| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Lonnè épi respé [OCR560249 - 10] |
0 | 7'35 | Bèlènou, Edmond Mondésir | A song especially composed to honour those pioneers who paved the | bèlè 克里奥尔语歌唱 民族 人声 | Bm | 110 | |||
|
Bravo Milo [OCR560249 - 11] |
0 | 4'17 | Bèlènou, Edmond Mondésir | This song is a tribute to Ti Emile Casérus (1925-1992). Traditional | bèlè 克里奥尔语歌唱 民族 人声 | Bm | 112 | |||
|
Sa telman bien [OCR560249 - 12] |
0 | 3'30 | Bèlènou, Edmond Mondésir | A song about harmony between people. Traditional singer and mixed | bèlè 克里奥尔语歌唱 民族 人声 | Abm | 112 | |||
|
Nou pa pè [OCR560249 - 13] |
0 | 3'16 | Bèlènou, Edmond Mondésir | This song urges us to reject fears and hesitations that often stop us | bèlè 克里奥尔语歌唱 民族 人声 | Gbm | 117 | |||
|
La nou yé a [OCR560249 - 14] |
0 | 3'34 | Bèlènou, Edmond Mondésir | This song expresses a hope that we shall see things get better in | bèlè 克里奥尔语歌唱 民族 人声 | Em | 107 | |||
|
Tanbouyé bel plézi [OCR560249 - 15] |
0 | 4'07 | Bèlènou, Edmond Mondésir | This song is a tribute to the drummer. Traditional singer and mixed | bèlè 克里奥尔语歌唱 民族 人声 | Fm | 143 | |||
|
Mancube [OCR560239 - 1] |
0 | 3'08 | Traditionnal | A song sung during traditional ceremonies of the Ndebele people of | 民族 男声民族合唱团 izikeyi 民族复调歌唱 | Fm | 123 | |||
|
Tshoba Lami [OCR560239 - 7] |
0 | 2'50 | Traditionnal | Happy ceremonie song. Traditional male singer trio, amahlwayi | 民族 amahlwayi 男声民族合唱团 民族复调歌唱 | Cm | 136 | |||
|
uJona uyabaleka [OCR560239 - 12] |
0 | 3'23 | Traditionnal | Song about Jonah. Traditional male singer trio, amahlwayi (Zimbabwean | 民族 amahlwayi 男声民族合唱团 民族复调歌唱 | Dm | 93 | |||
|
Amathendele [OCR560239 - 15] |
0 | 3'22 | Traditionnal | Very happy song often sung bu supporters of Highlanders FC. | 民族 amahlwayi 男声民族合唱团 民族复调歌唱 | Dm | 90 | |||
|
Akungihlephunele [OCR560239 - 16] |
0 | 3'19 | Traditionnal | Political song. Traditional male singer trio, amahlwayi (Zimbabwean | 民族 amahlwayi 男声民族合唱团 民族复调歌唱 | Gm | 91 | |||
|
Un Bebedor de Aguardiente [OCR560208 - 13] |
0 | 2'38 | Unknown | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | D | 108 | |||
|
Reseña Campesina [OCR560208 - 14] |
0 | 2'25 | Romel Rodriguez Penton | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 99 | |||
|
De Cuba Montes y Llanos [OCR560208 - 15] |
0 | 2'11 | Guillermo Gonzalez Vazco | Punto cerrado en clave. Small ensemble composed by tres, acoustic | 民族 男声民族合唱团 古巴 传统乐器合奏 | Am | 120 | |||
|
El Matrimonio y la Zafra [OCR560208 - 16] |
0 | 5'13 | Leonel Castro | Sordo de canon. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | Em | 144 | |||
|
En Cuba [OCR560208 - 17] |
0 | 5'03 | Efidelio Guerra | Punto cerrado. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | G | 105 | |||
|
Perla de las Antillas [OCR560208 - 18] |
0 | 2'29 | Orlando Toledo Morales | Punto en clave. Small ensemble composed by tres, acoustic guitar, | 民族 男声民族合唱团 古巴 传统乐器合奏 | E | 100 | |||
|
Controversia [OCR560208 - 19] |
0 | 13'38 | Raul Herrera, Luis Martin | Punto libre. Small ensemble composed by tres, acoustic guitar, Cuban | 民族 古巴 传统乐器合奏 锯琴 | Am | 144 | |||
|
Suite de la controversia -
[OCR560208 - 20] |
0 | 3'32 | Unknown | Punto corrido. Small ensemble composed by tres, acoustic guitar, | 民族 古巴 传统乐器合奏 锯琴 | D | 104 | |||
|
Mindanao [CEZ4121 - 16] |
0 | 1'30 | Imade Saputra | Urgent & determined. Kulintang lithophone ensemble (gamelan). | 菲律宾 传统乐器合奏 加麦兰 果断 | Abm | 85 |