| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Last Ones Standing [BIB066 - 10] |
0 | 4'16 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Cool Urban Hip Hop Beats. Electronic, glitchy hip hop beats with | 不稳定 固执 节奏改变 骄傲 | Am | 117 | |||
|
No Tearz [BIB066 - 11] |
0 | 2'36 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Cool Urban Hip Hop Beats. Positive, playful 90s sampled hip hop | 朗朗上口 机器人 滑行运动 气氛 | Gb | 95 | |||
|
1975 [BIB062 - 1] |
0 | 2'09 | Luke Coltman | Relaxed, gentle and bucolic in imagery. Natural instumentation loops | 乡村 悬念 梦幻 宁静 | Eb | 80 | |||
|
Cavalier [BIB062 - 2] |
0 | 5'27 | Luke Coltman | Ambient, cinematic and poignant. Reflective guitar and warm strings | 自然灾害 忧伤 全景 使人心碎 | G | 81 | |||
|
Compound [BIB062 - 3] |
0 | 3'13 | Luke Coltman | Sparse, ambient guitar echoes develop with delcate, warm piano | 全景 悬念 冰冷 漂泊 | Eb | 117 | |||
|
Into the Void [BIB062 - 4] |
0 | 1'48 | Luke Coltman | Looping, reverberating piano motifs gently layer with strings and | 周期性的 冷沙漠 催眠 严谨 | Bbm | 90 | |||
|
Life, Animated [BIB062 - 5] |
0 | 2'17 | Luke Coltman | Staccato strings build with a suspended and expected tone. Movement | 命运 企业宣传 工业 遗产 | Ab | 120 | |||
|
Soleil Du Matin [BIB062 - 6] |
0 | 2'40 | Luke Coltman | Slowly building, repeating piano motifs. Positive, hopeful string | 周期性的 梦幻 飞行 感动 | Eb | 150 | |||
|
The Sea & I [BIB062 - 7] |
0 | 4'11 | Luke Coltman | Ambient, cinematic underscore. Softly undulating string textures | 乡村 悬念 飞行 漂泊 | Ab | 60 | |||
|
There's Always Snow [BIB062 - 8] |
0 | 2'44 | Luke Coltman | Sad and romantic mandolin textures. Reminiscent of independent | 地理政治 自然灾害 社会悲剧 伤心 | Fm | 60 | |||
|
Tickled Blue [BIB062 - 9] |
0 | 4'18 | Luke Coltman | Sparse and suspended ambient intro, turns with war drum beat and | 循环 固执 周期性的 果断 | Ab | 162 | |||
|
To Maintain [BIB062 - 10] |
0 | 4'43 | Luke Coltman | Ethereal-like strings and woodwind textures set an inquiring tone. | 冒险片 果断 中断 史诗 | Cm | 83 | |||
|
Can't Stop This [BIB060 - 1] |
0 | 2'26 | Omer Agca | Summery, breezy hip hop beats horn stabs, swagger, attitude and a | 动人 电视主题曲 态度 广告 | Gm | 109 | |||
|
Shake [BIB060 - 2] |
0 | 2'26 | Omer Agca | Synth bass, hip hop beat, punctuated by synths and a funky acoustic | 态度 BEAT MAKING 沉重 电子琴 | Am | 98 | |||
|
It's My Party [BIB060 - 3] |
0 | 1'56 | Omer Agca | Quirky, hypnotic intro gives way to triumphant staccato horn stabs | 拍手 冲击 BEAT MAKING 不平稳 | Cm | 76 | |||
|
It's the Drums [BIB060 - 4] |
0 | 2'57 | Ambit | Upbeat, energetic drumŒærolls and pitched vocals. A carnival-esque | 喜庆 团队运动 嘉年华 舞动 | Gbm | 130 | |||
|
Bounce Out [BIB060 - 5] |
0 | 2'33 | Christopher Thomas Judge | Synthy, bouncing, dancefloor-ready electro track. Big breakdown | 不平稳 滑行运动 沉重 气势 | Gbm | 64 | |||
|
Fast Paced Life Here [BIB060 - 6] |
2'16 | James Desmond, Robert Grant, Mikhail O Johnson, Panauh Kalayeh | Contemporary stuttering, syncopated drum programming overlaid with | 夜晚 不平稳 街头运动 碎拍音乐 | Am | 140 | ||||
|
Fast Paced Life Here
[BIB060 - 18] |
版本. | 2'16 | James Desmond, Robert Grant, Mikhail O Johnson, Panauh Kalayeh | Contemporary stuttering, syncopated drum programming overlaid with | 夜晚 不平稳 街头运动 碎拍音乐 | Am | 140 | |||
|
Flowers [BIB060 - 7] |
0 | 2'14 | Omer Agca | Moody, gritty, uptempo beat which has a build that drops into a | 滑行运动 俱乐部 果断 电子琴 | Am | 134 | |||
|
Colours [BIB060 - 8] |
0 | 3'05 | Ambit | Epic introduction, big hip hop breaks and samples. Dramatic horn | 喜庆 拉丁节拍 团队运动 嘉年华 | Gm | 124 |