| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Suspect is Still at Large
[CEG5021 - 25] |
2'04 | Abaji | Alternate without percussion. Tense, narrative & dark. Electronics & | 间谍片 抱歉 悬念 悬念 | G | 117 | ||||
|
The Suspect is Still at Large [CEG5021 - 5] |
版本. | 2'06 | Abaji | Fast chase, tense, galloping & urgent. Electronics, muted trumpet & | 追逐场面 间谍片 调查研究 固执 | G | 120 | |||
|
Emerging from Nowhere
[CEG5021 - 27] |
2'02 | Abaji | Alternate without percussion. Sudden, haunting & frightening. | 悬念 调查研究 恐怖 进行中 | Cm | 140 | ||||
|
Emerging from Nowhere [CEG5021 - 7] |
版本. | 2'19 | Abaji | Sudden, brutal, haunting & frightening. Electronics, electric guitar | 恐怖 警匪片 悬念 令人不安 | Cm | 140 | |||
|
Degeneration Alternate 2 [CET9017 - 36] |
1'12 | Brian Delgado, Kabes | Alternate. Percussion only. Underscore. Quirky & dislocated trap beat. | 都市 沉重 电子鼓 冲击 | Dm | 75 | ||||
|
Degeneration [CET9017 - 9] |
版本. | 3'01 | Brian Delgado, Kabes | Melodramatic, creepy & weird intro. Hammering trap beat & synth line | 都市 动作游戏 沉重 预告片 | Dm | 151 | |||
|
Kerala [BIB123 - 2] |
2'39 | Neil Athale | Emotive, cinematic, uplifting. Delicate, atmospheric sitar. | 宁静 全景图 乡村 浪漫喜剧 | D | 100 | ||||
|
Kerala - Underscore [BIB123 - 13] |
版本. | 2'39 | Neil Athale | Emotive, cinematic, uplifting. Delicate, atmospheric sitar with | 宁静 全景图 乡村 浪漫喜剧 | D | 100 | |||
|
Kerala - 30 sec [BIB123 - 14] |
版本. | 0'30 | Neil Athale | Emotive, cinematic, uplifting. Delicate, atmospheric sitar. | 宁静 全景图 乡村 浪漫喜剧 | D | 100 | |||
|
Journey's End [BIB123 - 10] |
1'34 | Neil Athale | Cinematic, expansive, heartfelt. Atmospheric flute with reflective, | 宁静 感动 全景图 全景 | C | 112 | ||||
|
Journey's End - Underscore [BIB123 - 29] |
版本. | 0'59 | Neil Athale | Cinematic, expansive, heartfelt. Atmospheric, emotive piano melodies | 宁静 感动 全景图 全景 | C | 112 | |||
|
Journey's End - 30 sec [BIB123 - 30] |
版本. | 0'30 | Neil Athale | Cinematic, expansive, heartfelt. Atmospheric flute with reflective, | 宁静 感动 全景图 全景 | C | 111 | |||
|
Sunbeam in the Rain [CEZ4392 - 2] |
1'54 | Vincent Nguyen | Calm, intimate, flowing & delicate. Muted solo piano played arpeggio. | 耐心 无电声钢琴 自信 周期性的 | F | 148 | ||||
|
Sunbeam in the Rain Alternate [CEZ4392 - 20] |
版本. | 1'46 | Vincent Nguyen | Non muted piano version. Constant & flowing arpeggio. Piano solo. | 耐心 无电声钢琴 自信 周期性的 | F | 148 | |||
|
Open Your Eyes [CEZ4394 - 17] |
0 | 2'15 | Marvin Benjamin McMahon | Peaceful & melancholic. Piano & string ensemble @ 1'08. | 多愁善感 宁静 爱情 精致 | Bb | 121 | |||
|
The End of a Sad story [CEZ4394 - 19] |
0 | 2'33 | Nick Crofts, Marvin Benjamin McMahon | Sad & suspended. String ensemble, synth & electric guitar. Constant | 悬念 命运 夜晚 进步 | Bbm | 60 | |||
|
Travelling Light [CEZ4393 - 1] |
0 | 2'19 | Eric Lohrer | Happy, melodic & cyclic. Electric guitar duet. Suggested for travel & | 自信 电吉他 宁静 琶音 | G | 130 | |||
|
Solitaire [CEZ4393 - 9] |
0 | 2'20 | Eric Lohrer | Peaceful, interrogative & dreamy. Electric guitar solo. | 电吉他 懒惰 梦幻 安静 | Am | 118 | |||
|
Circular Shades [CEG5020 - 3] |
0 | 2'11 | Christophe Zurfluh | Repetitive, mechanical but flowing & serene. Electronics. | 信息技术 周期性的 稳定的 旋律重复的音乐 | F | 114 | |||
|
The Administrative Machine [CEO2103 - 7] |
1'36 | Baptiste Thiry | Inexorable, mechanical & disturbing. Percussion ensemble. Constant | 固执 悬念 军事冲突 进行中 | Bm | 75 | ||||
|
The Administrative Machine
[CEO2103 - 25] |
版本. | 1'49 | Baptiste Thiry | Tense, restrained & sparse. Piano, staccato string & rhythm. Fx delay. | 军事冲突 强调突出 稳定的 进行曲 | Gbm | 151 | |||
|
Summary Executions [CEO2103 - 14] |
0 | 0'57 | Baptiste Thiry | Sad, moving & sparse. Solo piano. | 悬念 自然灾害 稀疏 反省 | Gm | 83 | |||
|
Purely Technical Alternate 1 [CEO2103 - 22] |
1'34 | Baptiste Thiry | Tense, inexorable & mechanical. Piano, synth & percussion. | 调查研究 固执 令人不安 机械的 | Gm | 86 | ||||
|
Purely Technical [CEO2103 - 2] |
版本. | 2'03 | Baptiste Thiry | Tense, inexorable & mechanical. Piano, staccato strings & percussion. | 政治 严谨 当代历史 工业 | Cm | 86 | |||
|
I Never Look Back Instrumental [BIB121 - 34] |
3'05 | Keith Martin Beauvais, Matthew Simon Clark, James Pickering | Emotive, romantic, expansive. Propulsive guitar strums and driving | 跟踪摄影 果断 室外 朗朗上口 | Gm | 92 | ||||
|
I Never Look Back [BIB121 - 11] |
版本. | 3'05 | Keith Martin Beauvais, Matthew Simon Clark, James Pickering | Emotive, romantic, expansive. Propulsive guitar strums and driving | 流行民谣 跟踪摄影 果断 室外 | Gm | 92 | |||
|
L'Homme Pressé [CEO2099 - 8] |
0 | 1'15 | Pablo Pico | Urgent & tense. Staccato. Strings, synth, harpsichord, piano & | 政治 固执 严谨 紧急 | Gm | 80 | |||
|
Tension à Jérusalem [CEO2099 - 10] |
0 | 1'57 | Pablo Pico | Tense & inexorable. Middle East. Ud, strings & percussion. | 地理政治 疑问 中东 进行中 | Dm | 100 | |||
|
Visite en Egypte [CEO2099 - 21] |
0 | 1'40 | Pablo Pico | Middle East. Mysterious & desolate. String ensemble & harp. | 中东 逝去的文明 地理政治 自然灾害 | C | 60 | |||
|
Lavra Monastery [CEO2098 - 10] |
0 | 1'45 | Gregory Cotti | Adventure. Panoramic & atmospheric. Cinematic orchestra. | 命运 庄严 全景 画面感 | Am | 86 | |||
|
Introspection [EOS38 - 6] |
0 | 2'06 | Hugues Duchesne, Paulo Le Troquer | Corporate / underscore. Thoughtful, moving & suspended. Piano, | 稳定的 公司 反省 感动 | Gbm | 135 |