| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
In Perfect Time [CEZ4351 - 18] |
2'30 | Elisabeth Skornik, Guy Skornik | Patient, narrative, serious but confident. Electronics, timer & | 严谨 周期性的 当代历史 固执 | Gm | 80 | ||||
|
In Perfect Time Alternate [CEZ4351 - 44] |
版本. | 2'29 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | 当代历史 时间(滴答声) 周期性的 严谨 | Gm | 80 | |||
|
In Perfect Time Alternate 2 [CEZ4351 - 45] |
版本. | 2'02 | Elisabeth Skornik, Guy Skornik | Alternate rhythm version with timer & acceleration. Faster & faster. | 当代历史 无情 时间(滴答声) 果断 | Cm | 172 | |||
|
In Perfect Time Alternate 3 [CEZ4351 - 46] |
版本. | 2'52 | Elisabeth Skornik, Guy Skornik | Alternate rhythm version with timer & acceleration. Faster & faster. | 时间(滴答声) 无情 果断 固执 | Cm | 105 | |||
|
Wailing Silence [CET9007 - 4] |
2'12 | Gabriel Saban, Philippe Briand | Ominous & suspenseful intro with ticking clock. Massive sporadic | 恐怖 恐怖片 军事冲突 灾难 | Dm | 73 | ||||
|
Wailing Silence - No Perc [CET9007 - 16] |
版本. | 2'12 | Gabriel Saban, Philippe Briand | Alternate version without percussion. | 恐怖片 阴险 军事冲突 灾难 | D | 73 | |||
|
Wailing Silence - No Clock [CET9007 - 17] |
版本. | 2'12 | Gabriel Saban, Philippe Briand | Alternate version without without ticking clock. | 军事冲突 无情 恐怖 恐怖片 | Dm | 73 | |||
|
A Surviving Shadow [CEZ4343 - 13] |
0 | 2'18 | Bruno Alexiu | Confident, majestic & punctuated. Symphony orchestra with keyboard. | 企业宣传 联盟 令人激动 全景图 | D | 120 | |||
|
The Duration of the Experiment [CEZ4242 - 12] |
0 | 2'31 | Christophe Zurfluh | Interrogative & patient. Electronics & fx tick-tock. | 时间(滴答声) (音效)滴答声 疑问 神秘 | Dm | 98 | |||
|
Through the Dark [BIB021 - 1] |
0 | 3'18 | Richard Andrew Canavan | Slowly brooding and elegant, this sparse piece builds percussively in | 后摇滚 社会悲剧 无情 固执 | Bm | 119 | |||
|
Never Too Late [CEZ4126 - 11] |
0 | 1'04 | Arnaud de Boisfleury | Lively & tense. Electronics, rhythm & fx chronometer. 132 BPM. | 时间(滴答声) 紧急 (音效)计时声 令人不安 | Am | 132 | |||
|
Manic Mechanics [CEZ4112 - 3] |
0 | 0'33 | Piotr Moss | Weird & ironic. Xylophone, rattle & violin. | 怪异 (音效)滴答声 不可归类 时间(滴答声) | B | 117 | |||
|
Laps 4 [CEZ4021 - 14] |
0 | 0'26 | Bernard Parmegiani | Abstract. Chronometer Fx. | 电子音乐 sequencing (音效)计时声 不可归类 | Fm | 126 | |||
|
End of Play [CEZ4051 - 30] |
0 | 1'53 | Loïs Blanca | Time running out. Ambient filtered string drone & repetitive clock fx | 军事冲突 轰隆声 嗡嗡声 灾难 | C | 66 | |||
|
The Investigative Phase [CEG5061 - 2] |
2'23 | Jon Du | Cinematic. Shimmering keyboard, smooth bass, pizz string & pulse. | light tension 科学 加速镜头 信息技术 | Cm | 140 | ||||
|
The Investigative Phase
[CEG5061 - 14] |
版本. | 2'22 | Jon Du | Version without percussion | light tension 科学 加速镜头 信息技术 | Cm | 140 | |||
|
The Investigative Phase
[CEG5061 - 15] |
版本. | 2'23 | Jon Du | Underscore version | light tension 科学 加速镜头 信息技术 | Cm | 140 | |||
|
Pure Water [CEG5063 - 10] |
2'04 | Claude Samard | Ambient. Assured, determined & spacey. Analog synth. Ideal for | 放松 放松 悬念 中立 | Cm | 140 | ||||
|
Pure Water Alternate 1 [CEG5063 - 23] |
版本. | 2'04 | Claude Samard | Alternate no rhythm. | 放松 放松 悬念 中立 | Cm | 140 | |||
|
Pure Water Alternate 2 [CEG5063 - 24] |
版本. | 2'04 | Claude Samard | Alternate underscore. | 放松 放松 悬念 中立 | Cm | 140 | |||
|
Vigilance [CEG5064 - 5] |
1'50 | Jon Du | Cinematic beat. Disturbing, rising & warlike. Synth & percussion. Fx | 令人不安 动作片 进行中 间谍片 | Bm | 120 | ||||
|
Vigilance Alternate [CEG5064 - 16] |
版本. | 1'50 | Jon Du | Alternate no drums. | 令人不安 动作片 进行中 间谍片 | Bm | 120 | |||
|
Focus and Tenacity [CEO2187 - 7] |
2'45 | Kirosen | Post-classical. Standby, unsettling & cyclic. Piano, string quartet & | 时间(滴答声) 间谍片 悬念 催眠 | Eb | 100 | ||||
|
Focus and Tenacity Alternate [CEO2187 - 11] |
版本. | 2'46 | Kirosen | No ticking version. | 间谍片 悬念 催眠 机械的 | Eb | 100 | |||
|
Truth Vs Lies [BIB294 - 10] |
1'54 | Olivier Bibeau | Serious, shocking, investigative. Roll into serious strings with | 悬念 稳定的 间谍片 阴险 | Cm | 114 | ||||
|
Truth Vs Lies (Underscore) [BIB294 - 29] |
版本. | 1'54 | Olivier Bibeau | Serious, shocking, investigative. Roll into serious strings with | 悬念 稳定的 间谍片 阴险 | C | 114 | |||
|
Truth Vs Lies (Underscore
[BIB294 - 30] |
版本. | 1'54 | Olivier Bibeau | Serious, shocking, investigative. Roll into serious strings with | 悬念 稳定的 间谍片 阴险 | C | 114 | |||
|
Alone On Christmas Eve [IOM039 - 8] |
3'04 | Matthew Finch | Sad, lonely, hopeful. Ticking clock leads into wilting acoustic 歌词 | 民族民谣 乡村 内心活动 爱情 | E | 125 | ||||
|
Alone On Christmas Eve
[IOM039 - 37] |
版本. | 3'04 | Matthew Finch | Sad, lonely, hopeful. Ticking clock leads into wilting acoustic | 民族民谣 乡村 内心活动 爱情 | E | 125 | |||
|
Alone On Christmas Eve
[IOM039 - 38] |
版本. | 2'56 | Matthew Finch | Sad, lonely, hopeful. Ticking clock leads into wilting acoustic | 民族民谣 乡村 内心活动 爱情 | E | 125 | |||
|
Possession [INP080 - 3] |
1'45 | Bradley White | Panicked, scary, terrifying. Tense dissonance and screeching sounds | 画面感 恐怖片 令人不安 紧急 | Dm | 140 | ||||
|
Possession Underscore [INP080 - 13] |
版本. | 1'45 | Bradley White | Panicked, scary, terrifying. Quiet tension from strings as screeching | 画面感 恐怖片 令人不安 冲突 | Dm | 140 | |||
|
Cloaked [INP080 - 5] |
1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | ||||
|
Cloaked Underscore [INP080 - 15] |
版本. | 1'23 | Bradley White | Eerie, ghostly, otherworldly. Haunting shroud of sound is met with | 冲突 恐怖 令人不安 沉重 | Dm | 107 | |||
|
Devastator [IOM037 - 9] |
1'53 | David Birnie | Gritty, sci fi, cool. Tick tock percussion and solid kick drum gives | 冲击 画面感 爆炸 预告片 | Am | 78 | ||||
|
Devastator Alt Version [IOM037 - 32] |
版本. | 1'53 | David Birnie | Gritty, sci fi, cool. Tick tock percussion and solid kick drum gives | 冲击 画面感 爆炸 预告片 | Am | 78 | |||
|
Devastator Percussion Only [IOM037 - 33] |
版本. | 1'53 | David Birnie | Gritty, sci fi, cool. Tick tock percussion and solid kick drum gives | 冲击 画面感 爆炸 预告片 | Ebm | 78 | |||
|
Death Blossom [AMS5053 - 3] |
2'06 | Thomas Langan | Trailer. Intro with bass synth, trailer FX & ticking FX. Industrial, | 沉重 画面感 高潮 令人不安 | G | 80 | ||||
|
Death Blossom Alternate 1 [AMS5053 - 19] |
版本. | 2'06 | Thomas Langan | Version without percussion. | 画面感 高潮 令人不安 沉重 | G | 80 | |||
|
Death Blossom Alternate 2 [AMS5053 - 20] |
版本. | 2'06 | Thomas Langan | Version with percussion only. | 沉重 画面感 高潮 令人不安 | Em | 162 | |||
|
Death Blossom Alternate 3 [AMS5053 - 21] |
版本. | 2'06 | Thomas Langan | Bed version. | 画面感 高潮 令人不安 预告片 | G | 80 | |||
|
Death Blossom Edit 1 30 sec [AMS5053 - 22] |
版本. | 0'28 | Thomas Langan | 30 second cut. | 沉重 画面感 高潮 令人不安 | G | 80 | |||
|
Death Blossom Edit 2 15 sec [AMS5053 - 23] |
版本. | 0'15 | Thomas Langan | 15 second cut. | 沉重 画面感 高潮 令人不安 | Gm | 162 | |||
|
The Crown [IOM033 - 4] |
1'58 | David Birnie | Stately, melodramatic, chaotic. Fast flurry of strings gives an | 画面感 高雅 预告片 紧急 | E | 148 | ||||
|
The Crown (Underscore A) [IOM033 - 22] |
版本. | 1'58 | David Birnie | Stately, melodramatic, chaotic. Proud string stabs give a sense of | 画面感 固执 预告片 紧急 | E | 148 | |||
|
The Crown (Underscore B) [IOM033 - 23] |
版本. | 1'45 | David Birnie | Stately, melodramatic, chaotic. Tick tock percussion adds to sense of | 画面感 固执 预告片 紧急 | Abm | 148 |