| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Carnival Parade [TBX155 - 4] |
1'24 | Francesco Bondi | Rhythmic, daunting, fun. Tuned percussive sounds set out a dance | 节奏感 动人 固执 冲击 | Abm | 135 | ||||
|
Carnival Parade (Underscore) [TBX155 - 14] |
版本. | 1'23 | Francesco Bondi | Rhythmic, daunting, fun. Tuned percussive sounds set out a dance | 节奏感 动人 固执 广告 | Abm | 135 | |||
|
I Don't Care [CET9073 - 4] |
2'32 | Philippe Briand | Garage rock trailer. Loud, intense & insistant. Dark & spooky 歌词 | 车库摇滚 气势 态度 爆炸 | Dm | 132 | ||||
|
I Don't Care Alternate 1 [CET9073 - 17] |
版本. | 2'32 | Philippe Briand | Alternative version without percussion. | 车库摇滚 气势 态度 乐队 | Dm | 132 | |||
|
I Don't Care Alternate 2 [CET9073 - 18] |
版本. | 2'32 | Philippe Briand | Instrumental alternative version. | 车库摇滚 气势 态度 爆炸 | Dm | 132 | |||
|
Glitch In The Matrix [TBX153 - 7] |
2'15 | Mark Revell | Epic, spacey, daunting. Foreboding drones and dissonance give off a | 固执 进步 科幻片 画面感 | Fm | 86 | ||||
|
Glitch In The Matrix
[TBX153 - 19] |
版本. | 2'14 | Mark Revell | Epic, spacey, daunting. Foreboding drones and dissonance give off a | 固执 进步 画面感 果断 | Cm | 86 | |||
|
A Lone Wolf [CET9072 - 6] |
2'57 | Giorgos Lorantakis | Americana country rock trailer. Dramatic & sparse intro with acoustic | 令人不安 预告片 热沙漠 进行中 | Cm | 94 | ||||
|
A Lone Wolf Alternate [CET9072 - 18] |
版本. | 2'57 | Giorgos Lorantakis | Alternate version without percussion. | 影院摇滚 令人不安 预告片 热沙漠 | Cm | 93 | |||
|
Fog Bank [INP050 - 7] |
3'45 | Marco Madia | Otherworldly, mysterious, heavy. Phased dissonance gives off an alien | 动作片 气势 史诗 令人不安 | Am | 96 | ||||
|
Fog Bank (Underscore) [INP050 - 17] |
版本. | 3'46 | Marco Madia | Otherworldly, mysterious, heavy. Phased dissonance gives off an alien | 动作片 气势 史诗 令人不安 | Am | 96 | |||
|
Evasion [INP050 - 8] |
2'52 | Marco Madia | Intense, raw, triumphant. Dissonant risers fall into steady war drums | 画面感 动作片 战士 冲击 | Dm | 129 | ||||
|
Evasion (Underscore) [INP050 - 18] |
版本. | 2'45 | Marco Madia | Intense, raw, triumphant. War drums gradually pick up into a steady | 画面感 动作片 战士 冲击 | Dm | 129 | |||
|
Surveillance [INP049 - 9] |
3'44 | Lukas Roher | Climactic, emotive, grandiose. Glassy euphoric synth builds up with | 稳定的 社会悲剧 神秘 科幻片 | Em | 120 | ||||
|
Surveillance (Underscore A) [INP049 - 25] |
版本. | 3'44 | Lukas Roher | Climactic, emotive, grandiose. Numb sub bass note provides a sturdy | 稳定的 神秘 科幻片 悬念 | Em | 120 | |||
|
Surveillance (Underscore B) [INP049 - 26] |
版本. | 3'44 | Lukas Roher | Climactic, emotive, grandiose. Glassy reversed synth builds up with | 稳定的 神秘 科幻片 悬念 | Em | 120 | |||
|
Geiger Counter Ultimatum [CEG5034 - 4] |
0 | 2'13 | Thomas Didier | Anxious, menacing, insidious, sinister & doomful. Noisy drone, | 嗡嗡声 令人不安 灾难 军事冲突 | Gbm | 137 | |||
|
Imagination [ISC020 - 4] |
2'50 | Gabriel Saban, Jérémy Dirat, Thomas Duran | Neo-classical / narrative. Charming, cinematic, gentle, lightly & | 迷人 新古典音乐 全景图 飞行 | A | 76 | ||||
|
Imagination Alternate [ISC020 - 15] |
版本. | 2'50 | Gabriel Saban, Jérémy Dirat, Thomas Duran | Alternate version. | 迷人 新古典音乐 全景图 飞行 | A | 74 | |||
|
War [INP048 - 5] |
2'06 | Adam Brown | Heavy, sinister, challenging. Heavy slamming impact with long droning | 战争 战士 沉重 冲击 | Cm | 120 | ||||
|
War (Underscore) [INP048 - 15] |
版本. | 2'06 | Adam Brown | Heavy, sinister, challenging. Heavy slamming impact with long droning | 战争 战士 沉重 冲击 | Cm | 120 | |||
|
Light Blue [INP047 - 9] |
2'33 | Francesco Bondi | Floaty, formidable, meaningful. Dissonance emerges into electronic | 令人激动 朗朗上口 画面感 固执 | Bbm | 120 | ||||
|
Light Blue (Underscore) [INP047 - 19] |
版本. | 2'33 | Francesco Bondi | Floaty, formidable, meaningful. Dissonance emerges into electronic | 令人激动 琶音器 朗朗上口 画面感 | Bbm | 120 | |||
|
Nothing to Stop Us [ISC016 - 6] |
2'34 | Gabriel Saban | Trailer / Film Score. Determined, fast, fearless & heroic. Dramatic & | 冒险片 果断 画面感 史诗 | Cm | 116 | ||||
|
Nothing to Stop Us Alternate 1 [ISC016 - 21] |
版本. | 2'34 | Gabriel Saban | Alternate without percussion. | 冒险片 果断 画面感 史诗 | Cm | 116 | |||
|
Nothing to Stop Us Alternate 2 [ISC016 - 22] |
版本. | 2'34 | Gabriel Saban | Alternate withtout choir. | 冒险片 果断 画面感 史诗 | Cm | 116 | |||
|
A New Generation [CET9069 - 10] |
3'01 | Gabriel Saban | Shimmering intro with aerial female voice textures & trailer FX. | 仪式 赛事 电视主题曲 豪言壮语 | F | 130 | ||||
|
A New Generation Alternate 1 [CET9069 - 38] |
版本. | 3'01 | Gabriel Saban | Alternate without percussion. | 仪式 赛事 电视主题曲 豪言壮语 | F | 130 | |||
|
A New Generation Alternate 2 [CET9069 - 39] |
版本. | 3'01 | Gabriel Saban | Alternate without choir. | 仪式 赛事 电视主题曲 豪言壮语 | F | 130 | |||
|
A Resilient Spirit [ISC013 - 3] |
3'49 | Brian Delgado, Kabes | Rising & resilient intro with sequence, electro beat & low cinematic | 动作游戏 冲击 进步 凯旋 | Ebm | 152 | ||||
|
A Resilient Spirit Alternate [ISC013 - 12] |
版本. | 3'49 | Brian Delgado, Kabes | Alternate without percussion. | 进步 高潮 凯旋 紧急 | Ebm | 152 | |||
|
Game Changer [ISC013 - 4] |
0 | 1'48 | Brian Delgado | Electro track with snaps, huge digital synth & fast beat. Striking | 冲突 画面感 赛车 回响贝斯 | Gbm | 90 | |||
|
King of the City [ISC013 - 5] |
2'05 | Brian Delgado, Garrett Weyenberg | Anticipating intro with filtered synth & low impact. Electro beat in | 动作游戏 冲击 预告片 冲突 | Cm | 162 | ||||
|
King of the City Alternate [ISC013 - 13] |
版本. | 2'05 | Brian Delgado, Garrett Weyenberg | Alternate without percussion. | 电子琴 动作游戏 沉重 固执 | Cm | 155 | |||
|
Light Up the Sky [ISC013 - 8] |
1'48 | Brian Delgado | Swagger & eccentric with an exotic touch. Electro track with dancing | 电影节奏 动作片 轰隆声 气势 | Gm | 128 | ||||
|
Light Up the Sky Alternate [ISC013 - 14] |
版本. | 1'48 | Brian Delgado | Alternate without percussion. | 态度 brass hits 团队运动 预告片 | Gm | 128 | |||
|
Welcome to Dreadland [CET9064 - 1] |
2'05 | Philippe Briand, Salvador Casais, Felix Weber | Hybrid & hip hop trailer track with brass stabs, riser & trap beats. | 战士 冲突 画面感 军事冲突 | Fm | 119 | ||||
|
Welcome to Dreadland Alternate [CET9064 - 11] |
版本. | 2'05 | Philippe Briand, Salvador Casais, Felix Weber | Alternate without percussion. | 战士 冲突 画面感 军事冲突 | Fm | 120 | |||
|
We Worked Hard For It [INP041 - 11] |
3'05 | Killian Magee | Feelgood, upbeat, excited. Piano plays through an optimistic melody | 令人激动 进步 公司 命运 | G | 148 | ||||
|
We Worked Hard For It
[INP041 - 33] |
版本. | 2'31 | Killian Magee | Feelgood, upbeat, excited. Strings play an optimistic melody that | 令人激动 进步 公司 命运 | G | 148 | |||
|
We Worked Hard For It
[INP041 - 34] |
版本. | 3'03 | Killian Magee | Feelgood, upbeat, excited. Piano plays through an optimistic melody | 感动 进步 公司 命运 | C | 148 | |||
|
Supernatural Conflict [CET9062 - 5] |
0 | 2'10 | Giorgos Lorantakis | Piano ping & synth building-up with weapon FX & punctuated trailer | 声音设计 恐怖片 冲突 令人不安 | B | 90 |