| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In A Hurry [BIB299 - 8] |
3'20 | Fred Stoeyva | Rushed, sneaky, lively. Chunky drums move with pace along with | 美式复古电视剧 侦探喜剧 果断 动人 | Am | 90 | ||||
|
In A Hurry (Underscore) [BIB299 - 27] |
版本. | 3'20 | Fred Stoeyva | Rushed, sneaky, lively. Chunky drums move with pace along with | 美式复古电视剧 侦探喜剧 果断 动人 | Am | 90 | |||
|
Neon Horizon [AMS5069 - 1] |
2'08 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Airy, dreamy & progressing. Subtle drum machine | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | ||||
|
Neon Horizon Alternate 1 [AMS5069 - 9] |
版本. | 2'08 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | |||
|
Neon Horizon Alternate 2 [AMS5069 - 10] |
版本. | 2'08 | Dario Ferrante, Jure Jerebic | Underscore version. | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | |||
|
Neon Horizon Edit 1 30 sec [AMS5069 - 11] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 伴音 令人激动 opening (opening credits) 户外 | Am | 86 | |||
|
Neon Horizon Edit 2 15 sec [AMS5069 - 12] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | |||
|
Polaroid Memories [AMS5069 - 2] |
2'13 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Dreamlike, melancholic, luminous, unifying & | 户外 electronic score 联盟 明朗 | Am | 156 | ||||
|
Polaroid Memories Alternate 1 [AMS5069 - 13] |
版本. | 2'13 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 户外 electronic score 联盟 明朗 | Am | 156 | |||
|
Polaroid Memories Alternate 2 [AMS5069 - 14] |
版本. | 2'13 | Dario Ferrante, Jure Jerebic | Underscore version. | 户外 electronic score 联盟 明朗 | Dm | 104 | |||
|
Polaroid Memories Edit 1 30
[AMS5069 - 15] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 户外 electronic score 联盟 明朗 | Am | 156 | |||
|
Polaroid Memories Edit 2 15
[AMS5069 - 16] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 户外 electronic score 联盟 明朗 | Am | 156 | |||
|
Tears among the Fallen
[CEC8067 - 10] |
3'47 | Zhang Hao, Qingfeng Mu | Soothing, poetic & delicate. Piano, guzheng, dizi, celesta, erhu, | 中国电影 画面感 命运 感动 | Dm | 63 | ||||
|
Tears among the Fallen
[CEC8067 - 19] |
版本. | 3'47 | Zhang Hao, Qingfeng Mu | Version without percussion | 中国电影 命运 感动 飞行 | Dm | 63 | |||
|
Tears among the Fallen
[CEC8067 - 20] |
版本. | 3'49 | Zhang Hao, Qingfeng Mu | Piano solo version | 感动 叙述 爱情 命运 | Dm | 63 | |||
|
Ocean Road [EOS148 - 3] |
0 | 2'32 | Mathieu Harlaut | Nocturnal, enigmatic & melancholic. Rippling. Analog synth. | 独立电影 忧伤 夜晚 电视剧 | Eb | 89 | |||
|
The Political Decisions [CEG5060 - 3] |
2'21 | Arttu Silvast | Hybrid Scoring. Menacing, cold, winding, grim & constant. Anxious | 令人不安 进行中 悬念 恐怖片 | D | 144 | ||||
|
The Political Decisions
[CEG5060 - 14] |
版本. | 2'23 | Arttu Silvast | Version without percussion | 令人不安 进行中 悬念 恐怖片 | D | 144 | |||
|
The Political Decisions
[CEG5060 - 15] |
版本. | 2'21 | Arttu Silvast | Version without percussion & choir | 令人不安 进行中 悬念 夜晚 | D | 144 | |||
|
The Political Decisions
[CEG5060 - 16] |
版本. | 3'11 | Arttu Silvast | Version with atmospheric intro | 令人不安 进行中 悬念 恐怖片 | D | 144 | |||
|
The Political Decisions
[CEG5060 - 17] |
版本. | 3'11 | Arttu Silvast | Version without percussion | 令人不安 进行中 悬念 恐怖片 | D | 96 | |||
|
The Political Decisions
[CEG5060 - 18] |
版本. | 3'10 | Arttu Silvast | Version without percussion & choir | 令人不安 进行中 悬念 恐怖片 | D | 96 | |||
|
Mass Surveillance Madness [CEG5064 - 2] |
0 | 1'56 | Louis-Ronan Choisy | Cinematic. Urgent, agitated & cunning. Piano, synth, woodwind & | 信息技术 动荡 固执 周期性的 | Em | 123 | |||
|
Vigilance [CEG5064 - 5] |
1'50 | Jon Du | Cinematic beat. Disturbing, rising & warlike. Synth & percussion. Fx | 令人不安 动作片 进行中 间谍片 | Bm | 120 | ||||
|
Vigilance Alternate [CEG5064 - 16] |
版本. | 1'50 | Jon Du | Alternate no drums. | 令人不安 动作片 进行中 间谍片 | Bm | 120 | |||
|
Sousveillance [CEG5064 - 7] |
2'50 | Ben Williamson | Cinematic beat. Interrogative yet resolute & panoramic. Synth, | 疑问 信息技术 反省 科学 | Abm | 86 | ||||
|
Sousveillance Alternate [CEG5064 - 18] |
版本. | 2'36 | Ben Williamson | Alternate no drums. | 疑问 信息技术 反省 科学 | Abm | 86 | |||
|
Escape the Surveillance [CEG5064 - 8] |
1'53 | Joaquim Plossu | Cinematic beat. Suspended intro. Dark & threatening @ 0'27. Piano, | 无情 令人不安 神秘 画面感 | Bm | 115 | ||||
|
Escape the Surveillance
[CEG5064 - 19] |
版本. | 1'30 | Joaquim Plossu | Alternate edit. | 令人不安 无情 神秘 画面感 | Bm | 115 | |||
|
Escape the Surveillance
[CEG5064 - 20] |
版本. | 1'51 | Joaquim Plossu | Alternate no drums. | 无情 令人不安 神秘 画面感 | Bm | 114 | |||
|
Escape the Surveillance
[CEG5064 - 21] |
版本. | 1'29 | Joaquim Plossu | Alternate edit no drums. | 无情 令人不安 神秘 画面感 | Bm | 114 | |||
|
Everyone's a Target [CEG5064 - 9] |
2'26 | Jérémy Vino | Electro beat. Fatal, determined & obstinate. Synth & rhythm. Ideal | 无情 司法 夜晚 electronic score | Em | 98 | ||||
|
Everyone's a Target Alternate [CEG5064 - 22] |
版本. | 2'26 | Jérémy Vino | Alternate no drums. | 无情 司法 夜晚 electronic score | Em | 98 | |||
|
Smart Camera [CEG5064 - 12] |
0 | 2'07 | Claude Samard | Ambient. Atmospheric, cyclic & evasive. Synth. Ideal for | 悬念 周期性的 信息技术 electronic score | Em | 100 | |||
|
Game Time [IOM045 - 7] |
1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | ||||
|
Game Time (Underscore) [IOM045 - 23] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Gbm | 123 | |||
|
Game Time (Drums Only) [IOM045 - 24] |
版本. | 1'29 | David Birnie, Luke Hinchliffe | Booming, heavy, pumped. Light percussion gives a sense of quietness. | 画面感 动作片 固执 紧急 | Em | 123 | |||
|
Sad & Weepy (Poor Me) [TBX233 - 14] |
1'01 | Sergey Kolosov | Dramatic, anxious, teary. Bouncy oom-pah rhythm from strings conveys | 恐怖喜剧 忧伤 orchestral score 摇摆 | Dm | 134 | ||||
|
Sad & Weepy (Poor Me)
[TBX233 - 32] |
版本. | 1'00 | Sergey Kolosov | Dramatic, anxious, teary. Bouncy oom-pah rhythm from strings conveys | 恐怖喜剧 忧伤 orchestral score 摇摆 | Dm | 134 | |||
|
Hybrid Reality [ISC117 - 1] |
2'48 | Caleb Swift | Hybrid Dystopian Trailer. Slow, disturbing & mysterious progression | 预告片 史诗 令人不安 悬念 | D | 100 | ||||
|
Hybrid Reality Alternate [ISC117 - 11] |
版本. | 2'48 | Caleb Swift | Version without percussion. | 预告片 史诗 令人不安 悬念 | D | 100 | |||
|
Broken Future [ISC117 - 6] |
2'20 | Caleb Swift | Hybrid Dystopian Trailer. Tragic & desolate intro. Tense, warlike | 史诗 悲剧 画面感 轰隆声 | Am | 110 | ||||
|
Broken Future Alternate [ISC117 - 19] |
版本. | 2'20 | Caleb Swift | Version without percussion. | 史诗 悲剧 画面感 轰隆声 | Am | 110 | |||
|
Parallel Universe [ISC117 - 7] |
2'13 | Caleb Swift | Hybrid Dystopian Trailer. Slow, disturbing, mysterious & tense | 科幻片 史诗 令人激动 固执 | C | 120 | ||||
|
Parallel Universe Alternate [ISC117 - 20] |
版本. | 2'13 | Caleb Swift | Version without percussion. | 科幻片 史诗 令人激动 固执 | C | 120 | |||
|
Dark Offering [ISC117 - 8] |
2'22 | Caleb Swift | Hybrid Dystopian Trailer. From a dark, desolate & ominous atmosphere | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | ||||
|
Dark Offering Alternate 1 [ISC117 - 21] |
版本. | 2'22 | Caleb Swift | Version without percussion. | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | |||
|
Dark Offering Alternate 2 [ISC117 - 22] |
版本. | 2'22 | Caleb Swift | Version without lead. | 科幻片 画面感 恐怖片 超级英雄 | Am | 110 | |||
|
The Last Sanctuary [ISC117 - 10] |
2'35 | Caleb Swift | Hybrid Dystopian Trailer. Sparse & frightening with distressing synth | 恐怖 恐怖片 科幻片 进行中 | Em | 120 | ||||
|
The Last Sanctuary Alternate [ISC117 - 25] |
版本. | 2'35 | Caleb Swift | Version without percussion. | 恐怖 恐怖片 科幻片 进行中 | E | 90 | |||
|
Tenebris [ISC115 - 3] |
2'39 | Christophe Le Guen | Horror trailer. Perfect jump scar intro with rumbling sounds & dull | 恐怖 沉重 预告片 冲突 | Dbm | 100 | ||||
|
Tenebris Alternate 1 [ISC115 - 15] |
版本. | 2'39 | Christophe Le Guen | Version without percussion. | 恐怖 预告片 强调突出 画面感 | Dbm | 100 | |||
|
Tenebris Alternate 2 [ISC115 - 16] |
版本. | 2'39 | Christophe Le Guen | Light version. | 恐怖 沉重 预告片 冲突 | Dbm | 100 |