| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Fino all'ultimo respiro [CLA1820 - 8] |
0 | 1'43 | Carlo Donato Cossoni | Confident & rigorous. Soprano and chamber orchestra. | 自信 严谨 女性 巴罗克音乐(1600-1750) | Em | 137 | |||
|
Crudelis Herodes [CLA1820 - 9] |
0 | 4'58 | Carlo Donato Cossoni | Introspective, peaceful & melancholic. Soprano and chamber orchestra. | 反省 宁静 女性 内心活动 | Dm | 62 | |||
|
Ecce Jesu mi [CLA1820 - 10] |
0 | 6'02 | Carlo Donato Cossoni | Mystic & rigorous. Soprano and chamber orchestra. | 神奇 严谨 反省 巴罗克音乐(1600-1750) | Gm | 104 | |||
|
Peccator penitente [CLA1820 - 11] |
0 | 6'12 | Maurizio Cazzati | Rigorous & sorry. Soprano and chamber orchestra. | 严谨 抱歉 女性 内心活动 | Cm | 111 | |||
|
Amor bugiardo [CLA1820 - 12] |
0 | 4'31 | Maurizio Cazzati | Confident & female. Soprano and chamber orchestra. | 自信 女性 严谨 疑问 | Cm | 84 | |||
|
L'amante musico [CLA1820 - 14] |
0 | 1'51 | Maurizio Cazzati | Confident & determined. Soprano and chamber orchestra. | 自信 果断 女性 骄傲 | G | 107 | |||
|
Lodasi il tacere [CLA1820 - 15] |
0 | 4'23 | Maurizio Cazzati | Confident & charming. Soprano and chamber orchestra. | 自信 迷人 女性 巴罗克音乐(1600-1750) | Gm | 103 | |||
|
Act. 1, I. Vorspiel [CLA1202 - 1] |
0 | 2'53 | 弗兰克·马丁 | 1st scene. Sad & interrogative. Tenor, soprano and symphony | 伤心 疑问 芭蕾舞曲 严谨 | Em | 84 | |||
|
Act. 1, II. Streittanz der
[CLA1202 - 2] |
0 | 1'41 | 弗兰克·马丁 | 2nd scene. Acceleration @ 1'27. Determined & exalting. Soprano and | 果断 令人激动 骄傲 芭蕾舞曲 | Am | 129 | |||
|
Act. 1, V. Entree des Herolds [CLA1202 - 5] |
0 | 1'16 | 弗兰克·马丁 | 5th scene. Solemn & proud. Tenor and symphony orchestra. | 庄重 骄傲 芭蕾舞曲 严谨 | Em | 111 | |||
|
Act. 1, VI. Tanz des Herolds [CLA1202 - 6] |
0 | 1'41 | 弗兰克·马丁 | 6th scene. Fiery & female. Soprano, contre-alto and symphony | 火热 果断 女性 芭蕾舞曲 | Em | 164 | |||
|
Act. 1, VII. Aschenbrödel
[CLA1202 - 7] |
0 | 6'42 | 弗兰克·马丁 | 7th scene. New theme @ 2'04. Sad & introspective. Tenor, soprano, | 伤心 反省 芭蕾舞曲 严谨 | Em | 65 | |||
|
Act. 1, IX. Entree des Fee [CLA1202 - 9] |
0 | 4'32 | 弗兰克·马丁 | 9th scene. Interrogative & mysterious. Contre-alto, soprano and | 疑问 神秘 芭蕾舞曲 严谨 | Gbm | 90 | |||
|
Act. 2, VII. Tanz des Prinzes
[CLA1202 - 16] |
0 | 4'01 | 弗兰克·马丁 | 7th scene. Charming, refined & rigorous. Interrogative & mysterious @ | 迷人 芭蕾舞曲 高雅 严谨 | Gbm | 82 | |||
|
Act. 2, VIII. Allgemeiner Tanz [CLA1202 - 17] |
0 | 5'48 | 弗兰克·马丁 | 8th scene. Fiery, interrogative & tragic. Tenor and symphony | 火热 疑问 芭蕾舞曲 严谨 | Em | 70 | |||
|
Act. 3, I. Vorspiel [CLA1202 - 18] |
0 | 1'42 | 弗兰克·马丁 | 1st scene. Tragic, pending & indolent. Sopran, tenor and symphony | 悲剧 芭蕾舞曲 严谨 疑问 | Em | 108 | |||
|
Act. 3, III. Entree des
[CLA1202 - 20] |
0 | 5'53 | 弗兰克·马丁 | 3rd scene. Determined, rigorous & tragic. Soprano, tenor, contre-alto | 果断 芭蕾舞曲 严谨 悲剧 | Bm | 148 | |||
|
Act. 3, IV. Tanz des Herolds
[CLA1202 - 21] |
0 | 0'44 | 弗兰克·马丁 | 4th scene. Determined, fiery & interrogative. Soprano, tenor and | 果断 火热 疑问 芭蕾舞曲 | Ebm | 147 | |||
|
Act. 3, V. Entree des
[CLA1202 - 22] |
0 | 3'12 | 弗兰克·马丁 | 5th scene. Determined, pressed & serious. Soprano, tenor and symphony | 果断 疑问 芭蕾舞曲 交响乐队 | Gb | 143 | |||
|
Act. 3, VI. Tanz der Prinz
[CLA1202 - 23] |
0 | 1'28 | 弗兰克·马丁 | 6th scene. Interrogative & determined. Soprano, tenor, contre-alto | 疑问 果断 芭蕾舞曲 交响乐队 | Bbm | 136 |