| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Epilogue [CCB1069 - 8] |
1'58 | Hiroki Ishikura | Electro ambient. Doomed, nocturne & sad. Electronic piano, strings & | electronic score 伤心 社会悲剧 夜晚 | Gm | 81 | ||||
|
Epilogue Alternate 1 [CCB1069 - 18] |
版本. | 1'57 | Hiroki Ishikura | Extended version no rhythm. | electronic score 伤心 社会悲剧 夜晚 | Gm | 86 | |||
|
Epilogue Alternate 2 [CCB1069 - 19] |
版本. | 1'56 | Hiroki Ishikura | Alternate solo piano. | 伤心 夜晚 伴音 独立电影 | Gm | 60 | |||
|
Midnight Sun [TBX221 - 4] |
2'32 | Lizzie Neal | Epic, daunting, troubled. Reverbed reversed pianos and euphoric notes | 冷沙漠 感动 气氛 画面感 | Em | 112 | ||||
|
Midnight Sun Underscore [TBX221 - 14] |
版本. | 2'32 | Lizzie Neal | Epic, daunting, troubled. Pads and euphoric notes emerge with a | 冷沙漠 感动 气氛 画面感 | Em | 115 | |||
|
The Frozen Silence [TBX221 - 5] |
2'24 | Lizzie Neal | Exalted, adventurous, struggling. Strings emerge slowly, laced with | 悬念 环境 冷沙漠 明朗 | Dbm | 72 | ||||
|
The Frozen Silence Underscore [TBX221 - 15] |
版本. | 2'24 | Lizzie Neal | Exalted, adventurous, struggling. Strings emerge slowly, laced with | 悬念 环境 冷沙漠 明朗 | E | 75 | |||
|
Under Polar Skies [TBX221 - 8] |
3'05 | Lizzie Neal | Inquisitive, lost, uncertain. Deep forlorn pads grow as rolling piano | 悬念 画面感 冷沙漠 感动 | Cm | 100 | ||||
|
Under Polar Skies Underscore [TBX221 - 18] |
版本. | 3'05 | Lizzie Neal | Inquisitive, lost, uncertain. Deep forlorn pads grow as rolling piano | 悬念 画面感 冷沙漠 感动 | Cm | 100 | |||
|
A Minor Hitch [CEZ4671 - 1] |
1'06 | Emma Jackson | Dramedy. Elegant, reflective & investigative. Double bass, cello & | 疑问 light tension 悲喜剧 反省 | Fm | 120 | ||||
|
A Minor Hitch Alternate [CEZ4671 - 17] |
版本. | 1'06 | Emma Jackson | Underscore version | 疑问 light tension 悲喜剧 反省 | Fm | 120 | |||
|
Deep Sea Dub [BIB285 - 7] |
3'04 | James Cameron | Interesting, clean, suspicious. Glassy bells play out a graceful | 社会悲剧 神秘 伴音 周期性的 | Em | 86 | ||||
|
Deep Sea Dub (Underscore A) [BIB285 - 22] |
版本. | 2'39 | James Cameron | Interesting, clean, suspicious. Wiggling synths play out a timid | 社会悲剧 神秘 伴音 周期性的 | Bm | 86 | |||
|
Deep Sea Dub (Underscore B) [BIB285 - 23] |
版本. | 3'02 | James Cameron | Interesting, clean, suspicious. Glassy bells play out a graceful | 社会悲剧 神秘 伴音 周期性的 | Em | 86 | |||
|
Forensic Artifact [CEG5055 - 1] |
2'00 | Louis Edlinger | Organic electro. Intriguing, waiting, interrogative & mysterious. | 科学 信息技术 极简电子音乐 原声电子 | Em | 100 | ||||
|
Forensic Artifact Alternate 1 [CEG5055 - 11] |
版本. | 1'45 | Louis Edlinger | Version with less synth and no melody. | 神秘 原声电子 伴音 调查研究 | E | 100 | |||
|
Forensic Artifact Alternate 2 [CEG5055 - 12] |
版本. | 1'33 | Louis Edlinger | Version with less synth and no bass. | 原声电子 科学 严谨 极简电子音乐 | Em | 135 | |||
|
Clear Conscience [CEG5055 - 10] |
2'17 | Louis Edlinger | Organic electro. Hypnotic, bright & swirling. Synth pads & sequences, | 科学 催眠 中立 慢镜头 | Bb | 106 | ||||
|
Clear Conscience Alternate 1 [CEG5055 - 29] |
版本. | 2'17 | Louis Edlinger | Version without violin & bass. | 催眠 伴音 安静 设计与建筑 | Bb | 70 | |||
|
Clear Conscience Alternate 2 [CEG5055 - 30] |
版本. | 2'17 | Louis Edlinger | Version without synth. | 中立 稳定的 气氛 安静 | Bb | 106 | |||
|
Fragments of Us [ISC092 - 8] |
0 | 2'13 | Ronnie W Verboom | Cinematic. Graceful with a touch of avant-garde, dreamy & soothing. | 艺术风格 叙述 伴音 背景电子乐 | C | 60 | |||
|
Amongst The Ruins [BIB283 - 2] |
2'44 | Michael Panayiotis | Adventurous, foreboding, explorative. Plucked chords on Middle | 地理政治 军事冲突 进步 热沙漠 | C | 90 | ||||
|
Amongst The Ruins (Underscore
[BIB283 - 13] |
版本. | 2'44 | Michael Panayiotis | Adventurous, foreboding, explorative. Plucked chords on Middle | 进步 进行中 稀疏 地理政治 | C | 90 | |||
|
Amongst The Ruins (Underscore
[BIB283 - 14] |
版本. | 2'36 | Michael Panayiotis | Adventurous, foreboding, explorative. Plucked chords on Middle | 进步 热沙漠 稀疏 地理政治 | C | 90 | |||
|
Friday the 13th [CEO2179 - 1] |
1'35 | Baptiste Charvet | Suspended, waiting, atmospheric, moving & sad. Piano with reverb SFX, | 电影原声带 司法 疑问 感动 | Gm | 120 | ||||
|
Friday the 13th Alternate [CEO2179 - 12] |
版本. | 3'06 | Baptiste Charvet | Alternate long version. | 感动 气氛 电影原声带 调查研究 | Abm | 120 | |||
|
Living After the Attacks [CEO2179 - 3] |
0 | 2'50 | Baptiste Charvet | Nocturnal, suspended, melancholic & resilient. Piano & acoustic | 电影原声带 内心 反省 社会悲剧 | Dm | 60 | |||
|
Facing the Unknown [ISC087 - 1] |
2'46 | Norbert Gobor | Cinematic score. Mysterious, bewitching, panoramic & slowly rising. | 画面感 军事冲突 社会悲剧 阴险 | E | 70 | ||||
|
Facing the Unknown Alternate [ISC087 - 11] |
版本. | 2'46 | Norbert Gobor | Version without piano | 画面感 军事冲突 社会悲剧 阴险 | E | 69 | |||
|
Abysses [INP075 - 1] |
2'21 | Michael Adels | Eerie, apocalyptic, epic. Discordant cymbal creeking gives way to a | 阴暗氛围 恐怖片 令人不安 诡异 | Cm | 108 | ||||
|
Abysses (Instrumental) [INP075 - 11] |
版本. | 2'20 | Michael Adels | Eerie, apocalyptic, epic. Numb bass tone emerges giving a sense of | 阴暗氛围 恐怖片 令人不安 诡异 | Cm | 103 | |||
|
Abysses (Underscore) [INP075 - 12] |
版本. | 2'21 | Michael Adels | Eerie, apocalyptic, epic. Torrent of voices communicate horror and | 阴暗氛围 恐怖片 令人不安 诡异 | Cm | 136 | |||
|
Dark Fate [INP075 - 2] |
2'32 | Michael Adels | Violent, intimidating, gothic. Sharp breaths give a terrifying vibe. | 恐怖片 诡异 灾难 背景音 | G | 101 | ||||
|
Dark Fate (Instrumental) [INP075 - 13] |
版本. | 2'32 | Michael Adels | Violent, intimidating, gothic. Shaking sustained string brings in | 恐怖片 诡异 灾难 背景音 | G | 76 | |||
|
Dark Fate (Underscore) [INP075 - 14] |
版本. | 2'32 | Michael Adels | Violent, intimidating, gothic. Sharp breaths give a terrifying vibe. | 恐怖片 诡异 灾难 背景音 | Bm | 102 | |||
|
My Demons [INP075 - 7] |
2'18 | Michael Adels | Weary, brave, despondent. Trip hop rhythm inches out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 120 | ||||
|
My Demons (Instrumental) [INP075 - 25] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out with a embattled | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
My Demons (Underscore) [INP075 - 26] |
版本. | 2'18 | Michael Adels | Weary, brave, despondent. Serious strings step out into a landscape | 恐怖片 阴险 无情 令人不安 | Gm | 80 | |||
|
From The Depths [INP075 - 8] |
2'07 | Michael Adels | Desolate, uncertain, dark. A yawning soundscape of ink black shadows | 恐怖片 令人不安 深邃 背景音 | Cm | 117 | ||||
|
From The Depths (Underscore) [INP075 - 27] |
版本. | 2'07 | Michael Adels | Desolate, uncertain, dark. A yawning soundscape of ink black shadows | 恐怖片 令人不安 深邃 背景音 | Cm | 126 | |||
|
Ritual [INP075 - 10] |
2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through bells | 恐怖片 令人不安 背景音 漂泊 | Bbm | 78 | ||||
|
Ritual (Instrumental) [INP075 - 30] |
版本. | 2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through bells | 恐怖片 令人不安 背景音 漂泊 | Bbm | 66 | |||
|
Ritual (Underscore A) [INP075 - 31] |
版本. | 2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through bells | 恐怖片 令人不安 背景音 漂泊 | Bbm | 112 | |||
|
Ritual (Underscore B) [INP075 - 32] |
版本. | 2'20 | Michael Adels | Wondrous, spooky, enticing. A glittery darkness emerges through | 恐怖片 令人不安 背景音 漂泊 | Bbm | 80 | |||
|
Emergence Alternate [CCB1065 - 11] |
3'05 | Benjamin Doherty, Vincent Leibovitz | Underscore version. | 伴音 electronic score 明朗 气氛 | Bb | 105 | ||||
|
Emergence [CCB1065 - 1] |
版本. | 3'05 | Benjamin Doherty, Vincent Leibovitz | Post-classical, minimal electronic score. Emotional, tender, sparse & | 独立电影 诞生 electronic score 内心 | Bb | 105 | |||
|
Moments Between Us Alternate [CCB1065 - 12] |
2'23 | Benjamin Doherty, Vincent Leibovitz | Underscore version. | 伴音 安静 悬念 梦幻 | C | 98 | ||||
|
Moments Between Us [CCB1065 - 2] |
版本. | 2'26 | Benjamin Doherty, Vincent Leibovitz | Minimal score, post-classical. Dreamy, soothing, contemplative, | 安静 原声乐器 宁静 放松 | C | 98 |