| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Cleopatra's Raks [CEZ4253 - 9] |
0 | 3'14 | Shlomo Laurent Stupaj | Eastern music. Interrogative & sensual. Synth, buzuk, ney flute & | 肚皮舞 约旦 热沙漠 埃及 | G | 86 | |||
|
Women in Slavery 2 [CEZ4230 - 28] |
2'23 | Sebastijan Duh | Cinematic Middle East. Disturbing & desperate. Strings, flute & | 地理政治 现代 阿拉伯世界 非阿拉伯中东 | Cm | 70 | ||||
|
Women in Slavery [CEZ4230 - 8] |
版本. | 2'23 | Sebastijan Duh | Cinematic Middle East. Disturbing & desperate. Strings, percussion & | 地理政治 阿拉伯世界 现代 画面感 | Cm | 70 | |||
|
Despair then Hope 2 [CEZ4230 - 32] |
2'24 | Sebastijan Duh | Cinematic Middle East. Threatening & obstinate. Percussion, ud, | 地理政治 现代 阿拉伯世界 画面感 | A | 86 | ||||
|
Despair then Hope [CEZ4230 - 10] |
版本. | 2'23 | Sebastijan Duh | Cinematic Middle East. Threatening & obstinate. Strings, percussion & | 地理政治 中亚 现代 冒险片 | A | 86 | |||
|
Nodeul Gangbyeon [OCR560258 - 6] |
0 | 3'41 | Traditionnal | Traditional female singer, piri oboe, haegeum fiddle, daegeum | 民族 韩国 民族女声独唱 牙筝 | Dm | 95 | |||
|
Taepyeongga [OCR560258 - 7] |
0 | 2'56 | Traditionnal | "Song of Great Peace". Traditional female singer, piri oboe, haegeum | 民族 韩国 民族女声独唱 牙筝 | Ab | 148 | |||
|
At First Light [CEZ4148 - 17] |
0 | 4'45 | Jean Schwarz | Mysterious & bewitching. Ethnic flute & kalimba. | 悬念 漂泊 全景图 全景 | C | 68 | |||
|
Come to Me [CEZ4141 - 11] |
0 | 2'43 | Imade Saputra | Love song. Female voice, flute & changgo (percussion).歌词 | 歌曲 韩语歌唱 人声 民族女声独唱 | Eb | 100 | |||
|
Music for the Mbaga wedding
[OCR561161 - 2] |
0 | 17'19 | Sulayiti Kalungi Ensemble from P.D. | Initiation to marriage dance. Traditional female singer, calabash & | 民族 传统乐器合奏 乌干达 embutu | Am | 106 | |||
|
Baakisimba dance music for
[OCR561161 - 4] |
0 | 4'28 | Sulayiti Kalungi Ensemble from P.D. | Amazina amabuutule. Traditional female singer, calabash, xylophone, | 民族 传统乐器合奏 乌干达 民族女声独唱 | Am | 93 | |||
|
Baakisimba dance music for
[OCR561161 - 6] |
0 | 4'15 | Sulayiti Kalungi Ensemble from P.D. | Dance music. Traditional female singer, calabash, xylophone, flute, | 民族 传统乐器合奏 乌干达 民族女声独唱 | Am | 97 | |||
|
Office of Tchogtchin Qural [OCR561059 - 3] |
0 | 13'34 | Traditionnal | Common office of thirty-two prayers. Traditional male choir, conch, | 民族 蒙古 佛教 男声民族合唱团 | Fm | 136 | |||
|
Istîkhbar [OCR561002 - 2] |
0 | 7'15 | Hadj Mohamed Tahar Fergani from P.D. | Joy of the early morning. Traditional singer with male choir, ud, | 民族 传统男声独唱 阿拉伯语歌唱 人声 | E | 91 | |||
|
Instrumental Interlude [OCR560231 - 4] |
0 | 2'15 | Rinzai Sect from P.D. | Small and large bells, shakuhachi (Japonese flute) & dora (Japonese | 民族 佛教 shakuhashi 原声 | C | 96 | |||
|
Instrumental Interlude 2 [OCR560231 - 7] |
0 | 6'21 | Rinzai Sect from P.D. | Small and large bells, shakuhachi (Japonese flute) & dora (Japonese | 民族 佛教 shakuhashi 原声 | Ebm | 62 | |||
|
Instrumental Interlude 3 [OCR560231 - 10] |
0 | 5'02 | Rinzai Sect from P.D. | Small and large bells, shakuhachi (Japonese flute) & dora (Japonese | 民族 佛教 shakuhashi 原声 | Eb | 62 | |||
|
Instrumental Postlude [OCR560231 - 12] |
0 | 4'42 | Rinzai Sect from P.D. | Small and large bells & dora (Japonese gong). | 民族 佛教 shakuhashi 原声 | Gm | 108 | |||
|
Araque [CEZ4118 - 30] |
0 | 2'31 | Imade Saputra | Indian sega. Bansuri flute, sitar, guitar & rhythm. | 留尼汪 毛里求斯 罗德里格斯岛 马约特 | D | 130 | |||
|
Ly Muoi Thuong [OCR560222 - 11] |
0 | 6'08 | Quê Viet Ensemble, Huong Thanh from P.D. | "Ten reasons to love". Folksong from Central Vietnam. Small ensemble | 民族 越南语歌唱 人声 trông | Fm | 114 | |||
|
Ly Qua Keu [OCR560222 - 12] |
0 | 2'25 | Quê Viet Ensemble, Huong Thanh from P.D. | "Song of the crow". Folksong from South Vietnam. Small ensemble | 民族 越南语歌唱 人声 trông | Am | 95 | |||
|
Qua Cau Gio Bay [OCR560222 - 13] |
0 | 3'37 | Quê Viet Ensemble, Huong Thanh from P.D. | "Crossing over the bridge, the wind carried them away". Folksong from | 民族 越南语歌唱 人声 trông | Bm | 118 |