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民族| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Herminia [OCR560209 - 19] |
0 | 2'58 | Miguel Companioni | Bolero ritmico or cancion. Traditional male singers accompanied by | 民族 西班牙语歌唱 男声民族合唱团 古巴 | Abm | 152 | |||
|
|
Anhelo Póstumo [OCR560209 - 20] |
0 | 3'13 | Gustavo Castro | Bolero ritmico or cancion. Traditional male singers accompanied by | 民族 西班牙语歌唱 男声民族合唱团 古巴 | Ebm | 153 | |||
|
Divertimento [OCR560208 - 1] |
0 | 2'00 | Los Lamas Trio | Study for lute. Cuban lute, tres & acoustic guitar trio. | 民族 古巴琵琶 古巴 tres | Bm | 112 | |||
|
|
Zapateo Rural [OCR560208 - 2] |
0 | 2'29 | Los Lamas Trio | Cuban punto. Cuban lute, tres & acoustic guitar trio. | 民族 古巴琵琶 古巴 民族吉他 | G | 137 | |||
|
|
Semblanza Campesina [OCR560208 - 3] |
0 | 2'16 | Los Lamas Trio | Guajira. Cuban lute, tres & acoustic guitar trio. | 民族 古巴 古巴琵琶 瓜希拉舞曲 | Bm | 143 | |||
|
|
Un Son para Mi Laúd [OCR560208 - 4] |
0 | 4'51 | Los Lamas Trio | Son. Cuban lute, tres & acoustic guitar trio. | 民族 古巴琵琶 舞曲 古巴 | G | 111 | |||
|
|
Del Orinoco al Yayabo [OCR560208 - 6] |
0 | 3'06 | Los Lamas Trio | Guapango, punto. Cuban lute, tres & acoustic guitar trio. | 民族 古巴琵琶 古巴 民族吉他 | Gbm | 109 | |||
|
|
Como el Alba [OCR560208 - 8] |
0 | 3'35 | Los Lamas Trio | Trova. Traditional male singer trio with Cuban lute, tres & acoustic | 男声民族合唱团 民族 trova 古巴琵琶 | Dm | 143 | |||
|
|
Amorosa Guajira [OCR560208 - 9] |
0 | 2'51 | Los Lamas Trio | Guajira. Cuban lute, tres & acoustic guitar. | 民族 古巴琵琶 古巴 瓜希拉舞曲 | D | 117 | |||
|
|
Mis Recuerdos [OCR560208 - 10] |
0 | 2'50 | Los Lamas Trio | Trova. Traditional male singer trio with Cuban lute, tres & acoustic | 民族 古巴琵琶 trova 西班牙语歌唱 | Eb | 143 | |||
|
|
Tonada Española [OCR560208 - 11] |
0 | 2'53 | Unknown | Punto carvajal. Traditional male singer accompanied by tres. | 民族 西班牙语歌唱 古巴 tres | Am | 110 | |||
|
|
Trigueña Linda [OCR560208 - 12] |
0 | 2'46 | Julio Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | C | 95 | |||
|
|
Un Bebedor de Aguardiente [OCR560208 - 13] |
0 | 2'38 | Unknown | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | D | 108 | |||
|
|
Reseña Campesina [OCR560208 - 14] |
0 | 2'25 | Romel Rodriguez Penton | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 99 | |||
|
|
De Cuba Montes y Llanos [OCR560208 - 15] |
0 | 2'11 | Guillermo Gonzalez Vazco | Punto cerrado en clave. Small ensemble composed by tres, acoustic | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 120 | |||
|
|
El Matrimonio y la Zafra [OCR560208 - 16] |
0 | 5'13 | Leonel Castro | Sordo de canon. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | Em | 144 | |||
|
|
En Cuba [OCR560208 - 17] |
0 | 5'03 | Efidelio Guerra | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | G | 105 | |||
|
|
Perla de las Antillas [OCR560208 - 18] |
0 | 2'29 | Orlando Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | E | 100 | |||
|
|
Controversia [OCR560208 - 19] |
0 | 13'38 | Raul Herrera, Luis Martin | Punto libre. Small ensemble composed by tres, acoustic guitar, Cuban | 民族 古巴 传统乐器合奏 锯琴 | Am | 144 | |||
|
|
Suite de la controversia -
[OCR560208 - 20] |
0 | 3'32 | Unknown | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | D | 104 |
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