| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
No Time to Die [CET9092 - 1] |
1'57 | Zoltan Zadori | Cinematic. Clocklike intro with suspenseful & eerie pads & ticking | 画面感 恐怖 (音效)滴答声 时间(滴答声) | C | 110 | ||||
|
No Time to Die Alternate 1 [CET9092 - 11] |
版本. | 1'57 | Zoltan Zadori | Alternate version without percussion. | 画面感 恐怖 冲突 恐怖片 | C | 110 | |||
|
No Time to Die Alternate 2 [CET9092 - 12] |
版本. | 1'57 | Zoltan Zadori | Alternate version with percussion only. | 画面感 时间(滴答声) 冲突 恐怖片 | Gm | 110 | |||
|
Home of the Gods [CEC8048 - 1] |
2'17 | Zhang Hao, Peng Qu | Powerful, eerie, dark, epic & urgent. Hybrid orchestra building up | 画面感 进步 气势 战士 | Am | 185 | ||||
|
Home of the Gods Alternate [CEC8048 - 11] |
版本. | 2'15 | Zhang Hao, Peng Qu | Alternate version without percussion, bells & fx. | 画面感 进步 战士 无情 | Am | 92 | |||
|
Organic Structures [ISC058 - 8] |
3'39 | Sandia | Cinematic Emotional Electro. Future beat. Serious & expectant intro | 新古典电音 使人心碎 慢镜头 画面感 | Bm | 112 | ||||
|
Organic Structures Alternate [ISC058 - 22] |
版本. | 3'39 | Noé Zagroun | Alternate version without percussion. | 新古典电音 使人心碎 慢镜头 画面感 | Bm | 112 | |||
|
Subway Chase [CEG5040 - 3] |
3'16 | Apollo Noir | Electronic music in the spirit of an 80s horror film. Mysterious, | 调查研究 悬念 独立电影 画面感 | Dm | 145 | ||||
|
Subway Chase Alternate [CEG5040 - 11] |
版本. | 3'16 | Apollo Noir | Alternative version without sound design. | 独立电影 催眠 悬念 画面感 | Dm | 145 | |||
|
Athletes Devotion [CEZ4612 - 3] |
2'00 | Jérémy Dirat | Emotional score. Swirling & inspiring intro evolving with strings | 凯旋 赛事 史诗 令人激动 | D | 89 | ||||
|
Athletes Devotion Alternate [CEZ4612 - 25] |
版本. | 2'00 | Jérémy Dirat | Alternate no percs. | 赛事 凯旋 史诗 气势 | D | 89 | |||
|
Remains [BIB256 - 2] |
2'23 | Kohshi Kamata | Important, graceful, dramatic. Bright keys give an emotive and | 命运 进步 令人激动 画面感 | Abm | 95 | ||||
|
Remains (Underscore) [BIB256 - 12] |
版本. | 2'23 | Kohshi Kamata | Important, graceful, dramatic. Bright keys give an emotive and | 命运 进步 令人激动 遗产 | Abm | 95 | |||
|
Dismantle [INP061 - 8] |
1'58 | Damir Agovic | Ominous, militaristic, intimidating. Pulsing kick drum and | 冲突 画面感 恐怖片 战争 | Ebm | 80 | ||||
|
Dismantle (Underscore) [INP061 - 18] |
版本. | 1'53 | Damir Agovic | Ominous, militaristic, intimidating. High-pitched sound emanate from | 冲突 画面感 恐怖片 战争 | D | 80 | |||
|
Only a True Champion [ISC059 - 9] |
2'43 | Brian Delgado | Orchestral cinematic trailer. Emotionally charged yet determined | 预告片 画面感 史诗 动作片 | Dbm | 120 | ||||
|
Only a True Champion
[ISC059 - 27] |
版本. | 2'43 | Brian Delgado | Alternate version without percussion. | 预告片 画面感 史诗 动作片 | Dbm | 120 | |||
|
Only a True Champion
[ISC059 - 28] |
版本. | 2'43 | Brian Delgado | Alternate version without choir. | 预告片 画面感 史诗 动作片 | Dbm | 120 | |||
|
Bittersweet [TBX170 - 1] |
2'23 | Jay Brewer | Gentle, epic, striving. Austere piano chords land with a sense of | 感动 orchestral score 气氛 动物世界 | G | 117 | ||||
|
Bittersweet (Underscore) [TBX170 - 13] |
版本. | 2'20 | Jay Brewer | Gentle, epic, striving. Austere piano chords land with a sense of | 感动 orchestral score 气氛 动物世界 | G | 117 | |||
|
A Precious Heritage [ISC053 - 4] |
0 | 2'46 | Gabriel Saban | Wandering & desolate intro with synth pads & cello. Noble, dignified, | 电影原声带 命运 新古典音乐 庄严 | Gm | 110 | |||
|
Up In The Clouds [TBX166 - 5] |
2'44 | Eyal Goldshtein | Adventurous, promising, enlivened. Promising piano sequence starts | 电影原声带 冒险片 感动 进步 | D | 150 | ||||
|
Up In The Clouds (Underscore
[TBX166 - 22] |
版本. | 2'44 | Eyal Goldshtein | Adventurous, promising, enlivened. Promising piano sequence starts | 电影原声带 冒险片 感动 进步 | D | 150 | |||
|
Up In The Clouds (Underscore
[TBX166 - 23] |
版本. | 2'44 | Eyal Goldshtein | Adventurous, promising, enlivened. Promising piano sequence starts | 电影原声带 冒险片 感动 进步 | D | 150 | |||
|
Luminescent [ISC049 - 1] |
3'03 | David Eman | ☆ Nominated "Best Epic Hybrid Trailer" @Production Music Awards UK | 画面感 令人激动 进步 庄严 | Bm | 90 | ||||
|
Luminescent Alternate [ISC049 - 11] |
版本. | 3'03 | David Eman | Alternate version without percussion. | 画面感 令人激动 进步 庄严 | Bm | 89 | |||
|
Call of the Ocean [ISC043 - 1] |
2'40 | Emmanuel Rousseau | Joyful, fiery, federative & triumphant. Flute, guitars, accordions & | 冒险片 画面感 果断 动人 | Dm | 124 | ||||
|
Call of the Ocean Alternate [ISC043 - 11] |
版本. | 2'40 | Emmanuel Rousseau | Alternate version without percussion. | 冒险片 画面感 果断 动人 | Dm | 124 | |||
|
Shiver my Timbers [ISC043 - 6] |
2'15 | Emmanuel Rousseau | Triumphant, imposing & grandiloquent with an Asian touch. Symphony | 冒险片 画面感 史诗 果断 | Bb | 150 | ||||
|
Shiver my Timbers Alternate [ISC043 - 17] |
版本. | 2'15 | Emmanuel Rousseau | Alternate version without percussion. | 冒险片 画面感 史诗 果断 | Bb | 150 | |||
|
Like a Bird on the Wing [CEO2150 - 4] |
0 | 2'52 | Vincent Leibovitz | Electronica. Neo classical. Cyclic, aerial, in progression, radiant & | 周期性的 新古典音乐 果断 electronic score | Am | 136 | |||
|
Homecoming [BIB238 - 1] |
2'10 | David Birnie | Wondrous, quaint, magical. A gentle introduction with fluttering | 进步 画面感 令人激动 冒险片 | C | 142 | ||||
|
Homecoming (Underscore A) [BIB238 - 11] |
版本. | 2'10 | David Birnie | Wondrous, quaint, magical. A soft introduction with gentle piano and | 进步 画面感 令人激动 冒险片 | C | 142 | |||
|
Homecoming (Underscore B) [BIB238 - 12] |
版本. | 2'05 | David Birnie | Wondrous, quaint, magical. A soft introduction with gentle, delicate | 进步 画面感 令人激动 冒险片 | C | 142 | |||
|
Cosmic Reflection [CEO2147 - 3] |
0 | 2'33 | Baptiste Thiry | Cyclic, sidereal & anticipating. Synth layers & piano. Suggested for | 美国独立制片电影 感动 全景图 电影原声带 | Dm | 105 | |||
|
New Life [BIB232 - 2] |
2'59 | Matthew Hill | Promising, bright, graceful. Bright strings and bells create a | 画面感 梦幻 背景音 气氛 | E | 80 | ||||
|
New Life (Underscore A) [BIB232 - 13] |
版本. | 2'59 | Matthew Hill | Promising, bright, graceful. Bright strings and bells create a | 画面感 梦幻 背景音 气氛 | E | 80 | |||
|
New Life (Underscore B) [BIB232 - 14] |
版本. | 2'59 | Matthew Hill | Promising, bright, graceful. Layered reverbed piano creates a hopeful | 画面感 梦幻 背景音 气氛 | E | 80 | |||
|
Waves [BIB232 - 3] |
2'53 | Matthew Hill | Tranquil, sleepy, intriguing. String swells play an endearing | 波动感 画面感 海底 海滨 | F | 87 | ||||
|
Waves (Underscore A) [BIB232 - 15] |
版本. | 2'53 | Matthew Hill | Tranquil, sleepy, intriguing. String swells play an endearing | 波动感 画面感 海底 海滨 | F | 87 | |||
|
Waves (Underscore B) [BIB232 - 16] |
版本. | 2'53 | Matthew Hill | Tranquil, sleepy, intriguing. String swells play an endearing | 波动感 画面感 海底 海滨 | F | 86 | |||
|
Hidden World [BIB232 - 5] |
3'04 | Matthew Hill | Elegant, glorious, flowing. Strings give way to bright and optimistic | 画面感 诞生 悬念 令人激动 | A | 120 | ||||
|
Hidden World (Underscore A) [BIB232 - 19] |
版本. | 3'04 | Matthew Hill | Elegant, glorious, flowing. Strings give way to bright and optimistic | 画面感 诞生 悬念 令人激动 | A | 120 | |||
|
Hidden World (Underscore B) [BIB232 - 20] |
版本. | 3'04 | Matthew Hill | Elegant, glorious, flowing. Strings give way to bright and optimistic | 画面感 诞生 悬念 令人激动 | A | 120 |