Suspenseful. Almost military march. Solemn, martial, disturbing, ...Suspenseful. Almost military march. Solemn, martial, disturbing, percussive & dark. Samulnori, puk, jangu, jing, fx alarm @ 0'50. Suggested for k-drama, percussion underscore, tv series & games.
Flamenco jazz on 3/4 buleria rhythm. Slow & intimate at first then ...Flamenco jazz on 3/4 buleria rhythm. Slow & intimate at first then lyrical & virtuoso. Spanish guitar, bongos & double bass. Lead bowed double bass @ 2'17.
Bright, soulful, poppy. Powerful bell and steel drum melody set out a ...Bright, soulful, poppy. Powerful bell and steel drum melody set out a holiday pop energy. Pitched vocals gift a excitable emotion, youthful groups of people on a beach or at a festival dancing into the night. Heavy bass and chattering percussion inject an infectious dance vibe.
Bright, soulful, poppy. Powerful bell and steel drum melody set out a ...Bright, soulful, poppy. Powerful bell and steel drum melody set out a holiday pop energy. Laidback vibe, youthful groups of people on a beach or at a festival dancing into the night. Heavy bass and chattering percussion at 01:04 inject an infectious dance vibe. Instrumental version.
Bright, soulful, poppy. Powerful bell and steel drum melody set out a ...Bright, soulful, poppy. Powerful bell and steel drum melody set out a holiday pop energy. Laidback vibe, youthful groups of people on a beach or at a festival dancing into the night. Heavy bass and chattering percussion at 01:04 inject an infectious dance vibe. Stripped back underscore version.
Samba in the pure tradition of the Rio carnival. Lively, joyful, ...Samba in the pure tradition of the Rio carnival. Lively, joyful, extrovert & festive. Voices, brass & Brazilian percussion.歌词
La lalaia laia
laialaia lalaia laia
la la laiala
laialaiala laia laia
Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. ...Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. Spoken female vocals, male choir, slap bass & Brazilian percussion. The sound of the favellas...歌词
Funk iluminado, bateria da mangueira
Nosso funk ta ligado de segunda a sexta feira
Funk ritmado com cozinha de primeira
Belo funk revoltado no swingue da rockeira
Funk bagunçado descambando em barulheira
Vira funk sossegado do vovô na gafieira
Funk liberado sem receio sem barreira
Pelo funk misturado com forró e capoeira
Povo mal nutrido da caatinga, do cerrado
Vira povo divertido pelo beat do pecado
Povo destemido de miséria ta cercado
Belo povo colorido da mistura derivado
Povo extrovertido generoso e relaxado
Nosso povo é resolvido teje certo teje errado
Povo emputecido com destino complicado
Pelo povo corrompido que se cala no senado
Samba/Bossa-nova in the spirit of the 70's. Carefree, exotic, refined ...Samba/Bossa-nova in the spirit of the 70's. Carefree, exotic, refined & a bit old-fashioned. Lead flute & Brazilian percussion. A postcard from Rio de Janeiro...
Alternate. Underscore. Samba/Bossa-nova in the spirit of the 70's. ...Alternate. Underscore. Samba/Bossa-nova in the spirit of the 70's. carefree, exotic, refined & a bit old-fashioned. guitar, agogo & other Brazilian percussions.
Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated ...Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated & classy. Female & male singer duet. Male singer @0'45, guitare & Brazilian percussions.歌词
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te pegar
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te encontrar
Zum zum zum zum Jussara vem sambar
Zum zum zum zum Jussara vem sambar
Intriguing, horrific & menacing. Taiko played with drumsticks like a ...Intriguing, horrific & menacing. Taiko played with drumsticks like a clock, guzheng, bell, crotales & pipa effect. Morin khuur (Mongolian cello) @ 1'08.
Percussive intro evolving to a cute & childlike gimmick with steel ...Percussive intro evolving to a cute & childlike gimmick with steel drum sound. Sympathetic & feel good build-up @ 0'56 with acoustic guitar & percussion. Cheerful & playful climax starting @ 1'14 with an exotic touch. Finale @ 1'50. Animation pop trailer music suggested for youth TV, cartoons, children/ storytelling & daytime TV.
Alternate without percussion. Percussive intro evolving to a cute & ...Alternate without percussion. Percussive intro evolving to a cute & childlike gimmick. Sympathetic & feel good build-up @ 0'56 with acoustic guitar. Cheerful & playful climax starting @ 1'14 with an exotic touch. Finale @ 1'50. Animation pop trailer music suggested for youth TV, cartoons, children/ storytelling & daytime TV.
Anticipating & percussive intro dizi flute, guzheng & imperious ...Anticipating & percussive intro dizi flute, guzheng & imperious taiko. Constant percussion rhythm building-up gradually with full hybrid orchestra. The dawn of a glorious day in an Asian film...
Alternate without choir. Wild, ancestral & mystical intro with dizi & ...Alternate without choir. Wild, ancestral & mystical intro with dizi & ruan building-up with taiko. Determined, epic & conquering on a galloping rhythm .
Classy, carefree & smooth salsa/chachacha. Lead flute, Latin ...Classy, carefree & smooth salsa/chachacha. Lead flute, Latin percussion with cowbell & piano. Male choir & male singer @ 2'00.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Sumando muchas amistades
Se me quitan los pesares
Porque la vida es una fiesta
Y siempre voy a celebrar
Por eso canto
Porque el que canta
sus males espanta
Esto no es casualidad
Enamorado de la vida
Mi tambor siempre me inspira
Y Poleo a mi me dice
Cucucucuprá, Cucucucuprá...
Mi abuelita así decía
Toca las maracas mi nieto
Con la santa trinidad
Repica maracas
Coro 2: Y nunca pa atras no no no
Donde estas tu camará?
Caminando por la vida
Deja tu huella al andar
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Adding many friendships
I'm taking away my sorrows
Because life is a party
And I'll always celebrate
That's why I sing
Because those who sing
Their evils scare away
This is no coincidence
In love with life
My drum always inspires me
And Poleo tells me
Cucucucucuprá, Cucucucucuprá...
My grandmother used to say
play the maracas my grandson
With the holy trinity
Play the maracas
Chorus 2: And never backwards no no no no
Where are you my friend?
Walking through life
Leave your footprint as you walk
Chorus 1: Through life I'm walking forward and never backwards no no no no
Alternate without vocal. Classy, carefree & smooth salsa/chachacha. ...Alternate without vocal. Classy, carefree & smooth salsa/chachacha. Lead flute, latin percussion with cowbell & piano. For exotic lounge & party.
Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute ...Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute solo @1'45, Latin percussion, piano, male choir & male singer @3'28.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Abran paso
Que yo vengo como el tren
Y amarra bien en tu zapato
Vamos a bailar
Mi vida
Que no hay vuelta atrás
No es mentira
Todo lo que quiere es lo que pide
y eso mismo es lo que yo le doy
Con Chaboró
Baila que baila
Goza que goza
Que esta noche estamos' en fiesta
Candela que quema
Para la niña y pa la señora
Soy feliz
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Bueno mi gente,
Tenemos una sola vida
Disfrútenla !
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Chorus 2: And never backwards no no no no
Make way
I'm coming like a train
And tie well in your shoe
Let's go dancing
My life
There's no turning back
It's not a lie
All you want is what you ask for
And that's what I give you
With Chaboró
Dance that dances
Enjoy and enjoy
That tonight we're partying
Fire that burns
For the girl and for the lady
I'm happy
Chorus 1: I'm going through life moving forward and never backwards no no no no
Alternate without vocal. Elegant, cheerful & easy Latin ...Alternate without vocal. Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso solo flute @1'45, Latin percussion & piano.
Sophisticated, animated & vituoso instrumental Latin jazz. Lead tenor ...Sophisticated, animated & vituoso instrumental Latin jazz. Lead tenor sax, Latin percussion, piano & bass. Gaita de furro is a traditional rhythm from Venezuela.
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
