专辑 | 曲名 | 版本 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM |
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Socialities [AUD020 - 5] |
1'35 | Olivier Militon | Fast tempo - Hopeful and emotional orchestral film score. Constant ... | 命运 电影原声带 令人激动 遗产 ... | Dm | 156 |
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Socialities Alternate [AUD020 - 10] |
版本. | 0'31 | Olivier Militon | Short Edit. | 命运 电影原声带 令人激动 遗产 ... | A | 156 |
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Finger On The Trigger [AUD017 - 1] |
2'11 | Matthieu Rabaté | Medium-fast - Eeerie and scary mechanical drone intro rising to heavy ... | 大电影打击乐 冲突 战争 军事冲突 ... | Cm | 97 |
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Finger On The Trigger ...
[AUD017 - 6] |
版本. | 0'34 | Matthieu Rabaté | Short Edit. | 大电影打击乐 冲突 战争 军事冲突 ... | Bbm | 97 |
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Finger On The Trigger ...
[AUD017 - 11] |
版本. | 2'04 | Matthieu Rabaté | Alternative version without drums. | 信息技术 令人不安 间谍片 诡异 ... | C | 129 |
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Dangerous Machine [AUD017 - 2] |
2'18 | Matthieu Rabaté | Mid-tempo - Circular and rising intro. Heavy impacts @ 0'35. Synth, ... | 大电影打击乐 冲突 爆炸 野性 ... | B | 106 |
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Dangerous Machine Alternate 1 [AUD017 - 7] |
版本. | 0'32 | Matthieu Rabaté | Short Edit. | 大电影打击乐 冲突 爆炸 野性 ... | B | 106 |
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Dangerous Machine Alternate 2 [AUD017 - 12] |
版本. | 2'16 | Matthieu Rabaté | Alternative version without drums. | 间谍片 令人不安 调查研究 pulsation ... | Bm | 106 |
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He Is Coming He Is Here [AUD017 - 3] |
2'13 | Matthieu Rabaté | Mid-tempo - Drone like intro building up with electronic percs. ... | 混乱 爆炸 战争 冲突 ... | Dbm | 104 |
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He Is Coming He Is Here ...
[AUD017 - 8] |
版本. | 0'30 | Matthieu Rabaté | Short Edit. | 混乱 爆炸 战争 冲突 ... | Dbm | 104 |
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He Is Coming He Is Here ...
[AUD017 - 13] |
版本. | 2'14 | Matthieu Rabaté | Alternative version without drums. | 诡异 科幻片 悬念 嗡嗡声 ... | Db | 104 |
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Walk And Die [AUD017 - 5] |
2'11 | Matthieu Rabaté | Slow to fast - Circular and stealthy sounds intro. Heavy slow ... | 冲突 战争 战士 进行中 ... | Abm | 150 |
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Walk And Die Alternate 1 [AUD017 - 10] |
版本. | 0'32 | Matthieu Rabaté | Short Edit. | 冲突 战争 战士 进行中 ... | Abm | 150 |
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Walk And Die Alternate 2 [AUD017 - 15] |
版本. | 1'54 | Matthieu Rabaté | Alternative version without drums. | 进行中 固执 悬念 恐怖 ... | Fm | 75 |
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Lost Love [TBX193 - 9] |
2'21 | Michael Walters | Momentous, sombre, impassioned. Soft piano leaks out with a searching ... | 安静 历史片 弦乐部分 伤心 ... | F | 60 |
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Lost Love (Underscore) [TBX193 - 19] |
版本. | 2'21 | Michael Walters | Momentous, sombre, impassioned. Soft piano leaks out with a searching ... | 安静 历史片 伤心 社会悲剧 ... | F | 118 |
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Empty Spaces [TBX192 - 4] |
2'48 | Lizzie Neal | Tragic, poignant, graceful. Gentle piano plays out as a fragile ... | 感动 悬念 太空 梦幻 ... | Bb | 65 |
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Empty Spaces (Alt Version) [TBX192 - 14] |
版本. | 2'48 | Lizzie Neal | Tragic, poignant, graceful. A fragile backdrop is created with gentle ... | 感动 悬念 太空 梦幻 ... | Gm | 65 |
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Shimmering Heat [TBX192 - 8] |
2'40 | Lizzie Neal | Graceful, angelic, spirited. Enlivening strings vibrate with positive ... | 跟踪摄影 高雅 安静 乡村 ... | D | 80 |
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Shimmering Heat (Underscore) [TBX192 - 18] |
版本. | 2'40 | Lizzie Neal | Graceful, angelic, spirited. Enlivening strings vibrate with positive ... | 跟踪摄影 高雅 安静 乡村 ... | D | 80 |
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Aeolian Chasers [INP069 - 4] |
2'20 | Niklas Aaman | Adventurous, modern, noble. Large thundering impacts with an aqueous ... | 铜管乐器合奏 沉重 画面感 史诗 ... | Fm | 98 |
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Aeolian Chasers (Underscore) [INP069 - 19] |
版本. | 1'15 | Niklas Aaman | Adventurous, modern, noble. Swelling reverbed impact offers a sense ... | 画面感 史诗 战争 电影乐团 ... | Fm | 99 |
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Angels [CCB1062 - 17] |
0 | 2'28 | Antoine Glatard | Celestial, magical, inspiring & fairytale-like. Choir, electronics & ... | 太空 sequencing 气氛 安静 ... | C | 111 |
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The Killer Has Returned [TBX188 - 3] |
1'39 | Marvin Mcmahon | Terrifying, menacing, dangerous. Tapping notes play out a percussive ... | 追逐场面 战士 野性 悬念 ... | Cm | 162 |
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The Killer Has Returned ...
[TBX188 - 17] |
版本. | 1'36 | Marvin Mcmahon | Terrifying, menacing, dangerous. Strange eerie dissonance creates an ... | 追逐场面 战士 野性 悬念 ... | Cm | 162 |
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The Killer Has Returned (30 ...
[TBX188 - 18] |
版本. | 0'30 | Marvin Mcmahon | Terrifying, menacing, dangerous. Eerie bass and percussive FX give a ... | 追逐场面 战士 野性 悬念 ... | Cm | 107 |
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We've Been Warned [TBX188 - 8] |
1'44 | Marvin Mcmahon | Daunting, scary, dangerous. Resonant bells and reversed sounds meet ... | 画面感 恐怖 固执 冲击 ... | Cm | 161 |
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We've Been Warned (Underscore) [TBX188 - 27] |
版本. | 1'44 | Marvin Mcmahon | Daunting, scary, dangerous. Resonant bells and reversed sounds create ... | 画面感 令人不安 固执 严谨 ... | Cm | 162 |
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We've Been Warned (30 sec) [TBX188 - 28] |
版本. | 0'30 | Marvin Mcmahon | Daunting, scary, dangerous. Climbing drums meet with descending ... | 画面感 恐怖 固执 冲击 ... | Cm | 162 |
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A Slow Walk Through A Hot ...
[TBX186 - 1] |
3'18 | Ethan Maltby | Mystical, graceful, daunting. Slow plucked strings walk out slowly, ... | 热沙漠 当代中东音乐 神奇 进步 ... | C | 120 |
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A Slow Walk Through A Hot ...
[TBX186 - 17] |
版本. | 3'20 | Ethan Maltby | Mystical, graceful, daunting. Pipes play out a Middle Eastern melody, ... | 热沙漠 当代中东音乐 神奇 进步 ... | C | 120 |
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Sinister Sequence [TBX184 - 3] |
1'54 | Jack Pierce | Futuristic, grave, atmospheric. Synth plays out with plucked strings ... | 令人不安 调查研究 固执 司法 ... | Ebm | 99 |
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Sinister Sequence (Underscore) [TBX184 - 16] |
版本. | 1'54 | Jack Pierce | Futuristic, grave, atmospheric. Plucked strings give a slick momentum ... | 令人不安 调查研究 固执 司法 ... | Ebm | 99 |
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Sinister Sequence (Underscore ...
[TBX184 - 17] |
版本. | 1'54 | Jack Pierce | Futuristic, grave, atmospheric. Plucked strings give a slick momentum ... | 令人不安 调查研究 固执 司法 ... | Ebm | 99 |
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Suspenseful Plucking [TBX184 - 6] |
2'30 | Jack Pierce | Eerie, atmospheric, important. Breathy strings push momentum forward ... | 令人不安 调查研究 神秘 悬念 ... | Em | 93 |
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Suspenseful Plucking ...
[TBX184 - 22] |
版本. | 2'32 | Jack Pierce | Eerie, atmospheric, important. Breathy strings push momentum forward ... | 令人不安 调查研究 神秘 悬念 ... | E | 93 |
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Suspenseful Plucking ...
[TBX184 - 23] |
版本. | 2'32 | Jack Pierce | Eerie, atmospheric, important. Breathy strings push momentum forward ... | 令人不安 调查研究 神秘 悬念 ... | E | 93 |
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Siren Blast [INP068 - 7] |
2'21 | Richard Reinhardt | Dangerous, action, urgent. Riser slams down with force into an ... | 冲突 画面感 恐怖片 无情 ... | B | 162 |
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Siren Blast (Underscore) [INP068 - 17] |
版本. | 2'22 | Richard Reinhardt | Dangerous, action, urgent. Riser slams down with an alien force into ... | 冲突 画面感 恐怖片 无情 ... | B | 120 |
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Unrivalled [INP068 - 10] |
1'38 | Richard Reinhardt | Gritty, threatening, powerful. Thudding moaning impacts suggest a ... | 冲突 战士 固执 恐怖 ... | D | 115 |
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Unrivalled (Underscore) [INP068 - 20] |
版本. | 1'38 | Richard Reinhardt | Gritty, threatening, powerful. Thudding moaning impacts suggest a ... | 冲突 战士 固执 恐怖 ... | D | 115 |
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Lumières Sur La Seine [INP067 - 3] |
2'22 | Rachel Balma, Trilce Ramirez Carrillo, Adrien Sabathier, Lucas Safaru | Rustic, powerful, fun. French cafe music plays out in a tinny style, ... | 改变 果断 大电影打击乐 冲击 ... | Dm | 120 |
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Lumières Sur La Seine (Alt ...
[INP067 - 14] |
版本. | 2'32 | Rachel Balma, Trilce Ramirez Carrillo, Adrien Sabathier, Lucas Safaru | Rustic, powerful, fun. French cafe music plays out in a tinny style, ... | 改变 果断 大电影打击乐 冲击 ... | Dm | 120 |
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Lumières Sur La Seine (Alt ...
[INP067 - 15] |
版本. | 2'13 | Rachel Balma, Trilce Ramirez Carrillo, Adrien Sabathier, Lucas Safaru | Rustic, powerful, fun. French cafe music plays out in a tinny, lofi ... | 改变 果断 冲击 画面感 ... | Dm | 120 |
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Élan Olympique [INP067 - 7] |
2'25 | Rachel Balma, Trilce Ramirez Carrillo, Adrien Sabathier, Lucas Safaru | Stylish, uncertain, investigative. Large riser into proud accordion ... | 电子探戈 阴险 神秘 电子琴 ... | Cm | 118 |
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Élan Olympique (Alt Version ...
[INP067 - 20] |
版本. | 2'25 | Rachel Balma, Trilce Ramirez Carrillo, Adrien Sabathier, Lucas Safaru | Stylish, uncertain, investigative. Large riser into proud accordion ... | 电子探戈 阴险 神秘 电子琴 ... | Cm | 118 |
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Élan Olympique (Alt Version ...
[INP067 - 21] |
版本. | 2'25 | Rachel Balma, Trilce Ramirez Carrillo, Adrien Sabathier, Lucas Safaru | Stylish, uncertain, investigative. Large riser into proud accordion ... | 电子探戈 阴险 神秘 电子琴 ... | Cm | 118 |
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A Sleeping Planet [ISC065 - 1] |
0 | 3'09 | Clément Panchout | Ambient underscore. Delicate, gentle, moving & peaceful. Luminous. ... | 宁静 叙述 梦幻 跟踪摄影 ... | Fm | 100 |
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