| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Ascendance [TBX007 - 17] |
0 | 2'12 | Peter Henry Mayne, Lee Sparey | Undulating, 90-s influenced pulse scores and ambient textures. | 全景 气氛 周期性的 固执 | D | 118 | |||
|
Reflecting [TBX007 - 18] |
0 | 1'40 | Sergey Kolosov | Sparse, reflective bed. Mallets and soft synth string undulations. | 漂泊 悬念 反省 调查研究 | Dm | 102 | |||
|
Uncertain Paths [TBX007 - 19] |
0 | 2'03 | Lee Sparey | Meandering, sequential bassline with tone of uncertainty. Drumline | 固执 周期性的 催眠 原声电子 | Dm | 128 | |||
|
Moon Walking [TBX007 - 20] |
0 | 2'02 | Jamie Wright | Celestial, reversed sfx, celeste and string underscore. Suspended, | 中断 神秘 科学 伴音 | Am | 120 | |||
|
Reasons Unexplained [TBX007 - 21] |
1'44 | Paul Thorne | Investigatory piano motif, suspended and pulsing. | 周期性的 果断 循环 固执 | E | 140 | ||||
|
Reasons Unexplained
[TBX007 - 24] |
版本. | 1'44 | Paul Thorne | Investigatory piano motif, suspended and pulsing. | 周期性的 果断 循环 固执 | E | 140 | |||
|
Somniferous Crystals [TBX007 - 22] |
0 | 2'12 | Peter Henry Mayne, Lee Sparey | Ethereal and slowly evolving cosmic synth pads. | 全景 气氛 周期性的 稳定的 | C | 60 | |||
|
Five Lentils [TBX007 - 23] |
0 | 2'07 | Peter Henry Mayne, Lee Sparey | Undulating and pulsing synth textures. Positive but restrained, | 周期性的 原声电子 循环 催眠 | G | 120 | |||
|
Tension Bed for One [TBX006 - 1] |
0 | 2'13 | Peter Henry Mayne | Brooding and tense, yet ambient drone. High string note with pulsing | 气氛 稳定的 抱歉 悬念 | Dm | 60 | |||
|
Digital Memories [TBX006 - 2] |
0 | 1'58 | Sergey Kolosov | Scene-setting soundscapes, neutral in tonality. Building, with a | 气氛 神秘 全景 悬念 | Cm | 85 | |||
|
Gaining Ground [TBX006 - 3] |
3'15 | Paul Thorne | Pulse underscore with investigatory tone. Tension, ambience and | 果断 悬念 调查研究 警匪片 | Dm | 98 | ||||
|
Gaining Ground (Underscore) [TBX006 - 21] |
版本. | 3'15 | Paul Thorne | Pulse underscore with investigatory tone. Tension, ambience and | light tension 果断 乐器 其他版本 | Dm | 98 | |||
|
Heist Time [TBX006 - 4] |
0 | 2'43 | Peter Nickalls | Electronic, pulsing bed. Tense yet calm, with gradual, determined | 调查研究 固执 果断 追逐场面 | Cm | 120 | |||
|
Odd Ones [TBX006 - 5] |
0 | 2'05 | Peter Henry Mayne, Lee Sparey | Muted, sparse, arpeggiated synth bed. Suspended and uncertain, with | 固执 催眠 进步 科学 | Am | 120 | |||
|
Tainted Heart [TBX006 - 6] |
0 | 2'20 | Peter Henry Mayne, Lee Sparey | Creeping and brooding sci-fi synths. Extra-terestial activity | 诡异 悬念 神经病 悬念 | Cm | 120 | |||
|
Pulses & Bells [TBX006 - 7] |
0 | 1'27 | Peter Henry Mayne, Lee Sparey | Arpeggiated synth pulses. Neutral and ambient. 80s sfx and bass with | 固执 诡异 悬念 电子琴 | Ebm | 120 | |||
|
Octivate [TBX006 - 8] |
0 | 2'10 | Peter Henry Mayne, Lee Sparey | Cosmic synth drones. Ambient and neutral in tone with more determined | 嗡嗡声 悬念 太空 稳定的 | Eb | 120 | |||
|
Estranged [TBX006 - 9] |
0 | 2'18 | Lee Sparey | Ambient, etheral drones with grounded bassline. Brooding in a calm, | 阴暗氛围 太空 诡异 气氛 | Bbm | 60 | |||
|
Timewise [TBX006 - 10] |
0 | 2'51 | Nick Norton Smith | Clock-ticking SFX, overall Science & technology tone. Suspended, | 调查研究 神秘 全景 果断 | Dm | 84 | |||
|
Silhouette Approaches [TBX006 - 11] |
0 | 2'10 | Sergey Kolosov | Building, tough and electronic soundscape. Expansive and determined | 诡异 气氛 令人不安 神秘 | Am | 90 | |||
|
Catching a Killer [TBX006 - 12] |
0 | 2'33 | Peter Nickalls | Sinister and deep bass with deranged ambient sfx. Undulations give | 灾难 悬念 漂泊 调查研究 | Cm | 120 | |||
|
The Spell [TBX006 - 13] |
0 | 2'40 | Peter Nickalls | High pitched strings with expansive, cinematic ambience. Slow walking | 灾难 令人不安 阴暗氛围 恐怖 | B | 112 |