Italian & French film music from the 70s. Intro with haunting female ...Italian & French film music from the 70s. Intro with haunting female vocals. Determined, sophisticated & serious. Spanish guitar, flute, castanets & rhythm. Tom tom roll @1'21. Suggested for Spaghetti western, duel & confrontation.
Film music from the 70s. Narrative, analogic & discontinued. ...Film music from the 70s. Narrative, analogic & discontinued. Harpsichord, wah-wah guitar, piano, fuzz guitar, female vocal, rhythmic, break with organs @ 1'15 & lead guitar @ 1'34. Suggested for Spaghetti western & epic story.
French pop & film music from the 70s. Mysterious & nocturnal then ...French pop & film music from the 70s. Mysterious & nocturnal then bright & tender. Intro with sampled strings. Vocals. Piano & rhythmic. Break with lead piano @ 0'40. Suggested for 70s movies.
Film music from the 70s. Melancholic & bewitching ritornello. Analog ...Film music from the 70s. Melancholic & bewitching ritornello. Analog synth intro, piano, acoustic & rhythm guitar, male vocal & lead Theremin @ 0'54. Suggested for 70s movies.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, with male vocalist warming up into autotuned hook. Sharp trap style with chattering hi hats and heavy bass. Lyrics tell a story of heartbreak and betrayal, confident in talents but expressive around emotions and feelings of sadness. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion.歌词
I'm just gonna let it ride for a second. I took it all for you, I took it all, I took it all for you, I took it all, Locked away my heart and den you threw away the key. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. High standards (high), really fly status (fly), You know it ain’t cappin (cap) if you really good at it (yeah), Take me out da hood but you can’t take my hood habits (hood habits), Brick for a verse and I call it jugg rapping (jugg), Know you heard dem stories about me now I’m a dog (dog), But every late night I be in ya call log, Hit it so good in the morning call off, Girl, I’m up right now, I could never fall off. Who dem must be trippin' know that I don't work for free (hey), Burning all this sage man keep that away from me, Baby I can’t play the game if I can’t play for keeps (keeps), Treat me like a dog you need to keep me on a leash (leash). I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. Play me like a sucker, I could love her but don’t trust her, I be lookin' in the mirror, And be feelin' so disgusted, And you can leave today, And then tomorrow have another, But they’ll never be another, Just remember when he touch it, Riding with my pistol (pistol), Blow me like a whistle (whistle), Mane I’m so authentic, And you know they artificial, Baby I’m a shark off in the water with the fishes (water with the fishes), Made a split decision and you really did me vicious. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. All for you, All, All for you, I took it all, All for you, All, All for you, I took it all.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside ...Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, echoing notes convey a wistful energy. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion. Instrumental version.
Buoyant, energetic, confident. Piano riff joined by African ...Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful vocal performance with lyrics boasting skills and success. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. A smart individual who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions.歌词
I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.
Buoyant, energetic, confident. Piano riff joined by African ...Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady electronic beat. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. Visions of a confident individual in a club, someone who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions. Instrumental version.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll, Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Powerful, wistful, strong. Swirling synths and guitar play out a ...Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking to a love interest about how they stay cool and focus on making money. Catchy lyrics with comedic comparisons infers a confident aura. An individual who has control of their life and has control over others, a top dog or someone people fear and respect.歌词
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Colder than da ice up in dat cooler, I got money on madula, Want dat smoke I bring it to ya, Ay I’m makin' lil shawty move her body like a dancer, Answer, I don’t even know da question random, Vamping, I just popped a 30 so I’m vamping, All night baby Ima hit it till I’m cramping, Head game honor student like she went to Hampton, I don’t hold no hands really not into romantics, Shawty clean me up yeah she got manners, I got, all diz money on me like a scammer, Nailin it you know I keep da hammer,
Fit you in my schedule I write it in my planner.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Powerful, wistful, strong. Swirling synths and guitar play out a ...Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent of an individual who has control of their life and has control over others, a top dog or someone people fear and respect. Instrumental version.
Cool, energetic, unique. Powerful sub bass launches into echoing ...Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs and emotive autotuned crooning. Lyrics separating lyricist from his competition, characterised as someone who is strong and avoids the pitfalls of life due to their austere nature and focus. Ignoring haters and only focusing on money. Trilling guitars infers a feeling of emotion, indicative of a love for the grind.歌词
You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see. I get that paper den I bounce, I get that paper den I’m out, I get that money then I pounce, Blow dat, blow dat by the ounce, Ooh she wanted me back then but I was busy what up now, Prolli took her on a date but day dreamin' bout an account, I run up the digits you know that I get it, I gotta go get it regardless, Even when I was broke, Wit no money account and my stomach would hurt when I’m starvin', Level up and took off like a Martian, Now them bands lookin' like they marching, Like a bull seeing red target, I be on it you know that I want it, Break it down like this shit a component, I got plugs it feel like I’m Tony, Mo connection than a fiber wire I can overnight it ain’t no waitin' on it, Everytime you get it then they hate it so it stay wit me, I can’t never let you in on secrets you might play with me. You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see.
Cool, energetic, unique. Powerful sub bass launches into echoing ...Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs. Trilling guitars infers a feeling of emotion, indicative of a love for the grind. Chattering trap hi hats offer an infectious energy. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a ...Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture, Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering, Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a ...Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Opening show song. Energetic, jazzy, lively & joyful song. Male & ...Opening show song. Energetic, jazzy, lively & joyful song. Male & female duet. Swing orchestra & rhythm. In the spirit of Broadway musicals of the 50s.歌词
The Attraction of Opposites
Music By Sebastijan Duh
Lyrics by John Greaves
I’m this you’re that
You’re sharp and I’m flat
You’re hot I’m not
you’re bold and I’m shy
Maybe one day w’ell see eye to eye?
We’re told that it’s a fact
That opposites attract
Are we made for each other?
Funny how it goes
You hit it on the nose (Yeah!)
I’ll be here ,you’ll be there
We could be anywhere
I’don’t care, we’re a pair
What are we waiting for?
I don’t see no need for hesitating
Let’s not analyse
The wherefore’s and the why’s
Cos you know that there is no
Better place to start
Listen to your heart
We can go readily
Taking it steadily
Perfectly thrlilingly
Ever so willingly
It’s not complicated
I can go high
I can go low
Fast,
slow
Let that river flow
Maybe we are right
Maybe we are wrong
It was meant to happen all along
So if he is mine I’m his
That’s the way it is
Love is bitter-sweet
There’s nothing we can
Do about it
Is it all probable?
Nothing’s impossible
chemical,’lectrical, don’t try to fight it it’s
Cleary unavoidable
Don’t ask why
Don’t try to understand
Just give me your hand
My oh my is this life… Grand
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, ...Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, sentimental, lazy & sophisticated. Male singer in crooner style, orchestra, string ensemble, brass & rhythm. Lead muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES THAT I SHOULD RECOGNIZE BE SMART BE COOL BEWARE
EVEN THO I REALIZE IT’S PROBABLY UNWISE I JUST DON’T CARE
MY FEET ARE OFF THE GROUND MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE HE’S NOT LIKE OTHER GUYS IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL NO USE IN FIGHTING, NONE AT ALL WHO COULD HAVE THOUGHT THAT I WOULD FALL SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB TO FALL UNDER HIS THUMB DUMB MAYBE BUT I’M HAPPY
Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, ...Romance in the spirit of Broadway musicals of 40s & 50s. Sensual, lazy & sophisticated. Female singer, orchestra with string ensemble, brass & brushes. Muted trumpet @ 1'42.歌词
I JUST DON’T CARE
Music by Sebastijan Duh
Lyrics by John Greaves
THERE IS SOMETHING IN HIS EYES
THAT I SHOULD RECOGNIZE
BE SMART BE COOL BEWARE
EVEN THO I REALIZE
IT’S PROBABLY UNWISE
I JUST DON’T CARE
MY FEET ARE OFF THE GROUND
MY POOR HEAD IS SPINNING AROUND
PLEASE JUST LET ME FANTASIZE
HE’S NOT LIKE OTHER GUYS
IT’S REAL LOVE I HAVE FOUND
LOOKS LIKE THE WRITING’S ON THE WALL
NO USE IN FIGHTING, NONE AT ALL
WHO COULD HAVE THOUGHT THAT I WOULD FALL
SO HELPLESSLY ?
IF YOU’RE THINKING I AM DUMB
TO FALL UNDER HIS THUMB
DUMB MAYBE BUT I’M HAPPY
Show opening. Spoken guttural & ghostly male voice. Intriguing quirky ...Show opening. Spoken guttural & ghostly male voice. Intriguing quirky & jazzy. Orchestra with brass ensemble, Theremin, piano, guitar, chorus, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall ...Show opening. Spoken male voice. Joyful, quirky & jazzy. Music hall orchestra, brass ensemble, Theremin, piano, guitar, choir, claps & rhythm with tom tom rolls. In the spirit of 90s musicals.歌词
MONSTERS
Music by Julien vega
Lyrics by John Greaves & Julien Vega
Ladies and gentlemen
Now is the time
Dusk has fallen
And long will be the night
Are you ready? Behold this most
Awful terrifying sight
Dear guests Please welcome...
The monsters!
Monsters
We are monsters
Monsters
Wild monsters
See these ugly faces
The power in their jaws
There’s evil their gazes
And no pity in their claws
Come closer don’t be shy
Chains about their necks do lie
Just watch them do their stuff
Scream when you’ve had enough
Nasty monsters, ugly monsters, freaky monsters, mean monsters!!!
Determined, exuberant & passionate show song. Male singer in crooner ...Determined, exuberant & passionate show song. Male singer in crooner style, Swing orchestra with string ensemble, brass, vibes & rhythm. In the spirit of Broadway musicals of the 60s & 70s.歌词
THE TALK OF THE TOWN
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
At last here comes the big day
I’ve waited for this moment
For so long
I’ve got a Broadway opening
Finally things are happening
My way
There will be lines around the block
Stars in limos, famous celebrities
New York’s finest
All come to see me
The thrill, the magic of applause,
Someone like me simply adores
If I’m a hit I must admit immodestly
I had it coming to me
The heights of fame are heady
But I am more than ready
To get there
So here I am at last
I’m going places fast
And I know where
I’ve always been aware of it
One day I’ll be getting my share of it
And I’m gonna be
The talk of the town
The thrill, the magic of applause,
That little old me simply adores
If I’m a hit I must admit immodestly
I had it coming to me and the whole world can see that I’m ready to be
The talk of the town
1st part jazz ballad. Sentimental & intimate song in late night mood. ...1st part jazz ballad. Sentimental & intimate song in late night mood. 2nd part @ 1'30 medium swing. Female singer, symphonic jazz orchestra, vibraphone, piano, brass & rhythm. Tempo change @ 1'33. Coda with lead alto sax @ 2'06.歌词
No Dice (It’s Time to Leave)
Words and music John Greaves
Not prone to exaggerating
No more than my conscience allows
I tend more to understating
Rather than looking a fool
Don’t like giving the game away
I keep my cards close to my chest
Just in case it’s my lucky day
I don’t want to spoil my chances
Joking apart this poor old heart is
Worn out on my sleeve
It’s time to leave
I’m no percentage player
I’ll tear off every layer
And later I’ll be cleaned out
Washed up mangled,
Hanging on the line to dry.
1st part jazz ballad. Sentimental & intimate in late night mood. 2nd ...1st part jazz ballad. Sentimental & intimate in late night mood. 2nd part @ 1'30 medium swing. Flugelhorn, symphonic jazz orchestra, vibraphone, piano, brass & rhythm. Tempo change @ 1'33. Coda with lead alto sax @ 2'06.
Cheeky & confident show song. Male singer, orchestra with string ...Cheeky & confident show song. Male singer, orchestra with string ensemble, brass, pizz & rhythm. Song in the spirit of Broadway musicals.歌词
THE LYRICIST’S LAMENT
Music by Sebastijan Duh
Lyrics by John Greaves
I was asked to write a song
I said “Easy,” it’s “easy peasy”
Just find a word at the end of the line
Then you gotta make it rhyme
With love and stars above
It won’t take you very long
But I found out that I was wrong
Wasn’t thinking, had I been drinking?
Words don’t fall like rain from the sky
But a lot of little jewels
Like tiny molecules
Could grow up to be a song
Try to sing it using verbal dexterity
You can wing it schmoozing perfect sincerity
You could be climbing a stairway to heaven
Once you’re up it you’ll be stuck like a puppet on a string
So we’re coming to the end the conclusion
No illusion,
This little story’s hit the end of the road
And it’s just a bunch of sounds
To please the ear
So nice to hear
And you got another job
Done and dusted
The Lyricist's Lament Version ...The Lyricist's Lament Version 2 [CEZ4511 - 16]
版本.
1'59
Sebastijan Duh John Greaves
Cheeky & confident show song. Crooner, music-hall orchestra, string ...Cheeky & confident show song. Crooner, music-hall orchestra, string ensemble, brass, pizz & rhythm. In the spirit of Broadway musicals.歌词
THE LYRICIST’S LAMENT
Music by Sebastijan Duh
Lyrics by John Greaves
I was asked to write a song
I said “Easy,” it’s “easy peasy”
Just find a word at the end of the line
Then you gotta make it rhyme
With love and stars above
It won’t take you very long
But I found out that I was wrong
Wasn’t thinking, had I been drinking?
Words don’t fall like rain from the sky
But a lot of little jewels
Like tiny molecules
Could grow up to be a song
Try to sing it using verbal dexterity
You can wing it schmoozing perfect sincerity
You could be climbing a stairway to heaven
Once you’re up it you’ll be stuck like a puppet on a string
So we’re coming to the end the conclusion
No illusion,
This little story’s hit the end of the road
And it’s just a bunch of sounds
To please the ear
So nice to hear
And you got another job
Done and dusted
Bluesy song in the spirit of the musicals,. Lazy, melancholic. Male ...Bluesy song in the spirit of the musicals,. Lazy, melancholic. Male singer in crooner style, Orchestra, pizz, piano, string ensemble, brass & rhythm with brushes.歌词
RAINY DAY
Music by Julien Vega
Lyrics by John Greaves & Julien Vega
Rainy day
Feeling blue
Skies are grey
Where are you?
I know I
Shouldn’t feel this way
But I do
Don’t know where
Don’t know when
But I swear
We’ll meet again
And we’ll laugh away
That rainy day
From way back then
Rainy day