Cool, driving, confident. Shallow riff with a scratchy texture gives ...Cool, driving, confident. Shallow riff with a scratchy texture gives way to heavy percussion. Steady rock pace with persistent notes and fast style. Shallow guitar tone conveys a restrained energy, ready to be let loose. Guitar launches into fuller sound at 01:01, cathartic release with confident descending scale. Instrumental version.
Cool, driving, confident. Shallow riff with a scratchy texture gives ...Cool, driving, confident. Shallow riff with a scratchy texture gives way to heavy percussion. Steady rock pace with persistent notes and fast style. Sinister vocal performance with lyrics about pressure in one’s life building up over time, and a willingness to change the situation. Guitar launches into a fuller sound, cathartic release with confident descending scale. Reminiscent of someone throwing off the shackles of everyday life, being at odds with an indifferent world but finding solace in another individual.歌词
I’m under pressure to think Of different courses to take
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. A heavy rock style coupled with a meaningful sensibility. Steady tempo driving forward in a confident, marching pace. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Instrumental version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling, male vocals sing about losing control in an impassioned manner. A heavy rock style coupled with a meaningful sensibility. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Vocals goad and entice with commands to break the rules. Floaty synth keys support emotive nature. Confident rock energy from slow tempo and commanding vocals.歌词
You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
The fever will rage and sweat out the blame Lovers less guilty by changing their name
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
Explosive, hopeful, energetic. Long drum fill conveys a ruthless ...Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation that builds a tense and menacing atmosphere. Explosive chorus with guitar stabs and heavy drumwork. Instrumental version.
Explosive, hopeful, energetic. Long drum fill conveys a ruthless ...Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation as male vocals sing about listening to your heart and feeling something new running through your veins. Explosive chorus with lyrics repeating about being ready and waiting for whatever may come. Singing about fire and flames conjures images of hardship, struggle and conflict but driving energy conveys a determination.歌词
I think I'm ready for it Whatever comes before me
I think I'm ready for it Through fire and flames and fury
I think I'm ready for it It’s time to stop pretending
I think I'm ready for it Refrain is at an ending
I’m waiting for a message from my heart To tell me what to do and where to start There’s something new coursing through my veins There’s an energy flowing through my I can feel it
My hands are shaking legs are trembling and I love it I'm winding up and I'm ready to let go There’s pressure building and
Electrifying, rough, rousing. Echoed drumming sets out a raw live ...Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff, the built up intensity released as guitars launch into chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Instrumental version.
Electrifying, rough, rousing. Echoed drumming sets out a raw live ...Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff inviting male vocals singing about feeling energised and connected to emotion. Built up intensity is released as guitars launch into the chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Robotic vocals at 01:59 conveying a sense of power and charge.歌词
I feel that time has stopped in motion I feel electric in my bones I feel connected to emotion
Keeping my enemies real close You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one
My feet were always made for moving My soul was always made to groove I'm keeping all the people talking With your attention I can't lose
You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one From all the tricks they'll never find
You're always keeping bona fide tight lipped You're singing songs they'll never learn You're making cash where they cant earn You side slip Outsmart them every day I gotta tell ya
You are the one. I gotta tell ya You are the one I gotta tell ya You are the one I gotta tell ya You are the one
Fun, heavy. Heavy bass and drum sequence with steady rhythm. ...Fun, heavy. Heavy bass and drum sequence with steady rhythm. Simplistic drumbeat contrasting with harsh, overdriven bass tone. Organic bass plays out walking rhythm, joined momentarily by muffled overdriven tone. Stripped back underscore version.
Abrasive, fun, fiery. Tense gritty piano leads into heavy bass and ...Abrasive, fun, fiery. Tense gritty piano leads into heavy bass and drum sequence. Simplistic drumbeat contrasting with harsh, overdriven bass tone. Dirty distorted electric guitar plays powerful riffs that veer into dissonance illustrating an uncontrollable fiery funk energy. Droning guitar samples repeat in background conveying a defunct, rough aura. Organic bass plays out walking rhythm, supported by overdriven bass and low end synth. Screaming guitars and raw funk power reminiscent of late night city scene in an action or comedy film.
Cool, glitchy, upbeat. Sudden drum sample leads into heavy percussion ...Cool, glitchy, upbeat. Sudden drum sample leads into heavy percussion led by chattering hi hats and fun organic bass guitar. Glitched sampling and unexpected heavy delay creates a unique atmosphere meshing organic sound with electronic manipulation. Upbeat melody contrasts with uncertain texture and progression. Percussion grows with use of delay, glitched FX and tuneful drums. Stripped back underscore version.
Cool, glitchy, upbeat. Fragmented guitar and drum sample leads into ...Cool, glitchy, upbeat. Fragmented guitar and drum sample leads into heavy percussion led by chattering hi hats. Gritty overdriven guitars let out sharp riffs supported by fun organic bass guitar. Glitched sampling and unexpected heavy delay creates a unique atmosphere meshing organic sound with electronic manipulation. Upbeat melody contrasts with uncertain texture and progression. Percussion grows with use of delay, glitched FX and tuneful drums.
Trippy, gritty, lazy. Raw drum sample is joined by overdriven bass ...Trippy, gritty, lazy. Raw drum sample is joined by overdriven bass setting out a heavy rhythmic sequence. Dynamic bass melody with sliding and tapped notes makes for a fun, powerful energy. Cruising around city streets in the sun, rebellious attitude. Stripped back underscore version.
Dirty, gritty, fun. Raw drum sample with overdriven bass drum sets ...Dirty, gritty, fun. Raw drum sample with overdriven bass drum sets out a heavy rhythmic sequence, joined by phasing guitars and psychedelic percussive effects. Laidback melodies and spaced out, lofi textures combine to create a trippy atmosphere. Cruising around city streets in the sun, rebellious attitude. Tapped guitar solo at 02:32 accentuates psychedelic rock energy. A colourful montage of flowers and flashing lights as someone loses themselves in a wild night out or a sweltering day in the summer sun.
Cool, gritty, powerful. Intense snare and cymbal burst falls into ...Cool, gritty, powerful. Intense snare and cymbal burst falls into funky, dirty sequence. Muddy bass instils a raw, rock energy. Snare rolls gift a palpable drive to the song, reminiscent of a car driving around an industrial city. Stomping kick drum sequence at 01:12 with earthquake bass hits. Stripped back underscore version.
Cool, gritty, powerful. Intense guitar and drum burst falls into ...Cool, gritty, powerful. Intense guitar and drum burst falls into funky, dirty sequence. Slapback echo and rough texture of guitar instils a raw, rock energy. Snare rolls gift a palpable drive to the song, reminiscent of a car driving around an industrial city. Muddy bass tone contrasts sharp guitar, both conveying an unkempt funk feeling.
Fiery, confident, trippy. Slow and echoing drum groove slide along ...Fiery, confident, trippy. Slow and echoing drum groove slide along with bass notes. Flange and delay on drums gift a slightly psychedelic feeling, whilst percussion builds a slow and assured momentum. Long silence ended by muffled percussion at 02:00, launching back into hook sequence. Stripped back underscore version.
Fiery, confident, trippy. Overdriven, flanged guitar sets out a ...Fiery, confident, trippy. Overdriven, flanged guitar sets out a twanging rock hook, met by slow and echoing drum groove and supportive bass. Flange and delay effects gift a psychedelic stadium rock vibe, like a trippy performance by a legendary rock guitarist. Wavering organ at 01:47 accentuates the melodic elements, building tension. Clattering percussion builds a slow and assured momentum. Heavy rock catharsis at 02:46 with deep commanding guitar hook. A triumphant feeling of retribution or redemption in the austere but confident tone.
Dirty, rough, fun. Distorted bass judders suddenly through electronic ...Dirty, rough, fun. Distorted bass judders suddenly through electronic sampling, gifting an uncaring and rough feeling. Overdriven bass and drums lead strutting tempo, bass working its way into a more dynamic descending scale. Stripped back underscore version.
Dirty, rough, fun. Scratchy guitar judders suddenly through ...Dirty, rough, fun. Scratchy guitar judders suddenly through electronic sampling, gifting an uncaring and rough feeling. Overdriven bass and drums lead strutting tempo, accented by jagged wah-wah guitar and subtle organ. Rhythmic guitar strumming conveys an indie rock sensibility.
Cool, funky, loud. Heavy drum sequence with dirty commanding kick ...Cool, funky, loud. Heavy drum sequence with dirty commanding kick drum gives rise to cool bass sequence with fun, funky style. Winds down into silence at 02:06, which is broken by tuneful hand drums. Stripped back underscore version.
Cool, funky, loud. Heavy drum sequence with dirty commanding kick ...Cool, funky, loud. Heavy drum sequence with dirty commanding kick drum gives rise to cool bass sequence. Sharp, wah-wah guitar riffs emerge from the heady sludgy rock style. Tremolo organ with phaser plays pedal chord, sliding confidently between the funk style before getting cut off suddenly. Cool guitar riffing winds down and falls into glitchy breakdown at 02:05, raw and powerful energy reminiscent of an action movie.
Powerful, suave, confident. Fizzling percussion with heavy cymbal and ...Powerful, suave, confident. Fizzling percussion with heavy cymbal and clattering snare joined by a confident bass hook. Lively drumwork conveys a funky rock feeling. Relaxed but unkempt energy, like a cool rock club with cocktails and dim lighting. Stripped back underscore version.
Powerful, suave, confident. Fizzling percussion with heavy cymbal and ...Powerful, suave, confident. Fizzling percussion with heavy cymbal and clattering snare joined by a confident bass hook. Explosive guitars play fun, rock riffs with a scratchy and shallow texture. Lively drumwork and screeching, sometimes dissonant guitars convey a funky rock feeling. Relaxed but unkempt energy, like a cool rock club with cocktails and dim lighting.
Loose, sultry, cool. Odd jazzy drumming cushions fun bass melody. ...Loose, sultry, cool. Odd jazzy drumming cushions fun bass melody. Long delay and defunct phased feedback creates a trippy and slightly broken feeling, visions of a cool band playing in a humid, basement location. Stripped back underscore version.
Loose, sultry, cool. Odd jazzy drumming cushions cool, snappy guitar ...Loose, sultry, cool. Odd jazzy drumming cushions cool, snappy guitar riff. Long delay and defunct phased feedback creates a trippy and slightly broken feeling, visions of a cool band playing in a humid, basement location. Searing guitar solo at 01:00 instilling a ruthless and fiery rock energy, contrasting the simplistic but upbeat bass melody. Dissonant nature of guitar gives a jangly, off-kilter beauty.
Confident, wild, hot. Laidback rock drumming transitions into heavy ...Confident, wild, hot. Laidback rock drumming transitions into heavy percussion with heavy bass. Self-assured energy, a group of friends walking down the street in stylish clothes, a heist or montage in an action film. Stripped back underscore version.
Confident, wild, hot. Laidback rock drumming is juxtaposed by heavy, ...Confident, wild, hot. Laidback rock drumming is juxtaposed by heavy, dirty guitar. Launch into full and more lively drum sound and cool bass sequence following guitar. Watery keys accentuate the fun, positive melody bolstered by strong, raw guitar chords playing in a classic rock style. Self-assured energy, a group of friends walking down the street in stylish clothes, a heist or montage in an action film.
Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. ...Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. Avant-garde pop/New-Age ballad. Sampled vocal loop with auto-tune fx & layers.
Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a ...Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a world-music touch. Female singer with auto-tune fx & constant sampled vocals layers.歌词
Got to lot to be thankful for A lot to be thankfulI’ve got a lot to be thankful forA lot to be thankfulI sit down and read your names at loudOne by one you drew me You never know how long the pain will last
I’ve got a lot to be thankful A lot to be thankful (lord i’m thankful)I’ve got a lot to be thankful A lot to be thankful
Like a prayer the letters fall into placeThe more I read it the more sens it makesForgive me for I didn’t know You hurt, you heal, and then you growYou growYou grow
Forgive me for I didn’t knowOh Lord I’m thankful Thankful Oh Lord I’ve gotta lot to be thankful for
Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a ...Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a folktronica spirit. Female singer with pitched voice, treated double vocal fx & crystalline synth.歌词
Bath yourself in this riverEau Claire Soon to meet my brother Eau Claire I know what you’ll say Don’t you dare giving up
Longest nights Held in fearSmoke in the cold I remember why i’m here Smallest of hopes Held in your hands
Alternate without lead vocal. Hypnotic, repetitive & unconventional. ...Alternate without lead vocal. Hypnotic, repetitive & unconventional. Avant-garde pop with a world-music touch. Sequence and layers of sampled voices, electric bass, intermittent percussion & female vocals @ 0'35.
Hypnotic, moving & unconventional. Avant-garde pop in a world-music ...Hypnotic, moving & unconventional. Avant-garde pop in a world-music spirit. Sequence and layers of sampled voices, electric bass, intermittent percussion & female lead singer @ 1'25,歌词
Alternate without lead vocal. Avant-garde pop/electronica with a ...Alternate without lead vocal. Avant-garde pop/electronica with a touch of R&B. Edgy, inspiring, atmospheric & sparse. Vocal sound-design, electric bass & percussion.
Avant-garde pop/electronica ballad with a touch of R&B. Edgy, ...Avant-garde pop/electronica ballad with a touch of R&B. Edgy, inspiring & passionate. Female singer, vocal sound design, delay fx, electric bass, synth & percussions.歌词
Now that we’re parting Now that we’re parting I see you Now that we parted Now we’re parting I see you
I get it now you’re part of me we’re cut in half I get it now you’re a part of me we’re cut in half (Well there’s nothing back home) I see it now but too late
Now that we’re parting I see it now bu too late Now that we’re parting Now that we parted I see it now but too late
You’re a part of me (And I get that there’s nothing back home) Now that we’re parting I see you Now that we’re parting I see you Now that we parted You’re all I need I see you
I see you I get it now you’re part of me we’re cut in half (Now that we’re parting) I get it now you’re a part of me we’re cut in half Too late
You keep calling She hears you Fell no shame I want you
And I love how it feels And I love how it feels And I love
(You keep calling my name) You keep calling Do you see me (Ride in the name of love in the name of love in the name of love ouch) Picture me naked In your dreams (In my dreams)
And I love how it feels (How it feels) And I love how it feels And I love
You keep calling my name
Is she jealous of me like i’m jealous of her? Does she think about me like I thing about her?
Avant-garde pop/folktronica ballad. Introduction with celestial voice ...Avant-garde pop/folktronica ballad. Introduction with celestial voice & guitar. Female singer @ 0'45 & progression, rhythm @ 1'30 with sampled vocal loop. Only instrumental @ 1'45 & fade out.歌词
We’ve crossed the landscape Far the Avenue I’ve let my heart heal Oh we’ll see it throughNow the grass is green Let’s go for a walk And all that’s left between The silence in our love
God God Above The silence in our love
Plea Perfect Plea Plea is to be Perfect Plea
God Above
Plea Perfect Plea Plea is to be Perfect Plea
Perfect name is God Plea Perfect PleaThe silence in our love
You’re above all thing GodMy god aboveOh LordYou’re above all things God
