass in | 撞击电子乐 时尚 合成贝斯 俱乐部 | Dbm | 126 | |||
|
The Enemy Kingdoms [CEC8049 - 7] |
0 | 1'45 | Zhang Hao, Peng Qu | Chinese influenced hybrid orchestral. Magical & exotic intro. Start @ | 果断 画面感 节奏感 中国 | Dbm | 92 | |||
|
Tem Quem [CEB6006 - 6] |
2'45 | Silvano Michelino, Dino Vicente | Modern bossa nova. Strange, lounge & swinging. Moog hook, Brazilian 歌词 | 摇摆 桑巴舞 电子键盘 稳定的 | Ebm | 134 | ||||
|
Tem Quem Underscore [CEB6006 - 18] |
版本. | 2'45 | Silvano Michelino, Dino Vicente | Alternate underscore version. | 摇摆 桑巴舞 电子键盘 稳定的 | Abm | 135 | |||
|
Californian Sunrise [AUD026 - 2] |
2'20 | Matthieu Hernandez, Pierre Stevens | Medium - Chill out and mellow urban beat. Bass, claps, drum machine. | 电子琴 都市 BEAT MAKING 自信 | Bbm | 100 | ||||
|
Californian Sunrise Edit [AUD026 - 7] |
版本. | 0'26 | Matthieu Hernandez, Pierre Stevens | 20 second cut. | 电子琴 都市 BEAT MAKING 自信 | Bbm | 100 | |||
|
Californian Sunrise Alternate [AUD026 - 12] |
版本. | 2'20 | Matthieu Hernandez, Pierre Stevens | Alternative version. | 电子琴 都市 自信 electro chill out | Bbm | 100 | |||
|
Extensive Research [AUD022 - 1] |
2'32 | Matthieu Rabaté | Fast tempo - Pulsing, time passing and suspenseful investigation | 调查研究 间谍片 pulsation 令人不安 | Dm | 164 | ||||
|
Extensive Research Alternate 1 [AUD022 - 6] |
版本. | 0'26 | Matthieu Rabaté | Alternative short version. | 调查研究 间谍片 pulsation 令人不安 | Am | 164 | |||
|
Extensive Research Alternate 2 [AUD022 - 11] |
版本. | 2'32 | Matthieu Rabaté | Alternative version without percussion. | 调查研究 间谍片 pulsation 令人不安 | Dm | 164 | |||
|
Sad Discovery [AUD022 - 5] |
2'07 | Matthieu Rabaté | Medium tempo - Eerie and hypnotic investigation theme. Break @ 1'00. | 社会悲剧 调查研究 稳定的 间谍片 | Bbm | 67 | ||||
|
Sad Discovery Alternate 1 [AUD022 - 10] |
版本. | 0'27 | Matthieu Rabaté | Alternative short version. | 社会悲剧 调查研究 稳定的 间谍片 | Bbm | 67 | |||
|
Sad Discovery Alternate 2 [AUD022 - 15] |
版本. | 2'07 | Matthieu Rabaté | Alternative version without percussion. | 社会悲剧 调查研究 稳定的 间谍片 | Bbm | 68 | |||
|
Darkest Thoughts [TBX195 - 8] |
2'39 | Mark Revell | Twinkly, eerie, dark. Troubled piano and muffled bass conveys a | 画面感 社会悲剧 司法 感动 | Am | 88 | ||||
|
Darkest Thoughts (Underscore) [TBX195 - 22] |
版本. | 2'39 | Mark Revell | Twinkly, eerie, dark. Troubled piano and muffled bass conveys a | 画面感 社会悲剧 司法 感动 | Am | 88 |