Cha cha lokafùn from the Matanza area. Determined & carefree. Male ...Cha cha lokafùn from the Matanza area. Determined & carefree. Male vocal, tiple, bass & percussion.歌词
Yo no tengo ni una cabra no tengo buey y me vine caminando de Camagüey caminé todo el sendero sin descansar y solo me queda el cuero pa' trabajar
Cuando consiga un trabajo lo juro yo iré a comprar una joya de la mejor pa' llevarle al amor mio a la niña que me tenia de amorio alla en Camagüey
Que yo no tengo, nada tengo No tengo, nada tengo Que yo no tengo, no tengoNo no tengo, no tengo Que yo no tengo, no tengo
Ay lala lala lalala..
J’en ai rien (P Canzani)
Je ne même pas de chèvre j’ai pas de bœuf Et je suis venu en marchant depuis Camagüey J’ai marché tout le sentier sans aucun repos Il ne me reste que la peau pour travailler
Quand je trouverai un travail je te le jure J’irais acheter un bijou le plus beau Pour l’offrir a mon amour la fille que Me faisais tourner la tête la bas à Camagüey
Que je n’ai rien rien de rien Que je n’ai rien je n’ai rien Que je n’ai rien de rien Non je n’ai rien je n’ai rien Que je n’ai rien de rien
Warm, rambling, adventurous. Folk guitar sets off at a sturdy rhythm ...Warm, rambling, adventurous. Folk guitar sets off at a sturdy rhythm joined by hand drumming giving a sense of a country adventure. Rural landscapes, a wayfaring individual wading through green pastures and valleys. Wistful elements from yearning chord progressions paints a wondrous image. The beauties of nature and a sense of freedom. Flute melodies support an inquisitive excursion into the unknown with male vocals offering a sense of welcome.
Warm, rambling, adventurous. Folk guitar sets off at a sturdy rhythm ...Warm, rambling, adventurous. Folk guitar sets off at a sturdy rhythm joined by hand drumming giving a sense of a country adventure. Rural landscapes, a wayfaring individual wading through green pastures and valleys. Wistful elements from yearning chord progressions paints a wondrous image. The beauties of nature and a sense of freedom. Stripped back underscore version.
Investigative, curious, educational. Flutes push out with an ...Investigative, curious, educational. Flutes push out with an enlivened sequence, hand drums giving a organic vibe until shaker percussion takes over giving a slow, slinky rhythm. Large cymbal @ 0'35 brightens up tone. Someone reading up on a subject with intrigue, or investigating a new place or building.
Investigative, curious, educational. Slow bass and bells gives a ...Investigative, curious, educational. Slow bass and bells gives a sense of curiosity as shaker percussion offers a slow, slinky rhythm. Tone brightens up @ 0'35 with fresh bells. Someone reading up on a subject with intrigue, or investigating a new place or building. Stripped back underscore version.
Stylish, groovy, fiery. Sturdy bass notes merge with weaving ...Stylish, groovy, fiery. Sturdy bass notes merge with weaving saxophone melody before breezing into catchy bass and hot guitar licks. Wah-wah pedal furthers a feeling of coolness and intrigue. A basement bar full of people enjoying themselves. Trembling saxophone solo at 01:12 distills a sense of poignance and emotion.
Stylish, groovy, fiery. Sturdy bass notes merge with dulcet glissando ...Stylish, groovy, fiery. Sturdy bass notes merge with dulcet glissando keys before breezing into catchy bass and hot guitar licks. Wah-wah pedal furthers a feeling of coolness and intrigue. A basement bar full of people enjoying themselves. Stripped back underscore version.
Mysterious, anticipatory, rousing. Slow, laboured strings and piano ...Mysterious, anticipatory, rousing. Slow, laboured strings and piano offers a sense of struggle and difficulty, with winding ascending piano gifting a sophisticated aura before bursting into crescendo at 00:38. Disastrous atmosphere a feeling of overwhelming emotion and action, falls back into more subtle instrumentation once again. Visions of a rainy city, cloaked in mystery.
Sneaky, theatrical, fun. Sharp guitar notes and rolling percussion ...Sneaky, theatrical, fun. Sharp guitar notes and rolling percussion create a sense of suspense, wavering guitar and piano offering a mystery aura. Ticking percussion and jazzy flute over a lightfooted atmosphere, a spy moving silently around a house or location careful not to be caught. Stripped back underscore version.
Crystalline, evanescent, cyclical & pastoral. small ensemble with ...Crystalline, evanescent, cyclical & pastoral. small ensemble with lead keyboard. Suggested for home & garden.
Joyful, carefree, kitsch & lively instrumental cha-cha in a retro ...Joyful, carefree, kitsch & lively instrumental cha-cha in a retro mood of the 40s & 50s. Brass section, piano, kick, Latin percussion.
Underscore. Joyful, carefree & lively cha-cha in a retro mood of the ...Underscore. Joyful, carefree & lively cha-cha in a retro mood of the 40s & 50s. Piano, kick, Latin percussion.
Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & ...Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.歌词
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, ...Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, festive & catchy. Exotic & danceable. Drum machine, brass & Latin percussion.
Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. ...Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party. 歌词
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic ...Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
Negro chombo me dicen
Por q soy mulato oscuro
Tengo la bemba colora
Y tengo el pelo bien duro
Si si si negros hay muchos
Unos mas claros
y otros inmensamente oscuros
Pero mi vieja deci?a que como chombo ninguno
Yo soy un negro bembón
hijo de negro rumbero
Me gusta el ron y el vacilo?n
por que a papa le gustó primero
El negrito se fue pa la rumba
Y papa le gustó primero
Esa fue su decisio?n
Y a papa le gustó primero
Ese tipo era un loco
Y ya lo tengo pillao
Igualito a su papa?
Hijo e tigre sale pintao
El negrito se fue pa la rumba
Y papa le gustó primero
Esa fue su decisio?n
Y a papa le gustó primero
Hijo de negro rumbero
Y papa le gustó primero
Le gusta el ron las mujeres y vacilo?n
Y a papa le gustó primero
EN:
Black chombo they call me
Cause I'm a dark mulatto
I have the bemba colora
And I have very hard hair
Yes yes yes black there are many
Some more clear
and others immensely dark
But my old lady said that as a chombo, no one
I am a black bembón
son of black rumbero
I like rum and party
because daddy liked it first
The black guy went to the party
And Dad liked it first
That was his decision
And Dad liked it first
That guy was a crazy
And I got him, I got him
Just like his father
Son of a tiger comes out painted
The black guy went to the party
And Dad liked it first
That was his decision
And Dad liked it first
Son of black rumbero
And Dad liked it first
Likes rum women and parties
And Dad liked it first
FR:
"Chombo le noir" ils m'appellent
Parce que je suis mula?tre fonce?
J'ai la bouche colore?e
Et j’ai la peau bien dure
Oui oui oui, il y a beaucoup de Noirs
Quelques uns plus clairs
Et d'autres d’autres extre?mement fonce?s
Mais ma me?re m'a dit que comme "Chombo le noir" aucun !
Je suis un "noir bembon"
Fils d'un noir fe?tard
J’aime bien le rhum et m'amuser
Parce qu’a? mon pe?re l'a plu en premier
Le petit noir est alle? a? la rumba
Et a? papa lui a plu en premier
C'e?tait sa de?cision
Et a? papa lui a plu en premier
Ce gars e?tait un fou
Je l’ai entre les yeux
Tout comme son pe?re
Fils du tigre va avec ses rayures
Le noir est alle? a? rumba
Et a? papa lui a plu en premier
C'e?tait sa de?cision
Et a? papa lui a plu en premier
Fils de fe?tard noir
Et a? papa lui a plu premier
Il aime les femmes et le rhum et s’amuser
Et a? papa lui a plu en premier
Playful determined, strong. Confident and celebratory rising brass ...Playful determined, strong. Confident and celebratory rising brass melodies are joined by upbeat percussion. Minimal, propulsive and percussive verse builds with funky guitars and brass. Organ tones weave to positive, energetic riffs and percussive breaks, building to triumphant, cool sections with loads of attitude.
Playful determined, strong. Stripped back underscore version. ...Playful determined, strong. Stripped back underscore version. Confident and celebratory rising brass melodies are joined by upbeat percussion. Minimal, propulsive and percussive verse builds with funky guitars and brass. Organ tones weave to positive, energetic riffs and percussive breaks, building to triumphant, cool sections with loads of attitude.
Playful determined, strong. Confident and celebratory rising brass ...Playful determined, strong. Confident and celebratory rising brass melodies are joined by upbeat percussion. Minimal, propulsive and percussive verse builds with funky guitars and brass. Positive, energetic riffs and percussive breaks build to a triumphant, cool section with loads of attitude.
Playful, upbeat, confident. Positive brass stabs with quirky, fun ...Playful, upbeat, confident. Positive brass stabs with quirky, fun percussion and handclaps are joined by funky guitars, propulsive drums and atmospheric organ, building to euphoric, celebratory peaks. Energetic and rousing big band cue with Latin vibes to get you dancing.
Playful, upbeat, confident. Stripped back underscore version. ...Playful, upbeat, confident. Stripped back underscore version. Positive brass stabs with quirky, fun percussion and handclaps are joined by funky guitars, propulsive drums and atmospheric organ, building to celebratory peaks. Energetic and rousing big band cue with Latin vibes to get you dancing.
Playful, upbeat, confident. Positive brass stabs with quirky, fun ...Playful, upbeat, confident. Positive brass stabs with quirky, fun percussion and handclaps are joined by funky guitars, propulsive drums and atmospheric organ, building to a euphoric, celebratory peak. Energetic and rousing big band cue with Latin vibes to get you dancing.
Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin ...Salsa sung in Spanglish. Festive & lively. Male singer, piano, latin percussion & brass section.
歌词
esto es a lo niche, caliche,venite,nos vamos pa los Yores, señores come on. esto es a lo niche,caliche,venite,nos vamos a lo punta talon, punta talon. y comenzó vacilon,llegaron los que son,llevando un nuevo sound pa los Yores, oye latino no te asombres,vamo' a hacer desorden,este ritmo lleva mi nombre, Y ve vo' jabés, movéte movéte, y ve vo' jabés, Mirá cojé, y ve vo' jabés, movéte movéte, y ve vo' jabés, cuidao y te caés. hey Cali,What's going on, this is a lo niche, del barrio song, cuero pa' la calle, campaneo básico, Do you feel it ? ti-ti có, ti-ti có. FR: Ça c’est à la façon des noirs, “caleninen”Venez ! Nous allons à New-York Messieurs, venez. Ça c’est à la façon des noirs, “caleninen”Venez ! Nous allons à New-York, Messieurs, venez Nous allons en, pointe, talon, pointe talon Et la fête a commencéCeux qui sont venus, y sont En amenant un nouveau son à New YorkHey latino, ne soyez pas surpris On va faire du désordreCe rythme porte mon nom Et tu le sais bienBouge-toi, bouge-toiEt tu le sais bienRegarde, attrape Et tu le sais bienBouge-toi, bouge-toiEt tu le sais bienRegarde, attrape Fait gaffe, ne tombe pas par terre Hey Cali Qu’est ce qui se passe? Ça c’est à la façon des noirsChanson du quartier Cuir pour la rue Frappement basique de la clocheL'avez-vous ressenti ? Ti ti co, ti ti co
