Rough, brave, bittersweet. Deep percussion provides a hypnotic power, Rough, brave, bittersweet. Deep percussion provides a hypnotic power, reminiscent of an unending struggle. Rough bass section plays out a tragic sequence, joined by flamboyant saxophone riff. Tinges of sadness, reminiscent of a victory that cost the lives of heroes and innocent people. Heavy percussion at 01:30 communicates an eternal power and a force for good that strives on despite adversity.
Rough, brave, bittersweet. Deep percussion provides a hypnotic power, Rough, brave, bittersweet. Deep percussion provides a hypnotic power, reminiscent of an unending struggle. Rough bass section plays out a tragic sequence. Tinges of sadness, reminiscent of a victory that cost the lives of heroes and innocent people. Heavy percussion at 01:30 communicates an eternal power and a force for good that strives on despite adversity. Stripped back underscore version.
Rough, brave, bittersweet. Heavy bass section plays out a tragic Rough, brave, bittersweet. Heavy bass section plays out a tragic sequence. Tinges of sadness, reminiscent of a victory that cost the lives of heroes and innocent people. Stripped back underscore version.
African world music. Urgent, determined, very fast, fiery & positive. African world music. Urgent, determined, very fast, fiery & positive. African percussion, alto sax, electric guitar, male voice (onomatopoeia) & electronics. Suggested for african geopolitics & modern afriica.
Communal, crowded, exciting. Rhythm sets in over reverbed droning Communal, crowded, exciting. Rhythm sets in over reverbed droning notes, clearing a space for graceful strings to begin to dance and embrace. A feeling of ornate beauty, a temple brightly coloured and beautifully decorated. Overwhelming percussion gives a sense of crowds and movement. A busy city as a temple swells with people. Noble chord progressions give a feeling of a search for truth in a crowded world.
Communal, crowded, exciting. Rhythm sets in over reverbed droning Communal, crowded, exciting. Rhythm sets in over reverbed droning notes, clearing a space for graceful strings to begin to dance and embrace. A feeling of ornate beauty, a temple brightly coloured and beautifully decorated. Overwhelming percussion gives a sense of crowds and movement. A busy city as a temple swells with people. Noble chord progressions give a feeling of a search for truth in a crowded world. Stripped back underscore version.
Buoyant, energetic, confident. Piano riff joined by African Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful vocal performance with lyrics boasting skills and success. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. A smart individual who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions.歌词
I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.
Buoyant, energetic, confident. Piano riff joined by African Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady electronic beat. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. Visions of a confident individual in a club, someone who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions. Instrumental version.
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Electro-world music in a Middle Eastern mood. Mysterious, restrained Electro-world music in a Middle Eastern mood. Mysterious, restrained with a solemn touch. Palmas, ethnic flute, percussion & electronics.
In suspense, tense & disturbing. Korean percussion: Gayageum, In suspense, tense & disturbing. Korean percussion: Gayageum, samulnori, puk, janngu, jing, kkwaenggari, piri, haegeum & drums. Suggested for k-drama, cinematic scenes & asian tv series.
Driving, fast-paced & sustained in an African mood. Guitar duet & Driving, fast-paced & sustained in an African mood. Guitar duet & percussions. From Prelude n°2 in Cm BWV 847 by J.S Bach.
Driving, fast-paced & sustained in an African mood. Guitar duet. From Driving, fast-paced & sustained in an African mood. Guitar duet. From Prelude n°2 in Cm BWV 847 by J.S Bach.
Waiting & on the lookout. Percussion, didjeridoo, trumpet & textures. Waiting & on the lookout. Percussion, didjeridoo, trumpet & textures. Aboriginal ritual inspiration. Heartbeat pulsation. Suggested for Australian desert landscapes. Cinematic world music.
