Pensive, uncertain, grave. Organic music box keys play out a Pensive, uncertain, grave. Organic music box keys play out a mystic-sounding sequence. a twin feeling of serenity and curiosity. A new land where everything seems quiet, but danger lurks around each corner, a heroic individual exploring the landscape. Formless pad notes give a cerebral element. Stripped back underscore version.
Pensive, uncertain, grave. Organic music box keys play out a Pensive, uncertain, grave. Organic music box keys play out a mystic-sounding sequence as light percussion ushers it along, a twin feeling of serenity and curiosity. A new land where everything seems quiet, but danger lurks around each corner, a heroic individual exploring the landscape. Formless pad notes give a cerebral element.
Rude, confident, powerful. Large kick drums and snarling bass push Rude, confident, powerful. Large kick drums and snarling bass push out with fiery overdriven guitar. Eerie door creaking FX into trap hip hop beat with male vocals displaying confidence and anger ordering people to move and flee the area. Resonant bass meets with heavy kick drums as male vocals rap about putting others down and questioning their confidence and work rate. Boastful energy backed up with passionate delivery and heavy instrumentation. Shouted backing vocals convey a rage. An individual that is likely to explode and be violent and competitive.歌词
Yeah, Yeah, Let's go!
Get out the way, Get out the way, Get out the way, Get out the way, Get out the way, Get out the way, Get out the, Get out the way.
Ugh, yeah, Yes, I'm a man of God, But I ain't no Saint,
So please don't cross me [don't cross me], Ice in my veins, got a cold heart, No long talk when things get frosty [get frosty], Don’t lie to yourself, hide to yourself, Think it’s time to die to yourself, Self-righteous, but you really cry to yourself, Life on the shelf,
Sosa, enlighten yourself like, You ain't got the grind, you blocking your blessing, You in the way, let me teach you a lesson, Imma overdose and you gon’ comatose, We are not built the same, use your discretion, Letting you know that you can never beat me, Long as you playing it safe, Warning you now,
I think it’s better if you get out the way [whoa].
Get out the way, Get out the way, Get out the way, Get out the way, Get out the, Get out the, Get out the, Get out the way.
Warned you before to stop playing with me, Only concerned about who came in with me, Threw they opinions but now that they see, That I'm winning they claim that they hanging with me, I do not listen to critics, they tryna bring me down, I tell em, “Look, listen, I got it”,
Stop with the talking, let’s switch up the topic, I am not stressing unless there’s a profit [whoa], Yeah, I'm tryna grind until I make it to your top 5, No lie, hold tight, cuz you know I need that [need that], I seen the throne way high, but I gotta climb to the top, Cuz you know I gotta reach that [reach that], Letting you know that you can never beat me, Long as you playing it safe, Warning you now, I think it’s better, If you get out the way [whoa].
Get out the way, Get out the way, Get out the way, Get out the way,
Rude, confident, powerful. Large kick drums and snarling bass push Rude, confident, powerful. Large kick drums and snarling bass push out with fiery overdriven guitar. Eerie door creaking FX into trap hip hop beat and shouted vocals asking people to move and clear the area. Resonant bass meets with heavy kick drums. Boastful energy backed up with passionate delivery and heavy instrumentation. Shouted backing vocals convey a rage. An individual that is likely to explode and be violent and competitive. No lead vocal version.歌词
Yeah, Yeah, Let's go!
Get out the way, Get out the way, Get out the way, Get out the way, Get out the way, Get out the way, Get out the, Get out the way.
Ugh, yeah, Yes, I'm a man of God, But I ain't no Saint,
So please don't cross me [don't cross me], Ice in my veins, got a cold heart, No long talk when things get frosty [get frosty], Don’t lie to yourself, hide to yourself, Think it’s time to die to yourself, Self-righteous, but you really cry to yourself, Life on the shelf,
Sosa, enlighten yourself like, You ain't got the grind, you blocking your blessing, You in the way, let me teach you a lesson, Imma overdose and you gon’ comatose, We are not built the same, use your discretion, Letting you know that you can never beat me, Long as you playing it safe, Warning you now,
I think it’s better if you get out the way [whoa].
Get out the way, Get out the way, Get out the way, Get out the way, Get out the, Get out the, Get out the, Get out the way.
Warned you before to stop playing with me, Only concerned about who came in with me, Threw they opinions but now that they see, That I'm winning they claim that they hanging with me, I do not listen to critics, they tryna bring me down, I tell em, “Look, listen, I got it”,
Stop with the talking, let’s switch up the topic, I am not stressing unless there’s a profit [whoa], Yeah, I'm tryna grind until I make it to your top 5, No lie, hold tight, cuz you know I need that [need that], I seen the throne way high, but I gotta climb to the top, Cuz you know I gotta reach that [reach that], Letting you know that you can never beat me, Long as you playing it safe, Warning you now, I think it’s better, If you get out the way [whoa].
Get out the way, Get out the way, Get out the way, Get out the way,
Rude, confident, powerful. Large kick drums and snarling bass push Rude, confident, powerful. Large kick drums and snarling bass push out with fiery overdriven guitar. Eerie door creaking FX into trap hip hop beat. Resonant bass meets with heavy kick drums. Determined energy from straightforward and mean instrumentation. An individual that is likely to explode and be violent and competitive. Instrumental version.
Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, Instrumental. Modern mambo. Salsaton on a reggaeton mood. Punchy, festive & catchy. Exotic & danceable. Drum machine, brass & Latin percussion.
Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & Modern mambo. Salsaton on a reggaeton rhythm. Punchy, festive & catchy. Exotic & danceable. Sung in Spanish. Male singers, drum machine, brass & Latin percussion.歌词
ES:
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Va a empezar
Así que todo el mundo pa' la fiesta
Que ya llegaron ya
Los que son
Causantes de que tu cuerpo se mueva
Sin que lo puedas controlar
Seguro de que ya tu los conoces
Te gusta tanto que ya no lo puedes negar
La rumba esta planeada pa las doce
Pa' que goces toda la madruga'
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo' que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Vamo' a dejar los puntos claros
Cuando llegamos sabes que la discoteca la cerramos
Que ya tu viste como andamo'
Porque a la larga o a la corta con mi combo te agarramos
Prepárate que llegaron los reyes del mambo
Con algo diferente a lo que estas buscando
Yo se lo que tu quiere, te estamo' esperando
Te mando la location y cuando
Mami que paso
Ya viene Stan de Boogaloo
Y mas atrás le caigo yo
Se que te gustan los dos
Agarrate que el team te cogió
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Ponte que tu los conoces ya
Somos lo que te hacen a ti bailar
Ponte bonita ya no esperes mas
Y aprovecha que mi combo se va
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Peligro, cuidado
Ya vienen llegando
Los reyes del mambo
Esta noche te la pasas bailando
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Dale como e'
Dale como e'
Dale como e'
Pa' que tu sepas como va
Dale como e'
Pa' que tu sepas como va
Stan de Boogaloo, la musical
EN:
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
It's about to start
So everybody get ready to party
Cause they' re already here
The ones that are
Causing your body to move
You can't control it
Surely you already know them
You like it so much that you can't deny it
The party's planned for twelve o'clock
So that you can enjoy till the early morning
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Let's make our points clear
When we arrive you know that we close the club
you've seen how we go
Cause in the long or the short run with my combo we'll get you
Get ready the mambo kings have arrived
With something different than what you're looking for
I know what you want, we are waiting for you
I send you the location and the time
Mami what happened
Stan from Boogaloo is coming
And further back it' ll be me
I know you like both of us
Hold on cause the team's got you
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
you already know them
We are the ones that make you dance
Get pretty and don't wait any longer
And take advantage cause my combo is leaving
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Danger, beware
They are coming
The mambo kings
Tonight you'll spend it dancing
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Give it how it is
Give it how it is
Give it how it is
So that you know how it goes
Give it how it is
So that you know how it goes
Stan from Boogaloo, the musical
Brash, lively, powerful. Blaring trumpets and energetic drums give an Brash, lively, powerful. Blaring trumpets and energetic drums give an explosive energy, supported by charismatic female vocals about taking up space and being loud. Riser into fun trap hip-hop rhythm with lyrics about getting peoples' attention with style and confidence. Tight instrumentation with sudden drops and chattering percussion gives a boisterous modern vibe. Empowering energy from carefree and strong tone, particularly as rousing trumpets enter at 01:52.
Brash, lively, powerful. Blaring trumpets and energetic drums give an Brash, lively, powerful. Blaring trumpets and energetic drums give an explosive energy. Riser into fun trap hip-hop rhythm gives a sense of charisma and confidence. Rolling bass and tight instrumentation with sudden drops and chattering percussion gives a boisterous modern vibe. Empowering energy from carefree and strong tone, particularly as rousing trumpets enter at 01:52. Instrumental version.
Brash, lively, powerful. Blaring trumpets and energetic drums give an Brash, lively, powerful. Blaring trumpets and energetic drums give an explosive energy. Riser into fun trap hip-hop rhythm gives a sense of charisma and confidence. Rolling bass and tight instrumentation with sudden drops and chattering percussion gives a boisterous modern vibe. Empowering energy from carefree and strong tone, particularly as rousing trumpets enter at 01:52. Alternate version.
Brash, lively, powerful. Energetic drums give an explosive energy. Brash, lively, powerful. Energetic drums give an explosive energy. Riser into fun trap hip-hop rhythm gives a sense of charisma and confidence. Rolling bass and tight instrumentation with sudden drops and chattering percussion gives a boisterous modern vibe. Stripped back underscore version.
Stylish, fun, easygoing. Modern pop instrumentation rises with pride Stylish, fun, easygoing. Modern pop instrumentation rises with pride and style into funky beat. Rapped female vocals about just wanting to have fun, showing out with a sense of cool and fashion. Melodic bridge at 00:42 gives a sense of lively energy, contrasting from overconfident into more feelgood vibe. A trendsetter who goes to the best parties. Electronic instrumentation give visions of DJs having fun and letting the whole room enjoy themselves.
Stylish, fun, easygoing. Modern pop instrumentation rises with pride Stylish, fun, easygoing. Modern pop instrumentation rises with pride and style into funky beat. Melodic bridge at 00:42 gives a sense of lively energy, contrasting from party into more feelgood vibe. Electronic instrumentation give visions of DJs having fun and letting the whole room enjoy themselves. Instrumental version.
Stylish, fun, easygoing. Funky bass and ad libbed vocals give a sense Stylish, fun, easygoing. Funky bass and ad libbed vocals give a sense of fun style as disco drums begin. Electronic instrumentation give visions of DJs having fun and letting the whole room enjoy themselves. Stripped back underscore version.
Quaint, hopeful, longing. Swaying bell melody sets out a steady and Quaint, hopeful, longing. Swaying bell melody sets out a steady and ornate atmosphere, decorated with fragile piano notes. Lower notes at 01:03 give an assured energy. A deep feeling of power and determination. Stripped back underscore version.
Cool, retro, confident. Cool bass solo drives things forward with a Cool, retro, confident. Cool bass solo drives things forward with a funky and buoyant momentum. A fast-pace with slick drumming offers a sense of action-packed intrigue. Brass merges with scratchy organ to create a cool 60s/70s vibe. An old school detective making their way through a club to catch a culprit. Breakdown at 00:50 building into reassured instrumentation offers a cinematic climactic vibe.
Cool, retro, confident. Cool bass solo drives things forward with a Cool, retro, confident. Cool bass solo drives things forward with a funky and buoyant momentum. Fast pace gives a feeling of intrigue, with sparse instrumentation offering a feeling of suspense. An old school detective skulking around looking for their culprit. Stripped back underscore version.
Homesick, blue, impassioned. Honest piano sequence trickles out with Homesick, blue, impassioned. Honest piano sequence trickles out with a feeling of emotion, a person finally realising they miss where they came from, feeling small in a big world. Wholesome vibe tied to USA through quaint jazz style. Percussion begins to move things forward with a dopey jazz rhythm. Trumpet plays out with a unquenchable spirit. Gentle piano in conclusion offers a sense of honesty and knowing sadness.
Homesick, blue, impassioned. Honest piano sequence trickles out with Homesick, blue, impassioned. Honest piano sequence trickles out with a feeling of emotion, a person finally realising they miss where they came from, feeling small in a big world. Wholesome vibe tied to USA through quaint jazz style. Percussion begins to move things forward with a dopey jazz rhythm. Gentle piano in conclusion offers a sense of honesty and knowing sadness. Stripped back underscore version.
Instrumental. Salsa pop/timba with a reggaeton touch. Festive, Instrumental. Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Brass & latin percussion with cowbell.
Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Sung in Spanish. Male singer, brass & latin percussion. Suggested for Latin party & telenovella. 歌词
ES:
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Te traigo el nuevo movimiento
Pa' que te lo aprendas
Que se te mueve todo el cuerpo
Y no paras ya
Es muy sencillo como ves
Con esto no te puedes perder
Cuando mi salsa está sonando
Se te mueven solos los pies
Ehhh otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
así es como ando
Cuando la salsa boogaloo esta sonando
No me preguntes hasta donde ni hasta cuando
Esto no se acaba,
esto ahora esta empezando
Dale candela,
que se quema
Un dos tres,
pa' dentro y pa' fuera
Oye te cogió la vieja escuela
Pa' que lo bailes a la manera que tu quieras
La fiesta ya va a comenzar,
Prepárate la pista se pone caliente
cuando empiezo yo a cantar
Eh otra vez...
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
EN:
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
I bring you the new move
So that you can learn it
That moves your whole body
And you can't stop now
It's very simple as you can see
With this you can't miss it
When my salsa is playing
And your feet move all by themselves
Ehhh again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing,
That's how I go
When the salsa boogaloo is playing
Don't ask me how far or how long
It ain't over,
it's just getting started
Give it some fire,
that it's burning
One two three,
in and out
Hey, the old school got you
So that you can dance to it the way you want to
The party's about to start,
Get ready the dance floor gets hot
When I start singing
Hey again...
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
Instrumental. Salsa pop/modern mambo on a reggaeton rhythm. Instrumental. Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, festive & danceable. Piano, brass with baritone sax, Latin percussion & drum machine. Break & trombone riff @ 1'14.
Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, Salsa pop/modern mambo on a reggaeton rhythm. Determined, uplifting, festive & danceable. Sung in Spanish. Male singers, piano, brass with baritone sax, Latin percussion & drum machine. Rap break & trombone riff @ 1'14. Suggested for Latin party. 歌词
ES:
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Ya se lo que estas buscando
de lejos lo puedo ver
De la forma en que miras
estoy seguro que quieres perderte
en las ganas que yo tengo
de darte lo que tu quieres
no importa cuanto te tardes
se que tu vas a venir y aquí yo te espero
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
Atrévete no tengas miedo atrévete
No se lo que pueda pasar
but I want it to happen
y tu también
ven que te invito a bailar
with me all night long
boogaloo
sabor
ven acércate un poquito
atrévete y ven
baby déjate querer
atrévete y ven
i know just how you feeel tonight
atrévete y ven
cause baby, i feel the same way
atrévete y ven
se acabaron las escusas
atrévete y ven
and i really wanna see you again
así que no perdamos el tiempo
let me relieve you from all the stress
let me dance with you come on baby
apretaito'
apretaito'
let me dance with you come on baby
apretaito'
apretaito'
oh baby ven
atrévete y ven
atrévete y ven
atrévete y ven
atrévete y ven
EN:
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
I know what you're looking for
From a distance I can see it
The way you look at me
I'm sure you want to lose yourself
In the desire that I have
of giving you what you want
no matter how long it takes
I know you're coming and I'm waiting here for you
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
Dare, don't be afraid, dare
I don't know what will happen
but I want it to happen
and so do you
come I invite you to dance
with me all night long
boogaloo
flavor
come a little closer
dare and come
baby let yourself be loved
dare and come
I know just how you feel tonight
dare and come
cause baby, i feel the same way
dare and come
no more excuses
dare and come
and i really wanna see you again
so let's not waste time
let me relieve you from all the stress
let me dance with you come on baby
Tightly
Tightly
let me dance with you come on baby
Tightly
Tightly
oh baby come on
dare and come
dare and come
dare and come
dare and come
Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Piano, brass, Latin percussion with bongo, conga, guiro & cowbell.
Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.歌词
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Suspenseful, dramatic, epic. Mysterious synths with bright, haunting Suspenseful, dramatic, epic. Mysterious synths with bright, haunting chimes and ethereal male vocals are joined by brooding piano chords that build in eerie tension. Impactful and rousing contemporary working of traditional Christmas Carol, Carol of the Bells.
Relaxed, inspiring, heartfelt. Reflective, sentimental acoustic Relaxed, inspiring, heartfelt. Reflective, sentimental acoustic guitar is joined by atmospheric, dreamy organ melodies, bringing a sense of hope. Propulsive beats join from 01:43, with delicate rising synths bringing a dreamy feel. Expansive electric guitars join at 02:48, building in determination to a rousing, post rock finale with bright, hypnotic riffs and dreamy male wordless vocals. Beautiful folk cue.
Mysterious, hopeful, cinematic. Eerie, high string harmonies are Mysterious, hopeful, cinematic. Eerie, high string harmonies are joined by delicate, dreamy piano. Jazzy drums join at 00:44, building a sense of brooding determination. Reflective and moody, with a suspended, mysterious, emotive feel. Beautiful jazz cue which moves through emotive melancholic moments to a bright, uplifting conclusion. Alternative rhythm section version with attitude.
Reflective, sophisticated, intriguing. Cool, relaxed drums with jazzy Reflective, sophisticated, intriguing. Cool, relaxed drums with jazzy bass are joined by light, mysterious piano melodies and eerie, suspenseful string sustains. Curious and intriguing orchestral cue, minimal yet cinematic, moving from moments of light and hope to moments of uncertainty, with a searching, unresolved feel. Alternative, stylish rhythm section version.
Haunting, mysterious, sinister. Ominous brass stabs with spooky organ Haunting, mysterious, sinister. Ominous brass stabs with spooky organ melodies. Builds with propulsive harpsichord and eerie choral vocals. Orchestral risers build tension with dramatic string hits and powerful percussion. Dark and determined orchestral horror cue with an epic, ominous finale.
