Happy, festive & lively salsa. Male singer, Latin percussion ...Happy, festive & lively salsa. Male singer, Latin percussion including bongo & clave, brass section, male choir & piano.歌词
ES:
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa' que goces un montón
Ven que Chaworó ya comienza
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa que goces un montón
Ven que Chaworó ya comienza
Salsa dura con Latin Jazz
Culo e' puya con quitipla
Son montuno con chachachá
Y los tambores bata
Coro 1: Chaworo celebra su aniversario
Ven pa ca que esta rumba es sin horario
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Coro 3: Chaworó celebra su aniversario
23 con harmonía
Y el patrón de mi tambó
Con lo bueno de la vida
Esta fiesta se formó
El fogón del sentimiento
Siempre estará encendido
Porque aqui sobran los motivos
Para seguir vivos
Te digo yo
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Mas de 20 años
Tocando por todas partes
Disfrutando de este arte
Que la música nos da
Le pedimos a Los Santos
que nos den mucha salud
Para que lo goces tu
cuando escuches este mambo
Mambo mambo mambo para Babalú
Fiesta a la venezolana
Monten las sopas las hallacas y las empanadas
Hay un run-run en la calle
Estamos de cumpleaños
Y ven pa' acá !
EN:
We are turning 23
It' s our anniversary
we are celebrating our birthday
The Chaworó family
We are turning 23
We are celebrating our anniversary
We are celebrating our birthday
The Chaworó family
We invite you to this party
Take advantage of the occasion
So that you enjoy a lot
Come that Chaworó already begins
We invite you to this party
Take advantage of the occasion
For you to enjoy a lot
Come that Chaworó already begins
Salsa dura with Latin Jazz
A lot of puya with quitipla
Son montuno with chachacha
And the bata drums
Chorus 1: Chaworo celebrates its anniversary
Come here, this rumba is without timetable
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
Chorus 3: Chaworo celebrates its anniversary
23 with harmony
And the patron saint of my tambó
With the good things of life
This party was formed
The bonfire of feeling
Will always be lit
Because here there are plenty of reasons
To stay alive
I tell you
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
More than 20 years
Playing everywhere
Enjoying this art
That music gives us
We ask The Saints
That they give us a lot of health
For you to enjoy it
When you listen to this mambo
Mambo mambo mambo mambo for Babalú
Venezuelan style party
Prepare the soups, the hallacas and the empanadas
There's a rumble in the street
We're having a birthday party
And come over here !
Classy, carefree & smooth salsa/chachacha. Lead flute, Latin ...Classy, carefree & smooth salsa/chachacha. Lead flute, Latin percussion with cowbell & piano. Male choir & male singer @ 2'00.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Sumando muchas amistades
Se me quitan los pesares
Porque la vida es una fiesta
Y siempre voy a celebrar
Por eso canto
Porque el que canta
sus males espanta
Esto no es casualidad
Enamorado de la vida
Mi tambor siempre me inspira
Y Poleo a mi me dice
Cucucucuprá, Cucucucuprá...
Mi abuelita así decía
Toca las maracas mi nieto
Con la santa trinidad
Repica maracas
Coro 2: Y nunca pa atras no no no
Donde estas tu camará?
Caminando por la vida
Deja tu huella al andar
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Adding many friendships
I'm taking away my sorrows
Because life is a party
And I'll always celebrate
That's why I sing
Because those who sing
Their evils scare away
This is no coincidence
In love with life
My drum always inspires me
And Poleo tells me
Cucucucucuprá, Cucucucucuprá...
My grandmother used to say
play the maracas my grandson
With the holy trinity
Play the maracas
Chorus 2: And never backwards no no no no
Where are you my friend?
Walking through life
Leave your footprint as you walk
Chorus 1: Through life I'm walking forward and never backwards no no no no
Alternate without vocal. Classy, carefree & smooth salsa/chachacha. ...Alternate without vocal. Classy, carefree & smooth salsa/chachacha. Lead flute, latin percussion with cowbell & piano. For exotic lounge & party.
Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute ...Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute solo @1'45, Latin percussion, piano, male choir & male singer @3'28.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Abran paso
Que yo vengo como el tren
Y amarra bien en tu zapato
Vamos a bailar
Mi vida
Que no hay vuelta atrás
No es mentira
Todo lo que quiere es lo que pide
y eso mismo es lo que yo le doy
Con Chaboró
Baila que baila
Goza que goza
Que esta noche estamos' en fiesta
Candela que quema
Para la niña y pa la señora
Soy feliz
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Bueno mi gente,
Tenemos una sola vida
Disfrútenla !
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Chorus 2: And never backwards no no no no
Make way
I'm coming like a train
And tie well in your shoe
Let's go dancing
My life
There's no turning back
It's not a lie
All you want is what you ask for
And that's what I give you
With Chaboró
Dance that dances
Enjoy and enjoy
That tonight we're partying
Fire that burns
For the girl and for the lady
I'm happy
Chorus 1: I'm going through life moving forward and never backwards no no no no
Alternate without vocal. Elegant, cheerful & easy Latin ...Alternate without vocal. Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso solo flute @1'45, Latin percussion & piano.
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & ...Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & extravert with a strong rootsy influence. Afro-Cuban percussion, male singer & choir. Full band with brass section @ 1'33.歌词
ES:
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
La Fulia se presenta con su ritmo original
Va jugando con la clave
Repicando en el compás
Palo endoe
Tierra de tambor
Y con su sabor
Suena el campanario, san juan del congo
Prima cruzado y pujao
Van derrochando mello
La cultura de mi pueblo casi nadie la olvidao'
Tambores de libertad
Fue Curieto el precursor
desde 1721 esta sonando mi tambor
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
Coro 1: Alcánzame si puedes que ya no ando a pie
Ahora si vengo rapidito
Montadito en TGV
Que lo baile todo el mundo,
Que lo goce el japonés
Desde Francia para el mundo
Voy cantado cheveré
La comparsa que es de Cuba
Sin barrera de cultura
Coro 2: que ya no ando a pie
Coro 3: oye no quiero cuento
Llegó el momento con Chaworó
Coro 4: esto no se va a parar esto sigue
Con la orquesta Chaworó
Coro 5: me llevo los tambores nos vemos después
Me llevo los tambores nos vemos después
EN:
There is an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
La Fulia is presented with its original rhythm
Playing with the clave
Tapping on the beat
Palo endoe
Land of the drum
And with its flavor
Sounds the bell tower, san juan del congo
Prima cruzado and pujao
They go splurging melao
The culture of my people almost no one has forgotten it
Drums of freedom
Curieto was the precursor
Since 1721 my drum has been beating
There's an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
Chorus 1: Reach me if you can I'm not walking anymore
Now I'm coming fast
I'm on a TGV
Let the whole world dance to it,
Let the Japanese enjoy it
From France to the world
I'm singing cheveré
The comparsa that is from Cuba
Without a barrier of culture
Chorus 2: I don't walk on foot anymore
Chorus 3: hey I don't want any stories
The time has come with Chaworó
Chorus 4: this is not going to stop this goes on
With the Chaworó orchestra
Chorus 5: I'll take the drums I'll see you later
I'll take the drums I'll see you later
Underscore version. Percussive, spicy & extravert with a strong ...Underscore version. Percussive, spicy & extravert with a strong rootsy influence. Fulia con Conga (traditional Venezuelan rhythm). Afro-Cuban percussion. Full band with brass section @ 1'33.
Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban ...Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Latin percussion, piano, male vocals, choir & Cuban cuatro.歌词
ES:
Yo no tengo ni una cabra no tengo buey
y me vine caminando de Camagüey
caminé todo el sendero sin descansar
y solo me queda el cuero pa' trabajar
Cuando consiga un trabajo lo juro yo
iré a comprar una joya de la mejor
pa' llevarle al amor mio a la niña que
me tenia de amorio alla en Camagüey
Que yo no tengo, nada tengo
No tengo, nada tengo
Que yo no tengo, no tengoNo no tengo, no tengo
Que yo no tengo, no tengo
Ay lala lala lalala..
EN:
I don't even have a goat I don't have an ox
and I came walking from Camagüey
I walked all the way without resting
and I only have the leather left to work
When I get a job I swear I will
I'll go and buy a jewel of the best
to take to my love to the girl who had my love
I have a love affair with back in Camagüey
That I don't have, I don't have nothing
I don't have, I don't have anything
That I don't have, I don't haveI don't have, I don't have
That I don't have, I don't have
Ay lala lala lala lalala...
FR:
J’en ai rien (P Canzani)
Je ne même pas de chèvre j’ai pas de bœuf
Et je suis venu en marchant depuis Camagüey
J’ai marché tout le sentier sans aucun repos
Il ne me reste que la peau pour travailler
Quand je trouverai un travail je te le jure
J’irais acheter un bijou le plus beau
Pour l’offrir a mon amour la fille que
Me faisais tourner la tête la bas à Camagüey
Que je n’ai rien rien de rien
Que je n’ai rien je n’ai rien
Que je n’ai rien de rien
Non je n’ai rien je n’ai rien
Que je n’ai rien de rien
Underscore version. Upbeat. Lively & festive progressive Latin jazz ...Underscore version. Upbeat. Lively & festive progressive Latin jazz with a touch of Cuban son. Lead Cuban cuatro, Latin percussion & piano.
Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin ...Uptempo. Lively & intense Latin jazz/quitiplas (Venezuela). Latin percussion, melodica, lead piano @ 1'24. Male choir @ 4'05. Solo drums & percussion @ 4'33.歌词
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Echoing female vocal sings of praying in the woods and the sun, dramatic imagery. Cathartic breakthrough at 02:14 as melodies build and instruments swirl together. Whispered vocals convey a meaningful energy. A feeling of time running out, a powerful natural force reclaiming its dominance.歌词
Ooo… For me… For me Ooo… For me… For me
Looking for a prayer in the woods tonight Ember of the sun and it’s coming alive For me… For me
Looking for a prayer in the woods tonight (in the woods tonight) Ember of the sun and it’s coming alive (it’s coming alive, it’s coming alive, it’s coming alive, in the woods tonight) For me… For me
Burn… Burn… The walls Burn… Burn… The walls For me… For me
Down to the wire, the only blade has spun For me… For me
(Looking for a prayer in the woods tonight) x (Ooo… For me… For me) (Looking for a prayer in the woods tonight) x (Ooo… For me… For me)
Burn… Burn… The walls Burn… Burn… The walls For me… To me
Mmm, you’re such a let down Mmm, the shame Mmm, the gossip eye blinks And the embers engulf the flame
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Cathartic breakthrough at 02:14 as melodies build and instruments swirl together. A feeling of time running out, a powerful natural force reclaiming its dominance. Instrumental version.
Tense, austere, determined, dramatic. Acoustic guitar sets out a ...Tense, austere, determined, dramatic. Acoustic guitar sets out a steady, almost panicked tempo. Echoing female vocal sings of praying in the woods and the sun, dramatic imagery. Cathartic breakthrough at 02:08 as vocals and guitar rise in intensity together. Whispered vocals convey a meaningful energy. A feeling of time running out, a powerful natural force reclaiming its dominance. Stripped back underscore version.
Tense, austere, determined, dramatic. Euphoric muted guitar sets out ...Tense, austere, determined, dramatic. Euphoric muted guitar sets out a steady, almost panicked tempo, methodical performance reminiscent of a countdown clock. Additional guitars circle, moving into a rousing sequence at 00:53 and again at 02:04. Dramatic string melodies rising with purpose. A feeling of time running out, a powerful natural force reclaiming its dominance. Stripped back underscore version.
Determined, cool, driving. Jangling, low guitar melody provides ...Determined, cool, driving. Jangling, low guitar melody provides foundation for call and response between main vocals and heavily reverbed backing vocals. Pacy hi-hat part transitions into heavy drum sequence with booming tom drums. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Lyrics convey a steadfast momentum and will to move on, conveying progress and freedom. Build up at 02:06 with heavy booming drums and repeated guitar notes.歌词
You Won’t Be
The End Of Me I Won’t Be a 1 in 3
You Won’t Be
The End Of Me I Won’t Be a 1 in 3
You Won’t Be
The End Of Me I Won’t Be a 1 in 3
On and on and on and on On and on and on and on
Girls like the girls who dance like the boys Boys give the look but just want the toys Scream from your heart, turn up this noise Live it for the now, living for the now
Girls like the girls who dance like the boys Boys give the look but just want the toys Scream from your heart, turn up this noise Live it for the now, living for the now
Keep Moving, Keep Moving On Keep Dancing, Keep Shining On Keep Moving, Keep Moving On Keep Dancing, Keep Shining On
Don’t you know it’s time to be free You just bring the best out in me
Keep Moving, Keep Moving On Keep Dancing, Keep Shining On
Woah woah, woah woah.
Girls like the girls who dance like the boys Boys give the look but just want the toys Scream from your heart, turn up this noise Live it for the now, living for the now
Determined, cool, driving. Jangling, low guitar melody provides a ...Determined, cool, driving. Jangling, low guitar melody provides a pacy but sturdy foundation for screeching, overdriven guitar notes. Pacy hi-hat part transitions into drum sequence with booming tom drums. Heavy, overdriven instrumentation convey resolute determination and power. Build up at 02:06 with heavy booming drums and repeated guitar notes. Instrumental version.
Determined, cool, driving. Jangling, low guitar melody provides ...Determined, cool, driving. Jangling, low guitar melody provides foundation for call and response between main vocals and heavily reverbed backing vocals. Bass notes and screeching guitar leads build determined momentum. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Lyrics convey a steadfast momentum and will to move on, conveying progress and freedom. Build up at 02:06 with heavy bass guitar and repeated guitar notes. Stripped back underscore version.
Determined, cool, driving. Fuzzy bass plays along with screeching ...Determined, cool, driving. Fuzzy bass plays along with screeching guitar, providing a foundation for call and response between main vocals and heavily reverbed backing vocals. Heavy drum sequence with booming tom drums. Soft female vocals against heavy, overdriven backdrop convey resolute determination and power. Build up at 02:06 with heavy booming drums and repeated guitar notes. Stripped back underscore version.
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense piano tunes. Striking male vocal sings about remembering days past, moving swiftly into a lamenting chorus with heavy percussion. Contrast between airy, spacious verse and heavy, structured chorus supported by continuous bass notes. Lyrics and emotive melodies convey a lovelorn person struggling through memories of heartbreak.歌词
I've been thinking through days past Me and you, summer afternoons I need to know
Where do the gone things go? Where do the gone things go?
Drifting through the waves I felt That sense of loss we never get across And words can't say
Where do the gone things go? Where do the gone things go?
Driving on that hillside springtime light There was no need to tell yourself that all is fine
Where do the gone things go? Where do the gone things go?
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense piano tunes. Contrast between airy, spacious verse and heavy, structured chorus supported by continuous bass notes. Emotive melodies convey a lovelorn person struggling through memories of heartbreak. Instrumental version.
Reminiscent, powerful, melancholic. Tense piano moves into more ...Reminiscent, powerful, melancholic. Tense piano moves into more decisive tune. Contrast between airy, spacious playing and heavy, structured style supported by continuous bass notes. Emotive melodies convey a lovelorn person struggling through memories of heartbreak. Stripped back underscore version.
Reminiscent, powerful, melancholic. Synthetic drums cascade in a ...Reminiscent, powerful, melancholic. Synthetic drums cascade in a muffled delay, joined by tense strings. Striking male vocal sings about remembering days past, moving swiftly into a lamenting chorus with heavy percussion. Lyrics and emotive melodies convey a lovelorn person struggling through memories of heartbreak. Stripped back underscore version.
Brooding, dramatic, spirited. Serious electric guitar riff and ...Brooding, dramatic, spirited. Serious electric guitar riff and high-pitched wailing male voice combine to create an impassioned, driving energy. Dynamic vocal performance with occasional choral harmonies and sharp string sounds further convey emotion. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Lyrics sing about burying memories in darkness, a resolute post-heartbreak energy.歌词
Say goodbye to your vanishing day Try to hide if you want But it always find a way
Cos time is getting away from you A darkness you're never breaking through Cos time is getting away from you A darkness you're never breaking through
So bury your memories now Make a wish that you'll be found Understand there's nowhere left to hide Let your soul be carried on the tide
So bury your memories now Make a wish that you'll be found Understand there's nowhere left to hide Let your soul be carried on the tide
Taken by the darkness Bury my memory You know I won't be back
Taken by the darkness Bury my memory You know I won't be back
Taken by the darkness Bury my memory You know I won't be back
Brooding, dramatic, spirited. Serious electric guitar riff creates a ...Brooding, dramatic, spirited. Serious electric guitar riff creates a driving energy. Sharp strings and steady percussion further convey a growing momentum. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Instrumental version.
Brooding, dramatic, spirited. Serious electric guitar riff and ...Brooding, dramatic, spirited. Serious electric guitar riff and high-pitched wailing male voice combine to create an impassioned, driving energy. Dynamic vocal performance with occasional choral harmonies convey powerful emotion. Lyrics sing about burying memories in darkness, a resolute post-heartbreak energy. Stripped back melody and voice underscore version.
Brooding, dramatic, spirited. Serious electric guitar riff creates a ...Brooding, dramatic, spirited. Serious electric guitar riff creates a driving energy. Steady percussion and bass guitar further convey a growing momentum. More spirited, improvisational guitar as the atmosphere heats up. Percussion and overdriven guitars build, transitioning into a gentle sequence at 02:36. Stripped back underscore version.
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with smooth piano and vocals. Lyrics sing of uncertainty and longing. The combination of minor and major chords supports this premise of desire for imbalance and uncertainty. Synthetic drums hit with emotive guitar picking. Swirling strings fill the backdrop, cathartic release at 02:25 with graceful bell melody and chattering, bass-heavy percussion.歌词
I can't tell if you staying or going
And in the chaos of not knowing That's where I find my peace
In the uncertainty
I withdraw my theories Our love is a process Of ending and beginning again In the uncertainty That's where I find release
I longed for you in the early hours I needed to feel the uncertainty of your touch I longed for you in the early hours I needed to feel the uncertainty of your touch
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with smooth piano. The combination of minor and major chords supports this premise of desire for imbalance and uncertainty. Synthetic drums hit with emotive guitar picking. Swirling strings fill the backdrop, cathartic release at 02:25 with graceful bell melody and chattering, bass-heavy percussion. Instrumental version.
Heartfelt, spirited, apprehensive. Overdriven, dissonant noise ...Heartfelt, spirited, apprehensive. Overdriven, dissonant noise contrasts with tuneful vocals that disappear in a fuzzy echo. Lyrics sing of uncertainty and longing. Swirling strings fill the backdrop meeting with choral vocals. Emotion builds to a cathartic release at 02:25 with graceful bell melody and epic string movements. Stripped back underscore version.
Heartfelt, spirited, apprehensive. Echoing guitar plays a worried ...Heartfelt, spirited, apprehensive. Echoing guitar plays a worried ascending tune, meeting with synthetic percussion and commanding string melodies. Emotion builds to a cathartic release at 01:06 with graceful bell melody and epic string movements. Stripped back underscore version.
Electro pop song. Exotic, bright & lively, with a hint of nostalgia. ...Electro pop song. Exotic, bright & lively, with a hint of nostalgia. Suggested for daytime TV, romance, holidays & travel. Synth, male singer, electric guitar & rhythm.歌词
I wrote a melody
Not good enough for you
I found a remedy
That’s all I can do
Electro pop song. Exotic, bright & lively, with a hint of nostalgia. ...Electro pop song. Exotic, bright & lively, with a hint of nostalgia. Suggested for daytime TV, romance, holidays & travel. Synth, electric guitar & drums.
Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Female ...Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Female singer, backing vocals, guitar, rhythm & bells. Suggested for tv shows & advertising.歌词
I want to tell you something
but I don't know what
I'm feeling happy but
I don't know why
Please Oh talk to me
Babe talk to me
I want to tell you
maybe tomorrow
coupl 2
I got something
I want to tell you
I won't wait 'til
it's too late
ref 2
Please Oh talk to me
Babe talk to me
I want to tell
maybe tomorrow
coupl 3
I wanna tell you something
give you something
Show you in so many ways
But I can't wait
Ref 3
Please Oh talk to me
Babe talk to me
I want to tell
maybe tomorrow
pont
I want to tell you
I want to tell you something
X-Mas version. Motown, soul, pop in a 60's mood. Upbeat, playful & ...X-Mas version. Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, rhythm, sleigh ride & bell. Suggested for tv shows & advertising.
Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, ...Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, rhythm & bells. Suggested for tv shows & advertising.
Underscore. Motown, soul, pop in a 60's mood. Upbeat, playful & ...Underscore. Motown, soul, pop in a 60's mood. Upbeat, playful & catchy. Guitar, female voice, rhythm & bells. Suggested for tv shows & advertising.
Underscore. Soul in a 60's-70's mood. Driving, bouncy & catchy. Brass ...Underscore. Soul in a 60's-70's mood. Driving, bouncy & catchy. Brass & rhythm. Suggested for tv shows & advertising.
Instrumental version. Soul in a 60's-70's mood. Driving, bouncy & ...Instrumental version. Soul in a 60's-70's mood. Driving, bouncy & catchy. Brass & rhythm. Suggested for tv shows & advertising.
Soul in a 60's rhythm & blues track. Driving, playful & catchy. ...Soul in a 60's rhythm & blues track. Driving, playful & catchy. Female singer, backing vocals, hammond organ, baryton sax, rhythm & claps. Suggested for tv shows & ads. 歌词
all night all right
i m waiting for you
you by my side
and only you
Crazy for you
night and day
Crazy for you
day and night
Crazy for you
night and day
Crazy for you
All the time
baby,
Let's make it now and forever
You, I'm nothing without you
Let's make it let's stay together
You, I'm nothing without ..you
nothing without you
And I want to be happy
nothing without you
all right all right
all right with me
As long as you
Are by my side
Piano intro. Driving & confident with a touch of melancholy. Female ...Piano intro. Driving & confident with a touch of melancholy. Female singer, backing vocals, piano, hammond organ, rhythm & claps. 歌词
Tonight
Coupl 1
Make me a woman
You said you'll be gentle with me
I hope you will
I know I'd go back to you
I'm tryin' to relax
Just can't keep still
We're holdin' on to nothin'
And we're holdin' on too tight
Ref 1
Tonight is the night
you hold me tight
The world is full of light
suns and moons all over the place
when I'm coming back to you
Tonight, tonight
Tonight, so bright
and i'm feeling all right
bridg 1
Love me, let me love you no one else
love me let me love me or nothing
I just keep on coming back to you
coupl 2
trying to forget
I just keep on coming back to you
show me what to do
That's why, I'm coming back to you
That's how your love, can take me home
You let me do, what I needed to
when I'm coming back to you
Underscore. Piano intro. Driving & confident with a touch of ...Underscore. Piano intro. Driving & confident with a touch of melancholy. Piano, hammond organ, rhythm & claps.
it's over now
Coupl 1
And just like a child
Just like a child
you just need to have your way
it's Time to turn the page
Time to start a new
tell me somethin g I don't know
ref 1
oh it's so long for me
it's so long for me
sorry babe
oh it's so long for me
it's so long for me
don't worry babe
oh it's so long for me
it's so long
but it's over now ..
coupl2
Love is yours love is mine
something that we do
But it isn't something that we find
If you feel for me
If you need me to tell you
I can do it without you. houuu
i can do it without you
