| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Waves Will Take Me [BIB054 - 3] |
0 | 3'46 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Steel pans and pulsing electronics create a warm initial tone. | 飞行 悬念 全景图 耐心 | Eb | 66 | |||
|
Waiting for Change [BIB054 - 4] |
0 | 3'07 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A heartfelt bittersweet vibe with a tactile depth. Builds as the | 完成 钢鼓 全景图 梦幻 | Am | 60 | |||
|
Little Victory [BIB054 - 5] |
0 | 2'48 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Atmospheric subtle synth pads and strings set the tone, build to a | 气氛 高潮 社会悲剧 反省 | Bbm | 110 | |||
|
We Can Stay a While [BIB054 - 6] |
0 | 2'32 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Brooding atmospheric 'night-time in the city' introduction. Building | 气氛 改变 梦幻 声音设计 | A | 119 | |||
|
Time Will Tell Us [BIB054 - 7] |
0 | 2'32 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Contemporary & lively with dark intriguing feel. Finger snaps and | 自信 完成 无电声钢琴 耐心 | G | 61 | |||
|
Now We are United [BIB054 - 8] |
0 | 3'22 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Pulsing synths and distorted piano & strings create an atmospheric | 琶音器 神秘 电子 调查研究 | Am | 120 | |||
|
Higher than Skies [BIB054 - 9] |
0 | 3'34 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Ambient twinkling neo classical bed. Melancholic and reflective | 拨奏 稳定的 精致 社会悲剧 | Bm | 162 | |||
|
As the Crow Flies [BIB054 - 10] |
0 | 2'20 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | A dark and suspenseful start, atmospheric thriller 'film noir' vibe. | 声音设计 深邃 抱歉 黑色电影 | Bm | 60 | |||
|
Blinded by Science [BIB054 - 11] |
0 | 2'44 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Reflective ambient bed intro that builds into a more dramatic | 电子 神秘 科学 电子琴 | D | 121 | |||
|
Empty Space [BIB054 - 12] |
0 | 3'07 | Matthew Leigh Sibley, Giacomo Antonio Trivelli | Dark driving sythwave intro, electronic and orchestral. Then a change | 科学 稳定的 抱歉 工业 | Gm | 150 | |||
|
New Life [BIB052 - 1] |
0 | 2'04 | Andrew John Gardner, Lee Rous | Expansive, stadium big beat synthwave with blissed-out piano and warm | 动人 滑行运动 模拟合成器 稳定的 | G | 110 | |||
|
Neon Lights [BIB052 - 2] |
0 | 2'33 | Christopher Thomas Judge | Cheesy 80s 8 bit / K-pop inspired synth pop for a determined workout | 复古电视 八十年代 都市景色 复古游戏 | Am | 122 | |||
|
Love Lost [BIB052 - 3] |
0 | 3'13 | Andrew John Gardner, Lee Rous | Romantic and heart-warming synth score. For themes of friendship and | 复古电视 模拟合成器 八十年代 全景 | D | 70 | |||
|
Children of the Night [BIB052 - 4] |
0 | 1'54 | Christopher Boot | Delicate yet scary arpeggiated lines with building, harrowing drones. | 复古电视 科幻片 合成波 八十年代 | Gm | 101 | |||
|
A Terrible Presence [BIB052 - 5] |
0 | 2'58 | Christopher Boot, Benjamin John Daniel | Arpeggiated motif with brooding, ominous bass undertones and sfx. | 轰隆声 复古电视 有毒 八十年代 | Dm | 71 | |||
|
Deleted Memory [BIB052 - 6] |
0 | 1'49 | Christopher Boot | Thoughtful, introspective and cerebral synth lines in repetitive | 电子 琶音器 IDM 令人不安 | D | 67 | |||
|
Coast to Coast [BIB052 - 7] |
0 | 3'30 | Vincenzo Salvia | Reflective intro breaks in to determined beat & heroic resolve. | 八十年代 复古电视 动人 电视主题曲 | Gbm | 121 | |||
|
Street Lines [BIB052 - 8] |
0 | 3'04 | Vincenzo Salvia | Steady and cyclical arpeggiator & 4/4 beat. Starts introspective and | 复古电视 八十年代 模拟合成器 合成波 | Em | 99 | |||
|
Red Ferrari [BIB052 - 9] |
0 | 2'25 | Christopher Boot | Steady 80s synthwave dance track with quirky pentatonic lines | 八十年代 态度 复古电视 模拟合成器 | Bm | 95 | |||
|
Monster [BIB052 - 10] |
2'03 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Am | 106 | ||||
|
Monster (BED) [BIB052 - 18] |
版本. | 2'09 | Christopher Boot | Ominous and dark, brooding textures. Expansive back end section of | 诡异 复古电视 科幻片 八十年代 | Em | 106 |