Song. Sung in Italian.1944. Protest song. Determined & exhilarating. ...Song. Sung in Italian.1944. Protest song. Determined & exhilarating. Male choir & acoustic guitar. Constant accelaration.歌词
Italiano :Una mattina mi sono alzatoO bella ciao, bella ciao, bella ciao ciao ciao Una mattina mi sono alzato E ho trovato l'invasor
O partigiano portami via O bella ciao, bella ciao, bella ciao ciao ciao O partigiano portami via Ché mi sento di morir
E se io muoio da partigiano O bella ciao, bella ciao, bella ciao ciao ciao E se muoio da partigiano Tu mi devi seppellir
E seppellire lassù in montagna O bella ciao, bella ciao, bella ciao ciao ciao E seppellire lassù in montagna Sotto l'ombra di un bel fior
Tutte le genti che passeranno O bella ciao, bella ciao, bella ciao ciao ciao E le genti che passeranno Mi diranno: che bel fior
E quest' è il fiore del partigiano O bella ciao, bella ciao, bella ciao ciao ciao Quest'è il fiore del partigiano Morto per la libertà.
Français :Un matin, je me suis réveillé Ô ma belle au revoir (x3) Au revoir, au revoir Un matin, je me suis réveillé Et j'ai trouvé l'envahisseur
Ô ! partisan emportes-moi Ô ma belle au revoir (x3) Au revoir, au revoir Ô ! Partisan emporte-moi Je me sens prêt à mourir.
Et si je meurs en partisan Ô ma belle au revoir (x3) Au revoir, au revoir Et si je meurs en partisan Tu devras m'enterrer.
Tu devras m'enterrer là-haut sur la montagne Ô ma belle au revoir (x3) Ciao, ciao Au revoir, au revoir Tu devras m'enterrer la haut sur la montagne A l'ombre d'une belle fleur.
Tous les gens qui passeront Ô ma belle au revoir (x3) Au revoir, au revoir Et les gens qui passeront Me diront «quelle belle fleur»
Et c'est la fleur du partisan Ô ma belle au revoir (x3) Au revoir, au revoir C'est la fleur du partisan Mort pour la liberté. Anglais:One morning I awakened, Oh bella ciao, bella ciao, bella ciao, ciao, ciao! (Goodbye beautiful) One morning I awakened And I found the invader.
Oh partisan carry me away, Oh bella ciao, bella ciao, bella ciao, ciao, ciao Oh partisan carry me away Because I feel death approaching.
And if I die as a partisan, Oh bella ciao, bella ciao, bella ciao, ciao, ciao And if I die as a partisan Then you must bury me.
Bury me up in the mountain, Oh bella ciao, bella ciao, bella ciao, ciao, ciao Bury me up in the mountain Under the shade of a beautiful flower.
And all those who shall pass, Oh bella ciao, bella ciao, bella ciao, ciao, ciao And all those who shall pass Will tell me "what a beautiful flower."
This is the flower of the partisan, Oh bella ciao, bella ciao, bella ciao, ciao, ciao This is the flower of the partisan Who died for freedom
Respiro, respiro della sposa ora lasciata, Respiro respiro dell' onda morendo sulla riva. Français
Bleu, La couleur de la liberté Bleu, la pureté de l’immensité Là-haut, où le monde commence et se termine Là-haut où le soleil brille et disparaît
Un souffle Sur la voile blanche en errance (ou qui dérive ?) Un souffle, sur un homme qui ne reviendra pas Un soupir, Un soupir de la mariée laissée seule Un soupir de l’onde qui meurt sur la rive
English
Blue The colour of freedom Blue, purity and immensity Up there where the world begins and ends Up there where the sun shines and disappears
A breath
On the white sail in the distance A breath on a man who will never return A sigh,
A sigh of the bride left alone A sigh of the wave that dies on the shore
Joyful & dancing. Song. Sung in Italian. Festive & traditional. ...Joyful & dancing. Song. Sung in Italian. Festive & traditional. Country dance. Female voice, accordion, mandolin, claps & rhythm.歌词
Italiano
Parenti, amici, sono tutti qua,
Venuti da tanti Paesi d'Italia,
Famiglie di Francia, e anche dall’Australia,
Rosetta si sposa: gran festa si farà!
Bi-tum, Bi-tum, Bi-tum,
Batti piedi, batti le mani, Tum, bi-tum, bi-tum,
alza le braccia, gira, gira,
Tum, bi-tum, bi-tum,
Organetto e tamburello
Tum, bi-tum, bi-tum, si balla la tarantella.
Si celebran le nozze come in Sicilia,
con tutte le comari a “mucatori” ??, i maschi quasi tutti, portano la coppola,
C'è vino, salam, prosciutto e ricotta
La mamma di Rosa si commuove e piange,
perché a sua bambina lontana sarà,
il padre un po brillo canta troppo forte
presto un nipotino in casa arriverà Français
Les parents, les amis sont tous là, Venus de tant de villages d’Italie Des familles de France, et aussi d’Australie Rosetta se marie : une grande fête se prépare !
Bi-tum, Bi-tum, Bi-tum,
On tape des mains, on bat des mains Tum, bi-tum, bi-tum,
On lève les bras, on tourne, on tourne
Tum, bi-tum, bi-tum,
Accordéon et tambourin Tum, bi-tum, bi-tum, on danse la tarentelle
On célèbre la noce comme en Sicile Avec toutes les commères qui portent foulard Presque tous les hommes ont une casquette Il y a du vin, du salami, du jambon et de la ricotta
La maman de Rosa est émue et pleure Parce que sa fille partira loin Le père un peu éméché chante trop fort Bientôt un neveu arrivera
English
Family and friends are all here Come from village all over Italy Families from France, Australia too Rosetta is getting married:
A big party is getting underway
Bi-tum, Bi-tum, Bi-tum,
we clap our hands, we clap our hands Tum, bi-tum, bi-tum,
we lift our arms, we spin we spin Tum, bi-tum, bi-tum,
Accordion and tambourine Tum, bi-tum, bi-tum, we dance the tarentelle
We celebrate the wedding like in Sicily With all the old girls in headscarves Almost all the men wear caps There’s wine, salami, ham and ricotta.
Rosa’s mama is moved to tears Because her daughter will move far away Father is a little tipsy and sings too loud Soon a nephew will arrive
l'olio fresco dal mulino, il bardolino, pane tondo cotto al forno di mattonelle,
mi ricordo, di tutto mi ricordo. Dove sono ceci fave per le minestre,
l’uovo col marsala, le frittelle,
il sapor' delle zucchine del giardino,
se n’è andato tutto via con il vento.
Passa un giorno di più,
e tutto sembra come fosse ieri,
passa la vita veloce,
e niente resta più come prima.
I boschetti con i funghi son perduti,
e la briscola in famiglia, non si fa più,
il suon dell'organetto dello zio,
mi ricordo, di tutto mi ricordo.
La bottega della Lina, il cenciaiolo,
limoncello e cassate a due soldi,
e le donne al lavatorio, la befana,
se n’è andato tutto via con il vento.
Biciclette e bagni al mare in agosto, i fumetti con Minnie, e topolino,
la pesca della trota con il nonno,
mi ricordo, di tutto mi ricordo.
E fuggita la ragazza dagli occhi chiari,
la quercia del cortile, l'inchiostro blu,
e il cinema all' aperto con Maria, se n’è andato tutto via con il vento.
Français
Où sont les gâteaux et le caramel L’huile nouvelle du moulin,
Le pain rond cuit au four de brique Je me souviens, je me souviens de tout
Où sont les pois chiches et les fèves pour les minestrones L’œuf au Marsala, les beignets L’odeur des courgettes dans le jardin Tout a disparu avec le vent
Un jour de plus est passé Et tout semble comme si c’était hier La vie passe si vite Et plus rien n’est plus comme autrefois
Les bois aux champignons sont perdus On ne joue plus à la briscola en famille, Le son de l’accordéon de l’oncle, Je me souviens, je me souviens de tout
La boutique de Lina, le chiffonnier Limoncello et cassate à deux sous Et les femmes au lavoir, la befana Tout a disparu avec le vent
La bicyclette et les bains de mer en août Les bandes dessinées avec Minnie et Mickey La pêche à la truite avec le grand-père Je me souviens, je me souviens de tout
La jeune fille aux yeux clairs a disparu Le chêne de la cour, l’encre bleue Et le cinéma en plein air avec Maria Tout a disparu avec le vent
English
Where are the cakes and the caramels The oil fresh from the mill The round bread baked in the brick oven I remember, I remember everything
Where are the chick peas
End the broad beans from the minestrone Eggs in Marsala, the doughnuts The smell of zucchinis in the garden Everything has gone with the wind
Another day has gone by And all is as if it was yesterday Life goes by so fast And nothing is like it used to be
The mushroom woods have gone We no longer play briscola as a family, The sound of my uncle’s arccordion, I remember, I remember everything
Lina’s little shop, the rag and bone man Limoncello and cassate a penny a piece And women in the wash house, la befana Everything has gone with the wind
The bicycle and swimming in the August sea The cartoons with Minnie and mickey Trout fishing with granddad
The young bright-eyed girl has disappeared The oak-tree in the garden, the blue ink And the open-air cinema with Maria Everything has gone with the wind
Fenesta vascia 'e padrona crudele, Quanta suspire mm'haje fatto jettare!... Mm'arde stu core, comm'a na cannela, Bella, quanno te sento annommenare! Oje piglia la 'sperienza de la neve! La neve? Fredda e se fa maniare... E tu comme si' tanta aspra e crudele?! Muorto mme vide e nun mme vu? ' ajutare!?...
Vorr? A addeventare no picciuotto, Co na langella a ghire vennenn'acqua, Pe' mme ne j? Da chisti palazzuotte: Belli ffemmene meje, ah! Chi v? ' acqua... Se vota na nennella da ll? 'ncoppa: Chi? 'sto ninno ca va vennenn'acqua? E io responno, co parole accorte: So' lacreme d'ammore e non? Acqua!...
Finestra bassa di una padrona crudele, quanti sospiri mi hai fatto buttare. Mi arde questo cuore, come una candela, bella quando ti sento nominare.
Prendi l'esperienza della neve. La neve e' fredda e si fa toccare. E tu come sei tanto aspra e crudele? Mi vedi morto e non mi vuoi aiutare?
Vorrei diventare un bambino, con una lancella andare e vendere acqua, per andarmene via da questi palazzotti. Belle donne mie, ah. Chi vuole acqua.
Si gira una ragazza da li sopra: "Chi e' questo ragazzo che vende acqua?" E io rispondo, con parole misurate: "Sono lacrime d'amore e non e' acqua".
Français
Fenêtre basse d’une maîtresse cruelle, que de soupirs tu m’as fait gaspiller… mon cœur brûle comme une bougie, ma belle, si j’entends prononcer ton nom ! Prends donc exemple sur la neige : elle est froide, mais elle se laisse caresser, et avec moi, tu es si âpre et cruelle, que tu me vois mourir et tu ne veux pas m’aider ?
Je voudrais devenir un vendeur ambulant, qui vend l’eau avec sa carafe, pour crier d’une maison à l’autre : “Mes belles femmes, qui veut de l’eau ?” Et une fille me voit de son balcon et me dit : “Qui est ce garçon qui vend de l’eau ?” et je lui répondrais avec des mots attristés : “Ce sont des larmes d’amour, ce n’est pas de l’eau !.....”
English
Low window of cruel mistress, How many sighs I made for you! My heart burns, like a candle When I hear your name, my beauty!
Oh, be like the snow! The snow is cold but one can touch it. And you, how can you be so stern and cruel? Seeing me dying, don't you want to help me?
I wish I was a boy again Who sells water in a street, To go away from here to big houses: Dear ladies! Ah! Who wants some water?
If any girl asks from balcony: "Who is this guy who sells water?" I'll answer ,with reserve: "It's my tears of love, it's not water!"
Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, ...Song. Sung in Italian. XVIIth century. Joyful & carefree. Male voice, mandolins, acoustic guitar & tambourin.歌词
Italianol coracino, che andava per mare, venne voglia di sposarsi. si fece un bel vestito di scaglie di spine pulito pulito con una parrucca tutta piena di rimasugli avvolti, con il colletto, fazzoletto da collo e polsini di seta inglese molto fine.
Con i calzoni di reti di fondo, scarpe e calze di pelle di tonno e mantella e mantellina di alghe e peli di bue marino, con bottoni e bottoniera di occhi di polipo, seppie e coregoni bianchi * fibbie, spada e fiocchi dorati di nero di seppia e fette di occhiata
Due belle catene di polmone di conchiglie, un capello elegante di codini di luccio salato. tutto inamidato** e ben stirato faceva il fighetto, girava di quà e di là per trovarsi la fidanzata
La Sardina, al balcone stava suonando il colascione*** e a suono di trombetta, cantava questa arietta: "O larello o marellena e la figlia della zia Lena ha lasciato il fidanzato perché niente glia ha regalato!"
Il Guarracino che la guardò della Sardina si innamorò, se ne andò dalla Bavosa. la più vecchia maliziosa. le diede una bella mancia per mandarle un messaggio. La bavosa, pissi pissi chiaro e tondo glielo disse.
Nel sentirla la Sardella rossa rossa si fecce, per la vergogna che la prese sotto uno scoglio si infilò, ma la vecchia Bavosa subito disse: "Ah, schizzinosa! In questa maniera non trovi partito in gola ti resta il marito".
Se hai voglia di accasarti tante smorfie non le devi fare, fuori la galanteria e via la timidezza, anima e cuore e faccia tosta". Ciò sentendo la zia Sardina s'affacciò alla finestrella e fece un occhiolino d'intesa allo speranzoso innamoratino.
Ma la Patella che stava appostata la chiamò faccia tosta, traditrice, svergognata, senza parola e malnata perché aveva piantato l'Alletterato, primo e antico fidanzato di carriera da questo andò e ogni cosa gli disse.
Quando la sentì il poveretto se lo prese un demonio andò a casa, s'armò di rasoio, si caricò come un mulo di fucili, di spingarde, polvere, palle, stoppa e schegge; quattro pistole e tre baionette in tasca si mise.
Sulle spalle settanta colubrine, ottanta bombe e novanta cannoni e come un guappo paladino andava cercando il coracino. La sfortuna vuole che in mezzo la piazza lo incontrò l'afferra per il cravattino e poi gli dice: "Ah malandrino!
Tu mi rubi la fidanzata e prenditela questa bastonata". Tuffete e taffete, a milioni, gli dava schiaffi e colpi alla gola, schiaffi, pugni e scappellotti, scappoloni, fecozze**** e percosse alla nuca, scapaccioni e pugni al volto e gli ammaccò ossa e cartilagini.
Succede che al rumore parenti e amici uscirono fuori, chi con mazze, coltelli e coltellini, chi con spade,spadoni e spadini quello con sbarre, questo con spiedi chi con mandorle e chi con nocciole, chi con tenaglie e chi con martelli chi con torroni e susamielli *****
Padri, figli, mariti e mogli si azzuffarono come fiere e milioni accorrevano a frotte, i pesci di questa e di quella fazione Quante ne vedesti di sarde e di alose di palamiti e sogliole e razze chiodate, saraghi, dentici e occhiate, sgombri, tonni e alletterati.
Pesci palombo e rane pescatrici, scorfani, cernie e alici, pastinace, seriole, musdee e ghiozzi rasposi, lecce stelle, lucci e storioni, merluzzi, gronghi e murene, capodogli, orche e balene, capitoni, aguglie e aringhe, cefali, caponi lira, tracine e cernie dorate.
Triglie, torpedini occhiute, trote e tonni, musdee, cepole, latterini e zerri, polipi, seppie e calamari, pesci spada e stelle di mare pesci palombo e pesci martello bocche d'oro e gianchetti, seppioline e coracini cannolicchi, ostriche e ricci di mare.
Vongole, cuori eduli e patelie pescecani e granchietti tordi marvizzi, marmore e bavose, boghe, vedove e spose, spigole, spondili, serpenti e salpe, scalze con gli zoccoli o con le scarpe, murici, gamberi e aragoste vennero perfino con le diligenze.
Capitoni, sauri e anguille, pesci grossi o piccoli, d'ogni ceto e nazione. Piccolini, piccoli, più grandi e grandissimi! Quante botte, mamma mia! Che si davano. Non sia mai! A centinaia le bastonate! A milioni le pietrate!.
Morsi e pizzicotti a bilioni! A pioggia i colpi alla gola! Non vi dico che fuoco vivo si faceva per ogni luogo. Te, te, ttè, qua pistolettate, ta, ta, ttà, là schioppettate tu, tu, ttù, qua le colubrine, bu, bu, bbù, là i cannoni.
Ma di cantare sono già stanco e ora mi manca il fiato, perciò, datemi licenza grazioso e bel pubblico. Fate che beva una mezza di "seje"******, alla salute di lui e di lei, altrimenti mi si secca il gargarozzo, svuotandosi il polmone.
English
The chromis that swam in the sea he decided to marry. He made a nice suit From the sharp scale, very neat. He' put on a curly wig Strewed with small cockle-shell, A collar, a shawl on a neck and cuffs made of english silk, very thin.
Trousers from a net, Boots and socks from a skin of tunny, A cloak and a cape From algae and bristle of a dugong, With buttons and press-buttons From eyes of octopus, cuttlefish and vendace, Buckles, a sword and gilded bands From ink of cuttle and a bile of saddle bream.
Two beautiful chains From cockle-shells, An elegant hat From tails of ling. Everything is starched and ironed, He seemed like a dandy. He swam here and there To find a bride.
A sardine stood on her balcony, Playing the lute; And hearing a sound of trumpet, She sang a song: "Oh, sea, sea, A daughter of my aunt Lena Left his fiance Because he gave nothing to her!"
The chromis saw her And felt in love with sardine. went away to a blenny Grumbling old fish. He gave her money To send a message to sardine. The blenny, in a whisper, Told it to her clearly.
Hearing this message, The sardine was blushed. From the shyness She hided under a rock. But old blenny told her: "Ah, fastidious! In this way you'll not find a fiance And remain without husband.
If you want to marry, You don't have to make difficulties! Forward the courtesy 1 and away the shyness! Be with the kind heart and soul!" Listening to an aunt, the sardine looked out from window And winked in consent At the lover, full with hopes.
But the patella that stood beside, called her "Impudent, Traitress, shameless, Not keeping word and rude", Because she had left the tunny, Her first fiance. She went away from him so fast And told him many things.
When poor tunny heard it, He was possessed by demon. He went to home, armed himself with knife, He loaded himself like a mule With guns, springalds, Powders, bullets, tows and gun tubes. Four pistols and three bayonets, He put them in his pocket.
On his shoulders there were seventy muskets, Eighty bombs and ninety cannons And like a cruel knight He came search the chromis. The misfortune wanted so, And in the middle of square the tunny found him, Has seized him by the collar And told him: "Ah, villain!
You've stolen my bride, Take this blow!" Million punches, He slapped him in the face. Slaps in face, clips on the back of head, Stabs, bumps, punches on head, Kicks, punches on face, He broke to pieces his bones and cartilages.
The noise was risen, Relatives and friends came out. Who with maces, knives and clasp-knives, Who with swords, rapiers and sabres. That came with girders, this came with spears, Who with almonds and who with nuts, Who with nippers and who with hammers, Who with turrons and susamielli 2.
Fathers, children, husbands and wives Fighted like the beasts. Millions gathered in throng, Fishes of two sides. How many sardines one could see, How many shads, plaices and various rays, Crucians, dentexes and saddle breams, Mackerels, tunnies and tunas.
Houndsharks and sea-devils, Scorpionfish, dusky groupers and anchovies, Stingrays, amberjacks, cods and gobies, Pompanos, barracudas and sturgeons, Hakes, congers and morays, Cachalots, killer whales and whales, Eels, garfishes and herrings, Mullets, gurnards, weeverfishes and tenches.
Surmullets, electric rays, trouts and tunnies, Pomfrets, bandfishes, sand-smelts, picarels, Octopuses, cuttlefishes and squids, Swordfishes and starfishes, Houndsharks and hammerhead sharks, Shade-fishes and sand eels, Octopuses and chromises, Sword razors, oysters and sea urchins.
Carpet shells, cockles and sea snails, Sharks and crabs, Wrasses, sea breams and blennies, Bogues, widows and married, Seabasses, sea daces, snakes, salema porgies, Barefooted, with heels or with boots, Sea snails, shrimps and spine lobsters, Everybody came with the diligence.
Eels, horse-mackerels and grigs, Small and big fishes Of every estate and nation, Small, big and biggest. How many punches, mama mia, They have made. Horror! Thousands punches with stick, Millions punches with stone!
Billions bites and tweaks, A hail of punches to neck. I cannot tell you what live fire burned everywhere. Te - te - ttè, here a wound from pistols, Ta - ta - ttà, there from guns, Tu - tu - ttù, here from muskets, Bu - bu - bbù, there from cannons. But I'm tired already sing about it And now I'm short of breathing. Therefore give me a respite, Dear and nice public! Let's drink a half glass Health of him and her, Otherwise my throat will be dry parched, The lungs will be empty.
Alternate without percussion. Anticipating & stimulating piano intro ...Alternate without percussion. Anticipating & stimulating piano intro with synth pulse. On the road to Victory. Build up gradually with pride in a spirit of grandeur to the climax. Suggested for themes & trailers.
Anticipating & stimulating piano intro with synth pulse. On the road ...Anticipating & stimulating piano intro with synth pulse. On the road to Victory. Build up gradually with pride in a spirit of grandeur to the climax. Suggested for sport themes & trailers.
Alternate without percussion. Imposing & propulsive intro with synth ...Alternate without percussion. Imposing & propulsive intro with synth sequence building up to the climax in a combative & challenging rock spirit. Hybrid Orchestra. Lead rock guitar @ 1'06.
Imposing & propulsive intro with synth sequence & power chords ...Imposing & propulsive intro with synth sequence & power chords building up to the climax in a combative & challenging stadium rock spirit. Hybrid orchestra with choir. Lead rock guitar @ 1'06. Anthemic trailer.
Alternate without percussion. Constant evolution from fast pulsating ...Alternate without percussion. Constant evolution from fast pulsating tension with synth to an ambitious & glorious theme with strings & brass. Triumphant & heroic ending with choir @ 1'19.
Constant evolution from fast pulsating tension with synth to an ...Constant evolution from fast pulsating tension with synth to an ambitious, glorious & purposeful theme with strings & brass. Triumphant & heroic ending with choir @ 1'19.
Alternate without percussion. Incisive & running synth sequence with ...Alternate without percussion. Incisive & running synth sequence with hits building up to an urgent & determined theme. Winning ending & climax @ 1'35 with choir @ 2'09.
Incisive & running synth sequence with hits building up to an urgent ...Incisive & running synth sequence with hits building up to an urgent & determined theme. Winning ending & climax @ 1'35 with choir @ 2'09.
Suggested for sport trailer.
Alternate without percussion. Ethereal & dreamy intro building up ...Alternate without percussion. Ethereal & dreamy intro building up with staccato strings & cello. Proud, solemn & majestic with church organ.@ 1'31. Ceremonial & victorious ending with choir @ 1'56 & climax.
☆ Nominated "Best Use in a Television Trailer" @Production Music ...☆ Nominated "Best Use in a Television Trailer" @Production Music Awards UK 2023 ☆ Ethereal, anticipating & dreamy intro building up with staccato strings & cello. Proud, solemn & majestic with church organ @ 1'31, brass & military cinematic drums. Ceremonial & victorious ending with choir @ 2'14 & climax.
Alternate without percussion. Anticipating & urgent intro with ...Alternate without percussion. Anticipating & urgent intro with pulsating synth sequence. Builds up gradually with a vigorous & energetic string pattern. Ending with choir @ 1'30 & climax..
Anticipating & urgent intro with pulsating & fast synth sequence. ...Anticipating & urgent intro with pulsating & fast synth sequence. Building up gradually with a vigorous & energetic string pattern & impetuous cinematic drums. Conquering ending with choir @ 1'30 & climax..
Alternate without percussion. Obsessive & determined first part. ...Alternate without percussion. Obsessive & determined first part. Break @ 1'00 featuring emotional solo violin. Valiant & motivational ending & climax @ 1'18. Suggested for drama sport trailer.
Alternate without percussion. Gentle & romantic piano intro building ...Alternate without percussion. Gentle & romantic piano intro building up with staccato strings in a hopeful & carefree theme. Confident & victorious ending with choir. Suggested for achievement.
Gentle & romantic piano intro building up with staccato strings in a ...Gentle & romantic piano intro building up with staccato strings in a hopeful & carefree theme. Confident & victorious ending with choir. Suggested for achievement.
Alternate without percussion. Anthemic / stadium rock trailer with a ...Alternate without percussion. Anthemic / stadium rock trailer with a vehement guitar/synth riff & percussion. Evolves with a punctuated & glorious choir @ 0'50. Suggested for achievement.
Anthemic / stadium rock trailer with a vehement guitar/synth riff & ...Anthemic / stadium rock trailer with a vehement guitar/synth riff & percussion. Evolves with a punctuated & glorious choir @ 0'50. Chronometer fx & claps. Suggested for sport achievement.
Alternate without percussion. Urgent intro with a fast & nervous ...Alternate without percussion. Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Triumphant & dignified ending with epic choir @ 1'22 & climax. Suggested for achievement.
Urgent intro with a fast & nervous synth sequence building up with ...Urgent intro with a fast & nervous synth sequence building up with staccato strings & brass. Triumphant & dignified ending with epic choir @ 1'22 & climax. Suggested for achievement.
Fast action trailer cue based on percussion. Impulsive, impetuous & ...Fast action trailer cue based on percussion. Impulsive, impetuous & combative. Suggested for fighting sports trailers.
Alternate without percussion. Inspirational & sparse piano intro. ...Alternate without percussion. Inspirational & sparse piano intro. Emotional theme based on a string pattern @ 0'37 building up to a confident & winning theme. Grand finale leading to climax @ 1'42.
Inspirational & sparse piano intro. Emotional theme based on a string ...Inspirational & sparse piano intro. Emotional theme based on a string pattern @ 0'37 building up to a confident & winning theme. Grand finale leading to climax @ 1'42.
