Brutal, fun, competitive. Gritty commanding guitars strum alongside ...Brutal, fun, competitive. Gritty commanding guitars strum alongside clapping, illustrating a heavy but jovial feeling. Male vocals brag about being the best, seeing everyone else as a distraction. Spirited drum roll leads into chorus, vocals inviting anyone to challenge them. Excitable winner-takes-it-all energy, backed up by solid rock instrumentation. Daring drum fills and confident lyrics present an assured and intimidating force. Release of heavy and frantic guitar riffs at 02:07 gift a ruthless rock spirit.歌词
I am the top of my league, It's in the air that I breathe, Don't trouble me with distraction.
I am the real deal complete, It is the figure you see, I'm making rules of attraction. I got a message to you all lets play the game. I got a message to you all remember my name. Take me on, yeah, I challenge you.
Winner takes it all, leave the dice to fall yeah, Winner takes it all,Winner takes it all yeah.
I am the top of my league, I didn't get here for free, I put my words into action. I am the real deal complete, I'll never give up, concede,
Don't have the time for adaption. I got a message to you all lets play the game. I got a message to you all remember my name. Take me on, yeah, I challenge you.
Winner takes it all, leave the dice to fall yeah, Winner takes it all,Winner takes it all yeah.
Brutal, fun, competitive. Gritty commanding guitars strum alongside ...Brutal, fun, competitive. Gritty commanding guitars strum alongside clapping, illustrating a heavy but jovial feeling. Spirited drum roll leads into chorus with wall of guitars and meaningful power chord sequence. Daring drum fills and fun percussion present an assured and intimidating force. Release of heavy and frantic guitar riffs at 02:07 gift a ruthless rock spirit. Instrumental version.
Energetic, hopeful, powerful. Pacy hi hats are joined by heavy ...Energetic, hopeful, powerful. Pacy hi hats are joined by heavy overdriven guitar riff, featuring frantic and dissonant playing style. Male vocals sing about feeling uncomfortable in life, a willingness and passion to make a change. Emotive vocal delivery in chorus alongside driving but meaningful chord sequence. Reminiscent of a montage where someone works their way toward success after tribulation, a time of redemption or retribution. Heated guitar breakdown at 02:18 with sliding guitar notes into silence. Muted guitar reprises main hook, creating a tense and burgeoning atmosphere which explodes into life.歌词
We've all been on the wrong side lately And I've been waiting for my life Sitting by the window daily Thinking through my whole damn life
I know you gotta start somewhere But it’s time to make a change I know you that you've kept your head down When everything tore apart
I know that we've all been waiting for The right time to get it I know you poured your heart out Waiting on a start
But no time like the present For the right time to get it In the heat of the moment I swear I could have ran for miles Minute after minute Searching for a high
But I ain't waiting Waiting any longer I'll pull myself together And get up for the last time Cause it’s time to make a change I know you that you've kept your head down When everything tore apart I know that we've all been waiting for The right time to get it I know you poured your heart out Waiting on a start But no time like the present For the right time to get it
Waiting for the right time to get it Waiting for the Waiting for the right time to get it
Energetic, hopeful, powerful. Pacy hi hats are joined by heavy ...Energetic, hopeful, powerful. Pacy hi hats are joined by heavy overdriven guitar riff, featuring frantic and dissonant playing style. Reminiscent of a montage where someone works their way toward success after tribulation, a time of redemption or retribution. Heated guitar breakdown at 02:18 with sliding guitar notes into silence. Muted guitar reprises main hook, creating a tense and burgeoning atmosphere which explodes into life. Instrumental version.
Energetic, hopeful, powerful. Pacy hi hats fall into heavy percussion ...Energetic, hopeful, powerful. Pacy hi hats fall into heavy percussion with bass playing through cool rock sequence. Dynamic bass performance with tap ons and slides. Energy reminiscent of a montage where someone works their way toward success after tribulation, a time of redemption or retribution. Breakdown at 02:18 with heavy sliding notes that then fall into silence. Snare roll leads in reprisal of main hook with new and explosive atmosphere. Stripped back underscore version.
Energetic, hopeful, powerful. Pacy hi hats are joined by heavy ...Energetic, hopeful, powerful. Pacy hi hats are joined by heavy overdriven guitar riff, featuring frantic and dissonant playing style. Driving but meaningful chord sequence in chorus, reminiscent of a montage of someone working their way toward success after tribulation, a time of redemption or retribution. Heated guitar breakdown at 02:18 with sliding guitar notes into silence. Muted guitar reprises main hook, creating a tense and burgeoning atmosphere which explodes into life. Stripped back underscore version.
Theatrical, heavy, confident. Rapid fire guitar moves into dynamic ...Theatrical, heavy, confident. Rapid fire guitar moves into dynamic riff that mirrors vocal melody. Male vocals sing about moving forward, having a clear mind and acting on good intentions. Subtle singing style in verse with hushed voice contrasts with heavy guitar and snare stabs. Energetic and multifarious drum performance with snare rolls, fills and sudden breaks. Build up into dramatic breakdown at 01:47 with strings playing fun and dramatic melody.歌词
I'm moving forward in the right direction I can see it clear in my reflection There’s been a massive change in my inflection My mind’s clear and my head’s held high Now my brain is filled with good intentions Forget the negative not even the mention Let’s keep it moving while we’ve got momentum My mind’s clear and my heads held high
No time for lows Just time for gold No time for lows
Just time for gold I'm moving forward in the right direction I can see it clear in my reflection There’s been a massive change in my inflection My mind’s clear and my head’s held high Now my brain is filled with good intentions Forget the negative not even the mention Let’s keep it moving while we’ve got momentum My mind’s clear and my heads held high Bridge I'm just waiting for something to fall Right at my feet I feel lucky I'm raring to go I've got nothing to lose I won’t fold There’s no pressure on me My hearts set on taking it all to keep
Theatrical, heavy, confident. Rapid fire guitar moves into dynamic ...Theatrical, heavy, confident. Rapid fire guitar moves into dynamic riff with a proud, strutting rock energy. Guitar stabs join along with tom drums for powerful marching rhythm. Energetic and multifarious drum performance with snare rolls, fills and sudden breaks. Build up into dramatic breakdown at 01:47 with strings playing fun and dramatic melody. Instrumental version.
Theatrical, heavy, confident. Rapid fire guitar moves into dynamic ...Theatrical, heavy, confident. Rapid fire guitar moves into dynamic riff with a proud, strutting rock energy. Guitar jabs move alongside deep bass notes for slow marching sequence. Build up into dramatic breakdown at 01:47 with strings playing fun and dramatic melody. Stripped back underscore version.
Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere ...Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere driven forward by big drumbeat with crash cymbals. Male vocals sing about having a crowded headspace, working yourself into a fury. Guitar works itself up into a marching ascending sequence as male vocals reassure that the anger or agitation is not worth following up on. Reminiscent of a person slowly getting more annoyed and frustrated by everyday life. Jangly guitar solo at 01:51 rising above solid main guitar part.歌词
You've got a lot of thoughts rattling around in your head today You've got a lot of doubts too but don't trust them you're good You're good Reading the scripture of a steeled face
Internal lava poisoned as a lake Such heat could set the battlefield ablaze Not worth it just live to fight another day So you took your shot fuelled by volcanic rock but you still fell short
And now you're completely lost All you’re wires getting crossed What are you gonna do?
Just live to fight another day Just live to fight another day
Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere ...Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere driven forward big drumbeat with crash cymbals. Guitar works itself up into a marching ascending sequence communicating a rising feeling. Jangly guitar solo at 01:51 rising above solid main guitar part gives a screeching, more frantic energy. Instrumental version.
Fun, explosive, pacy. Bass and guitar riff creates a volatile but ...Fun, explosive, pacy. Bass and guitar riff creates a volatile but positive atmosphere driven forward by big drumbeat with crash cymbals. Guitar works itself into a marching ascending sequence communicating a rising feeling. Powerful aura but one that is jovial and entertaining. Stripped back underscore version.
Cool, driving, confident. Shallow riff with a scratchy texture gives ...Cool, driving, confident. Shallow riff with a scratchy texture gives way to heavy percussion. Steady rock pace with persistent notes and fast style. Sinister vocal performance with lyrics about pressure in one’s life building up over time, and a willingness to change the situation. Guitar launches into a fuller sound, cathartic release with confident descending scale. Reminiscent of someone throwing off the shackles of everyday life, being at odds with an indifferent world but finding solace in another individual.歌词
I’m under pressure to think Of different courses to take I’m trying to figure it out As I grow older each day
The pressure ceases to fade But no excuses allowed I have to carry the weight Of getting further away
From where I wanna be I think it’s time that that changed Before blue skies turn to grey and I get stuck in to deep
No I won’t take another order In the eyes of the beholder It is time that I take over Now it’s up to me I want more
And you’re exactly what I’m searching for Different thoughts swirl around My head and it’s like I’m bound Going nowhere to stay
But when I feel that your near All those thoughts disappear And I see clearly again It’s like you’re able to find
The issues inside my mind And keep me on the right track Well I can battle the tide When you’re there by my side
Without the need to look back No I won’t take another order In the eyes of the beholder It is time that I take over
Now it’s up to me I want more And you’re exactly what I’m searching for I won’t be answering the questions Time to learn another lesson
More attack and less defence now Now it’s up to me I want more And you’re exactly what I’m searching for
You’re exactly what I’m searching for You’re exactly what I’m searching for
Cool, driving, confident. Shallow riff with a scratchy texture gives ...Cool, driving, confident. Shallow riff with a scratchy texture gives way to heavy percussion. Steady rock pace with persistent notes and fast style. Shallow guitar tone conveys a restrained energy, ready to be let loose. Guitar launches into fuller sound at 01:01, cathartic release with confident descending scale. Instrumental version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling, male vocals sing about losing control in an impassioned manner. A heavy rock style coupled with a meaningful sensibility. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Vocals goad and entice with commands to break the rules. Floaty synth keys support emotive nature. Confident rock energy from slow tempo and commanding vocals.歌词
You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
The fever will rage and sweat out the blame Lovers less guilty by changing their name
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. A heavy rock style coupled with a meaningful sensibility. Steady tempo driving forward in a confident, marching pace. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Instrumental version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence ...Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. Steady tempo driving forward with a confident, marching pace supported by light percussion. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Stripped back underscore version.
Explosive, hopeful, energetic. Long drum fill conveys a ruthless ...Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation as male vocals sing about listening to your heart and feeling something new running through your veins. Explosive chorus with lyrics repeating about being ready and waiting for whatever may come. Singing about fire and flames conjures images of hardship, struggle and conflict but driving energy conveys a determination.歌词
I think I'm ready for it Whatever comes before me
I think I'm ready for it Through fire and flames and fury
I think I'm ready for it It’s time to stop pretending
I think I'm ready for it Refrain is at an ending
I’m waiting for a message from my heart To tell me what to do and where to start There’s something new coursing through my veins There’s an energy flowing through my I can feel it
My hands are shaking legs are trembling and I love it I'm winding up and I'm ready to let go There’s pressure building and
Explosive, hopeful, energetic. Long drum fill conveys a ruthless ...Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation that builds a tense and menacing atmosphere. Explosive chorus with guitar stabs and heavy drumwork. Instrumental version.
Electrifying, rough, rousing. Echoed drumming sets out a raw live ...Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff inviting male vocals singing about feeling energised and connected to emotion. Built up intensity is released as guitars launch into the chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Robotic vocals at 01:59 conveying a sense of power and charge.歌词
I feel that time has stopped in motion I feel electric in my bones I feel connected to emotion
Keeping my enemies real close You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one
My feet were always made for moving My soul was always made to groove I'm keeping all the people talking With your attention I can't lose
You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one From all the tricks they'll never find
You're always keeping bona fide tight lipped You're singing songs they'll never learn You're making cash where they cant earn You side slip Outsmart them every day I gotta tell ya
You are the one. I gotta tell ya You are the one I gotta tell ya You are the one I gotta tell ya You are the one
Electrifying, rough, rousing. Echoed drumming sets out a raw live ...Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff, the built up intensity released as guitars launch into chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Instrumental version.
Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a ...Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a world-music touch. Female singer with auto-tune fx & constant sampled vocals layers.歌词
Got to lot to be thankful for A lot to be thankfulI’ve got a lot to be thankful forA lot to be thankfulI sit down and read your names at loudOne by one you drew me You never know how long the pain will last
I’ve got a lot to be thankful A lot to be thankful (lord i’m thankful)I’ve got a lot to be thankful A lot to be thankful
Like a prayer the letters fall into placeThe more I read it the more sens it makesForgive me for I didn’t know You hurt, you heal, and then you growYou growYou grow
Forgive me for I didn’t knowOh Lord I’m thankful Thankful Oh Lord I’ve gotta lot to be thankful for
Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. ...Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. Avant-garde pop/New-Age ballad. Sampled vocal loop with auto-tune fx & layers.
Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a ...Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a folktronica spirit. Female singer with pitched voice, treated double vocal fx & crystalline synth.歌词
Bath yourself in this riverEau Claire Soon to meet my brother Eau Claire I know what you’ll say Don’t you dare giving up
Longest nights Held in fearSmoke in the cold I remember why i’m here Smallest of hopes Held in your hands
Fallen August of our love You mention my name in your sleep This my love is where you carry on without me
Watching snow fall on the lakeHow could I ever want to leaveThis my darling’s where it endsFor me
I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more Coldest autumn on my ownI hope you’ll remember For this my love is where i’m goneAnd you’re free I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more
Avant-garde pop/folktronica ballad with a touch of African ...Avant-garde pop/folktronica ballad with a touch of African world-music. Progression. Intimate yet lively. Female singer, kalimbra, drum & claps.歌词
UnrevealingWe’ve kept our love on a tape Frozen morning By the lake where we skate Silver wellspring This was way more than just a fling I gave my dreamsYou’re the guardian of this house now Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Unrevealing We’ve kept our love on a tape I’ve heard and seen More than one take Precious offspring You will arrive in May My love my king You’re the guardian of this house now
Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Hypnotic, moving & unconventional. Avant-garde pop in a world-music ...Hypnotic, moving & unconventional. Avant-garde pop in a world-music spirit. Sequence and layers of sampled voices, electric bass, intermittent percussion & female lead singer @ 1'25,歌词
Alternate without lead vocal. Hypnotic, repetitive & unconventional. ...Alternate without lead vocal. Hypnotic, repetitive & unconventional. Avant-garde pop with a world-music touch. Sequence and layers of sampled voices, electric bass, intermittent percussion & female vocals @ 0'35.
Bossa Nova typical of Brazil in the early 60's. Tender, warm & ...Bossa Nova typical of Brazil in the early 60's. Tender, warm & charming with a touch of melancholy. Female singer, Brazilian guitar, shaker & flugelhorn @1'12.歌词
Como não recordar de nós dois, quanta saudade
Tantas lembranças tão antigas tão presentes
Que não posso esquecer, como poderia
Nao tem jeito não
Mesmo se eu quisesse renegar, anos depois
Cada passo lado a lado
Cada laço assim atado
Eu não poderia deslembrar jamais
Tem jeito não
Tempo passou pra nós dois
Mas ficou um gosto bom
Tempos depois pra nós dois
Tempo bom que passou
Que passou que ficou
Typical Bossa Nova from the 60's. tender, warm & charming with a ...Typical Bossa Nova from the 60's. tender, warm & charming with a touch of melancholy. Lead fuglehorn, guitar & light Brazilian percussion.
Samba in the pure tradition of the Rio carnival. Lively, joyful, ...Samba in the pure tradition of the Rio carnival. Lively, joyful, extrovert & festive. Voices, brass & Brazilian percussion.歌词
La lalaia laia
laialaia lalaia laia
la la laiala
laialaiala laia laia
Jazzy bossa-nova like in the 60s. Sensual, relaxed, cosy & classy. ...Jazzy bossa-nova like in the 60s. Sensual, relaxed, cosy & classy. female singer, Brazilian guitar & tenor saxophone. Ideal for grand hotel lounge.歌词
Jazzy bossa-nova like in the 60's. Sensual, relaxed, tender & classy. ...Jazzy bossa-nova like in the 60's. Sensual, relaxed, tender & classy. Lead tenor sax, guitar & light Brazilian percussion.
Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. ...Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. Spoken female vocals, male choir, slap bass & Brazilian percussion. The sound of the favellas...歌词
Funk iluminado, bateria da mangueira
Nosso funk ta ligado de segunda a sexta feira
Funk ritmado com cozinha de primeira
Belo funk revoltado no swingue da rockeira
Funk bagunçado descambando em barulheira
Vira funk sossegado do vovô na gafieira
Funk liberado sem receio sem barreira
Pelo funk misturado com forró e capoeira
Povo mal nutrido da caatinga, do cerrado
Vira povo divertido pelo beat do pecado
Povo destemido de miséria ta cercado
Belo povo colorido da mistura derivado
Povo extrovertido generoso e relaxado
Nosso povo é resolvido teje certo teje errado
Povo emputecido com destino complicado
Pelo povo corrompido que se cala no senado
Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, ...Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Female vocals & jazz quartet. Piano lead @1'25. Ideal for hotel lounge.歌词
Não é fácil ver ao tempo que là esta passando
Flutuando em nossas mentes, não quero ver ninguém
E se fosse por mim
Eu ficaria sozinho na minha árvore nunca saindo
Lembrar de você é como esquecer meu coração
Você não deixou o traço do nosso imenso amor
Saber quantas vezes eu poderia ter mudado
Você não quer ver ninguém tampouco ser encontrado
Solidão doi a alma e pode destruí-la
Coração aberto revela novos sentimentos
Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, ...Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Jazz quartet with delicate lead piano.
Capoeira, traditional Afro-Brazilian music & dance from Bahia. ...Capoeira, traditional Afro-Brazilian music & dance from Bahia. Rhythmic, ritualistic & rootsy. Berimbau (traditional musical bow) & Brazilian percussion.歌词
