| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
Strange Attractor [INP006 - 9] |
0 | 2'40 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Wondrous, dreamy | 科幻片 诡异 都市景色 冲击 | Am | 101 | |||
|
Parachute [INP006 - 10] |
0 | 2'41 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Atmospheric intro | 固执 全景 滑行运动 气氛 | F | 86 | |||
|
Limit Cycle [INP006 - 12] |
0 | 2'14 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Relaxed, sparse, | 垃圾音效 催眠 吵闹 高潮 | Dbm | 162 | |||
|
Real Number [INP006 - 14] |
0 | 3'13 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Long, gentle intro | 画面感 稳定的 固执 气氛 | Ab | 132 | |||
|
Initial Condition [INP006 - 15] |
0 | 2'35 | Jeremy Levy | 80's synth infused, dramatic sci-fi trailer score. Heartfelt piano & | 催眠 冒险游戏 科幻片 气氛 | Db | 92 | |||
|
Out of the Deep [CEZ4321 - 14] |
0 | 3'09 | Vincent Leibovitz | Ethereal, majestic & solemn. Female choir & strings. | 环境 庄重 庄严 飞行 | Am | 66 | |||
|
Touaregs in the Desert [CEO2054 - 12] |
0 | 1'21 | Eric Lohrer | Disturbing & atmospheric. Electric guitar & cinematic strings. | 气氛 悬念 画面感 稳定的 | Ab | 84 | |||
|
Xmas Dreams [TBX012 - 8] |
0 | 2'06 | Ross Edward Gidney, Sergey Kolosov | Ambient, church-like, romantic winter/christmas track. Vocals, bells, | 圣诞节 飞行 宁静 全景图 | A | 70 | |||
|
Winter Falls [BIB061 - 1] |
0 | 2'43 | Conor O'Brien | Heartfelt, romantic and reflective organ underscore with glacial | 梦幻 太空 明朗 宁静 | D | 100 | |||
|
Enluminures [CEO2050 - 4] |
0 | 0'56 | Pierre-André Athané | Middle Age. Medieval adventure. Mysterious & disturbing. Organ, viola | 中世纪 神秘 教堂管风琴 冒险片 | Dm | 80 | |||
|
An Endless Experiment [CEZ4312 - 6] |
2'25 | Elisabeth Skornik, Guy Skornik | Repetitive, confident & steady. Strings & electronic waves. | 设计与建筑 自信 稳定的 企业宣传 | Dm | 120 | ||||
|
An Endless Experiment
[CEZ4312 - 29] |
版本. | 2'22 | Elisabeth Skornik, Guy Skornik | Constant, obstinate & patient. String orchestra playing staccato. | 设计与建筑 稳定的 企业宣传 固执 | F | 120 | |||
|
An Endless Experiment
[CEZ4312 - 30] |
版本. | 1'52 | Elisabeth Skornik, Guy Skornik | Vibrating drone & rhythm @ 0'37. Electronics. | 工业 设计与建筑 进行中 企业宣传 | Dm | 120 | |||
|
Above the Clouds [TBX007 - 5] |
0 | 2'49 | Peter Nickalls | Ethereal and panoramic sfx with reverbed cello. Heartwarming, | 全景图 全景 梦幻 气氛 | E | 60 | |||
|
Deep Space [TBX007 - 10] |
0 | 2'16 | Alexander Joseph Irvine Mcconnell | Sci-fi drone, pulsing electronic sfx. Arpeggiated motifs, suitable | 气氛 太空 诡异 不平稳 | Am | 120 | |||
|
Ascendance [TBX007 - 17] |
0 | 2'12 | Peter Henry Mayne, Lee Sparey | Undulating, 90-s influenced pulse scores and ambient textures. | 全景 气氛 周期性的 固执 | D | 118 | |||
|
Reflecting [TBX007 - 18] |
0 | 1'40 | Sergey Kolosov | Sparse, reflective bed. Mallets and soft synth string undulations. | 漂泊 悬念 反省 调查研究 | Dm | 102 | |||
|
Somniferous Crystals [TBX007 - 22] |
0 | 2'12 | Peter Henry Mayne, Lee Sparey | Ethereal and slowly evolving cosmic synth pads. | 全景 气氛 周期性的 稳定的 | C | 60 | |||
|
Five Lentils [TBX007 - 23] |
0 | 2'07 | Peter Henry Mayne, Lee Sparey | Undulating and pulsing synth textures. Positive but restrained, | 周期性的 原声电子 循环 催眠 | G | 120 | |||
|
Heist Time [TBX006 - 4] |
0 | 2'43 | Peter Nickalls | Electronic, pulsing bed. Tense yet calm, with gradual, determined | 调查研究 固执 果断 追逐场面 | Cm | 120 | |||
|
Odd Ones [TBX006 - 5] |
0 | 2'05 | Peter Henry Mayne, Lee Sparey | Muted, sparse, arpeggiated synth bed. Suspended and uncertain, with | 固执 催眠 进步 科学 | Am | 120 | |||
|
Pulses & Bells [TBX006 - 7] |
0 | 1'27 | Peter Henry Mayne, Lee Sparey | Arpeggiated synth pulses. Neutral and ambient. 80s sfx and bass with | 固执 诡异 悬念 电子琴 | Ebm | 120 |