| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Commando Raid [CEO2175 - 5] |
0 | 3'18 | Olivier Militon | Cinematic/Hybrid orchestra. Edgy & constantly on the move and on its | 军事冲突 令人不安 历史旁白 固执 | Fm | 151 | |||
|
Waiting for the Assault [CEO2175 - 6] |
0 | 3'13 | Olivier Militon | Cinematic/Hybrid orchestra. Suspended, slightly anxious & in | 灾难 令人不安 神秘 军事冲突 | Cm | 114 | |||
|
Fight for Glory [CEO2175 - 7] |
0 | 1'58 | Olivier Militon | Cinematic/Orchestral score. Warlike, determined & heroic. Full | 爱国主义 史诗 战士 战争 | F | 133 | |||
|
Quick Strike Operation [CEO2175 - 8] |
0 | 1'17 | Olivier Militon | Cinematic/Hybrid orchestra. Suspenseful, anxious & urgent. Break @ | 画面感 军事冲突 动作片 令人不安 | Gm | 122 | |||
|
Return from Mission [CEO2175 - 9] |
0 | 1'35 | Olivier Militon | Cinematic/Orchestral score. Adagio. Emotional, noble & poignant. | 感动 庄严 orchestral score 爱国主义 | Db | 86 | |||
|
Behind Enemy Lines [CEO2175 - 10] |
0 | 2'19 | Olivier Militon | Cinematic/Hybrid orchestra. Stealthy & suspenseful intro. Break @ | 画面感 军事冲突 战士 令人不安 | D | 94 | |||
|
Crossing the Minefield [CEO2175 - 11] |
0 | 3'15 | Olivier Militon | Cinematic/Orchestral score. Pulsating, tensed & dangerous. Strings | 军事冲突 进行中 令人不安 气势 | Dm | 131 | |||
|
Submarine on the Approach [CEO2175 - 12] |
0 | 3'06 | Olivier Militon | Cinematic/Hybrid orchestra. Circular, stealthy & imposing. Slowly | 冒险片 画面感 进行中 神秘 | Fm | 60 | |||
|
The Surprise Effect [CEO2175 - 13] |
0 | 3'51 | Olivier Militon | Cinematic/Hybrid orchestra. Urgent, frantic & stressful. Full | 战士 固执 画面感 军事冲突 | Fm | 156 | |||
|
Hit and fade [CEO2175 - 14] |
0 | 1'32 | Olivier Militon | Cinematic/Hybrid orchestra. Secretive, edgy & emotional. Full | 史诗 动作片 画面感 果断 | Fm | 120 | |||
|
Invisible and Extremely
[CEO2175 - 15] |
0 | 1'42 | Olivier Militon | Cinematic/Orchestral score. Mysterious, alert & building-up in | 令人不安 画面感 军事冲突 固执 | C | 130 | |||
|
We Were Comrades [CEO2175 - 16] |
0 | 1'40 | Olivier Militon | Cinematic/Orchestral score. Poignant, sorrowful & emotional. Full | 感动 爱国主义 使人心碎 冒险片 | Fm | 72 | |||
|
Lost Section [CEO2175 - 17] |
0 | 1'33 | Olivier Militon | Cinematic/Orchestral score. Adagio. Sorrowful, sad & dark. Full | 神秘 抱歉 悬念 历史旁白 | Am | 95 | |||
|
Nice Disruption [AMS5052 - 1] |
1'56 | Thomas Lucas | Electro clash. Fiery, energetic, violent & glitchy. Drum machine, | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | ||||
|
Nice Disruption Alternate 1 [AMS5052 - 9] |
版本. | 1'56 | Thomas Lucas | Percussion only version. | 俱乐部 态度 撞击电子乐 动作游戏 | Em | 128 | |||
|
Nice Disruption Alternate 2 [AMS5052 - 10] |
版本. | 1'56 | Thomas Lucas | Underscore version. | 俱乐部 态度 撞击电子乐 动作游戏 | Em | 128 | |||
|
Nice Disruption Edit 1 30 sec [AMS5052 - 11] |
版本. | 0'30 | Thomas Lucas | 30 second cut. | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | |||
|
Nice Disruption Edit 2 15 sec [AMS5052 - 12] |
版本. | 0'15 | Thomas Lucas | 15 second cut. | 俱乐部 态度 撞击电子乐 动作游戏 | Cm | 128 | |||
|
Cyber Doom [AMS5052 - 2] |
2'31 | Thomas Lucas | Electro clash. Determined, marching, robotic, insidious & aggressive. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | ||||
|
Cyber Doom Alternate 1 [AMS5052 - 13] |
版本. | 2'31 | Thomas Lucas | Percussion only version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Alternate 2 [AMS5052 - 14] |
版本. | 2'31 | Thomas Lucas | Underscore version. | 俱乐部 撞击电子乐 时尚 固执 | Bm | 103 | |||
|
Cyber Doom Edit 1 30 sec [AMS5052 - 15] |
版本. | 0'37 | Thomas Lucas | 30 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Cyber Doom Edit 2 15 sec [AMS5052 - 16] |
版本. | 0'18 | Thomas Lucas | 15 second cut. | 俱乐部 撞击电子乐 时尚 固执 | B | 103 | |||
|
Neon Nights [AMS5052 - 3] |
2'02 | Thomas Lucas | Electro clash. Short intro with atmospheric synth strings. Eccentric, | 动作游戏 俱乐部 撞击电子乐 火热 | Em | 129 | ||||
|
Neon Nights Alternate 1 [AMS5052 - 17] |
版本. | 2'02 | Thomas Lucas | Percussion only version. | 动作游戏 俱乐部 撞击电子乐 火热 | Abm | 129 | |||
|
Neon Nights Alternate 2 [AMS5052 - 18] |
版本. | 2'02 | Thomas Lucas | Underscore version. | 动作游戏 俱乐部 撞击电子乐 火热 | Am | 129 | |||
|
Neon Nights Edit 1 30 sec [AMS5052 - 19] |
版本. | 0'29 | Thomas Lucas | 30 second cut. | 动作游戏 俱乐部 撞击电子乐 火热 | Em | 129 | |||
|
Neon Nights Edit 2 15 sec [AMS5052 - 20] |
版本. | 0'14 | Thomas Lucas | 15 second cut. | 动作游戏 俱乐部 撞击电子乐 火热 | Em | 129 | |||
|
Synthetic Shadows [AMS5052 - 4] |
2'05 | Thomas Lucas | Electro clash. Ghostly intro with synths, arpeggiator, FX riser, | 撞击电子乐 动作片 固执 态度 | Dm | 116 | ||||
|
Synthetic Shadows Alternate 1 [AMS5052 - 21] |
版本. | 2'05 | Thomas Lucas | Percussion only version. | 撞击电子乐 动作片 固执 态度 | Abm | 115 | |||
|
Synthetic Shadows Alternate 2 [AMS5052 - 22] |
版本. | 2'05 | Thomas Lucas | Underscore version. | 撞击电子乐 动作片 固执 态度 | Gm | 116 | |||
|
Synthetic Shadows Edit 1 30
[AMS5052 - 23] |
版本. | 0'33 | Thomas Lucas | 30 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Synthetic Shadows Edit 2 15
[AMS5052 - 24] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 撞击电子乐 动作片 固执 态度 | Dm | 115 | |||
|
Terminal Distortion [AMS5052 - 5] |
2'18 | Thomas Lucas | Electro clash. Strange intro with synthesizers & sound design. | 俱乐部 撞击电子乐 固执 态度 | Fm | 120 | ||||
|
Terminal Distortion
[AMS5052 - 25] |
版本. | 2'18 | Thomas Lucas | Percussion only version. | 俱乐部 撞击电子乐 固执 态度 | Bbm | 120 | |||
|
Terminal Distortion
[AMS5052 - 26] |
版本. | 2'18 | Thomas Lucas | Underscore version. | 俱乐部 撞击电子乐 固执 态度 | Bbm | 120 | |||
|
Terminal Distortion Edit 1 30
[AMS5052 - 27] |
版本. | 0'32 | Thomas Lucas | 30 second cut. | 俱乐部 撞击电子乐 固执 态度 | Fm | 120 | |||
|
Terminal Distortion Edit 2 15
[AMS5052 - 28] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 俱乐部 撞击电子乐 固执 态度 | Fm | 120 | |||
|
Dark and Rust [AMS5052 - 6] |
2'03 | Thomas Lucas | Electro clash. Heavy, jerky, glitchy & metallic. Dubstep synths, drum | 垃圾音效 沉重 故障 机器人 | Em | 117 | ||||
|
Dark and Rust Alternate 1 [AMS5052 - 29] |
版本. | 2'03 | Thomas Lucas | Percussion only version. | 沉重 极限运动 态度 俱乐部 | Gm | 117 | |||
|
Dark and Rust Alternate 2 [AMS5052 - 30] |
版本. | 2'03 | Thomas Lucas | Underscore version. | 沉重 机器人 极限运动 态度 | Em | 117 | |||
|
Dark and Rust Edit 1 30 sec [AMS5052 - 31] |
版本. | 0'32 | Thomas Lucas | 30 second cut. | 垃圾音效 沉重 故障 机器人 | Em | 117 | |||
|
Dark and Rust Edit 2 15 sec [AMS5052 - 32] |
版本. | 0'16 | Thomas Lucas | 15 second cut. | 垃圾音效 沉重 故障 机器人 | Em | 117 | |||
|
Oblivion [AMS5052 - 7] |
2'13 | Thomas Lucas | Electro clash. Spasmodic, sustained, mid-tempo & rough. Synths, | 撞击电子乐 俱乐部 固执 机器人 | Ebm | 101 | ||||
|
Oblivion Alternate 1 [AMS5052 - 33] |
版本. | 2'13 | Thomas Lucas | Percussion only version. | 撞击电子乐 俱乐部 固执 机器人 | Gm | 101 | |||
|
Oblivion Alternate 2 [AMS5052 - 34] |
版本. | 2'13 | Thomas Lucas | Underscore version. | 撞击电子乐 俱乐部 固执 机器人 | Ebm | 101 | |||
|
Oblivion Edit 1 30 sec [AMS5052 - 35] |
版本. | 0'38 | Thomas Lucas | 30 second cut. | 撞击电子乐 俱乐部 固执 机器人 | Ebm | 101 | |||
|
Oblivion Edit 2 15 sec [AMS5052 - 36] |
版本. | 0'19 | Thomas Lucas | 15 second cut. | 撞击电子乐 俱乐部 固执 机器人 | Eb | 101 |