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人声| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Sirum tiruvum poliya [OCR560197 - 24] |
0 | 1'07 | V. Tyagarajan | Violin & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | G | 143 | |||
|
|
Unnai oliya [OCR560197 - 25] |
0 | 1'15 | S. Tirugnanasambandan | Violin & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | B | 90 | |||
|
|
Nanattin tiruvuruvai [OCR560197 - 26] |
0 | 0'59 | S. Tirugnanasambandan | Violin & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Abm | 95 | |||
|
|
Kalanidat tanugade [OCR560197 - 27] |
0 | 1'03 | S. Tirugnanasambandan from P.D. | Violin, small cymbals & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Bbm | 153 | |||
|
|
Arpuda teyvam [OCR560197 - 28] |
0 | 2'02 | S. Tirugnanasambandan | Violin & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Abm | 110 | |||
|
|
Kulal oli yal oli [OCR560197 - 29] |
0 | 2'16 | S. Tirugnanasambandan | Violin, small cymbals & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Abm | 78 | |||
|
|
Tiruvadiyum tandaiyum [OCR560197 - 30] |
0 | 2'48 | S. Tirugnanasambandan from P.D. | Violin & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Abm | 108 | |||
|
|
Ariru tadandol [OCR560197 - 31] |
0 | 1'30 | S. Tirugnanasambandan from P.D. | Violin, small cymbals & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Abm | 145 | |||
|
|
Edu pilai seytalum [OCR560197 - 32] |
0 | 2'11 | S. Tirugnanasambandan | Violin & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Dbm | 123 | |||
|
|
Tullu mada vel kai [OCR560197 - 33] |
0 | 2'45 | S. Tirugnanasambandan from P.D. | Violin, small cymbals & traditional male singer. | 民族 泰米尔语跟唱 印度 人声 | Dbm | 107 | |||
|
Rythme De Marche 2 [OCR560195 - 16] |
0 | 4'32 | Orchestre de Yadé Kolidé (performer) from P.D. | The function of this rhythm is to get people on the march. raditional | 传统乐器合奏 民族 卡布列语歌唱 多哥 | Bbm | 148 | |||
|
|
Voix et Sanza 2 [OCR560195 - 17] |
0 | 1'25 | Orchestre de Yadé Kolidé (performer) from P.D. | Traditional song accompanied by sanza. | 民族 卡布列语歌唱 散扎 多哥 | Bb | 130 | |||
|
Viejo Caà Cati [OCR560186 - 7] |
0 | 4'50 | Gicela Mendez Ribeiro, Nini Flores | Chamame with singing. Accordion & female singer duet. | 阿根廷舞曲 键钮手风琴 阿根廷 西班牙语歌唱 | Bm | 100 | |||
|
|
Romance del Rio y la Paloma [OCR560186 - 11] |
0 | 2'31 | Gicela Mendez Ribeiro, Nini Flores, Rudy Flores | Chamame. Classical guitar, double bass, accordion, male singer & | 阿根廷舞曲 键钮手风琴 阿根廷 西班牙语歌唱 | B | 130 | |||
|
|
Luna Llena [OCR560186 - 15] |
0 | 3'45 | Gicela Mendez Ribeiro, Nini Flores, Rudy Flores | Chamame with singing. Classical guitar, guitarron, bandoneon & female | 阿根廷舞曲 阿根廷 小六角手风琴 西班牙语歌唱 | A | 128 | |||
|
Cimdolobwa [OCR560165 - 1] |
0 | 3'58 | Traditionnal | Describes typical facial marks, that traditionally the Gogo make just | 民族 民族复调歌唱 男女民族合唱团 传统乐器合奏 | Gbm | 91 | |||
|
|
Ngadu [OCR560165 - 3] |
0 | 6'17 | Traditionnal | About a person who died in the village. Traditional ensemble composed | 民族 民族复调歌唱 男女民族合唱团 传统乐器合奏 | D | 99 | |||
|
|
Izeze [OCR560165 - 7] |
0 | 1'06 | Traditionnal | Izeze (Tanzanian vielle) & male voice. | 民族 izeze gogo歌唱 Wagogo people | E | 109 | |||
|
|
Ngudu Yangu Maiko [OCR560165 - 8] |
0 | 9'50 | Traditionnal | Song adressed to a small child. Traditional ensemble composed by | 民族 民族复调歌唱 男女民族合唱团 传统乐器合奏 | Dm | 97 | |||
|
|
Masula Getu Mambi [OCR560165 - 11] |
0 | 7'48 | Traditionnal | This piece describes a person who has a poor reputation in the | 民族 男女民族合唱团 传统乐器合奏 gogo歌唱 | D | 99 |
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