| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Contract Killer [INP050 - 9] |
2'19 | Marco Madia | Terrifying, dangerous, foreboding. Riser into metallic dissonance | 冲击 冲突 画面感 大电影打击乐 | Am | 96 | ||||
|
Contract Killer (Underscore) [INP050 - 19] |
版本. | 2'16 | Marco Madia | Terrifying, dangerous, foreboding. Distant drums play around with | 冲击 冲突 画面感 大电影打击乐 | Am | 96 | |||
|
The Farthest Star [CET9023 - 3] |
2'43 | Gabriel Saban | Rising, dreamy, inspirational & uplifting intro with a gentle piano | 预告片 画面感 令人激动 凯旋 | A | 115 | ||||
|
The Farthest Star Alternate [CET9023 - 17] |
版本. | 2'43 | Gabriel Saban | Alternate without percussion. Rising, dreamy & uplifting intro with a | 画面感 令人激动 凯旋 预告片 | A | 115 | |||
|
The Farthest Star Alternate 2 [CET9023 - 18] |
版本. | 2'43 | Gabriel Saban | Alternate without choir. Rising, dreamy & uplifting intro with a | 画面感 令人激动 凯旋 预告片 | A | 115 | |||
|
Conquering your Fear [CET9018 - 5] |
3'26 | Brian Delgado | ☆ Nominated "Best Use in a Television Trailer" @Production Music | 预告片 团队运动 庄严 画面感 | Eb | 149 | ||||
|
Conquering your Fear Alternate [CET9018 - 23] |
版本. | 3'26 | Brian Delgado | Alternate without percussion. Ethereal & dreamy intro building up | 团队运动 预告片 庄严 画面感 | Eb | 149 | |||
|
Bring the Noise [ISC116 - 2] |
2'37 | Francesco Bondi | Electro. Repetitive, haunting & rough. Synth, riser, claps & beat. | 冲突 electro beat 动人 动作片 | Fm | 140 | ||||
|
Bring the Noise Alternate 1 [ISC116 - 13] |
版本. | 2'37 | Francesco Bondi | Version without percussion. | 冲突 electro beat 动人 动作片 | Fm | 70 | |||
|
Bring the Noise Alternate 2 [ISC116 - 14] |
版本. | 2'37 | Francesco Bondi | Version without lead. | 冲突 electro beat 动人 动作片 | Fm | 140 | |||
|
The End of Ending [CET9105 - 5] |
2'29 | Brian Delgado | Epic tension trailer. An ominous intro builds the pressure, like a | 气势 动作片 冲击 预告片 | Dm | 80 | ||||
|
The End of Ending Alternate 1 [CET9105 - 19] |
版本. | 2'29 | Brian Delgado | Version without percussion. | 动作片 进行中 史诗 战争 | Dm | 161 | |||
|
The End of Ending Alternate 2 [CET9105 - 20] |
版本. | 2'29 | Brian Delgado | Tense version without strings & brass. | 动作片 冲击 进行中 史诗 | Dm | 162 | |||
|
Full Ignition [CET9105 - 9] |
3'00 | Gabriel Saban | Epic tension trailer. Cello intro with piano ping & marching | 画面感 无情 进行中 史诗 | Em | 120 | ||||
|
Full Ignition Alternate 1 [CET9105 - 27] |
版本. | 3'00 | Gabriel Saban | Version without percussion. | 画面感 进行中 史诗 预告片 | Em | 120 | |||
|
Full Ignition Alternate 2 [CET9105 - 28] |
版本. | 3'00 | Gabriel Saban | Tense version without brass. | 画面感 进行中 史诗 预告片 | Em | 120 | |||
|
Synthetic Shadows [AMS5052 - 4] |
2'05 | Thomas Lucas | Electro clash. Ghostly intro with synths, arpeggiator, FX riser, | 撞击电子乐 动作片 固执 态度 | Dm | 116 | ||||
|
Synthetic Shadows Alternate 1 [AMS5052 - 21] |
版本. | 2'05 | Thomas Lucas | Percussion only version. | 撞击电子乐 动作片 固执 态度 | Abm | 115 | |||
|
Synthetic Shadows Alternate 2 [AMS5052 - 22] |
版本. | 2'05 | Thomas Lucas | Underscore version. | 撞击电子乐 动作片 固执 态度 | Gm | 116 | |||
|
Synthetic Shadows Edit 1 30
[AMS5052 - 23] |
版本. | 0'33 | Thomas Lucas | 30 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Synthetic Shadows Edit 2 15
[AMS5052 - 24] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Spacetime [INP076 - 3] |
3'23 | Patrick Roberts | Majestic, otherworldly, scary. Large bass swells as cooing vocals | 画面感 科幻片 冒险片 庄严 | Dm | 140 | ||||
|
Spacetime (Underscore) [INP076 - 13] |
版本. | 3'19 | Patrick Roberts | Majestic, otherworldly, scary. Sidechained euphoria with eerie vocals | 画面感 科幻片 冒险片 庄严 | Dm | 140 | |||
|
Otherworld [INP069 - 9] |
3'15 | Matthew St Laurent | Intriguing, dramatic, explorative. Light keys give a feeling of | 画面感 大电影打击乐 冲击 预告片 | Gm | 109 | ||||
|
Otherworld (Underscore) [INP069 - 28] |
版本. | 3'13 | Matthew St Laurent | Intriguing, dramatic, explorative. Light keys give a feeling of | 画面感 冲击 预告片 高潮 | Gm | 109 | |||
|
Voices of Unreason [ISC042 - 5] |
2'24 | Francesco Bondi | Cinematic. Hypnotic, stubborn & psychotic. Progressive spiritual | 练声 画面感 催眠 声音设计 | Bm | 98 | ||||
|
Voices of Unreason Alternate [ISC042 - 15] |
版本. | 2'24 | Francesco Bondi | Alternative light version with vocals only. | 练声 画面感 催眠 恐怖片 | Bm | 98 | |||
|
Speed Racer [CEZ4547 - 13] |
0 | 1'58 | Marco Grenier, Claude Samard | Electro beat. Determined, tense & progressive. Suggested for racing, | 赛车 撞击电子乐 追逐场面 气势 | Gm | 118 | |||
|
Uprising [INP052 - 5] |
2'11 | Richard Reinhardt | Heavy, anticipatory, determined. Subtle low impacts mix with fragile | 爆炸 战士 画面感 战争 | Em | 120 | ||||
|
Uprising (Underscore) [INP052 - 15] |
版本. | 2'11 | Richard Reinhardt | Heavy, anticipatory, determined. Subtle low impacts mix with fragile | 爆炸 战士 画面感 战争 | Em | 120 | |||
|
Reckoning [INP050 - 1] |
2'26 | Marco Madia | Foreboding, dramatic, intense. Metallic dissonance rises into | 冲突 战争 大电影打击乐 冲击 | Em | 107 | ||||
|
Reckoning (Underscore) [INP050 - 11] |
版本. | 2'25 | Marco Madia | Foreboding, dramatic, intense. Metallic dissonance rises into | 冲突 战争 大电影打击乐 冲击 | Em | 107 | |||
|
Defiance [INP050 - 10] |
2'37 | Marco Madia | Climactic, rapid, incessant. Riser into hammering distant drums and | 画面感 固执 冲击 追逐场面 | Gm | 113 | ||||
|
Defiance (Underscore) [INP050 - 20] |
版本. | 2'37 | Marco Madia | Climactic, rapid, incessant. Low rumbling euphoria meets with war | 画面感 固执 冲击 追逐场面 | Gm | 113 | |||
|
Offline [INP049 - 8] |
2'24 | Lukas Roher | Determined, spacey, epic. Sharp synth bass and lower sub march | 科幻片 社会悲剧 固执 电子琴 | D | 100 | ||||
|
Offline (Underscore A) [INP049 - 23] |
版本. | 2'24 | Lukas Roher | Determined, spacey, epic. Low sub bass marches in a sturdy rhythmic | 科幻片 社会悲剧 沉重 固执 | D | 100 | |||
|
Offline (Underscore B) [INP049 - 24] |
版本. | 2'24 | Lukas Roher | Determined, spacey, epic. Sharp synth bass and lower sub march | 科幻片 社会悲剧 固执 电子琴 | D | 100 | |||
|
Nothing Personal [ISC004 - 1] |
2'06 | Gabriel Saban | Urgent, nervous, anxious & frantic string ensemble playing staccato | 动作片 紧急 画面感 超级英雄 | A | 167 | ||||
|
Nothing Personal Alternate [ISC004 - 11] |
版本. | 2'06 | Gabriel Saban | Alternate without percussion. Urgent, nervous, anxious & frantic | 动作片 紧急 画面感 超级英雄 | A | 166 | |||
|
Run Away [ISC004 - 5] |
2'30 | Gabriel Saban | Uptight & anxious intro with FX. Powerful, violent & film score | 画面感 动作片 电影乐团 冲击 | Cm | 172 | ||||
|
Run Away Alternate [ISC004 - 16] |
版本. | 2'30 | Gabriel Saban | Alternate without percussion. Uptight & anxious intro with FX. | 画面感 动作片 电影乐团 冲击 | Cm | 172 | |||
|
Final Stand [CET9036 - 3] |
0 | 3'06 | Kabes | EDM like with pitched voice & massive beat. Clubbing, extravagant & | 电子舞曲 动人 体育电竞 俱乐部 | Gbm | 126 | |||
|
Fearless Living [CET9029 - 8] |
0 | 1'52 | Brian Delgado | Anticipating & threatening intro. Hammered & striking percussion, | 预告片 冲突 战士 画面感 | Cm | 140 | |||
|
Dark Beast [CET9028 - 2] |
1'38 | Salvador Casais | Impactful, spine-chilling & striking. Monster sample @ 0'32 | 战争 战士 画面感 预告片 | Gm | 105 | ||||
|
Dark Beast Alternate [CET9028 - 13] |
版本. | 1'38 | Salvador Casais | Alternate without percussion. Impactful, spine-chilling & striking. | 战争 战士 画面感 预告片 | Gm | 105 | |||
|
Dark Beast Alternate 2 [CET9028 - 14] |
版本. | 1'38 | Salvador Casais | Alternate with percussion only. Impactful, spine-chilling & striking. | 战争 战士 画面感 预告片 | Am | 140 |