Show opening. Spoken guttural & ghostly male voice. Intriguing quirky ...Show opening. Spoken guttural & ghostly male voice. Intriguing quirky & jazzy. Orchestra with brass ensemble, Theremin, piano, guitar, chorus, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall ...Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall orchestra, brass ensemble, Theremin, piano, guitar, choir, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Romance in waltz time. Melancholic, loving & sentimental. Male & ...Romance in waltz time. Melancholic, loving & sentimental. Male & female duet. Orchestra, string ensemble, piano & rhythm. In the spirit of Broadway musicals of 40s & 50s. Suggested for happy endings.歌词
WE MAY FALL IN LOVE
Music by Julien Vega
Lyrics by John Greaves & Julien vega
I don’t want to fall in love
It’s not a game I wish to choose
Sweet as your advances are
I must regrettably refuse
Love Is just a game of fools
So maybe we could bend the rules
Play the game, lose every time
You bet a dollar, win a dime
I will take that broken heart and heal it
Maybe there will come a day you’ll feel it
‘cause there is something you can’t disguise
There in your eyes
We may fall in love
Will I ever love again, Will I? Will I?
Let me wash away the pain
Love is meant for other men Not I Not I
Let me help you love again
There is such a lot to find
Circumstances
But you need an open mind
Please don’t take this personally,
Take some chances
It simply wasn’t means to be.
I will take that broken heart and heal it
But I can’t let you do it
Maybe there will come a day you’ll feel it
I am impervious to it
But there is something you can’t disguise
I see it in your eyes
We may fall in love
Tonight
We May Fall in Love ...We May Fall in Love Instrumental [CEZ4511 - 10]
0
2'03
Julien Vega
Waltz. Melancholic & sentimental. Orchestra with string ensemble, ...Waltz. Melancholic & sentimental. Orchestra with string ensemble, piano , saxophone, trumpet & rhythm. In the spirit of Broadway musicals of 40s & 50s.
Determined, exuberant & passionate show song. Male singer in crooner ...Determined, exuberant & passionate show song. Male singer in crooner style, Swing orchestra with string ensemble, brass, vibes & rhythm. In the spirit of Broadway musicals of the 60s & 70s.歌词
THE TALK OF THE TOWN
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
At last here comes the big day
I’ve waited for this moment
For so long
I’ve got a Broadway opening
Finally things are happening
My way
There will be lines around the block
Stars in limos, famous celebrities
New York’s finest
All come to see me
The thrill, the magic of applause,
Someone like me simply adores
If I’m a hit I must admit immodestly
I had it coming to me
The heights of fame are heady
But I am more than ready
To get there
So here I am at last
I’m going places fast
And I know where
I’ve always been aware of it
One day I’ll be getting my share of it
And I’m gonna be
The talk of the town
The thrill, the magic of applause,
That little old me simply adores
If I’m a hit I must admit immodestly
I had it coming to me and the whole world can see that I’m ready to be
The talk of the town
The Talk of the Town ...The Talk of the Town Instrumental 1 [CEZ4511 - 12]
2'26
Julien Vega
Instrumental version with tap dance @ 1'08, Confident, easy going & ...Instrumental version with tap dance @ 1'08, Confident, easy going & carefree. Swing orchestra with strings, brass, vibes & rhythm. In the spirit of the musicals of the 50s & 60s.
The Talk of the Town ...The Talk of the Town Instrumental 2 [CEZ4511 - 13]
版本.
2'25
Julien Vega
Instrumental version without tap dance. Confident, easy going & ...Instrumental version without tap dance. Confident, easy going & carefree. Jazz orchestra with strings, brass, vibes & rhythm. In the spirit of the musicals of the 60s & 70s.
Romance in the style of the musicals. Sentimental, fragile, tender & ...Romance in the style of the musicals. Sentimental, fragile, tender & melancholic. Female singer, symphony orchestra & piano.歌词
IN THE HERE AND NOW
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
I LIVE IN A KIND OF DREAM
BUT A DREAM THAT SEEMS QUITE REAL
AND I’M ON THE BRINK
BECAUSE WHAT I THINK’S OUT OF SYNCH
WITH WHAT I FEEL
BUT HEY I DON’T GIVE A DAMN
WHAT I THINK IS NOT WHAT I AM
GONNA SHED MY SKIN
AND I’M TRADING IN
EVERYTHING I’VE EVER BEEN
AND I AM NOT AFRAID
NOT A BIT CONCERNED
AND I’LL BE FORGETTING
MORE THAN I HAVE EVER LEARNED
SLIDE TOWARDS THE EDGE
STEP ACROSS THE LEDGE
ALL MY BRIDGES BURNED
TO BE IN THE HERE AND NOW
KNOWING HOW TO HEAR AND FEEL AND SEE
STEP OFF INTO SPACE
ISN’T THIS THE PLACE
I WAS ALWAYS MEANT TO BE?
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
I LIVE IN A KIND OF DREAM
BUT A DREAM THAT SEEMS QUITE REAL
AND I’M ON THE BRINK
BECAUSE WHAT I THINK’S OUT OF SYNCH
WITH WHAT I FEEL
BUT HEY I DON’T GIVE A DAMN
WHAT I THINK IS NOT WHAT I AM
GONNA SHED MY SKIN
AND I’M TRADING IN
EVERYTHING I’VE EVER BEEN
AND I AM NOT AFRAID
NOT A BIT CONCERNED
AND I’LL BE FORGETTING
MORE THAN I HAVE EVER LEARNED
SLIDE TOWARDS THE EDGE
STEP ACROSS THE LEDGE
ALL MY BRIDGES BURNED
TO BE IN THE HERE AND NOW
KNOWING HOW TO HEAR AND FEEL AND SEE
STEP OFF INTO SPACE
ISN’T THIS THE PLACE
I WAS ALWAYS MEANT TO BE?
Cautious & nonchalant in the 70s style, suspended but obstinated. ...Cautious & nonchalant in the 70s style, suspended but obstinated. Intro with tom tom roll, lead guitar & whistle in unison @1'24. Suggested for French/Italian police & thriller movie, 70s tv show & movies.
Worrying, intense, raw. Impact meets with gurgling synth bass and ...Worrying, intense, raw. Impact meets with gurgling synth bass and tick tock percussion. Large metallic sounds are counterpointed by fizzling synth notes. Launch into horrifying percussion and mean note sequence conveying danger. Build into incessant climax at 01:40 with galloping percussion and heavy duty synth and drums.
Worrying, intense, raw. Impact meets with gurgling synth bass and ...Worrying, intense, raw. Impact meets with gurgling synth bass and large metallic sounds causing an atmosphere of eeriness and distress. Launch into marching percussion and mean note sequence conveying danger. Build into incessant climax at 01:40 with galloping percussion and heavy duty synth and drums. Stripped back underscore version.
Painful, dramatic, climactic. Swirling female vocals drift into ...Painful, dramatic, climactic. Swirling female vocals drift into reach, followed by honest piano sequence bolstered by revolving synth note. Contrast of electronic and organic sounds giving a well-rounded human feeling, an innocent community of people thrown into despair. Powerful feeling as sturdy electronic beat and bass begin at 00:38. Choral voices join together, showcasing a strength and resilience. Emotive moment as drums fall away, people reminiscing about the paradise they used to have, or loved ones that used to be close to them. Launching back into heavy bass.
Painful, dramatic, climactic. Swirling female vocals drift into ...Painful, dramatic, climactic. Swirling female vocals drift into reach, followed by honest piano sequence bolstered by revolving synth note. Contrast of electronic and organic giving a well-rounded human feeling, an innocent community of people thrown into despair. Powerful feeling as sturdy electronic beat and bass begin at 00:38. Choral voices join together, showcasing a strength and resilience. Emotive moment as drums fall away, people reminiscing about the paradise they used to have, or loved ones that used to be close to them. Launching back into heavy bass. Stripped back underscore version.
Decadent, overwhelming, meaningful. Strings emerge rising up in ...Decadent, overwhelming, meaningful. Strings emerge rising up in pitch, conveying a large scale cushioned by low notes. Piano begins to slowly stride, with swirling euphoria behind. An event of an unfathomable scale, planets or a ship moving through space. Reassuring note gives way to sense of foreboding and slight anxiety into climax at 01:37.
Decadent, overwhelming, meaningful. Strings emerge rising up in ...Decadent, overwhelming, meaningful. Strings emerge rising up in pitch, conveying a large scale cushioned by low notes. Light percussion pushes shroud of euphoric strings along. Twinkling piano bell notes convey wonder. Reassuring note gives way to sense of foreboding and slight anxiety into climax at 01:37. Stripped back underscore version.
Eerie, suspicious, weighty. Dissonant strings chug into an expansive ...Eerie, suspicious, weighty. Dissonant strings chug into an expansive soundscape, whirling around with a dizzying motion. Low strings convey a sense of gravitas, wavering strings reminiscent of humanity's uncertain destiny in the face of a cataclysmic event. Low notes and pacy impacts instil a feeling of momentum and anticipation.
Eerie, suspicious, weighty. Dissonant strings chug into an expansive ...Eerie, suspicious, weighty. Dissonant strings chug into an expansive soundscape, whirling around with a dizzying motion. Low strings convey a sense of gravitas, wavering strings reminiscent of humanity's uncertain destiny in the face of a cataclysmic event. Low notes and pacy impacts instil a feeling of momentum and anticipation. Stripped back underscore version.
Soft, wistful, magical. Soft swaying rhythm asserted by light ...Soft, wistful, magical. Soft swaying rhythm asserted by light percussive noise and piano. Quaint energy made serious by moving string accompaniment, movement momentarily gives way to scary dissonance at 00:45 contrasting gentle and harsh atmospheres. Choral voices at 01:37 instilling a growing sense of importance and uncertainty.
Soft, wistful, magical. Clarinet plays wondrous melody, tinged by ...Soft, wistful, magical. Clarinet plays wondrous melody, tinged by worry and fear. Quaint energy made serious by moving string accompaniment, movement momentarily gives way to scary dissonance at 00:45 contrasting gentle and harsh atmospheres. Choral voices at 01:37 instilling a growing sense of importance and uncertainty. Stripped back underscore version.