| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
DARK BRAZILIAN AURA [CEM3025 - 5] |
1'54 | B4D3.mp3 | Melodic Brazilian phonk. Speed. Arrogant, inspiring, intense, | brazilian phonk 冲击 令人激动 沉重 | Cm | 141 | ||||
|
DARK BRAZILIAN AURA Alternate
[CEM3025 - 56] |
版本. | 1'54 | B4D3.mp3 | Instrumental version | brazilian phonk 冲击 令人激动 沉重 | Cm | 141 | |||
|
DARK BRAZILIAN AURA Alternate
[CEM3025 - 57] |
版本. | 2'13 | B4D3.mp3 | Slowed version | brazilian phonk 冲突 态度 动人 | Am | 121 | |||
|
DARK BRAZILIAN AURA Alternate
[CEM3025 - 58] |
版本. | 2'13 | B4D3.mp3 | Slowed instrumental version | brazilian phonk 冲击 令人激动 沉重 | Am | 121 | |||
|
DARK BRAZILIAN AURA Edit 1
[CEM3025 - 59] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | brazilian phonk 冲击 令人激动 沉重 | Cm | 141 | |||
|
DARK BRAZILIAN AURA Edit 2
[CEM3025 - 60] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | brazilian phonk 冲击 令人激动 沉重 | Cm | 141 | |||
|
DARK BRAZILIAN AURA Edit 3
[CEM3025 - 61] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | brazilian phonk 冲击 令人激动 沉重 | Cm | 140 | |||
|
DARK BRAZILIAN AURA Edit 4
[CEM3025 - 62] |
版本. | 0'17 | B4D3.mp3 | Sting | brazilian phonk 冲击 令人激动 沉重 | C | 142 | |||
|
DARK BRAZILIAN AURA Edit 5
[CEM3025 - 63] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | brazilian phonk 冲击 令人激动 沉重 | Am | 120 | |||
|
DARK BRAZILIAN AURA Edit 6
[CEM3025 - 64] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | brazilian phonk 冲击 令人激动 沉重 | Am | 121 | |||
|
DARK BRAZILIAN AURA Edit 7
[CEM3025 - 65] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | brazilian phonk 冲击 令人激动 沉重 | Am | 121 | |||
|
DARK BRAZILIAN AURA Edit 8
[CEM3025 - 66] |
版本. | 0'19 | B4D3.mp3 | Slowed sting | brazilian phonk 冲击 令人激动 沉重 | Am | 118 | |||
|
The Bad Touch [AMS5066 - 3] |
2'15 | Philippe Briand, Salvador Casais | Rock. Funky, catchy & casual. Lively climax @ 1'26. Break @ 0'34, @ | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | ||||
|
The Bad Touch Alternate 1 [AMS5066 - 19] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Version without percussion | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Alternate 2 [AMS5066 - 20] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Version with percussion only | 日间节目 黑人电影 影院摇滚 动人 | Bbm | 118 | |||
|
The Bad Touch Alternate 3 [AMS5066 - 21] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Bed version | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Alternate 4 [AMS5066 - 22] |
版本. | 2'15 | Philippe Briand, Salvador Casais | Underscore version | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Edit 1 30 sec [AMS5066 - 23] |
版本. | 0'26 | Philippe Briand, Salvador Casais | 30 second cut | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
The Bad Touch Edit 2 15 sec [AMS5066 - 24] |
版本. | 0'17 | Philippe Briand, Salvador Casais | 15 second cut | 日间节目 黑人电影 影院摇滚 动人 | Gm | 118 | |||
|
Head Up Head Down [CCB1074 - 1] |
3'00 | Bleu Foncé Music | Amapiano. Rising, percussive & in the air. Synth, pitched vocals & | amapiano 俱乐部 舞动 动人 | Gbm | 112 | ||||
|
Head Up Head Down Alternate [CCB1074 - 9] |
版本. | 3'00 | Bleu Foncé Music | Instrumental version. | amapiano 俱乐部 舞动 动人 | Gbm | 112 | |||
|
A Japanese Girlfriend [CEC8068 - 4] |
2'23 | Zhang Hao, Peng Qu | Smooth intro, then pop, kitsch & sentimental. Synths, pipa, | 爱情 气氛 中国 稳定的 | Em | 81 | ||||
|
A Japanese Girlfriend
[CEC8068 - 16] |
版本. | 2'23 | Zhang Hao, Peng Qu | No lead synth version | 爱情 气氛 中国 稳定的 | Em | 81 | |||
|
Purple Clouds from the East [CEC8067 - 1] |
1'54 | Zhang Hao, Qingfeng Mu | Suspended, ethereal & dreamy. Pad, guzheng, bell, celesta & xiao. | 中国 飞行 传统亚洲 安静 | A | 65 | ||||
|
Purple Clouds from the East
[CEC8067 - 11] |
版本. | 1'54 | Zhang Hao, Qingfeng Mu | Version without percussion | 中国 飞行 传统亚洲 安静 | A | 65 | |||
|
Flight of the Auspicious
[CEC8067 - 8] |
2'27 | Zhang Hao, Qingfeng Mu | Narrative, contemplative & majestic. Celesta, marimba, vibraphone, | 中国 庄严 中国电影 果断 | Am | 94 | ||||
|
Flight of the Auspicious
[CEC8067 - 17] |
版本. | 2'04 | Zhang Hao, Qingfeng Mu | Short version without percussion | 中国 庄严 中国电影 果断 | Am | 124 | |||
|
Beneath their Gaze [CEG5064 - 10] |
2'15 | Jérémy Dirat | Cinematic. Worried, inexorable & sad. Pizz, piano, synth & | 心理剧 疑问 阴险 无情 | Dm | 154 | ||||
|
Beneath their Gaze Alternate [CEG5064 - 23] |
版本. | 2'15 | Jérémy Dirat | Alternate underscore. | 心理剧 疑问 阴险 无情 | Dm | 154 | |||
|
Under the Coconut Trees [CEL7047 - 4] |
2'10 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Acoustic ballad with a hint of reggae. Enchanting, gentle, cool, lazy | 叙事曲/民谣 日常生活 热带雨林 宁静 | Am | 102 | ||||
|
Under the Coconut Trees
[CEL7047 - 40] |
版本. | 2'10 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | 叙事曲/民谣 日常生活 热带雨林 宁静 | Am | 102 | |||
|
Under the Coconut Trees
[CEL7047 - 41] |
版本. | 2'09 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without flute | 叙事曲/民谣 日常生活 热带雨林 宁静 | Am | 102 | |||
|
Hidden Springs [CEL7047 - 30] |
2'11 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Enigmatic, narrative, rootsy & wild. 7-string guitar, cavaquinho, | 热沙漠 巴西吉他 公路电影 自信 | Dm | 110 | ||||
|
Hidden Springs Alternate [CEL7047 - 77] |
版本. | 2'06 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Version without percussion | 热沙漠 巴西吉他 公路电影 自信 | Dm | 109 | |||
|
On the Steep Paths [CEL7047 - 32] |
0 | 2'05 | Luiz De Aquino Junior, Veronique Le Berre De Aquino | Enigmatic, narrative & rootsy. Bass ukulele & percussion (wooden | 地理政治 神秘 叙述 热带雨林 | Em | 86 | |||
|
Powerhouse [IOM045 - 4] |
2'01 | David Birnie | Big, powerful, upbeat. Big sweeping impact and clicks give a sense of | 广告 节奏感 巴西传统鼓点 嘉年华 | Gm | 125 | ||||
|
Powerhouse (Underscore) [IOM045 - 17] |
版本. | 2'01 | David Birnie | Big, powerful, upbeat. Big sweeping impact and clicks give a sense of | 广告 节奏感 巴西传统鼓点 嘉年华 | Gm | 125 | |||
|
Powerhouse (Drums Only) [IOM045 - 18] |
版本. | 2'01 | David Birnie | Big, powerful, upbeat. Big sweeping impact and clicks give a sense of | 广告 节奏感 巴西传统鼓点 嘉年华 | Gm | 125 | |||
|
Exotic Expeditions [TBX234 - 6] |
2'23 | Reid Durtschi | Confident, zen, yearning. Resonant drums play a gentle cooing rhythm | 悬念 长笛 全景图 梦幻 | Gm | 118 | ||||
|
Exotic Expeditions
[TBX234 - 16] |
版本. | 2'23 | Reid Durtschi | Confident, zen, yearning. Resonant drums play a gentle cooing rhythm | 悬念 长笛 全景图 梦幻 | Gm | 118 | |||
|
Mystical Meanderings [TBX234 - 7] |
1'58 | Reid Durtschi | Magical, eye-opening, relaxed. Pads travel on top of a searching | 电吉他 神奇 梦幻 画面感 | Ebm | 110 | ||||
|
Mystical Meanderings
[TBX234 - 17] |
版本. | 1'58 | Reid Durtschi | Magical, eye-opening, relaxed. Pads travel on top of a searching | 电吉他 神奇 梦幻 伴音 | Ebm | 110 | |||
|
Crossing Boundaries [TBX234 - 8] |
2'01 | Reid Durtschi | Passionate, rewarding, spiritual. Steel drums pad out with a sense of | 动物世界 悬念 反省 画面感 | Ebm | 112 | ||||
|
Crossing Boundaries
[TBX234 - 18] |
版本. | 2'01 | Reid Durtschi | Passionate, rewarding, spiritual. Steel drums pad out with a sense of | 动物世界 悬念 反省 伴音 | Ebm | 112 | |||
|
Crossing Boundaries
[TBX234 - 19] |
版本. | 2'01 | Reid Durtschi | Passionate, rewarding, spiritual. Steel drums pad out with a sense of | 动物世界 悬念 反省 伴音 | Ebm | 112 | |||
|
Wellsprings Of Wonder [TBX234 - 10] |
2'03 | Reid Durtschi | Wondrous, bright, mystical. Guitars trickle out on the back of steel | 自信 周期性的 原声吉他 神奇 | Gm | 110 | ||||
|
Wellsprings Of Wonder
[TBX234 - 21] |
版本. | 2'03 | Reid Durtschi | Wondrous, bright, mystical. Guitars trickle out on the back of steel | 自信 周期性的 原声吉他 神奇 | Gm | 146 | |||
|
Shadow Games [ISC116 - 3] |
2'40 | Francesco Bondi | Electro. Urgent, edgy, heavy & wild. Synth, percussion & beat. | electro beat 固执 动人 动作游戏 | Am | 128 | ||||
|
Shadow Games Alternate 1 [ISC116 - 15] |
版本. | 2'40 | Francesco Bondi | Version without percussion. | electro beat 固执 动人 动作游戏 | Am | 128 | |||
|
Shadow Games Alternate 2 [ISC116 - 16] |
版本. | 2'40 | Francesco Bondi | Light version. | electro beat 固执 动人 动作游戏 | Am | 128 | |||
|
Transrumba [CEZ4694 - 9] |
2'18 | Gwadakongo | Afrofuturism. Relaxed, hypnotic & sensual. Percussion, keys, beat, | 稳定的 非洲 非洲流行乐 固执 | Dbm | 132 | ||||
|
Transrumba Alternate [CEZ4694 - 27] |
版本. | 2'18 | Gwadakongo | Underscore version | 稳定的 非洲 固执 节奏感 | Gbm | 132 | |||
|
Transrumba Edit 30 sec [CEZ4694 - 28] |
版本. | 0'30 | Gwadakongo | 30 second cut | 稳定的 非洲 固执 节奏感 | Gbm | 99 | |||
|
Get the Party Going [CEZ4681 - 8] |
2'47 | Olivier Bibeau | Funk talkbox. Relaxed & confident. Talkbox vocals, synthetic bass, | 合成贝斯 动人 放克 讲话箱 | Fm | 106 | ||||
|
Get the Party Going Alternate [CEZ4681 - 49] |
版本. | 2'47 | Olivier Bibeau | Instrumental Version (without talkbox) | 动人 喜庆 开心 果断 | Fm | 106 | |||
|
Get the Party Going Edit 1
[CEZ4681 - 50] |
版本. | 1'00 | Olivier Bibeau | 60 second cut | 动人 喜庆 开心 果断 | Fm | 106 | |||
|
Get the Party Going Edit 2
[CEZ4681 - 51] |
版本. | 0'30 | Olivier Bibeau | 30 second cut | 动人 喜庆 开心 果断 | Fm | 106 | |||
|
Get the Party Going Edit 3
[CEZ4681 - 52] |
版本. | 0'20 | Olivier Bibeau | 20 second cut | 动人 喜庆 开心 果断 | Fm | 106 | |||
|
Get the Party Going Edit 4
[CEZ4681 - 53] |
版本. | 0'12 | Olivier Bibeau | Sting | 动人 喜庆 开心 果断 | Bb | 105 | |||
|
Groovin' to The Funk [CEZ4681 - 11] |
2'32 | Olivier Bibeau | Funk talkbox. G-Funk mood. Easy-going, satisfied & slick. Talkbox, | 电子放克 电子鼓 电子鼓 节奏乐器组 | Em | 104 | ||||
|
Groovin' to The Funk Alternate [CEZ4681 - 64] |
版本. | 2'32 | Olivier Bibeau | Version instrumentale (sans talkbox) | 态度 时髦 时尚 人物 | Em | 104 | |||
|
Groovin' to The Funk Edit 1
[CEZ4681 - 65] |
版本. | 1'00 | Olivier Bibeau | 60 second cut | 态度 时髦 时尚 人物 | Am | 104 | |||
|
Groovin' to The Funk Edit 2
[CEZ4681 - 66] |
版本. | 0'30 | Olivier Bibeau | 30 second cut | 态度 时髦 时尚 人物 | Am | 104 | |||
|
Groovin' to The Funk Edit 3
[CEZ4681 - 67] |
版本. | 0'20 | Olivier Bibeau | 20 second cut | 态度 时髦 时尚 人物 | Am | 104 | |||
|
Groovin' to The Funk Edit 4
[CEZ4681 - 68] |
版本. | 0'11 | Olivier Bibeau | Sting | 态度 时髦 时尚 人物 | Am | 104 | |||
|
Cry of Township Alternate [CEZ4695 - 25] |
3'06 | Gwadakongo | Underscore version | amapiano 稳定的 都市景色 节奏感 | Em | 148 | ||||
|
Cry of Township [CEZ4695 - 8] |
版本. | 3'06 | Gwadakongo | Amapiano. Fiery, catchy & powerful. Beat, percussion & synth | amapiano 稳定的 都市景色 节奏感 | Dm | 148 |