| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ambush [ISC041 - 7] |
2'11 | Giorgos Lorantakis | Oppressive & menacing intro with alarm fx & metallic weapon loading | 战争 令人不安 冲突 (音效)警报声 | Dm | 106 | ||||
|
Ambush Alternate 1 [ISC041 - 22] |
版本. | 2'11 | Giorgos Lorantakis | Alternate version without guns. | 战争 令人不安 冲突 (音效)警报声 | D | 106 | |||
|
Ambush Alternate 2 [ISC041 - 23] |
版本. | 2'03 | Giorgos Lorantakis | Alternative version without alarm. | 战争 令人不安 冲突 动作游戏 | Dm | 106 | |||
|
Nuclear Alert [CEZ4311 - 5] |
0 | 1'45 | Gabriel Saban, Philippe Briand | Impacts. Trailers. Action. Threatening & sudden. Building. Cinematic | 大电影打击乐 预告片 画面感 冲突 | A | 110 | |||
|
Murderous Blade Alternate
[CEZ4311 - 22] |
1'45 | Gabriel Saban, Philippe Briand | Investigation. Mysterious & threatening. Sequencing. | 动作片 画面感 警匪片 (音效)警报声 | A | 110 | ||||
|
Murderous Blade [CEZ4311 - 14] |
版本. | 1'56 | Gabriel Saban, Philippe Briand | Mysterious, creepy & sudden. Constant progression. Cinematic | 预告片 画面感 冲突 军事冲突 | C | 110 | |||
|
Last Warning [CET9092 - 10] |
1'54 | Zoltan Zadori | Cinematic. Ominous, dark, discontinuous intro with pared-down sound | 有毒 冲突 恐怖 (音效)滴答声 | Em | 110 | ||||
|
Last Warning Alternate [CET9092 - 28] |
版本. | 1'54 | Zoltan Zadori | Alternate version with percussion only. | 有毒 冲突 恐怖 (音效)滴答声 | Am | 110 | |||
|
Gun Squad [INP035 - 7] |
2'23 | Richard Reinhardt | Industrial action, ominous, dominated, bionic military, | 画面感 爆炸 令人不安 沉重 | Cm | 178 | ||||
|
Gun Squad (Underscore A) [INP035 - 28] |
版本. | 2'23 | Richard Reinhardt | Industrial action, ominous, hesitant bionic military, | 画面感 爆炸 令人不安 沉重 | Cm | 178 | |||
|
Gun Squad (Underscore B) [INP035 - 29] |
版本. | 2'23 | Richard Reinhardt | Industrial action, ominous, dominated, bionic military, | 画面感 爆炸 令人不安 沉重 | Cm | 178 | |||
|
Gun Squad (Underscore C) [INP035 - 30] |
版本. | 2'23 | Richard Reinhardt | Industrial action, ominous, hesitant bionic military, | 画面感 爆炸 令人不安 沉重 | Cm | 178 | |||
|
Ultimate Rush [CET9022 - 7] |
2'12 | Nick Tzios | Dubious & bizarre intro with a weird bass synth line & clock. | 紧急 爆炸 轰隆声 无情 | Em | 120 | ||||
|
Ultimate Rush Alternate 1 [CET9022 - 25] |
版本. | 2'12 | Nick Tzios | Alternate without percussion. Dubious & bizarre intro with a weird | 轰隆声 紧急 动作游戏 高潮 | Em | 120 | |||
|
Ultimate Rush Alternate 2 [CET9022 - 26] |
版本. | 2'08 | Nick Tzios | Alternate percussion only. Dubious & bizarre intro with a mysterious | 冲突 爆炸 火热 动作游戏 | Cm | 120 | |||
|
Tax Haven Alert [CEZ4074 - 11] |
0 | 2'48 | Elisabeth Skornik, Guy Skornik | Casual & constant. Alarm fx. | (音效)警报声 固执 不和谐音 都市景色 | A | 162 | |||
|
Posthumanity [CET9083 - 2] |
2'41 | Brian Delgado | Trailer track. Anticipating & intriguing intro with piano ping in a | 史诗 气势 预告片 男女合唱 | Dbm | 80 | ||||
|
Posthumanity Alternate 1 [CET9083 - 13] |
版本. | 2'41 | Brian Delgado | Alternative version without percussion. | 史诗 气势 男女合唱 令人不安 | Dbm | 80 | |||
|
Posthumanity Alternate 2 [CET9083 - 14] |
版本. | 2'41 | Brian Delgado | Alternative version without choirs. | 史诗 气势 预告片 令人不安 | Dbm | 80 | |||
|
Shadowland Theme [BIB170 - 2] |
3'08 | Ruairidh Davey, Arthur Lea, Chris Redmond, Riaan Vosloo | Breakbeat, hip hop drums, electronica, jazz, Dance. Eerie, atonal | 警匪片 电视主题曲 果断 opening (opening credits) | Gm | 100 | ||||
|
Shadowland Theme (Underscore) [BIB170 - 11] |
版本. | 2'28 | Ruairidh Davey, Arthur Lea, Chris Redmond, Riaan Vosloo | Rattling synth bass, into breakbeat drums, shakers. Synth bass slowly | 警匪片 电视主题曲 果断 都市景色 | Cm | 100 | |||
|
New York Tsunami [CEO2046 - 4] |
1'12 | Mark Alberts | Violent & heavy. Electric guitar, rhythm & fx alarm. | 冲突 电吉他效果器 恐怖 (音效)警报声 | Em | 110 | ||||
|
New York Tsunami 2 [CEO2046 - 12] |
版本. | 1'13 | Mark Alberts | Violent & heavy. Electric guitar & rhythm. | 电吉他 冲突 电吉他效果器 沉重 | Em | 110 | |||
|
Cut the Mustard [CEZ4193 - 17] |
0 | 3'40 | Pascal Macaigne | Tough & dynamic. Rock band with synth. Alarm @ 1'12.歌词 | 赛车 英格兰 英语歌唱 团队运动 | A | 119 | |||
|
Fire Down Below [CEZ4126 - 1] |
0 | 2'17 | Mathias Delplanque | Electro glitch. Jerky & tense. Electronics & rhythm. 130 BPM. | 无情 调查研究 sequencing 紧急 | Am | 130 | |||
|
The Imposter [CET9022 - 2] |
2'02 | Nick Tzios, Paul Copestake | ☆ Nominated "Best Use - Promo" @Mark Awards US 2024 ☆ Ominous & | 画面感 爆炸 轰隆声 令人不安 | Cm | 125 | ||||
|
The Imposter Alternate 1 [CET9022 - 15] |
版本. | 1'56 | Nick Tzios, Paul Copestake | Alternate without percussion. Ominous & suspensful intro. Thrilling | 画面感 轰隆声 令人不安 预告片 | Cm | 125 | |||
|
The Imposter Alternate 2 [CET9022 - 16] |
版本. | 1'59 | Nick Tzios, Paul Copestake | Alternate percussion only. Ominous & suspensful ticking clock intro. | 画面感 冲击 爆炸 不平稳 | Gbm | 125 | |||
|
Eternal Rivals [CET9105 - 4] |
2'57 | Gabriel Saban | Epic tension trailer. Strategic & suspensful intro with braams. | 动作片 进步 预告片 冒险片 | Cm | 107 | ||||
|
Eternal Rivals Alternate 1 [CET9105 - 17] |
版本. | 2'57 | Gabriel Saban | Version without percussion. | 动作片 进步 预告片 冒险片 | Cm | 107 | |||
|
Eternal Rivals Alternate 2 [CET9105 - 18] |
版本. | 2'57 | Gabriel Saban | Tense version without brass & choir. | 动作片 进步 预告片 冒险片 | Cm | 107 | |||
|
Boss Level [INP066 - 3] |
2'13 | Rupert Gibb | Futuristic, urgent, triumphant. Large kick launches into emergency | 团队运动 极限运动 预告片 都市景色 | Cm | 152 | ||||
|
Boss Level (Underscore) [INP066 - 13] |
版本. | 2'02 | Rupert Gibb | Futuristic, urgent, triumphant. Sharp impacts launch into emergency | 团队运动 极限运动 预告片 都市景色 | Cm | 152 | |||
|
Bare Knuckles [INP066 - 5] |
2'29 | Rupert Gibb | Tough, dangerous, climactic. Impact joined by alarm FX creating an | 态度 气势 极限运动 固执 | Fm | 136 | ||||
|
Bare Knuckles (Underscore) [INP066 - 15] |
版本. | 2'13 | Rupert Gibb | Tough, dangerous, climactic.Alarm FX synth creates an uncertain and | 态度 气势 极限运动 固执 | Fm | 136 | |||
|
Disregard [CEG5039 - 4] |
1'50 | laly | Dub, electro-dub, trip hop investigation. Waiting, heavy, nocturnal, | 警匪片 阴险 社会悲剧 夜晚 | Dm | 136 | ||||
|
Disregard Alternate [CEG5039 - 16] |
版本. | 1'36 | Hugo Laly, Pierre Laly | Alternate underscore. | 摇摆 调查研究 电声低音 稳定的 | Dm | 136 | |||
|
CPU Overload [CEZ4604 - 2] |
0 | 2'33 | Borussia | Electro hip hop. Future beat. Trap. Wonky beat. Tormented, bouncy, | 怪异 艺术风格 态度 信息技术 | Abm | 150 | |||
|
Catalyst [CET9083 - 9] |
2'22 | Brian Delgado, Alexis Ouelette | Trailer track. Raw & boisterous intro evolving with piano, massive | 令人不安 预告片 冲突 画面感 | Cm | 178 | ||||
|
Catalyst Alternate 1 [CET9083 - 27] |
版本. | 2'22 | Brian Delgado, Alexis Ouelette | Alternative version without percussion. | 令人不安 冲突 画面感 史诗 | Cm | 120 | |||
|
Catalyst Alternate 2 [CET9083 - 28] |
版本. | 2'22 | Brian Delgado, Alexis Ouelette | Alternative version without choirs. | 令人不安 预告片 冲突 画面感 | Cm | 178 | |||
|
Ticking Time Bomb [BIB202 - 7] |
2'05 | Pat Lennix, Xander Talim | Forceful, dominant, intense. Rough ticking FX creates a | 科幻片 体育中的戏剧性 进行中 (音效)分钟计时 | E | 105 | ||||
|
Ticking Time Bomb (Underscore
[BIB202 - 17] |
版本. | 2'05 | Pat Lennix, Xander Talim | Forceful, dominant, intense. Whirring euphoric pads create a | 科幻片 体育中的戏剧性 进行中 (音效)分钟计时 | E | 105 | |||
|
Ticking Time Bomb (Underscore
[BIB202 - 18] |
版本. | 2'05 | Pat Lennix, Xander Talim | Forceful, dominant, intense. Rough ticking FX creates a | 进行中 (音效)分钟计时 令人不安 沉重 | Em | 105 |