| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
California Skies never End [TBX025 - 8] |
1'59 | Patrick McManus | Confident, upbeat, positive. Hypnotic and propulsive EDM beats with | 室外 朗朗上口 日间节目 果断 | G | 120 | ||||
|
California Skies Never End -
[TBX025 - 18] |
版本. | 0'30 | Patrick McManus | Confident, upbeat, positive. Hypnotic and propulsive EDM beats with | 室外 朗朗上口 日间节目 果断 | G | 120 | |||
|
Dystopia - Underscore [BIB089 - 30] |
3'52 | Michael Peter Sajic | Dramatic, cool, determined. Stripped back underscore version of | 滑行运动 果断 电子 科学 | Am | 135 | ||||
|
Dystopia [BIB089 - 10] |
版本. | 3'52 | Michael Peter Sajic | Dramatic, cool, determined. Stripped back underscore version of | 电子乐宣传片 滑行运动 果断 科学 | Am | 135 | |||
|
A Recipe for Disaster [CEO2075 - 11] |
0 | 1'45 | Selma Mutal | Investigation. Social Drama. Synth pad. Desolate & sparse. Piano & | 太空 抱歉 嗡嗡声 环境 | F | 118 | |||
|
Simulation Theory [TBX023 - 5] |
2'00 | Sergey Kolosov | Suspenseful, dreamy, determined. Distorted piano melodies with | 科幻片 科学 气氛 气势 | Am | 118 | ||||
|
Simulation Theory - 30sec [TBX023 - 20] |
版本. | 0'30 | Sergey Kolosov | Alternate version. 30 seconds. | 乐器 原版 | Am | 118 | |||
|
Modern Robotics [TBX023 - 10] |
2'00 | Sergey Kolosov | Determined, dramatic, restless. Intense, eerie and alarm like synths | 调查研究 沉重 冲击 气势 | Fm | 65 | ||||
|
Modern Robotics - 30sec [TBX023 - 25] |
版本. | 0'30 | Sergey Kolosov | Alternate version. 30 seconds. | 乐器 原版 | Fm | 130 | |||
|
Happy Robots Build more Robots [TBX023 - 15] |
2'03 | Sergey Kolosov | Playful, quirky, propulsive. Upbeat female synth choir melodies with | 日常生活 室外 朗朗上口 合成合唱 | C | 133 | ||||
|
Happy Robots Build more
[TBX023 - 30] |
版本. | 0'30 | Sergey Kolosov | Alternate version. 30 seconds. | 乐器 原版 | Am | 133 | |||
|
Leaves in the Wind [BIB085 - 5] |
0 | 2'11 | Hamish Barnes | Atmospheric, minimal, relaxed. Reflective keys with propulsive, | 天气预告 飞行 日间节目 放松 | C | 65 | |||
|
Jupiter [BIB085 - 8] |
0 | 4'39 | Danny George McLauchlan | Uplifting, motivating, wondrous. Atmospheric and echoing melodies | 太空 冷沙漠 全景图 跟踪摄影 | Am | 90 | |||
|
ISLM [BIB085 - 11] |
0 | 4'20 | Danny George McLauchlan | Ethereal, dreamy, atmospheric. Eerie, glistening synth atmospheres | 悬念 太空 宁静 慢镜头 | C | 143 | |||
|
Train 46 [MAG6033 - 2] |
0 | 2'33 | Christof Déjean | Electro minimalism/electroacoustic music. Cyclic, mysterious & | 神秘 科学 气氛 周期性的 | Bb | 108 | |||
|
Voyage [MAG6033 - 6] |
0 | 2'44 | Christof Déjean | Electroacoustic music/electro minimalism. Hypnotic, misty & | 科学 催眠 气氛 周期性的 | Dm | 126 | |||
|
The Waters Edge [MAG6033 - 7] |
0 | 2'46 | Christof Déjean | Crime film/electro ambient. Nocturnal, wandering & interrogative. | 阴险 调查研究 悬念 警匪片 | Gbm | 84 | |||
|
Beyond the Frame [MAG6033 - 12] |
0 | 3'00 | Christof Déjean | Spy movie/electro ambient. Hypnotic, wandering & urgent @ 1'15. | 地理政治 调查研究 漂泊 间谍片 | Gbm | 161 | |||
|
Call of the Deep [MAG6032 - 6] |
0 | 2'52 | Christof Déjean | Ambient/underscore. Atmospheric, panoramic & suspended. Bass | 地理政治 气氛 热沙漠 悬念 | Dm | 66 | |||
|
Still Machines [MAG6032 - 7] |
0 | 2'39 | Christof Déjean | Electroacoustic music/electro minimalism. Disturbing, tense & | 悬念 令人不安 调查研究 电子音乐 | Fm | 68 | |||
|
Elliptic [MAG6032 - 8] |
0 | 2'48 | Christof Déjean | Electroacoustic music/electro minimalism. Wandering, introspective, | 悬念 漂泊 乐器 电子音乐 | Em | 80 | |||
|
Endless Future [MAG6032 - 9] |
0 | 2'52 | Christof Déjean | Ambient/crime movie. Atmospheric, steady & suspended. Sequencing, | 悬念 科学 环境 气氛 | G | 60 | |||
|
Echoes of Images [MAG6032 - 13] |
0 | 2'45 | Christof Déjean | Electro minimalism/underscore. Nocturnal, strange & static. Reverse | 夜晚 科学 极简电子音乐 悬念 | Cm | 61 | |||
|
Play Hard [BIB083 - 2] |
0 | 2'13 | James Desmond, Robert Grant, Mikhail O Johnson, Panauh Kalayeh | Strong, cool, motivating. Tough and moody hip hop featuring bright, | 朗朗上口 室外 团队运动 态度 | Am | 95 | |||
|
Get Green [BIB083 - 4] |
0 | 2'33 | Iain Harper | Dark, brooding, tough. Suspenseful hip hop underscore. Dramatic and | 都市景色 陷阱音乐 态度 阴险 | Dbm | 71 |