I, I look up baby to the moon
And feel the sand under my skin
It's tickly, tickly on my toes
I like the noise
Of disco disco dancing far away
It's the echo of the kick drum
Beating on the other side of town
And coming to me across the beach
Saying
Talk to me
I've waited for the longest moment
Can't you see
This is a dream
We can be we can be
Together till the break of dawn
Cause everything is downstream now
I like the voice
Of girls and boys and lovers far away
It's the echo of a slow dance
Coming from another time and space
Across this place
Right to my ears
Saying
Talk to me
I've waited for the longest moment
Can't you see
This is a dream
We can be we can be
Together till the break of dawn
Cause everything is downstream
French electro pop, disco. Catchy, fun & irreverent. Female singer, French electro pop, disco. Catchy, fun & irreverent. Female singer, funky guitars, strings, synth & rhythm.歌词
Ah ouais d’accord
Donc lui il est là pour parler
De lui hein surtout
Et le Brésil, sa start-up
Oh mais qu’est ce que je m’ennuie
Je suis venue pour danser moi
Pas pour écouter sa vie
Hein ? Quoi ?
Ah euh non non, non non, je t’écoute
Mais en faite, je suis pas certaine que ça m’intéresse
Excuse moi hein mais,
Mais là il faut que j’y aille
Faut que j’aille danser
Refrain:
Alors je saute à gauche
Je tourne à droite
Je fais des mouv’, des tours, des passes
Je bouge mon corps, j’ondule, j’éclate
La piste et moi c’est love, c’est classe
T’es fatigué tant pis tu passes
T’as qu’à matter
Regarde l’éclate
J’ai l’énergie d’un réacteur
En fusion plus rien ne me fait peur
Attend mais il se lève là ?
Oh non il vient vers moi
C’était pourtant clair non ?
Ah tiens, un verre
Merci, t’étais pas obligé
Comment ? Euh ce que je fais après ?
Au secours, sauvez-moi
Il y a mes copines là-bas
Je crois que je vais y aller
Tu te lèves tôt toi
Tu devrais rentrer
Refrain x2 :
Alors je saute à gauche
Je tourne à droite
Je fais des mouv’, des tours, des passes
Je bouge mon corps, j’ondule, j’éclate
La piste et moi c’est love, c’est classe
T’es fatigué tant pis tu passes
T’as qu’à matter
Regarde l’éclate
J’ai l’énergie d’un réacteur
En fusion plus rien ne me fait peur
Naive, yearning, poppy. Pop synths play out a fun but longing Naive, yearning, poppy. Pop synths play out a fun but longing sequence. Crisp female vocals sing out proudly about a bittersweet love situation. Glittery textures from poppy instrumentation give a wondrous atmosphere. Builds to vulnerable moment at 00:45 as instrumentation falls away to come back with triumph. Retro feel to tight slick tempo and arrangement. A person thinking back to a love that was lost.
Naive, yearning, poppy. Pop synths play out a fun but longing Naive, yearning, poppy. Pop synths play out a fun but longing sequence. Glittery textures from poppy instrumentation give a wondrous atmosphere. Builds to vulnerable moment at 00:45 as instrumentation falls away to come back with triumph. Retro feel to tight slick tempo and arrangement. A person thinking back to a love that was lost. Instrumental version.
Naive, yearning, poppy. Pop synths play out a fun but longing Naive, yearning, poppy. Pop synths play out a fun but longing sequence. Bass supports with a feeling of pride and catharsis. Retro feel to tight slick tempo and arrangement. A person thinking back to a love that was lost. Stripped back underscore version.
Positive, summery, emotive. Atmospheric female vocals with warm Positive, summery, emotive. Atmospheric female vocals with warm guitars build with determined, dramatic synth melodies through brooding verses to cool, catchy choruses. Romantic, contemporary pop with attitude.
Positive, summery, emotive. Stripped back instrumental underscore Positive, summery, emotive. Stripped back instrumental underscore version. Warm guitars build with determined, dramatic synth melodies through brooding verses to cool, catchy choruses. Romantic, contemporary pop with attitude.
Poignant, euphoric, overwhelming. Heavy bass conveys a sense of power Poignant, euphoric, overwhelming. Heavy bass conveys a sense of power and melancholy with solemn chord progression mixed with euphoric pads. Gentle piano reinforces emotional vibe. An important situation of huge magnitude, a space mission or adventure to save the world. Epiphanic crescendo with heavy drums and striding proud progression.
Poignant, euphoric, overwhelming. Heavy bass conveys a sense of power Poignant, euphoric, overwhelming. Heavy bass conveys a sense of power and melancholy with solemn chord progression mixed with euphoric pads. Gentle piano reinforces emotional vibe. An important situation of huge magnitude, a space mission or adventure to save the world. Epiphanic crescendo with heavy drums and striding proud progression. Instrumental version.
Poignant, euphoric, overwhelming. Heavy bass conveys a sense of power Poignant, euphoric, overwhelming. Heavy bass conveys a sense of power and melancholy with solemn chord progression mixed with euphoric pads. Gentle piano reinforces emotional vibe. An important situation of huge magnitude, a space mission or adventure to save the world. Epiphanic crescendo with blossoming pads and strings and striding chord progression. Stripped back underscore version.
Brave, wistful, hopeful. Quick, sharp acoustic guitar communicates Brave, wistful, hopeful. Quick, sharp acoustic guitar communicates struggles through minor chord sequence, with slow-moving pads refining a thoughtful atmosphere. Bass offers a sense of stability as guitar melody moves with pads to create a deeper feeling, kick drum displaying brave momentum. An individual pushing through troubles, keeping a pure heart and confidence in themselves.
Brave, wistful, hopeful. Quick, sharp acoustic guitar communicate Brave, wistful, hopeful. Quick, sharp acoustic guitar communicate struggles through minor chord sequence, with slow-moving pads refining a thoughtful atmosphere. Bass offers a sense of stability, moving into a chord sequence with a deeper sense of emotion, kick drum displaying a brave momentum. An individual pushing through troubles, keeping a pure heart and confidence in themselves. Stripped back underscore version.
Indie pop with a 60s twist. Upbeat, danceable & happy. Organ, bass, Indie pop with a 60s twist. Upbeat, danceable & happy. Organ, bass, guitar, rhythm, female vocals & backing vocals. Break @ 1'24. Suggested for time out & parties.歌词
I don't mind.
You should know that i don't mind, if you want to love me all your life.
Powerful, epic, rebellious. Large drum impacts with tenacious, sharp Powerful, epic, rebellious. Large drum impacts with tenacious, sharp bass note. Vocals present aggressive imagery, someone who has no problem causing trouble and chaos to get through adversity. Theatrical spirit with ghostly pads and dramatic vocal performance. An anti-hero, an individual who will do anything to get on top and win.
Powerful, epic, rebellious. Large drum impacts with tenacious, sharp Powerful, epic, rebellious. Large drum impacts with tenacious, sharp bass note.Theatrical spirit with ghostly pads and large bass hits. An anti-hero, an individual who will do anything to get on top and win. Instrumental version.
Powerful, epic, rebellious. Large drum impacts with tenacious, sharp Powerful, epic, rebellious. Large drum impacts with tenacious, sharp bass note.Theatrical spirit with ghostly pads and large bass hits. An anti-hero, an individual who will do anything to get on top and win. Stripped back underscore version.
Important, powerful, climactic. Cut & Drop @ 1'15. Euphoric pads Important, powerful, climactic. Cut & Drop @ 1'15. Euphoric pads emerge and piano ushers in female vocals. A sense of seriousness, the last chance to prove oneself before the end of a challenge of conflict. Searching positivity in melodies and growing dominance in synth arpeggiation gives an unmistakable feeling of victory. Burst at 01:19 with epic drums and shouted vocals. A win of the utmost importance.
Important, powerful, climactic. Euphoric pads emerge and piano give Important, powerful, climactic. Euphoric pads emerge and piano give sense of seriousness, the last chance to prove oneself before the end of a challenge of conflict. Searching positivity in melodies and growing dominance in synth arpeggiation gives an unmistakable feeling of victory. Burst at 01:19 with epic drums. A win of the utmost importance. Instrumental version.
Important, powerful, climactic. Euphoric pads emerge and piano give Important, powerful, climactic. Euphoric pads emerge and piano give sense of seriousness, the last chance to prove oneself before the end of a challenge of conflict. Catharsis at 01:19 with uplifting piano chords and sharp string stabs. Stripped back underscore version.
Important, powerful, climactic. Euphoric pads emerge and piano ushers Important, powerful, climactic. Euphoric pads emerge and piano ushers in female vocals. A sense of seriousness, the last chance to prove oneself before the end of a challenge of conflict. Searching positivity in melodies and growing dominance in synth arpeggiation gives an unmistakable feeling of victory. Burst at 01:19 with roaring guitar chords and shouted vocals. A win of the utmost importance. Stripped back underscore version.
Cheeky, energetic, tight. Clapping and phased percussive FX lead into Cheeky, energetic, tight. Clapping and phased percussive FX lead into a dissonant, chaotic pop beat. Female vocals sing proudly about being bad. Shouted vocals mix with melodic harmonies to convey a multi-talented persona. An individual with a lot of skill who likes to misbehave. Screeching melodies inspire a modern energy, formidable electronic FX. Ad-libbed vocals towards the end further present a talent and a boastful energy.歌词
(I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go (I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go, If you bad and you slaying, Let me, let me hear you say it, If you bad and you slayin, Say it. I'm so so bad, If you bad and you slayin, Let me, let me hear you say it If you bad and you slayin, Say it, I'm so so bad. Bad girl, Yeah I'm that girl, Ain't careful, Imma steal your man, girl, Rad girl, Never sad girl, Call my bestie up, Where ya at girl? When they see me coming, They all come running, Cause I'm banging, Like a drum, Drum-drummin Get them going, Trumpets blowing, Better get a cup, Cause this juice is flowing, I'm burning hot like firewood, And they know they not, But they wish they could, Make being bad look so damn good, So good, So good. Booty fat girl, Hat back girl, Your type, You like it like that girl, Cadillac girl, Zodiac girl, My horoscope telling facts girl, When they see me coming, They all come running, Cause I'm banging, Like a drum Drum-drummin, Get them going, Trumpets blowing. Better get a cup, Cause this juice is flowing, I'm burning hot like firewood, And they know they not, But they wish they could, Make being bad look so damn good, So good, So good. (I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go (I'm so so bad), Bad to the bone, Bad down in my soul, Bad everywhere I go, If you bad and you slaying, Let me, let me hear you say it, If you bad and you slayin, Say it.
Cheeky, energetic, tight. Clapping and phased percussive FX lead into Cheeky, energetic, tight. Clapping and phased percussive FX lead into a dissonant, chaotic pop beat. Small, modest melodic elements overrun by noisy synth FX. Screeching melodies inspire a modern energy, formidable electronic FX. Instrumental version.
Cheeky, energetic, tight. Clapping and phased percussive FX lead into Cheeky, energetic, tight. Clapping and phased percussive FX lead into a dissonant, chaotic pop beat. Female vocals sing proudly about being bad. Shouted vocals mix with melodic harmonies to convey a multi-talented persona. An individual with a lot of skill who likes to misbehave. Screeching melodies inspire a modern energy, formidable electronic FX. Ad-libbed vocals towards the end further present a talent and a boastful energy. Stripped back underscore version.
Folk song. Charming, positive & cheerful. Ukulele, female singer, Folk song. Charming, positive & cheerful. Ukulele, female singer, piano & rhythm. Suggested for daytime TV & advertising. 歌词
I've got a feeling that you should know
That we could leave anytime
There's a place I found we could goInto the sun we will hide
Waking up I'm gettin so excited
The air outside is so warm
Forget the city we will reach the country
Right to the sun we will drive
Oh I know...This could be our time / this could be a fine time
I've got a feeling that you should know
That this could be our time
the grass is green we hear the birds are singing into the sun we feel fine
Oh I know...This could be our time / this could be a fine time
Ethereal, charming & intimate ballad-pop sung in Spanish. Gently Ethereal, charming & intimate ballad-pop sung in Spanish. Gently falling in love. Female singer, sampling, piano, electric guitar, synth, electronic & sampled percussion.歌词
ES:
me acabo de despertar no era una pesadilla era un sueño cargado sentí el peso de cien universos recayendo en mi costado, seis toneladas de asfalto
te cuento estaba andando tomando una desperados andando por un bar que siempre me olía quemado los tíos por el sitio andaban desesperados molestaban como un rato y luego se iban a otro lado
y de repente me giro tus ojos brillantes toa' la gente bailaban como ignorantes nadie se daba cuenta de lo que había delante mejor para mí no quiero pelearme tu bailas y me tomo otro trago tu bailas y me acuerdo de un fotograma desgastado tu bailas y me acuerdo de aquel cine de verano mirándote la boca soñando con el pecado
el mundo no está hecho para gente como tú no puedes ser mortal teniendo toda esa actitud no puedes ser real por eso digo que es un sueño aunque yo haya tocado cada parte de tu cuerpo si no es pa ser amados dime pa que estamos hechos como me miras baby se que no es un juego te pregunto quien eres y me dices no me acuerdo te digo ven conmigo yo te lo recuerdo
tal vez ya no me quiera escapar puede que me haya vuelto a enamorar tal vez sea un juego pero acepto cada reto y si viene dulce lo voy a probar no es lo que pensé que iba a encontrar pero se que me has venido a buscar beber entre besos con un cúmulo de excesos y sentidos preparándose a estallar
ya no me castigo parece que embriagaste cada uno de mis sentidos yo te amaba antes de haberte conocido vivía encerrada hasta que sentí tus labios en los míos lo mío es ponértelo sencillo no quiero complicarlo solo quiero estar contigo olerte el cuello mis manos entre tus rizos fúmate un cigarro conmigo que yo te invito pégate pregúntame donde vivo vámonos al baño bésame y echa el pestillo cuéntame tus juegos y yo te cuento los míos quédate conmigo baby quédate conmigo quédate conmigo baby quédate conmigo quédate conmigo baby quédate conmigo quédate conmigo que yo te enseño el camino quédate conmigo baby quédate
tal vez ya no me quiera escapar puede que me haya vuelto a enamorar tal vez sea un juego pero acepto cada reto y si viene dulce lo voy a probar no es lo que pensé que iba a encontrar pero se que me has venido a buscar beber entre besos con un cúmulo de excesos y sentidos preparándose a estallar tal vez ya no me quiera escapar puede que me haya vuelto a enamorar tal vez sea un juego pero acepto cada reto y si viene dulce lo voy a probar no es lo que pensé que iba a encontrar pero se que me has venido a buscar beber entre besos con un cúmulo de excesos y sentidos preparándose a estallar
EN:
I just woke up it was not a nightmare it was a heavy dream I felt the weight of a hundred universes falling on my side, six tons of asphalt
I tell you I was walking taking a desperado walking through a bar that always smelled burnt to me the guys around the place were walking around desperate they were bugging for a while and then they'd go somewhere else
and suddenly I turn around your eyes shining all the people were dancing like ignorants no one noticed what was in front of them better for me i don't want to fight
you dance and I take another drink you dance and I remember a faded frame you dance and I remember that summer movie theatre looking at your mouth dreaming of sin
the world is not made for people like you you can't be mortal having all that attitude you can't be real that's why I say it's a dream even though I've touched every part of your body if it's not to be loved tell me what we're made for how you look at me baby I know it's not a game I ask you who are you and you tell me I don't remember I tell you come with me I remind you
Maybe I don't want to run away anymore Maybe I've fallen in love again maybe it's a game but I accept every challenge and if it comes sweet I'll try it it's not what I thought I'd find but I know you've come looking for me to drink between kisses with an accumulation of excess and senses preparing to explode
I no longer punish myself it seems that you intoxicated each one of my senses I loved you before I met you I lived locked up until I felt your lips on mine my thing is to make it simple for you I don't want to complicate it I just want to be with you smell your neck my hands between your curls smoke a cigarette with me I'll buy you one ask me where I live let's go to the bathroom kiss me and bolt the door tell me your games and I'll tell you mine stay with me baby stay with me stay with me baby stay with me stay with me baby stay with me stay with me that I'll show you the way stay with me baby stay with me
maybe I don't want to run away anymore I may have fallen in love again maybe it's a game but I accept every challenge and if it comes sweet I'm gonna taste it it's not what I thought I'd find but I know you've come looking for me to drink between kisses with an accumulation of excess and senses getting ready to explode maybe I don't want to escape anymore maybe I've fallen in love again maybe it's a game but I accept every challenge and if it comes sweet I'll taste it it's not what I thought I'd find but I know you've come looking for me to drink between kisses with an accumulation of excess and senses preparing to explode
Smooth & electronic alternative pop track with male singer & synth. Smooth & electronic alternative pop track with male singer & synth. Confident & touching. Drum @ 1'10. Build-up @ 2'50 until finale. Suggested for teen series, indie movie & cinema.歌词
I am waking up In the orchard of our dreams It hasn’t been easy We haven’t been friends for a while I will turn my back On the things I’ve done That have made you disappear You haven’t been first, for a while I could I could Blame it on the weather Blame it on the plan I could, I could Blame it on my job Blame the other man I could, I could Gather up my stones Hurl them at you I could, I could But if I lay a single finger I’m hurting me too I can see the light And it doesn’t burn my eyes For the first time in a long time I’m walking out from the shadows You twist your head Turn your heart to my face Your independent smile Tells me we can be friends again I’m being honest I’m being honest I’m being honest Right with you now I’m being honest I’m being honest I’m being honest Right here now
Soft, intimate & deep indie pop song with british male singer & synth Soft, intimate & deep indie pop song with british male singer & synth pads. Emotional & bright. Drum @ 1'49 until build-up. Suggested for indie movie, teens tv shows & ads.歌词
Feeling the wild winds are waking, waking And all my best intentions thrown
I’m drifting closer to the edge
The silent cliff top suspense
Feeling the wild winds are waking, waking
I’m unsettled Unsettled
I can’t shake it off I’m unsettled Unsettled
I can’t shake it off
Pick up my ball of thoughts and throw it, throw it I’ll let the wind direct it’s path
Could hear that pin drop to the floor
And seconds later exploding
Pick up my ball of thoughts and throw it, throw it
I can see that winter is up ahead
And if I don’t get my head together
I’ll be blown away
I will be logged out, adrift, a castaway And if I don’t anchor down,
I will pass away
I can’t shake it off I can’t shake it off
Danceable, fun & sensual afro-Latin beat sung in Portuguese & Danceable, fun & sensual afro-Latin beat sung in Portuguese & Spanish. Fun vibes on a night out. Male & female singers, synth, sampling, auto-tune, Latin & electronic percussion. Lead electric guitar @ 2'29.歌词
PR/ES:
yeaah oh na na na
ele me chama e é para sair
cê sabe um plano tranqui,
saída tipo chill
ele me olha como que querendo algo mais
levo ele pra sua casa,
me diz se quero entrar
Mango Bajito
Y yo haciéndome el loco
ele me deixa louca
Se me pega despacito
me pega devagarinho
Me despierta poco
me desperta pouco a pouco
Ay esto se prendió cuando dijo ven vámonos
Estaba esperando esto mas que la final de Game of Thrones
Con esa cara de Tokio hoy no voy pa' Japón
Vamos a hacer un clic, vamos a perder el control
me mata seu tumbao,
coração acelerado
não fiz uma tatu tu
mas fiquei marcada
hashtag #nobraclub
arrasando no tik tok
esse baile só
eu vi ontem entre quatro paredes
Yeah, y yo que pensaba que eras vegana
descobri que isso era um mito
Me pregunta si repetimos mañana
ele é mango bajito
La puso mango bajito
e eu ficando louca
Y yo haciéndome el loco
me pega devagarinho
Se me pega despacito
me seduz pouco a pouco
Me seduce poco a poco
Oh na na
Oh nana
ele não tá vacilando
Oh na na
Oh na na
me deixa delirando
hey, não te minto,
não sou impostora
mas se você mexe assim
necessito ventilação
Hey, no te miento,
no soy impostor
súbete a mi nave
vamos a matarnos los dos
Hey, lo mueve así,
con todo el potencial
Pa' que te digo que no si sí
Me encanta verla bailar
Hey, Lo mueve así,
imposible comparar
parece que foi criado
pela própria Nastya Nass
She calls me to go out
You know a nice quiet plan,
a chill out type of thing.
She looks at me like she wants something else
I take her to her house and she tells me if I want to come in.
Low Mango
And I'm pretending to be crazy
She slowly comes on to me
She wakes me up little by little
Oh this was turned on when she said "come on let's go"
I was waiting for this more than the Game of Thrones finale
With that Tokyo face I'm not going to Japan today
We're gonna click, we're gonna lose control
He' s killing me with his tumbao,
He' s got my heart racing
He didn't give me a tattoo too
and yet left me marked
Hashtag "No Bra Club",
sharing it on Tik Tok
Although that dance alone
I saw it in the room
Yeah, and I thought you were vegan.
I already found out that was a myth
She's asking me if we'll do it again tomorrow
She put the mango on low
And I'm pretending to be crazy
She's slowly coming on to me
She seduces me little by little
Oh na na
Oh nana
She's not fooling around
Oh na na na
Oh na na na
She's got me delirious
Hey, I'm not lying to you
I'm not an imposter
But if you move it like that
I need ventilation
Hey, I'm not lying to you
I'm not an impostor
get in my car
We're gonna die together
Hey, move it like this,
with all the potential
How can I say no to you, if I also want it
I love to see her dance
Hey, she moves it like this
Impossible to compare
She looks like she was raised
By Nastya Nass herself
