La ricerca sarà presto disponibile in italiano, per favore scrivi in Inglese.
19192 结果
- 下载
- 添加到项目或收藏
- 添加到收藏夹
- 记住搜索记录
- 分享全部
关键词:
原声| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Babule [OCR560135 - 10] |
0 | 2'56 | Harouna Goge from P.D. | Babule is a spirit who reveals himself with great brutality. Goge (African monochord vielle), flute & calabashes. | 民族 goge calabashe 尼日尔 民族笛子（所有） 原声 乐器 | Am | 112 |
|
||
|
|
Zataw (2nd version) [OCR560135 - 11] |
0 | 3'49 | Harouna Goge from P.D. | Song intended for the spirit Zataw. Goge (African monochord vielle) & male voice. Sung in Hausa. | 民族 goge 尼日尔 传统男声独唱 原声 | Gbm | 152 |
|
||
|
|
Dogwa (2nd version) [OCR560135 - 12] |
0 | 7'33 | Harouna Goge from P.D. | Dogwa is a female spirit, which is defined as dangerous. Goge (African monochord vielle) & male voice. | 民族 goge 尼日尔 传统男声独唱 原声 | Fm | 91 |
|
||
|
|
Dan Mamma [OCR560135 - 13] |
0 | 5'00 | Harouna Goge from P.D. | This tune is addressed to a spirit who is an alcohol-drinking. Goge (African monochord vielle), flute & calabashes. | 民族 goge calabashe 民族笛子（所有） 尼日尔 原声 乐器 | Bm | 133 |
|
||
|
|
Dan Sasumbe [OCR560135 - 14] |
0 | 3'45 | Harouna Goge from P.D. | Dan Sasumbe is a dwarf spirit rather evil. Goge (African monochord vielle) & male voice. | 民族 goge 尼日尔 传统男声独唱 原声 | B | 107 |
|
||
|
Tchani Pamôdi [OCR560132 - 1] |
0 | 12'13 | Traditionnal | "Tchani, why?". About Tchani, an appaling crook who takes advantage of his power to abuse starving perople. Acoustic guitar, cimboa (Cape Verdean | cimboa 民族 佛得角 巴突克舞 女声民族合唱团 拍手 传统男声独唱 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Gm | 81 |
|
||
|
|
Baxu Cama [OCR560132 - 2] |
0 | 9'42 | Traditionnal | "Under the bed". This euphoric song pays homage to the unmatched happiness of life intercourse. Acoustic guitar, cimboa (Cape Verdean monochord | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 巴突克舞 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Gm | 83 |
|
||
|
|
Santa Catarina [OCR560132 - 3] |
0 | 11'53 | Traditionnal | This song reflects a strong concern about the short-term future of Cape Verde. Acoustic guitar, cimboa (Cape Verdean monochord vielle), djembe, | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 巴突克舞 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Abm | 82 |
|
||
|
|
Dotor Ki Flâ [OCR560132 - 4] |
0 | 8'25 | Traditionnal | "It's the doctor speaking". Song in praise of virility. Acoustic guitar, cimboa (Cape Verdean monochord vielle), djembe, drums, clap, male voice & | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 巴突克舞 民族吉他 原声 佛得角半岛克里奥尔语歌唱 | Gm | 81 |
|
||
|
|
Sambuna E Finacon [OCR560132 - 5] |
0 | 16'13 | Traditionnal | About events which have affected the community. Acoustic guitar, cimboa (Cape Verdean monochord vielle), djembe, drums, clap, male voice & female's | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 民族吉他 原声 巴突克舞 佛得角半岛克里奥尔语歌唱 | Bb | 80 |
|
||
|
|
Reforma Agrária [OCR560132 - 6] |
0 | 7'01 | Traditionnal | "Agrarian reform". This song pays homage to the memory of Amilcar Cabral, the theorician of Cape Verde's liberation. Acoustic guitar, cimboa (Cape | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 民族吉他 原声 巴突克舞 佛得角半岛克里奥尔语歌唱 | Eb | 82 |
|
||
|
|
Brinca Sima Minino [OCR560132 - 7] |
0 | 9'05 | Traditionnal | "I'm playing like a child". Acoustic guitar, cimboa (Cape Verdean monochord vielle), djembe, drums, clap, male voice & female's choir. | cimboa 民族 佛得角 女声民族合唱团 拍手 传统男声独唱 民族吉他 原声 巴突克舞 佛得角半岛克里奥尔语歌唱 | Gm | 83 |
|
||
|
Mali Bero [OCR560127 - 1] |
0 | 4'44 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Fm | 136 |
|
||
|
|
War and Victory against the
[OCR560127 - 2] |
0 | 7'41 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Bb | 100 |
|
||
|
|
Birth of the Zarma Nation [OCR560127 - 3] |
0 | 5'54 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Bbm | 104 |
|
||
|
|
Genealogy of Mali Bero [OCR560127 - 4] |
0 | 8'39 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Fm | 106 |
|
||
|
|
Askya Mohammed échappe au
[OCR560127 - 5] |
0 | 6'14 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Fm | 98 |
|
||
|
|
Askya Muhammad's childhood [OCR560127 - 6] |
0 | 3'17 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Fm | 99 |
|
||
|
|
How the prediction was
[OCR560127 - 7] |
0 | 10'54 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Fm | 100 |
|
||
|
|
The murder of Askya Mohammad [OCR560127 - 8] |
0 | 2'32 | Jijo Baje from P.D. | Moolo (Nigerian lute) & male voice. | 民族 moolo Zarma and Songhay people 传统男声独唱 原声 | Fm | 100 |
|
- -
- 0:00/0:00
BPM
或
KEYS
