| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Vapour Waves [BIB046 - 15] |
0 | 3'32 | Oliver Benjamin Green | Washed out synths with an irratic, mettalic sounding melody, has a | 中断 电吉他 琶音器 性感 | C | 74 | |||
|
Midnight Spin [BIB046 - 16] |
0 | 3'25 | Oliver Benjamin Green | Building, guitars getting progressively heavier | 电吉他 稳定的 多愁善感 电子琴 | C | 70 | |||
|
Rough Smooth [BIB046 - 17] |
0 | 3'05 | Conor O'Brien | 90s trip-hop, guitars with phasers, escapism. | 飞行 电吉他 稳定的 全景图 | B | 81 | |||
|
Sunburst [BIB046 - 18] |
0 | 2'30 | Daniel Thomason | Mellow funky bassline with some steel drums and a very caribbean | 放松 电吉他 无忧无虑 宁静 | G | 90 | |||
|
White Water [BIB046 - 19] |
0 | 2'54 | Conor O'Brien | Super washed out/ sun-drenched guitars, archetypal ambient chillout. | 电吉他 飞行 稳定的 明朗 | Dbm | 81 | |||
|
Spring [BIB046 - 20] |
0 | 3'30 | Oliver Benjamin Green | Delicate, bluesy, slow-building, laid-back jam. | 电吉他 多愁善感 飞行 稳定的 | D | 66 | |||
|
Spaced [BIB046 - 21] |
0 | 2'43 | Conor O'Brien | Dark and moody with stadium feel and a fast ending. | 电吉他 稳定的 全景 性感 | Dm | 81 | |||
|
Chase Sequence [BIB041 - 1] |
0 | 3'14 | Guy Purssell | Brooding intro with high suspense throughout. Gently building with a | 模拟合成器 琶音器 反省 科幻片 | Cm | 100 | |||
|
Autobahn to Interstellar [BIB041 - 2] |
0 | 4'12 | Guy Purssell | Positive intro slowly contorts to suspenseful, double-time | 琶音器 太空 科幻片 模拟合成器 | Dm | 100 | |||
|
Urban Dystopia [BIB041 - 3] |
0 | 3'04 | Guy Purssell | Low dystopian bass bed with vintage analogue synths & siren-like sfx. | 太空 科幻片 模拟合成器 气氛 | D | 104 | |||
|
Berlin After Hours [BIB041 - 4] |
0 | 3'46 | Guy Purssell | Gently undulating synth with a relaxed, panoramic feel and glistening | 太空 科幻片 气氛 摇摆 | Fm | 70 | |||
|
Deckard Thinks [BIB041 - 5] |
0 | 2'59 | Guy Purssell | Futuristic, cold sfx introduce a gentle, glistening synth leitmotif | 科幻片 模拟合成器 冷沙漠 恐怖 | Fm | 107 | |||
|
Mars in Orbit [BIB041 - 6] |
0 | 3'26 | Guy Purssell | Cinematic, revealing, cosmic beds with ethereal tones. | 太空 科幻片 深邃 科学 | Db | 144 | |||
|
Modular Interrogation [BIB041 - 7] |
0 | 3'10 | Guy Purssell | Driving, fast, arpeggiator with suspenseful sfx. | 琶音器 模拟合成器 循环 稳定的 | Bbm | 120 | |||
|
Analyst [BIB041 - 8] |
0 | 2'45 | Guy Purssell | Suspenseful drone intro resolves in a more etheral, warm and positive | 太空 科幻片 科学 模拟合成器 | F | 112 | |||
|
Enigma [BIB041 - 9] |
2'40 | Guy Purssell | Cold, bleak sfx intro with sporadic bass pulses and mysterious | 科幻片 模拟合成器 复杂 恐怖片 | Bm | 107 | ||||
|
Enigma SFX [BIB041 - 16] |
版本. | 2'04 | Guy Purssell | Deep, swelling bass with unnerving and melancholic pads. | fx backwards 科幻片 模拟合成器 复杂 | G | 123 | |||
|
Turing [BIB041 - 10] |
0 | 1'40 | Guy Purssell | Cold, bleak sfx intro with sporadic bass pulses and mysterious | 科幻片 琶音器 太空 模拟合成器 | Ab | 108 | |||
|
Polygraph [BIB041 - 11] |
0 | 2'49 | Guy Purssell | Modular arpeggiated melody with a nervous slant. Linear. | 模拟合成器 复杂 摩擦声 神秘 | Db | 90 | |||
|
Particles [BIB041 - 12] |
0 | 2'34 | Guy Purssell | Cinematic synth introduction leads to intense and driving section. | 太空 懒惰 科幻片 模拟合成器 | Gm | 109 | |||
|
Ode to the Universe [BIB041 - 13] |
0 | 2'19 | Guy Purssell | Eerie yet calm textures and ambiences. Gentle swells of sfx, | 太空 科幻片 模拟合成器 深邃 | G | 153 |