| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Checkmate [CET9089 - 1] |
2'16 | Philippe Briand | Cinematic tension trailer. Clocklike & suspenseful intro with | 画面感 (音效)滴答声 时间(滴答声) 警匪片 | Fm | 120 | ||||
|
Checkmate Alternate [CET9089 - 9] |
版本. | 2'16 | Philippe Briand | Alternate version without percussion. | 政治 画面感 司法 无情 | Fm | 120 | |||
|
Checkmate 15 sec [CET9089 - 10] |
版本. | 0'14 | Philippe Briand | Alternate version - 15 sec | 画面感 (音效)滴答声 时间(滴答声) 警匪片 | Fm | 120 | |||
|
Checkmate 30 sec [CET9089 - 11] |
版本. | 0'30 | Philippe Briand | Alternate version - 30 sec | 画面感 (音效)滴答声 时间(滴答声) 警匪片 | Fm | 120 | |||
|
Checkmate 60 sec [CET9089 - 12] |
版本. | 0'59 | Philippe Briand | Alternate version - 60 sec | 画面感 (音效)滴答声 时间(滴答声) 警匪片 | Fm | 120 | |||
|
Time Pressure [CET9026 - 1] |
1'35 | Philippe Briand | Tricky, interrogative, suspensful & threatening. Obstinate clock, | (音效)滴答声 预告片 进行中 时间(滴答声) | Dm | 134 | ||||
|
Time Pressure Alternate [CET9026 - 11] |
版本. | 1'35 | Philippe Briand | Alternate without percussion & clock. Tricky, interrogative, | 预告片 进行中 时间(滴答声) 悬念 | Dm | 135 | |||
|
Time Pressure Alternate 2 [CET9026 - 12] |
版本. | 1'35 | Philippe Briand | Alternate with percussion & clock only. Tricky, interrogative, | (音效)滴答声 预告片 进行中 时间(滴答声) | Em | 134 | |||
|
Metronomy [CEZ4418 - 7] |
0 | 01'36 | Alice Guerlot Kourouklis | In expectation, introspective peaceful & minimalist. Metronome sound, | 节拍器 进行中 时间(滴答声) 悬念 | A | 60 | |||
|
Time is on the Move [CEZ4351 - 3] |
2'37 | Guy Skornik, Elisabeth Skornik | ☆ Nominated "Best Use - Digital / Online Advertising" @Production | 社会悲剧 (音效)滴答声 严谨 进行中 | Cm | 120 | ||||
|
Time is on the Move Alternate [CEZ4351 - 31] |
版本. | 2'00 | Elisabeth Skornik, Guy Skornik | Alternate underscore rhythm version.only | 固执 调查研究 严谨 果断 | C | 120 | |||
|
Time is on the Move Alternate
[CEZ4351 - 32] |
版本. | 2'37 | Elisabeth Skornik, Guy Skornik | Alternate version without timer. | 固执 命运 当代历史 严谨 | Cm | 120 | |||
|
Time is on the Move Alternate
[CEZ4351 - 33] |
版本. | 1'40 | Elisabeth Skornik, Guy Skornik | Alternate underscore only rhythm version. | 固执 令人不安 调查研究 时间(滴答声) | C | 120 | |||
|
Pressurize [INP035 - 2] |
1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 (音效)滴答声 轰隆声 | Fm | 120 | ||||
|
Pressurize (Underscore A) [INP035 - 14] |
版本. | 1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 轰隆声 冲击 | Fm | 120 | |||
|
Pressurize (Underscore B) [INP035 - 15] |
版本. | 1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 (音效)滴答声 冲击 | Fm | 120 | |||
|
Pressurize (Underscore C) [INP035 - 16] |
版本. | 1'38 | Richard Reinhardt | Industrial road trip, Neo Tokyo, post-apocalyptic. Syncopated | 画面感 预告片 (音效)滴答声 轰隆声 | Fm | 120 | |||
|
Wakey Wakey ! [CEZ4113 - 26] |
0 | 2'31 | Daniel Diaz | Urgent & stressful. Clocks & alarms ensemble. 138 BPM. | 时间(滴答声) (音效)滴答声 (音效)闹钟 不可归类 | Bm | 138 | |||
|
Horology [CEZ4113 - 27] |
2'20 | Daniel Diaz | Mechanical & urgent. Clock ensemble. 138 BPM. | 时间(滴答声) (音效)滴答声 (音效)电话 公司 | Em | 138 | ||||
|
Horology 2 [CEZ4113 - 31] |
版本. | 2'27 | Daniel Diaz | Mechanical & funny. Clock ensemble. | 时间(滴答声) (音效)滴答声 耐心 公司 | E | 108 | |||
|
Horology 3 [CEZ4113 - 32] |
版本. | 1'42 | Daniel Diaz | Mechanical & mysterious. Clock ensemble. | 时间(滴答声) (音效)滴答声 钟声 公司 | E | 96 | |||
|
The Doomsday Clock [CEG5058 - 4] |
0 | 1'18 | Les Cosmonotes | Dark Clockwork. Impactful, oppressive, menacing & rushed. Deep | (音效)滴答声 动作游戏 沉重 气势 | Fm | 120 | |||
|
Disarm [CEG5058 - 6] |
0 | 1'03 | Les Cosmonotes | Minimal Clockwork. Waiting, hesitant, odd & glitchy. Clockwork FX, | (音效)滴答声 奇怪 沉重 机械的 | Abm | 150 | |||
|
Clock of Fate [CEG5058 - 8] |
1'22 | Les Cosmonotes | Creepy Clocks & Ticking. Eerie, dark, haunted & almost horrific. | 恐怖片 (音效)滴答声 诡异 恐怖 | Dm | 100 | ||||
|
Clock of Fate Alternate [CEG5058 - 17] |
版本. | 1'18 | Les Cosmonotes | Alternate without FX. | 恐怖片 (音效)滴答声 诡异 恐怖 | Dm | 100 | |||
|
Machine Learning [AMS5053 - 5] |
2'05 | Thomas Langan | Trailer. Anticipating intro. Dark, urgent, percussive & aggressive. | (音效)滴答声 冲击 恐怖 沉重 | Cm | 129 | ||||
|
Machine Learning Alternate 1 [AMS5053 - 29] |
版本. | 2'05 | Thomas Langan | Version without percussion. | 恐怖 沉重 预告片 画面感 | C | 97 | |||
|
Machine Learning Alternate 2 [AMS5053 - 30] |
版本. | 2'05 | Thomas Langan | Version with percussion only. | 冲击 恐怖 沉重 预告片 | Gbm | 129 | |||
|
Machine Learning Alternate 3 [AMS5053 - 31] |
版本. | 2'05 | Thomas Langan | Bed version. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
Machine Learning Edit 1 30 sec [AMS5053 - 32] |
版本. | 0'32 | Thomas Langan | 30 second cut. | 冲击 恐怖 沉重 预告片 | C | 129 | |||
|
Machine Learning Edit 2 15 sec [AMS5053 - 33] |
版本. | 0'17 | Thomas Langan | 15 second cut. | 冲击 恐怖 沉重 预告片 | Cm | 129 | |||
|
No Time to Die [CET9092 - 1] |
1'57 | Zoltan Zadori | Cinematic. Clocklike intro with suspenseful & eerie pads & ticking | 画面感 恐怖 (音效)滴答声 时间(滴答声) | C | 110 | ||||
|
No Time to Die Alternate 1 [CET9092 - 11] |
版本. | 1'57 | Zoltan Zadori | Alternate version without percussion. | 画面感 恐怖 冲突 恐怖片 | C | 110 | |||
|
No Time to Die Alternate 2 [CET9092 - 12] |
版本. | 1'57 | Zoltan Zadori | Alternate version with percussion only. | 画面感 时间(滴答声) 冲突 恐怖片 | Gm | 110 | |||
|
Strikeforce [CET9092 - 9] |
2'03 | Zoltan Zadori | Cinematic. Insidious, pure, undulating & metallic intro with sound | (音效)滴答声 冲突 画面感 恐怖片 | G | 162 | ||||
|
Strikeforce Alternate [CET9092 - 27] |
版本. | 2'03 | Zoltan Zadori | Alternate version with percussion only. | (音效)滴答声 冲突 画面感 恐怖片 | Gbm | 162 | |||
|
Agitating Suspense [TBX151 - 1] |
1'48 | Jack Pierce | Playful, curious, silly. Clock percussive FX meet with nervy strings | 竞猜节目 耐心 时间(滴答声) 悲喜剧 | Dbm | 117 | ||||
|
Agitating Suspense (Alt
[TBX151 - 13] |
版本. | 1'48 | Jack Pierce | Playful, curious, silly. Nervy strings create a sense of anticipation | 耐心 悲喜剧 阴险 严谨 | Dbm | 116 | |||
|
Agitating Suspense
[TBX151 - 14] |
版本. | 1'48 | Jack Pierce | Playful, curious, silly. Nervy strings create a sense of anticipation | 耐心 时间(滴答声) 日间节目 悲喜剧 | Db | 116 | |||
|
Fiery Furnace [CET9050 - 2] |
2'15 | Garrett Weyenberg | Clocklike intro with uptight & disturbing sound design & synth. | 画面感 (音效)滴答声 固执 悬念 | F | 132 | ||||
|
Fiery Furnace Alternate [CET9050 - 12] |
版本. | 2'15 | Garrett Weyenberg | Alternate without percussion. Clocklike intro with uptight & | 画面感 (音效)滴答声 固执 悬念 | F | 132 | |||
|
Fiery Furnace Alternate 2 [CET9050 - 13] |
版本. | 2'15 | Garrett Weyenberg | Alternate percussion only. Clocklike intro with uptight & disturbing | 画面感 (音效)滴答声 固执 悬念 | Bbm | 132 | |||
|
Crossing the Breach [CET9026 - 5] |
1'44 | Salvador Casais | Paranormal & haunted. Mysterious synth, piano & persistent clock | (音效)滴答声 神秘 进行中 预告片 | Cm | 124 | ||||
|
Crossing the Breach Alternate [CET9026 - 19] |
版本. | 1'44 | Salvador Casais | Alternate without percussion & clock. Paranormal & haunted. | 神秘 进行中 预告片 间谍片 | Cm | 125 | |||
|
Crossing the Breach Alternate
[CET9026 - 20] |
版本. | 1'44 | Salvador Casais | Alternate with percussion & clock only. Paranormal & haunted. | (音效)滴答声 神秘 进行中 预告片 | Bbm | 125 | |||
|
What is Right to Do [CET9026 - 6] |
2'06 | Philippe Briand | Obstinate & introspective piano hook with synth sequence & tic tac | (音效)滴答声 时间(滴答声) 史诗 悬念 | Bm | 81 | ||||
|
What is Right to Do Alternate [CET9026 - 21] |
版本. | 2'06 | Philippe Briand | Alternate without percussion. Obstinate & introspective piano hook | 时间(滴答声) 史诗 悬念 诡异 | Bm | 162 | |||
|
What is Right to Do Alternate
[CET9026 - 22] |
版本. | 2'06 | Philippe Briand | Alternate without choir. Obstinate & introspective piano hook with | (音效)滴答声 时间(滴答声) 史诗 悬念 | Bm | 81 | |||
|
What is Right to Do Alternate
[CET9026 - 23] |
版本. | 2'05 | Philippe Briand | Alternate with percussion & clock only. Obstinate tic tac clock. | (音效)滴答声 时间(滴答声) 史诗 悬念 | Abm | 81 | |||
|
An Unreal Discovery [CEG5025 - 1] |
02'04 | Philippe Briand | Suspensful & mysterious mounting danger. Waves of synth & drum stick | 画面感 令人不安 神秘 悬念 | Gb | 128 | ||||
|
An Unreal Discovery Alternate [CEG5025 - 9] |
版本. | 02'04 | Philippe Briand | Alternate without choir. Suspensful & mysterious mounting danger. | 画面感 令人不安 神秘 悬念 | Gb | 128 | |||
|
An Unreal Discovery Alternate
[CEG5025 - 10] |
版本. | 02'04 | Philippe Briand | Alternate without percussion. Suspensful & mysterious mounting | 画面感 令人不安 神秘 悬念 | Gb | 128 | |||
|
An Unreal Discovery Alternate
[CEG5025 - 11] |
版本. | 02'04 | Philippe Briand | Alternate percussion only. Suspensful & mysterious. Intermittent drum | 画面感 令人不安 神秘 悬念 | Em | 128 | |||
|
The Imposter [CET9022 - 2] |
2'02 | Nick Tzios, Paul Copestake | ☆ Nominated "Best Use - Promo" @Mark Awards US 2024 ☆ Ominous & | 画面感 爆炸 轰隆声 令人不安 | Cm | 125 | ||||
|
The Imposter Alternate 1 [CET9022 - 15] |
版本. | 1'56 | Nick Tzios, Paul Copestake | Alternate without percussion. Ominous & suspensful intro. Thrilling | 画面感 轰隆声 令人不安 预告片 | Cm | 125 | |||
|
The Imposter Alternate 2 [CET9022 - 16] |
版本. | 1'59 | Nick Tzios, Paul Copestake | Alternate percussion only. Ominous & suspensful ticking clock intro. | 画面感 冲击 爆炸 不平稳 | Gbm | 125 | |||
|
Maximum Outburst [CET9022 - 10] |
2'07 | Nick Tzios, Paul Copestake | Oppressive intro with bass synth & ticking clock. Tense but | 进行中 冲击 画面感 无情 | Em | 162 | ||||
|
Maximum Outburst Alternate 1 [CET9022 - 31] |
版本. | 2'07 | Nick Tzios, Paul Copestake | Alternate without percussion. Oppressive & sweeping intro with | 进行中 预告片 画面感 无情 | Em | 162 | |||
|
Maximum Outburst Alternate 2 [CET9022 - 32] |
版本. | 2'02 | Nick Tzios, Paul Copestake | Alternate percussion only. Oppressive intro with a weird ticking | 冲击 预告片 画面感 无情 | Gm | 80 |