| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Still Waters [EOS144 - 4] |
0 | 2'21 | Simon Gruwé | Humid, calm & meditative. Piano, synth, voice & marimba. | 伴音 气氛 安静 悬念 | Bbm | 100 | |||
|
Life Within Comets [CCB1068 - 4] |
2'15 | Louis-Ronan Choisy | Electronic sequences, repetitive electronic music. Bright, mysterious | 神秘 悬念 旋律重复的音乐 耐心 | E | 120 | ||||
|
Life Within Comets Edit 20 sec [CCB1068 - 19] |
版本. | 0'20 | Louis-Ronan Choisy | 20 second cut. | 神秘 悬念 旋律重复的音乐 耐心 | E | 89 | |||
|
Life Within Comets Edit 30 sec [CCB1068 - 20] |
版本. | 0'29 | Louis-Ronan Choisy | 30 second cut. | 神秘 悬念 旋律重复的音乐 耐心 | E | 93 | |||
|
Life Within Comets Sting [CCB1068 - 21] |
版本. | 0'20 | Louis-Ronan Choisy | Sting | 神秘 悬念 旋律重复的音乐 耐心 | Abm | 89 | |||
|
Cyber Hacker [TBX217 - 4] |
2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes are | 调查研究 信息技术 电子鼓 不平稳 | Em | 178 | ||||
|
Cyber Hacker (Underscore) [TBX217 - 23] |
版本. | 2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Cyber Hacker (Underscore No
[TBX217 - 24] |
版本. | 2'18 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子琴 信息技术 工业 疑问 | Em | 178 | |||
|
Cyber Hacker (30 Sec) [TBX217 - 25] |
版本. | 0'30 | Gary Meek | Eerie, sneaky, anticipatory. Juddering glassy pulsing notes play out, | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
Cyber Hacker (Sting) [TBX217 - 26] |
版本. | 0'12 | Gary Meek | Eerie, sneaky, anticipatory. Pulsing notes and worried synth spread | 电子鼓 电子琴 信息技术 工业 | Em | 178 | |||
|
On the Edge [CEZ4641 - 4] |
2'58 | Jon Du | Ambient cinematic. Dark, fragile & tragic. Constant progression. | 画面感 神秘 夜晚 全景 | Bm | 130 | ||||
|
On the Edge Alternate [CEZ4641 - 14] |
版本. | 2'58 | Jon Du | Alternate no perc. | 画面感 神秘 夜晚 全景 | Bm | 129 | |||
|
Past and Presents [CEG5050 - 3] |
1'50 | Jia | Dark Score. Experimental intro, like lost & ghostly synth voices. | 画面感 催眠 令人不安 神秘 | Ebm | 83 | ||||
|
Past and Presents Alternate [CEG5050 - 14] |
版本. | 1'51 | Jia | Version underscore. | 画面感 催眠 令人不安 神秘 | Ebm | 112 | |||
|
Confiance en Soi [CEO2166 - 6] |
0 | 1'28 | Vincent Leibovitz | Electronica, electronical score. Interlude. Constant, répétitive, | electronic score 内心 自信 神秘 | Bm | 104 | |||
|
from within [EOS110 - 6] |
0 | 1'45 | Joao Antonio Neto Da Silva | Floating, introspective & luminous. Strings & electronics. | 气氛 神秘 安静 electronic score | Dm | 86 | |||
|
Mysteries of the Universe [CEZ4623 - 1] |
2'43 | Louis-Ronan Choisy | Cinematic, space music. Nebulous, fairy & a bit disturbing. Constant | 画面感 蒸汽朋克 魔幻电影 太空 | Cm | 110 | ||||
|
Mysteries of the Universe
[CEZ4623 - 12] |
版本. | 2'43 | Louis-Ronan Choisy | Alternate no vocal. | 画面感 魔幻电影 奇怪 仙境 | Cm | 110 | |||
|
Space Shuttle [CEZ4623 - 11] |
1'42 | Adrien Robert Patterson | Ambient. Muffled, rough & deep. Sound-design with tick-tock FX. Ideal | 太空 抱歉 令人不安 神秘 | A | 60 | ||||
|
Space Shuttle Alternate [CEZ4623 - 17] |
版本. | 1'42 | Adrien Robert Patterson | Alternate no FX. | 太空 抱歉 令人不安 神秘 | A | 117 | |||
|
Interstellar Grace [CEZ4621 - 13] |
0 | 3'29 | Lucas Simoneau | Ambient, drone. Windy, celestial & constant. Synth & sampled voices. | 背景音 抱歉 太空 神秘 | C | 114 | |||
|
Media Circus [EOS104 - 9] |
0 | 2'03 | Esteban Fernandez | Odd, quirky & ironic. Cyclical & analytic. Synth. | 科学 周期性的 神秘 sequencing | Gbm | 152 | |||
|
Mapping the Future [EOS106 - 12] |
0 | 2'40 | Eric Volpatti | Reflective, luminous & analytic. Synth & electronics. | 科学 周期性的 sequencing 梦幻 | Gbm | 98 | |||
|
Time Crystals [BIB221 - 10] |
0 | 3'35 | Michael Peter Sajic | Dreamy. Heroic. Electronic. Cascading, crystalline synth toplines, | 通透 进步 梦幻 高潮 | D | 63 | |||
|
Quiet Analysis [CEZ4521 - 25] |
1'49 | Benjamin Doherty | Rising, luminous atmospheric & peaceful. Sparse piano & synth layers. | 中立 气氛 反省 神秘 | F | 60 | ||||
|
Quiet Analysis Alternate [CEZ4521 - 60] |
版本. | 1'48 | Benjamin Doherty | Minimalist & neutral alternate soundscape version. | 中立 背景音 气氛 反省 | F | 117 | |||
|
Arriving At The Scene
[BIB197 - 17] |
2'48 | David Birnie | Sombre, troubled, cool. Soft pad chords and subsequent bells convey a | 夜晚 气氛 悬念 慢镜头 | C | 67 | ||||
|
Arriving At The Scene [BIB197 - 5] |
版本. | 2'48 | David Birnie | Sombre, troubled, cool. Glissando piano leads into sultry trumpet and | 黑色电影 夜晚 电影爵士乐 忧伤 | Am | 67 | |||
|
The Dust Speaks [CEO2138 - 15] |
0 | 2'33 | Eric Daniel | Toxic, suspended & ominous. Acoustic & E-bow guitar, sparse | 有毒 悬念 神秘 气氛 | D | 80 | |||
|
A Grain of Sand in the System [CEO2140 - 15] |
0 | 1'58 | Vincent Carlo | Experimental electro. Swirling, strange, repetitive, cyclic & toxic. | 信息技术 社会悲剧 调查研究 神秘 | C | 105 | |||
|
AutobahnKirche [MAG6100 - 27] |
0 | 5'00 | Clemens Hourriere | Electronica, ambient electro. Mysterious suspended & suspense. | 科学 稳定的 电子 疑问 | Bb | 82 | |||
|
Vampyre Story [BIB164 - 1] |
3'29 | Dominic Keen | Atmospheric, relaxed, expansive. Hypnotic synth organ textures drift | 波动感 电子管风琴 六十年代迷幻乐 梦幻 | C | 60 | ||||
|
Vampyre Story (Underscore) [BIB164 - 11] |
版本. | 3'29 | Dominic Keen | Atmospheric, relaxed, expansive. Hypnotic synth organ textures drift | 梦幻 波动感 电子管风琴 六十年代迷幻乐 | C | 119 | |||
|
Cyber Space [CEZ4462 - 13] |
0 | 3'41 | Joaquim Plossu | Atmospheric 1st part with rising arpeggiator & inspirational | 神秘 太空 都市景色 科幻片 | Bbm | 90 |