| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Genealogy of Mali Bero [OCR560127 - 4] |
0 | 8'39 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 106 | |||
|
Askya Mohammed échappe au
[OCR560127 - 5] |
0 | 6'14 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 98 | |||
|
Askya Muhammad's childhood [OCR560127 - 6] |
0 | 3'17 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 99 | |||
|
How the prediction was
[OCR560127 - 7] |
0 | 10'54 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 100 | |||
|
The murder of Askya Mohammad [OCR560127 - 8] |
0 | 2'32 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 100 | |||
|
Fight against the lions [OCR560127 - 9] |
0 | 4'45 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 100 | |||
|
Fight against the Peul [OCR560127 - 10] |
0 | 2'06 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 100 | |||
|
Encounter with Askya
[OCR560127 - 11] |
0 | 4'57 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 101 | |||
|
Victory over the Peul [OCR560127 - 12] |
0 | 6'37 | Jijo Baje from P.D. | Niger. Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 102 | |||
|
Intronisation and genealogy [OCR560127 - 13] |
0 | 2'53 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 | Fm | 104 | |||
|
Uzun Hava [OCR560116 - 1] |
0 | 11'00 | Hayri Dev, Mehmet Sakir from P.D. | Long melody, followed by dance airs. Violin, male voice & uçtelli 歌词 | 土耳其语歌唱 民族 人声 uçtelli | Gm | 102 | |||
|
Suites de danses [OCR560116 - 2] |
0 | 15'15 | Hayri Dev, Mehmet Sakir from P.D. | Zeybek & kirik. Violin, uçtelli (Turkish lute) & male voice.歌词 | 民族 土耳其语歌唱 uçtelli 人声 | Bm | 106 | |||
|
Ümmü Kiz Türküsü [OCR560116 - 4] |
0 | 13'10 | Hayri Dev, Mehmet Sakir from P.D. | Song of Ummu the Virgin. Violin, male voice & darbouka @ 9'10.歌词 | 民族 土耳其语歌唱 uçtelli 人声 | Am | 100 | |||
|
Gending Rarari [OCR560083 - 3] |
0 | 10'07 | Salam (performer) from P.D. | Song telling how a young man counts the days until the return of his 歌词 | 加麦兰 非西方古典音乐 民族 马都拉 | Gbm | 153 | |||
|
Song accompanied on the nanga [OCR560032 - 3] |
0 | 4'19 | N'Gali from P.D. | About a pretty girl. Nanga (Ugandan zither) & male voices. | 民族 男声民族合唱团 nanga 乌干达 | Cm | 118 | |||
|
Baakisimba wedding dance [OCR560032 - 10] |
0 | 6'47 | Aboluganda Kwagalana from P.D. | This is the most well-known dance in the traditional Ganda | 民族 madinda endingidi 乌干达 | A | 103 | |||
|
Mbali [OCR560199 - 7] |
0 | 6'12 | Théodore Ossele from P.D. | Atege song. From the popular repertoire. Male voice & mixed choir. | 民族 男女民族合唱团 Atege 传统男声独唱 | Ebm | 117 | |||
|
Riberenca [OCR560189 - 3] |
0 | 1'29 | José Estellés Fabregues (Xiquet del Carme) from P.D. | Catalan song. Male voice, acoustic guitar, guitarro & small wind 歌词 | cant d'estil 华伦西亚语歌唱 人声 民族 | Am | 102 | |||
|
Riberenca 2 [OCR560189 - 7] |
0 | 1'39 | José Estellés Fabregues (Xiquet del Carme) from P.D. | Catalonia.Catalan song. Male voice, acoustic guitar, guitarro & small 歌词 | cant d'estil 华伦西亚语歌唱 人声 民族 | Am | 97 | |||
|
Albà [OCR560189 - 10] |
0 | 1'26 | José Estellés Fabregues (Xiquet del Carme) , Josepa Blasco from P.D. | Catalan song. Female & male voices, dolçaina (Catalan oboe) & tabal 歌词 | cant d'estil 华伦西亚语歌唱 人声 民族 | A | 90 |