Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & ...Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & extravert with a strong rootsy influence. Afro-Cuban percussion, male singer & choir. Full band with brass section @ 1'33.歌词
ES:
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
La Fulia se presenta con su ritmo original
Va jugando con la clave
Repicando en el compás
Palo endoe
Tierra de tambor
Y con su sabor
Suena el campanario, san juan del congo
Prima cruzado y pujao
Van derrochando mello
La cultura de mi pueblo casi nadie la olvidao'
Tambores de libertad
Fue Curieto el precursor
desde 1721 esta sonando mi tambor
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
Coro 1: Alcánzame si puedes que ya no ando a pie
Ahora si vengo rapidito
Montadito en TGV
Que lo baile todo el mundo,
Que lo goce el japonés
Desde Francia para el mundo
Voy cantado cheveré
La comparsa que es de Cuba
Sin barrera de cultura
Coro 2: que ya no ando a pie
Coro 3: oye no quiero cuento
Llegó el momento con Chaworó
Coro 4: esto no se va a parar esto sigue
Con la orquesta Chaworó
Coro 5: me llevo los tambores nos vemos después
Me llevo los tambores nos vemos después
EN:
There is an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
La Fulia is presented with its original rhythm
Playing with the clave
Tapping on the beat
Palo endoe
Land of the drum
And with its flavor
Sounds the bell tower, san juan del congo
Prima cruzado and pujao
They go splurging melao
The culture of my people almost no one has forgotten it
Drums of freedom
Curieto was the precursor
Since 1721 my drum has been beating
There's an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
Chorus 1: Reach me if you can I'm not walking anymore
Now I'm coming fast
I'm on a TGV
Let the whole world dance to it,
Let the Japanese enjoy it
From France to the world
I'm singing cheveré
The comparsa that is from Cuba
Without a barrier of culture
Chorus 2: I don't walk on foot anymore
Chorus 3: hey I don't want any stories
The time has come with Chaworó
Chorus 4: this is not going to stop this goes on
With the Chaworó orchestra
Chorus 5: I'll take the drums I'll see you later
I'll take the drums I'll see you later
Underscore version. Percussive, spicy & extravert with a strong ...Underscore version. Percussive, spicy & extravert with a strong rootsy influence. Fulia con Conga (traditional Venezuelan rhythm). Afro-Cuban percussion. Full band with brass section @ 1'33.
Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban ...Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Latin percussion, piano, male vocals, choir & Cuban cuatro.歌词
ES:
Yo no tengo ni una cabra no tengo buey
y me vine caminando de Camagüey
caminé todo el sendero sin descansar
y solo me queda el cuero pa' trabajar
Cuando consiga un trabajo lo juro yo
iré a comprar una joya de la mejor
pa' llevarle al amor mio a la niña que
me tenia de amorio alla en Camagüey
Que yo no tengo, nada tengo
No tengo, nada tengo
Que yo no tengo, no tengoNo no tengo, no tengo
Que yo no tengo, no tengo
Ay lala lala lalala..
EN:
I don't even have a goat I don't have an ox
and I came walking from Camagüey
I walked all the way without resting
and I only have the leather left to work
When I get a job I swear I will
I'll go and buy a jewel of the best
to take to my love to the girl who had my love
I have a love affair with back in Camagüey
That I don't have, I don't have nothing
I don't have, I don't have anything
That I don't have, I don't haveI don't have, I don't have
That I don't have, I don't have
Ay lala lala lala lalala...
FR:
J’en ai rien (P Canzani)
Je ne même pas de chèvre j’ai pas de bœuf
Et je suis venu en marchant depuis Camagüey
J’ai marché tout le sentier sans aucun repos
Il ne me reste que la peau pour travailler
Quand je trouverai un travail je te le jure
J’irais acheter un bijou le plus beau
Pour l’offrir a mon amour la fille que
Me faisais tourner la tête la bas à Camagüey
Que je n’ai rien rien de rien
Que je n’ai rien je n’ai rien
Que je n’ai rien de rien
Non je n’ai rien je n’ai rien
Que je n’ai rien de rien
Underscore version. Upbeat. Lively & festive progressive Latin jazz ...Underscore version. Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Lead Cuban cuatro, Latin percussion & piano.
Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin ...Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin percussion, melodica, lead piano @ 1'24. Male choir @ 4'05. Solo drums & percussion @ 4'33.歌词
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Echoing female vocal sings of praying in the woods and the sun, dramatic imagery. Cathartic breakthrough at 02:14 as melodies build and instruments swirl together. Whispered vocals convey a meaningful energy. A feeling of time running out, a powerful natural force reclaiming its dominance.歌词
Ooo… For me… For meOoo… For me… For me Looking for a prayer in the woods tonightEmber of the sun and it’s coming aliveFor me… For me Looking for a prayer in the woods tonight (in the woods tonight)Ember of the sun and it’s coming alive (it’s coming alive, it’s coming alive, it’s coming alive, in the woods tonight)For me… For me Burn… Burn… The wallsBurn… Burn… The wallsFor me… For me Down to the wire, the only blade has spunFor me… For me (Looking for a prayer in the woods tonight) x (Ooo… For me… For me)(Looking for a prayer in the woods tonight) x (Ooo… For me… For me) Burn… Burn… The wallsBurn… Burn… The wallsFor me… To me Mmm, you’re such a let downMmm, the shameMmm, the gossip eye blinksAnd the embers engulf the flame
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Cathartic breakthrough at 02:14 as melodies build and instruments swirl together. A feeling of time running out, a powerful natural force reclaiming its dominance. Instrumental version.
Tense, austere, determined, dramatic. Acoustic guitar sets out a ...Tense, austere, determined, dramatic. Acoustic guitar sets out a steady, almost panicked tempo. Echoing female vocal sings of praying in the woods and the sun, dramatic imagery. Cathartic breakthrough at 02:08 as vocals and guitar rise in intensity together. Whispered vocals convey a meaningful energy. A feeling of time running out, a powerful natural force reclaiming its dominance. Stripped back underscore version.
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Additional guitars circle, moving into a rousing sequence at 00:53 and again at 02:04. Dramatic string melodies rising with purpose. A feeling of time running out, a powerful natural force reclaiming its dominance. Stripped back underscore version.
Determined, cool, driving. Jangling, low guitar melody provides ...Determined, cool, driving. Jangling, low guitar melody provides foundation for call and response between main vocals and heavily reverbed backing vocals. Pacy hi-hat part transitions into heavy drum sequence with booming tom drums. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Lyrics convey a steadfast momentum and will to move on, conveying progress and freedom. Build up at 02:06 with heavy booming drums and repeated guitar notes.歌词
You Won’t Be The End Of MeI Won’t Be a 1 in 3 You Won’t Be The End Of MeI Won’t Be a 1 in 3 You Won’t Be The End Of MeI Won’t Be a 1 in 3 On and on and on and onOn and on and on and on Girls like the girls who dance like the boysBoys give the look but just want the toysScream from your heart, turn up this noiseLive it for the now, living for the now Girls like the girls who dance like the boysBoys give the look but just want the toysScream from your heart, turn up this noiseLive it for the now, living for the now
Keep Moving, Keep Moving OnKeep Dancing, Keep Shining OnKeep Moving, Keep Moving OnKeep Dancing, Keep Shining On Don’t you know it’s time to be freeYou just bring the best out in me Keep Moving, Keep Moving OnKeep Dancing, Keep Shining On Woah woah, woah woah. Girls like the girls who dance like the boysBoys give the look but just want the toysScream from your heart, turn up this noiseLive it for the now, living for the now On and on and on and we go
Determined, cool, driving. Jangling, low guitar melody provides a ...Determined, cool, driving. Jangling, low guitar melody provides a pacy but sturdy foundation for screeching, overdriven guitar notes. Pacy hi-hat part transitions into drum sequence with booming tom drums. Heavy, overdriven instrumentation convey resolute determination and power. Build up at 02:06 with heavy booming drums and repeated guitar notes. Instrumental version.
Determined, cool, driving. Jangling, low guitar melody provides ...Determined, cool, driving. Jangling, low guitar melody provides foundation for call and response between main vocals and heavily reverbed backing vocals. Bass notes and screeching guitar leads build determined momentum. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Lyrics convey a steadfast momentum and will to move on, conveying progress and freedom. Build up at 02:06 with heavy bass guitar and repeated guitar notes. Stripped back underscore version.
Determined, cool, driving. Fuzzy bass plays along with screeching ...Determined, cool, driving. Fuzzy bass plays along with screeching guitar, providing a foundation for call and response between main vocals and heavily reverbed backing vocals. Heavy drum sequence with booming tom drums. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Build up at 02:06 with heavy booming drums and repeated guitar notes. Stripped back underscore version.
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense piano tunes. Striking male vocal sings about remembering days past, moving swiftly into a lamenting chorus with heavy percussion. Contrast between airy, spacious verse and heavy, structured chorus supported by continuous bass notes. Lyrics and emotive melodies convey a lovelorn person struggling through memories of heartbreak.歌词
I've been thinking through days pastMe and you, summer afternoonsI need to know Where do the gone things go?Where do the gone things go? Drifting through the waves I feltThat sense of loss we never get acrossAnd words can't say Where do the gone things go?Where do the gone things go? Driving on that hillside springtime lightThere was no need to tell yourself that all is fine Where do the gone things go?Where do the gone things go? Surely the time knowsSurely the time knows
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense piano tunes. Contrast between airy, spacious verse and heavy, structured chorus supported by continuous bass notes. Emotive melodies convey a lovelorn person struggling through memories of heartbreak. Instrumental version.
Reminiscent, powerful, melancholic. Tense piano moves into more ...Reminiscent, powerful, melancholic. Tense piano moves into more decisive tune. Contrast between airy, spacious playing and heavy, structured style supported by continuous bass notes. Emotive melodies convey a lovelorn person struggling through memories of heartbreak. Stripped back underscore version.
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense strings. Striking male vocal sings about remembering days past, moving swiftly into a lamenting chorus with heavy percussion. Lyrics and emotive melodies convey a lovelorn person struggling through memories of heartbreak. Stripped back underscore version.
Brooding, dramatic, spirited. Serious electric guitar riff and ...Brooding, dramatic, spirited. Serious electric guitar riff and high-pitched wailing male voice combine to create an impassioned, driving energy. Dynamic vocal performance with occasional choral harmonies and sharp string sounds further convey emotion. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Lyrics sing about burying memories in darkness, a resolute post-heartbreak energy.歌词
Say goodbye to your vanishing dayTry to hide if you wantBut it always find a way Cos time is getting away from youA darkness you're never breaking throughCos time is getting away from youA darkness you're never breaking through So bury your memories nowMake a wish that you'll be foundUnderstand there's nowhere left to hideLet your soul be carried on the tide So bury your memories nowMake a wish that you'll be foundUnderstand there's nowhere left to hideLet your soul be carried on the tide Taken by the darknessBury my memoryYou know I won't be back Taken by the darknessBury my memoryYou know I won't be back Taken by the darknessBury my memoryYou know I won't be back
Brooding, dramatic, spirited. Serious electric guitar riff creates a ...Brooding, dramatic, spirited. Serious electric guitar riff creates a driving energy. Sharp strings and steady percussion further convey a growing momentum. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Instrumental version.
Brooding, dramatic, spirited. Serious electric guitar riff and ...Brooding, dramatic, spirited. Serious electric guitar riff and high-pitched wailing male voice combine to create an impassioned, driving energy. Dynamic vocal performance with occasional choral harmonies convey powerful emotion. Lyrics sing about burying memories in darkness, a resolute post-heartbreak energy. Stripped back melody and voice underscore version.
Brooding, dramatic, spirited. Serious electric guitar riff creates a ...Brooding, dramatic, spirited. Serious electric guitar riff creates a driving energy. Steady percussion and bass guitar further convey a growing momentum. More spirited, improvisational guitar as the atmosphere heats up. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Stripped back underscore version.
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with smooth piano and vocals. Lyrics sing of uncertainty and longing. The combination of minor and major chords supports this premise of desire for imbalance and uncertainty. Synthetic drums hit with emotive guitar picking. Swirling strings fill the backdrop, cathartic release at 02:25 with graceful bell melody and chattering, bass-heavy percussion.歌词
I can't tell if you staying or going And in the chaos of not knowingThat's where I find my peace In the uncertainty I withdraw my theoriesOur love is a processOf ending and beginning againIn the uncertaintyThat's where I find release I longed for you in the early hoursI needed to feel the uncertainty of your touchI longed for you in the early hoursI needed to feel the uncertainty of your touch Repeat
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with smooth piano. The combination of minor and major chords supports this premise of desire for imbalance and uncertainty. Synthetic drums hit with emotive guitar picking. Swirling strings fill the backdrop, cathartic release at 02:25 with graceful bell melody and chattering, bass-heavy percussion. Instrumental version.
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with tuneful vocals that disappear in a fuzzy echo. Lyrics sing of uncertainty and longing. Swirling strings fill the backdrop meeting with choral vocals. Emotion builds to a cathartic release at 02:25 with graceful bell melody and epic string movements. Stripped back underscore version.
Heartfelt, spirited, apprehensive. Echoing guitar plays a worried ...Heartfelt, spirited, apprehensive. Echoing guitar plays a worried ascending tune, meeting with synthetic percussion and commanding string melodies. Emotion builds to a cathartic release at 01:06 with graceful bell melody and epic string movements. Stripped back underscore version.
Electro pop song. Exotic, bright & lively, with a hint of nostalgia. ...Electro pop song. Exotic, bright & lively, with a hint of nostalgia. Suggested for daytime TV, romance, holidays & travel. Synth, male singer, electric guitar & rhythm.歌词
I wrote a melody
Not good enough for you
I found a remedy
That’s all I can do
Electro pop song. Exotic, bright & lively, with a hint of nostalgia. ...Electro pop song. Exotic, bright & lively, with a hint of nostalgia. Suggested for daytime TV, romance, holidays & travel. Synth, electric guitar & drums.
Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Female ...Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Female singer, backing vocals, guitar, rhythm & bells. Suggested for tv shows & advertising.歌词
I want to tell you something
but I don't know what
I'm feeling happy but
I don't know why
Please Oh talk to me
Babe talk to me
I want to tell you
maybe tomorrow
coupl 2
I got something
I want to tell you
I won't wait 'til
it's too late
ref 2
Please Oh talk to me
Babe talk to me
I want to tell
maybe tomorrow
coupl 3
I wanna tell you something
give you something
Show you in so many ways
But I can't wait
Ref 3
Please Oh talk to me
Babe talk to me
I want to tell
maybe tomorrow
pont
I want to tell you
I want to tell you something
X-Mas version. Motown, soul, pop in a 60's mood. Upbeat, playful & ...X-Mas version. Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, rhythm, sleigh ride & bell. Suggested for tv shows & advertising.
Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, ...Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, rhythm & bells. Suggested for tv shows & advertising.
Underscore. Motown, soul, pop in a 60's mood. Upbeat, playful & ...Underscore. Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, female voice, rhythm & bells. Suggested for tv shows & advertising.
Underscore. Soul in a 60's-70's mood. Driving, bouncy & catchy. Brass ...Underscore. Soul in a 60's-70's mood. Driving, bouncy & catchy. Brass & rhythm. Suggested for tv shows & advertising.
Instrumental version. Soul in a 60's-70's mood. Driving, bouncy & ...Instrumental version. Soul in a 60's-70's mood. Driving, bouncy & catchy. Brass & rhythm. Suggested for tv shows & advertising.
Soul in a 60's rhythm & blues track. Driving, playful & catchy. ...Soul in a 60's rhythm & blues track. Driving, playful & catchy. Female singer, backing vocals, hammond organ, baryton sax, rhythm & claps. Suggested for tv shows & ads. 歌词
all night all right
i m waiting for you
you by my side
and only you
Crazy for you
night and day
Crazy for you
day and night
Crazy for you
night and day
Crazy for you
All the time
baby,
Let's make it now and forever
You, I'm nothing without you
Let's make it let's stay together
You, I'm nothing without ..you
nothing without you
And I want to be happy
nothing without you
all right all right
all right with me
As long as you
Are by my side
Piano intro. Driving & confident with a touch of melancholy. Female ...Piano intro. Driving & confident with a touch of melancholy. Female singer, backing vocals, piano, hammond organ, rhythm & claps. 歌词
Tonight
Coupl 1
Make me a woman
You said you'll be gentle with me
I hope you will
I know I'd go back to you
I'm tryin' to relax
Just can't keep still
We're holdin' on to nothin'
And we're holdin' on too tight
Ref 1
Tonight is the night
you hold me tight
The world is full of light
suns and moons all over the place
when I'm coming back to you
Tonight, tonight
Tonight, so bright
and i'm feeling all right
bridg 1
Love me, let me love you no one else
love me let me love me or nothing
I just keep on coming back to you
coupl 2
trying to forget
I just keep on coming back to you
show me what to do
That's why, I'm coming back to you
That's how your love, can take me home
You let me do, what I needed to
when I'm coming back to you
Underscore. Piano intro. Driving & confident with a touch of ...Underscore. Piano intro. Driving & confident with a touch of melancholy. Piano, hammond organ, rhythm & claps.
it's over now
Coupl 1
And just like a child
Just like a child
you just need to have your way
it's Time to turn the page
Time to start a new
tell me somethin g I don't know
ref 1
oh it's so long for me
it's so long for me
sorry babe
oh it's so long for me
it's so long for me
don't worry babe
oh it's so long for me
it's so long
but it's over now ..
coupl2
Love is yours love is mine
something that we do
But it isn't something that we find
If you feel for me
If you need me to tell you
I can do it without you. houuu
i can do it without you
Underscore. Pop ballad in a 60's mood. Sentimental, romantic & ...Underscore. Pop ballad in a 60's mood. Sentimental, romantic & tender. Swaying. Piano, strings & rhythm.
Instrumental version. Pop ballad in a 60's mood. Sentimental, ...Instrumental version. Pop ballad in a 60's mood. Sentimental, romantic & tender. Swaying. Piano, chimes, strings & rhythm.
Instrumental version. Pop ballad in a 60's mood. Sentimental, ...Instrumental version. Pop ballad in a 60's mood. Sentimental, romantic & tender. Swaying. Piano, female choir, strings & rhythm.
