| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Nuclear Fallout [CEO2013 - 6] |
0 | 2'52 | Alain Kremski | Sinister & toxic. Drone. Crescendo. Bowed double-bass. Choir @ 0'55. | 军事冲突 嗡嗡声 灾难 恐怖 | Gm | 84 | |||
|
Ignition [EOS01 - 10] |
0 | 1'54 | Anthony Mowat, Olivier Samouillan | Grave & sinister. Violin & viola duet. | 灾难 响亮 冰冷 震音 | Am | 65 | |||
|
Before The End [CEO2011 - 20] |
0 | 1'31 | Bruno Alexiu | Deep & dark drone. Electronics. | 有毒 深邃 气氛 嗡嗡声 | Db | 82 | |||
|
Spacecraft [CEZ4102 - 3] |
0 | 3'46 | Thierry David | Powerful & panoramic. Electronics. | 太空 宇宙音乐 科幻片 风声 | Db | 111 | |||
|
White Dwarf [CEZ4102 - 12] |
0 | 2'25 | Mathias Delplanque | Ethereal & mysterious waves. Electronics. | 宇宙音乐 气氛 复杂 嗡嗡声 | Dm | 68 | |||
|
Cosmic Hobo [CEZ4102 - 27] |
0 | 3'00 | Mathias Delplanque | Melancholic & wandering. Electronics. | 科学 嗡嗡声 太空 背景音 | D | 68 | |||
|
Reality Breaks [CEZ4097 - 1] |
2'50 | Denis Levaillant | Brutal & scary. Dholaks (Indian percussion) & intemittent darbouka & | 自然灾害 灾难 军事冲突 恐怖 | D | 90 | ||||
|
Reality Breaks 2 [CEZ4097 - 25] |
版本. | 2'53 | Denis Levaillant | Insidious & murky. Electronics. | 气氛 嗡嗡声 悬念 太空 | D | 96 | |||
|
Reality Breaks 3 [CEZ4097 - 26] |
版本. | 1'10 | Denis Levaillant | Drone. Brutal & scary. Percussion ensemble with dholaks (Indian | 间谍片 调查研究 时间(滴答声) 稳定的 | D | 90 | |||
|
Evil Deeds [CEZ4043 - 5] |
0 | 2'25 | Loïs Blanca | Dark & frightening. Bass piano with harsh string drone. | 令人不安 调查研究 灾难 悬念 | Dm | 89 | |||
|
Neon Horizon [AMS5069 - 1] |
2'08 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Airy, dreamy & progressing. Subtle drum machine | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | ||||
|
Neon Horizon Alternate 1 [AMS5069 - 9] |
版本. | 2'08 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | |||
|
Neon Horizon Alternate 2 [AMS5069 - 10] |
版本. | 2'08 | Dario Ferrante, Jure Jerebic | Underscore version. | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | |||
|
Neon Horizon Edit 1 30 sec [AMS5069 - 11] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 伴音 令人激动 opening (opening credits) 户外 | Am | 86 | |||
|
Neon Horizon Edit 2 15 sec [AMS5069 - 12] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 伴音 令人激动 opening (opening credits) 户外 | Am | 89 | |||
|
Lost Innocence [CEG5059 - 9] |
1'56 | Felix Halbe | Deceptively childish, tinkling, quirky & strange. Marimba, celesta & | 疑问 调查研究 伴音 反省 | Cm | 70 | ||||
|
Lost Innocence Alternate [CEG5059 - 18] |
版本. | 1'57 | Felix Halbe | Reduced version. | 疑问 调查研究 伴音 反省 | Cm | 142 | |||
|
Crime Scene [TBX231 - 8] |
2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 107 | ||||
|
Crime Scene (Underscore) [TBX231 - 22] |
版本. | 2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 78 | |||
|
Crime Scene (Underscore
[TBX231 - 23] |
版本. | 2'59 | James Tearne | Anticipatory, shocking, important. Deep bass notes offer a sense of | 恐怖片 令人不安 画面感 自然灾害 | F | 118 | |||
|
Butchered Bodies [TBX231 - 9] |
2'20 | James Tearne | Serious, grave, anticipatory. Droning note creates an atmosphere of | 自然灾害 背景电子乐 警匪片 神秘 | C | 60 | ||||
|
Butchered Bodies (Underscore) [TBX231 - 24] |
版本. | 2'20 | James Tearne | Serious, grave, anticipatory. Droning note creates an atmosphere of | 自然灾害 背景电子乐 警匪片 神秘 | C | 60 | |||
|
Countdown To Midnight [CEG5058 - 1] |
1'14 | Les Cosmonotes | Dark Clockwork. Cold, anxious & tense. Timer pulse with modulation & | 悬念 令人不安 恐怖片 时间(滴答声) | Ebm | 120 | ||||
|
Countdown To Midnight
[CEG5058 - 16] |
版本. | 1'13 | Les Cosmonotes | Alternate without FX. | 悬念 令人不安 恐怖片 时间(滴答声) | Ebm | 120 | |||
|
1 Minute To Decide [CEG5058 - 3] |
0 | 1'02 | Les Cosmonotes | Suspenseful Clockwork. Hurried, tense, relentless & building. Pulsing | 悬念 时间(滴答声) 间谍片 令人不安 | D | 120 | |||
|
Soplo Alto [CEZ4672 - 22] |
0 | 1'54 | Kevin Seddiki | Contemplative, narrative, introspective & dreamy. Solo charango. | 反省 全景图 伴音 小型八弦 | Ab | 178 | |||
|
Gentle Friend [BIB289 - 2] |
2'23 | Richard Lewis, Paper Boy | Warm, gentle, emotive. Mellow piano note emerges, cushioned by soft | 社会悲剧 反省 伴音 飞行 | A | 115 | ||||
|
Gentle Friend Alt Version [BIB289 - 14] |
版本. | 2'31 | Richard Lewis, Paper Boy | Warm, gentle, emotive. Mellow note carves out comforting place in the | 社会悲剧 画面感 稳定的 明朗 | A | 117 | |||
|
Deep Blue Universe [BIB289 - 3] |
2'34 | Richard Lewis, Paper Boy | Cinematic, sprawling, aquatic. Powerful environment opens up, | 海底 电影原声带 稳定的 冷沙漠 | D | 90 | ||||
|
Deep Blue Universe Alt Version [BIB289 - 15] |
版本. | 2'34 | Richard Lewis, Paper Boy | Cinematic, sprawling, aquatic. Powerful environment opens up, | 海底 稳定的 冷沙漠 神秘 | D | 90 | |||
|
The Long Corridor [BIB289 - 4] |
2'01 | Richard Lewis, Paper Boy | Dramatic, investigative, serious. Reversed choral voice lands in | 海底 神秘 催眠 反省 | Cm | 118 | ||||
|
The Long Corridor Alt Version
[BIB289 - 16] |
版本. | 2'01 | Richard Lewis, Paper Boy | Dramatic, investigative, serious. Reversed choral voice lands in | 海底 神秘 催眠 反省 | Cm | 120 | |||
|
The Long Corridor Alt Version
[BIB289 - 17] |
版本. | 2'01 | Richard Lewis, Paper Boy | Dramatic, investigative, serious. Reversed choral voice lands in | 海底 神秘 催眠 反省 | Cm | 120 | |||
|
Old Photographs [BIB289 - 5] |
2'14 | Richard Lewis, Paper Boy | Eerie, ghostly, sad. Soft piano notes spread along with strings, | 悬念 反省 美国独立制片电影 伴音 | C | 67 | ||||
|
Old Photographs Alt Version [BIB289 - 18] |
版本. | 2'40 | Richard Lewis, Paper Boy | Eerie, ghostly, sad. Soaring ambience spreads out like sun rays | 悬念 反省 美国独立制片电影 伴音 | C | 66 | |||
|
Beautiful Hearts [BIB289 - 10] |
1'28 | Richard Lewis, Paper Boy | Gentle, meaningful, quaint. Piano notes climb to a twinkling | 爱情 稀疏 疑问 伴音 | F | 82 | ||||
|
Beautiful Hearts Alt Version [BIB289 - 25] |
版本. | 1'50 | Richard Lewis, Paper Boy | Gentle, meaningful, quaint. Angelic strings carry twinkling piano | 爱情 迷人 画面感 冰冷 | F | 86 |