Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, ...Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat. Whistling lead gives a throwback vibe amid conscious rap style. Carefree energy from bright string samples and generally positive instrumentation. Instrumental version.
Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, ...Stylish, bouncy, charismatic. Cloudy piano gives a sense of bliss, floating vibe from uplifting chords and steady hip hop beat as male vocals talk over the beat. Lyrics start about being connected with the real world, being on the grind and staying centred. Whistling lead gives a throwback vibe amid conscious rap style.歌词
Yo they ask me, “Cam where you been?”.
I'm fine, I'm protecting my peace, I been staying offline, I been out in these streets, They been online too much, On top they been lying too much, At the club in line too much.
Focus on the mission, Get it how you live it, You don't need permission, I see you standing on ya business, You can do it too, Now I'm the big body, used to ride the coup, They be online tryna tell you what to do, They paying for your internet, phone, or your roof, Aye they need to simmer down, I aint all in the mix but I been around, I forgot to tell y'all I was in your town, And I aint take no pics I was busy getting down, I found peace, I was hanging off of the deep off end, I was staying inside on the weekend, I had grind make sure I could eat, Now when the ask how I'm doing I can tell them.
I'm fine, I'm protecting my peace, I been staying offline, I been out in these streets, They been online too much, On top they been lying too much, At the club in line too much, Focus on the mission, Get it how you live it, You don't need permission, I see you standing on ya business.
Icy, modern, cool. Resonant keys form a determined melody with sharp ...Icy, modern, cool. Resonant keys form a determined melody with sharp electronic edges, giving a modern sheen. Sharp glittery synths play out melody conveying charisma and strength mixed with determination. Instrumental version.
Icy, modern, cool. Resonant keys form a determined melody with sharp ...Icy, modern, cool. Resonant keys form a determined melody with sharp electronic edges, giving a modern sheen. Lazy laidback vocals sing about having money and spending freely. Male vocals talk about exclusivity and fancy cars. Arrogant vibe supported by sharp glittery synths, charisma mixed with determination.歌词
We keep the money spending like we don't know what to do with it, And when it fall out the sky we always grab it we used to it, We gotta spend it spend it get it get it lets go and do it, We gotta get it get it spend it spend it lets go and do it.
Skkkiiiirrrrtttt, Who that sliding in the Jeep, Vroom vrooom vrooom vroom, Just took a flight from the wet to the east, And they still know who i is in the streets, Plain was my name but my name still Proceeds, Got that new version before they drop that, And i trade it back in before you can cop that, Our time now it don't matter what your watch says, Sliding in a Tesla its electric, Money rain down its a blessin, Wanna be my bestie when the check hit, Im too busy working on the next flip aye, They see us winnin rims keep spinnin if they talking block we spinnin, When you die it cant go withcha so I say lets go spend it.
We keep the money spending like we don't know what to do with it, And when it fall out the sky we always grab it we used to it, We gotta spend it spend it get it get it lets go and do it, We gotta get it get it spend it spend it lets go and do it, Uh get it up get it up get it up now, lets go and do it, Spend it up spend it up spend it up now, lets go and do it, Uh get it up get it up get it up now, lets go and do it, Spend it up spend it up spend it up now, lets go and do it.
Laidback, party, flirtatious. Glissando reverbed keys give a ...Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy, visions of a fancy party in a modern bar or penthouse. Launch into fun hip hop vibe with monophonic lead melody contrasted cloudy delayed keys. Relaxed vibe gives a warm sultry energy. Instrumental version.
Laidback, party, flirtatious. Glissando reverbed keys give a ...Laidback, party, flirtatious. Glissando reverbed keys give a luxurious energy as people chat in a party situation. Launch into fun hip hop vibe with male vocals setting a party pace for people dancing. Lively vibe contrasted with cool relaxed instrumentation. Male vocals flirt with lyrics about two people liking eachother, complimentary to a significant other.歌词
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
You just clocked out your day shift, On the way to the club for your late shift, I mean you dance but you're not kind that take tips, But you should, ‘cause I seen how you shake hips (dang hold on), I want to see you, work, This ya song gon’ hit a little twerk, It’s getting late, hope you ain't gotta work, In the morning, be safe getting home, They patrolling, You said bye fuve times as you going, You ain't really trying to leave we be knowing, Man You know you're about to call in and, Next week you're going to call in again.
We gon’ keep that thang just vibing, We gon’ keep that thang just vibing, We gon’ keep that thang just moving, We gon’ keep that thang just moving, We just want to see you work, We just want to see you work.
Groovy, funky, warm. Deep fluffy synth chords play out with bright ...Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into funky beat. Soul-style bass and simple lead give a throwback vibe, 90s style. Big boom bap percussion offers a confident tone. Instrumental version.
Groovy, funky, warm. Deep fluffy synth chords play out with bright ...Groovy, funky, warm. Deep fluffy synth chords play out with bright hip hop leads leading into fun beat and charismatic male vocals. A party all over the city with mentions of compass points. Rapping lyrics paint a picture of a cool individual riding through the streets, talking to girls and feeling their own style. Big bass give a confident tone.歌词
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on i don't need you to lie to me) Come on we got that sound don't we, (come on i don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
West side, South side, North side, East side, Uh what side you on, What what side you on, Yeah what side you on, What what side you on.
Look im on the north side tonight we creepin, Its a 4 day weekend so we 4 times turnt we just lit 4 up, So we pulled up geekin she was talking to you till I arrived with a crew now I know that hurt, Went from holdin my stance to doing my dance and shawty got back show me how that work, Im just keeping it real i just need my thrills when they play my song shawty know my verse, Aw man im the star of the function and its causing commotion but its all in conjunction see, Me and mans came with the jams so do your part and shake a lil yams, We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
We got that money don't we, We got that flavor don't we, We got that sound don't we, We got that sauce don't we, We got that flavor don't we, (come on I don't need you to lie to me) Come on we got that sound don't we, (come on I don't need you to lie to me) We on that.
Smooth, charismatic, romantic. Dramatic organs and piano play out ...Smooth, charismatic, romantic. Dramatic organs and piano play out before smooth sultry hip hop instrumentation. Low warbling keys give a warm stylish feeling as steady boom bap percussion offers a slick coolness. Instrumental version.
Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ ...Cheeky, charismatic, flirty. Comical intro with dramatic organs as DJ gives a sense of arrogance, teasing men with their irresistible style. Sultry hip hop instrumentation adds to a sense of smooth womanising aura. Male vocals calmly deliver lyrics giving confidence.歌词
We apologize, If your girl left you tonight, We sorry.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo.
Aw damn that that was your girl, Thats your girl, The one that just chose us, Ima smoother operator, Shoes alligator, You a imitator, Ima innovator, She just came to me with an invitation after hittin' you with an ultimatum, After birth, I destroyed the mold in which they made em, You aint freshazimiz dawg aint no debatin, I was holding auditions sorry she kept you waiting, You might get you a lil sumn for participating, You might get you al lil whip nah I was just playing, I mean I got but I aint got a chick is what im saying, I mean you is looking thick but, Somebody come get their chick bruh.
You better come get your girl player, Cause I think she watchin, (you better leave my girl alone man) But you know what's crazy? WHAT! I swear home girl, She done chose, You better watch your girl, She chose us, You better watch your girl, She chose us, You better watch your girl, She chose us, Aye playa You better watch your girl, Whoooo, don't watch your girl, Go watch your girl, Come watch your girl.
Confident, passionate, tragic. Emotive lofi whistling sample is taken ...Confident, passionate, tragic. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy. Gloomy instrumentation give a sense of struggle and honour. Instrumental version.
Confident, passionate, demanding. Emotive lofi whistling sample is ...Confident, passionate, demanding. Emotive lofi whistling sample is taken on by smooth synths, giving a feeling of melancholy contrasted by lively ad libs. Male vocals give a sense of style and a commanding persona as lyrics talk about taking what you want and being proactive. Male vocals give a sense of arrogance and desire, backed up by gloomy instrumentation.歌词
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
I'm like woop woop, Okay what it do, I'm making big moves, Yea I'm coming through, While you're playing, Negotiating, what is you saying, Nah I ain't with the chit chat, I need a big bag, If she got a big ugh, Well then back it up, I need this that, And the third too, I got options, But I prefer you, I’ve been on the grind, but I ain't pretty Ricky, I need it all, I ain't doing 50/50, I got the pack on me, Iit's that sticky icky, Yea it’s up so, Holla if you with me, And we went from the car to the, (It’s a Lexus) Yea we went to the house to the, (It’s a mansion) Pulled up to the bank just to, (Put some cash in) Now we in the Jeep with the. (Speaker blasting)
And we went from the house to the, To the car to the, To the bank to the, To the Jeep, From the car to the, To the house to the, To the bank to the, To the Jeep, We want it all, we want it, We want it all, we want it, We want it all, we want it, We want it all, we want it.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy ...Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Cool vibe from icy synths leaking over groovy beat. Instrumental version.
Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy ...Competitive, tough, cool. Rhythmic reverbed keys give a sultry groovy feel as R&B-inspired beat gives a sense of style and pageantry. Male vocals rap about being real, rivalries with other guys. Toxic masculine vibe mixed with a cool calm tone.歌词
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out.
Shhh quit the yappin if you aint bout that action, You a internet thug you be cappin, When its really time to move you be bufferin, Like he gon do something but you laggin, You aint saying nothing I just read the captions, And we here too deep came through the backend, Said it wasnt nothing turned it into something, Paty went from jumpin to someone getting jumped in, Better cut all that noise, (BE QUIET) Better cut all that noise out boy, (BE QUIET) Better cut all that noise, (BE QUIET) Before somebody bring the toys out.
Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing, Dem boys over there aint bout to do nothing, Dem boys over there aint finna do nothing you better, Shhhh cut all that noise, Shhhh cut all that noise out, Shhhh cut all that noise, Shhhh cut all that noise out, cut all that noise, cut all that noise out, cut all that noise, cut all that noise out, BE QUIET, BE QUIET, BE QUIET, BE QUIET.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an ...Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power. Fresh and emotive instrumentation style gives a feeling of realness and passion. Instrumental version.
Atmospheric, euphoric, assertive. Soft pillowy keys play out an ...Atmospheric, euphoric, assertive. Soft pillowy keys play out an emotive progression before full beat gives a sense of euphoric power, male vocals give a sense of skill and talent atop emotive instrumentation. Lyrics use bounce to give a sense of infectious buoyancy. Fresh and emotive style gives a feeling of realness and passionate performance.歌词
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
I got that bounce indeed, Took the game by surprise, they account for me, I need a her over there and an ounce of, I got that dog me, so come bounce with me, Fresh like I just came out the package, They gon try but nah they can’t match it, I came back outside and they lacking, I came back outside to get active, Said you was rider, Tell me is you sliding.
I ain’t come to flex but I’m bout it, They said they was next but I doubt it, It come in, I spend I don’t count in, Cash in & cash out, I’m well rounded, Cuz we bouncing around bouncing around bounce, Rolling around rolling around roll, Coasting around coasting around coast, Strolling around strolling around stroll.
Slick, romantic, charismatic. Emotive sustained keys set out a warm ...Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Austere style offers a feeling of real emotion mixed with a dancey club vibe. Instrumental version.
Slick, romantic, charismatic. Emotive sustained keys set out a warm ...Slick, romantic, charismatic. Emotive sustained keys set out a warm and romantically charged atmosphere before a hip hop beat sweeps instrumentation up with a confident rhythm. Male vocals reminisce about times with a loved one. Two stylish people flirting with eachother. Austere style offers a feeling of real emotion mixed with naughty club vibes.歌词
I want that, I need that, I got that, I had a little boo thang, And we had some good times, We had some wild times, We had some wild times, We had some wild times, We had some wild times.
Pulled up at the party with my crew in the cut, Seen shorty from the way she was moving her what, Had slide over see what she talmbout, I'm a smooth operator I been wooing and such, I'm like let's leave, she said I'm doing too much, But the way she looked at me, I knew what was up, They was playing old school, we was doing the butt, We in our part of town so we throwing it up, And somebody say something then we don't give what It’s a celebration so you know we pouring it up, Said you don't have to call cuz you know I'm the plug, She said you know when to ball or be humble and stuff, And she like that….well drop it down low and bring it right back, I said one more song then a night cap, I said one more song then a night cap.
I want that, I need that, I got that, I had a little boo thang, And we had some good times, We had some wild times, We had some wild times, We had some wild times, We had some wild times.
Mysterious, harsh, dark. Droning sinister bass tone walks along with ...Mysterious, harsh, dark. Droning sinister bass tone walks along with steady click beat before launching into a clean heavy trappy bass and poppy drumbeat. Mean sub bass gives a sense of confidence and coolness supported by rattling trappy cymbals. An individual walking confidently through a dark street, looking stylish. Instrumental version.
Mysterious, harsh, dark. Reverbed voices swarm around a steady click ...Mysterious, harsh, dark. Reverbed voices swarm around a steady click beat before launching into a clean heavy trappy bass and poppy drumbeat. Mean sub bass gives a sense of confidence and coolness. An individual walking confidently through a dark street, looking stylish. Contrast of echoing and sharp phases give a sense of dynamic and tension released.
Spooky, dramatic, kitsch. Organ sounds and funereal eerie bells give ...Spooky, dramatic, kitsch. Organ sounds and funereal eerie bells give a theatrical feeling of creepiness and halloween energy. A large haunted mansion with ghosts flying around and pumpkins. A halloween scene for kids, with objects coming to life and marching along to the steady beat. Alien lead melody offers offbeat vibe. Instrumental version.
Spooky, dramatic, kitsch. Organ sounds and funereal eerie bells give ...Spooky, dramatic, kitsch. Organ sounds and funereal eerie bells give a theatrical feeling of creepiness and halloween energy. A large haunted mansion with ghosts flying around and pumpkins. A halloween scene for kids, with objects coming to life and marching along to the steady beat. Chanted vocals in the background give a cult like vibe as alien lead melody offers offbeat vibe.
Eerie, futuristic, atmospheric. Lofi synth arpeggiations mesh with ...Eerie, futuristic, atmospheric. Lofi synth arpeggiations mesh with spooky string synth notes as bass begins to emerge. Majestic and soaring in its new age melodic vibe. Montage of technology or a city moving fast and society developing. Stripped back underscore version.
Eerie, futuristic, atmospheric. Lofi vintage synth plays out with a ...Eerie, futuristic, atmospheric. Lofi vintage synth plays out with a feeling of uncertainty and darkness as arpeggiations build. Drama builds as melody reaches high in pitch, steady bassline begins to chug forward. Majestic and soaring in its new age melodic vibe. Montage of technology or a city moving fast and society developing.
Stylish, confident, loud. Tragic melody plays out on a piano before ...Stylish, confident, loud. Tragic melody plays out on a piano before electro beat launches alongside blocky bass. Quiet dramatic bit at 00:58 with soft piano and melodramatic tune plays out before beat explodes again. Instrumental version.
Stylish, confident, loud. Tragic melody plays out on a piano with an ...Stylish, confident, loud. Tragic melody plays out on a piano with an electronic vocal element giving a sense of futuristic gloom before electro beat launches alongside blocky bass. Vocal fragments play out rhythmically as full beat marches forward confidently. Quiet dramatic bit at 00:58 as robotic lyrics paint the picture of outcasts from society before beat explodes again.
Spooky, theatrical, sophisticated. Plucked string and piano play out ...Spooky, theatrical, sophisticated. Plucked string and piano play out a decadent descending scale before landing in a bouffant classical style march with large impacts. Alien lead melody meshes with strings to give a sense of luxurious spookiness. An odd event occuring in a large mansion or castle. A sense of panic and tension delivered in a camp dramatic way. Instrumental version.
Spooky, theatrical, sophisticated. Plucked string and piano play out ...Spooky, theatrical, sophisticated. Plucked string and piano play out a decadent descending scale before landing in a bouffant classical style march with large impacts. Alien lead melody mixes with choirs to give a strange mesh of luxury and spookiness. An odd event occuring in a large mansion or castle. A sense of panic and tension delivered in a camp dramatic way.
Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are ...Heavy, chaotic, retro. Simple 80s electronic beat and chunky bass are joined by unpredictable percussive elements giving a rushed and random style. Sub bass at 00:35 conveys strength amid randomly interjecting percussive sounds. Trickling hi hat sounds contrast swampy bass and big beat moments. Instrumental version.
Heavy, chaotic, retro. Screeching dissonant samples play out over a ...Heavy, chaotic, retro. Screeching dissonant samples play out over a simple 80s electronic beat and chunky bass. Maximalist percussion style gives a sense of rushed chaos and action. Muffled vocals offer a feeling of mystery, visions of a futuristic landscape, heavily industrial and dangerous. Choral vocals help to convey an uncertain atmosphere, with big beat bringing a dance element to tone.
Fun, dramatic, childlike. Twinkling bells join with tense string as ...Fun, dramatic, childlike. Twinkling bells join with tense string as dramatic violin adds to suspense. Tense strings and choirs launch into intense marching instrumentation at 00:40 giving a sense of adventure but danger. Traipsing around a haunted mansion looking for clues and avoiding threats. Contrast at 01:20 as instrumentation falls silent save for haunting bells. Stripped back underscore version.
Fun, dramatic, childlike. Twinkling bells join with tense string as ...Fun, dramatic, childlike. Twinkling bells join with tense string as dramatic violin adds to suspense. Sprawling string melodies at 00:30 before launching into intense marching instrumentation at 00:40 giving a sense of adventure but danger. Traipsing around a haunted mansion looking for clues and avoiding threats. Contrast at 01:20 as instrumentation falls silent save for a tremolo violin with sweet heartbreaking melody.
Spooky, retro, cool. Old organ tune joined by ghostly clicking giving ...Spooky, retro, cool. Old organ tune joined by ghostly clicking giving a classic halloween vibe, along with spooky ghost vocals at 00:14. Creepy fun vibe, skeletons walking along and pumpkins coming to life with old school rock style on organs and guitar at 00:47. Cool vibe, retro scary. High school dance on halloween. Stripped back underscore version.
Spooky, retro, cool. Old organ tune joined by grizzly chains and ...Spooky, retro, cool. Old organ tune joined by grizzly chains and ghostly clicking gives a classic halloween vibe, along with spooky ghost vocals at 00:14. Creepy fun vibe, skeletons walking along and pumpkins coming to life with old school rock style on organs and guitar at 00:47. Cool vibe, retro scary. High school dance on halloween.
Eerie, modern, alien. Bonelike percussion offers a strange vibe, ...Eerie, modern, alien. Bonelike percussion offers a strange vibe, joined by marching bass beat. Dissonant screeching mixes with heavy set bass. Chugging dubstep bass gives a modern energy. Halloween vibe in a city, scary vibes on darkly-lit streets. Quiet moments mid-way at 01:08 offer a contrasting feeling of danger. Visions of an evil force creeping up in complete silence. Bass becomes more snarling and resonant. Instrumental version.
Eerie, modern, alien. Bonelike percussion offers a strange vibe, ...Eerie, modern, alien. Bonelike percussion offers a strange vibe, joined by marching bass beat, screeching and wailing giving a spooky energy. Chugging dubstep bass gives a modern energy. Halloween vibe in a city, scary vibes on darkly-lit streets. Quiet moments mid-way at 01:08 offer a contrasting feeling of danger. Visions of an evil force creeping up in complete silence. Bass becomes more snarling and resonant as random vocal samples begin to interject.
Retro, surfing, kitsch. Spooky piano dives into surfer rock style. ...Retro, surfing, kitsch. Spooky piano dives into surfer rock style. Old school halloween energy, a dance in a hall with spooky costumes and a punch bowl. Cool retro style with slapback echo and muted chugging guitar. Stripped back underscore version.
Retro, surfing, kitsch. Evil deep laugh leads into a spooky piano and ...Retro, surfing, kitsch. Evil deep laugh leads into a spooky piano and surfer rock vibes. Old school halloween energy, a dance in a hall with spooky costumes and a punch bowl. Theremin solo offers a sense of eeriness. Cool retro style with slapback echo and muted chugging guitar.
Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky ...Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky tune as drums join at a fast pace and sharp organ stabs offer chilling tone. People running through the note away from a costumed villain. Distorted and echoing guitars add to hazy jangly rock style. Rushed percussion at the end gives the sense of a scary chase. Stripped back underscore version.
Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky ...Rushed, tense, retro. Fast-paced reverb guitar sets out a cool spooky tune as drums join at a fast pace and sharp organ stabs offer chilling tone. Wailing organ gives an old school energy. People running through the note away from a costumed villain. Theremin solos conjure images of dark alleyways and UFOs. Distorted and echoing guitars add to hazy jangly rock style. Rushed percussion at the end gives the sense of a scary chase.
