Theatrical, heavy, confident. Rapid fire guitar moves into dynamic Theatrical, heavy, confident. Rapid fire guitar moves into dynamic riff that mirrors vocal melody. Male vocals sing about moving forward, having a clear mind and acting on good intentions. Subtle singing style in verse with hushed voice contrasts with heavy guitar and snare stabs. Energetic and multifarious drum performance with snare rolls, fills and sudden breaks. Build up into dramatic breakdown at 01:47 with strings playing fun and dramatic melody.歌词
I'm moving forward in the right direction I can see it clear in my reflection
There’s been a massive change in my inflection
My mind’s clear and my head’s held high
Now my brain is filled with good intentions
Forget the negative not even the mention
Let’s keep it moving while we’ve got momentum
My mind’s clear and my heads held high
No time for lows
Just time for gold
No time for lows
Just time for gold I'm moving forward in the right direction
I can see it clear in my reflection
There’s been a massive change in my inflection
My mind’s clear and my head’s held high
Now my brain is filled with good intentions
Forget the negative not even the mention
Let’s keep it moving while we’ve got momentum
My mind’s clear and my heads held high
Bridge I'm just waiting for something to fall
Right at my feet I feel lucky
I'm raring to go I've got nothing to lose I won’t fold
Theatrical, heavy, confident. Rapid fire guitar moves into dynamic Theatrical, heavy, confident. Rapid fire guitar moves into dynamic riff with a proud, strutting rock energy. Guitar stabs join along with tom drums for powerful marching rhythm. Energetic and multifarious drum performance with snare rolls, fills and sudden breaks. Build up into dramatic breakdown at 01:47 with strings playing fun and dramatic melody. Instrumental version.
Theatrical, heavy, confident. Rapid fire guitar moves into dynamic Theatrical, heavy, confident. Rapid fire guitar moves into dynamic riff with a proud, strutting rock energy. Guitar jabs move alongside deep bass notes for slow marching sequence. Build up into dramatic breakdown at 01:47 with strings playing fun and dramatic melody. Stripped back underscore version.
Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere driven forward by big drumbeat with crash cymbals. Male vocals sing about having a crowded headspace, working yourself into a fury. Guitar works itself up into a marching ascending sequence as male vocals reassure that the anger or agitation is not worth following up on. Reminiscent of a person slowly getting more annoyed and frustrated by everyday life. Jangly guitar solo at 01:51 rising above solid main guitar part.歌词
You've got a lot of thoughts rattling around in your head today You've got a lot of doubts too but don't trust them you're good
You're good Reading the scripture of a steeled face
Internal lava poisoned as a lake
Such heat could set the battlefield ablaze
Not worth it just live to fight another day
So you took your shot fuelled by volcanic rock but you still fell short
Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere Fun, explosive, pacy. Gritty rock riff creates a volatile atmosphere driven forward big drumbeat with crash cymbals. Guitar works itself up into a marching ascending sequence communicating a rising feeling. Jangly guitar solo at 01:51 rising above solid main guitar part gives a screeching, more frantic energy. Instrumental version.
Fun, explosive, pacy. Bass and guitar riff creates a volatile but Fun, explosive, pacy. Bass and guitar riff creates a volatile but positive atmosphere driven forward by big drumbeat with crash cymbals. Guitar works itself into a marching ascending sequence communicating a rising feeling. Powerful aura but one that is jovial and entertaining. Stripped back underscore version.
Cool, driving, confident. Shallow riff with a scratchy texture gives Cool, driving, confident. Shallow riff with a scratchy texture gives way to heavy percussion. Steady rock pace with persistent notes and fast style. Sinister vocal performance with lyrics about pressure in one’s life building up over time, and a willingness to change the situation. Guitar launches into a fuller sound, cathartic release with confident descending scale. Reminiscent of someone throwing off the shackles of everyday life, being at odds with an indifferent world but finding solace in another individual.歌词
I’m under pressure to think Of different courses to take
Cool, driving, confident. Shallow riff with a scratchy texture gives Cool, driving, confident. Shallow riff with a scratchy texture gives way to heavy percussion. Steady rock pace with persistent notes and fast style. Shallow guitar tone conveys a restrained energy, ready to be let loose. Guitar launches into fuller sound at 01:01, cathartic release with confident descending scale. Instrumental version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling, male vocals sing about losing control in an impassioned manner. A heavy rock style coupled with a meaningful sensibility. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Vocals goad and entice with commands to break the rules. Floaty synth keys support emotive nature. Confident rock energy from slow tempo and commanding vocals.歌词
You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
The fever will rage and sweat out the blame Lovers less guilty by changing their name
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
Emotive, explosive, raw. Guitar plays through a downbeat sequence Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. A heavy rock style coupled with a meaningful sensibility. Steady tempo driving forward in a confident, marching pace. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Instrumental version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. Steady tempo driving forward with a confident, marching pace supported by light percussion. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Stripped back underscore version.
Explosive, hopeful, energetic. Long drum fill conveys a ruthless Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation as male vocals sing about listening to your heart and feeling something new running through your veins. Explosive chorus with lyrics repeating about being ready and waiting for whatever may come. Singing about fire and flames conjures images of hardship, struggle and conflict but driving energy conveys a determination.歌词
I think I'm ready for it Whatever comes before me
I think I'm ready for it Through fire and flames and fury
I think I'm ready for it It’s time to stop pretending
I think I'm ready for it Refrain is at an ending
I’m waiting for a message from my heart To tell me what to do and where to start There’s something new coursing through my veins There’s an energy flowing through my I can feel it
My hands are shaking legs are trembling and I love it I'm winding up and I'm ready to let go There’s pressure building and
Explosive, hopeful, energetic. Long drum fill conveys a ruthless Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation that builds a tense and menacing atmosphere. Explosive chorus with guitar stabs and heavy drumwork. Instrumental version.
Electrifying, rough, rousing. Echoed drumming sets out a raw live Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff inviting male vocals singing about feeling energised and connected to emotion. Built up intensity is released as guitars launch into the chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Robotic vocals at 01:59 conveying a sense of power and charge.歌词
I feel that time has stopped in motion I feel electric in my bones I feel connected to emotion
Keeping my enemies real close You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one
My feet were always made for moving My soul was always made to groove I'm keeping all the people talking With your attention I can't lose
You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one From all the tricks they'll never find
You're always keeping bona fide tight lipped You're singing songs they'll never learn You're making cash where they cant earn You side slip Outsmart them every day I gotta tell ya
You are the one. I gotta tell ya You are the one I gotta tell ya You are the one I gotta tell ya You are the one
Electrifying, rough, rousing. Echoed drumming sets out a raw live Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff, the built up intensity released as guitars launch into chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Instrumental version.
Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a Edgy, dreaming & meditative. Avant-garde pop/New-Age revival with a world-music touch. Female singer with auto-tune fx & constant sampled vocals layers.歌词
Got to lot to be thankful for A lot to be thankfulI’ve got a lot to be thankful forA lot to be thankfulI sit down and read your names at loudOne by one you drew me You never know how long the pain will last
I’ve got a lot to be thankful A lot to be thankful (lord i’m thankful)I’ve got a lot to be thankful A lot to be thankful
Like a prayer the letters fall into placeThe more I read it the more sens it makesForgive me for I didn’t know You hurt, you heal, and then you growYou growYou grow
Forgive me for I didn’t knowOh Lord I’m thankful Thankful Oh Lord I’ve gotta lot to be thankful for
Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. Alternate without lead vocal. Edgy, dreamy, atmospheric & meditative. Avant-garde pop/New-Age ballad. Sampled vocal loop with auto-tune fx & layers.
Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a Peaceful, bright, smooth & confident. Avant-garde pop lullaby in a folktronica spirit. Female singer with pitched voice, treated double vocal fx & crystalline synth.歌词
Bath yourself in this riverEau Claire Soon to meet my brother Eau Claire I know what you’ll say Don’t you dare giving up
Longest nights Held in fearSmoke in the cold I remember why i’m here Smallest of hopes Held in your hands
Fallen August of our love You mention my name in your sleep This my love is where you carry on without me
Watching snow fall on the lakeHow could I ever want to leaveThis my darling’s where it endsFor me
I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more Coldest autumn on my ownI hope you’ll remember For this my love is where i’m goneAnd you’re free I’m glad you came looking for me But I am no moreI’m glad you came looking for me But I am no more
Avant-garde pop/folktronica ballad with a touch of African Avant-garde pop/folktronica ballad with a touch of African world-music. Progression. Intimate yet lively. Female singer, kalimbra, drum & claps.歌词
UnrevealingWe’ve kept our love on a tape Frozen morning By the lake where we skate Silver wellspring This was way more than just a fling I gave my dreamsYou’re the guardian of this house now Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Unrevealing We’ve kept our love on a tape I’ve heard and seen More than one take Precious offspring You will arrive in May My love my king You’re the guardian of this house now
Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Hypnotic, moving & unconventional. Avant-garde pop in a world-music Hypnotic, moving & unconventional. Avant-garde pop in a world-music spirit. Sequence and layers of sampled voices, electric bass, intermittent percussion & female lead singer @ 1'25,歌词
Alternate without lead vocal. Hypnotic, repetitive & unconventional. Alternate without lead vocal. Hypnotic, repetitive & unconventional. Avant-garde pop with a world-music touch. Sequence and layers of sampled voices, electric bass, intermittent percussion & female vocals @ 0'35.
Bossa Nova typical of Brazil in the early 60's. Tender, warm & Bossa Nova typical of Brazil in the early 60's. Tender, warm & charming with a touch of melancholy. Female singer, Brazilian guitar, shaker & flugelhorn @1'12.歌词
Como não recordar de nós dois, quanta saudade
Tantas lembranças tão antigas tão presentes
Que não posso esquecer, como poderia
Nao tem jeito não
Mesmo se eu quisesse renegar, anos depois
Cada passo lado a lado
Cada laço assim atado
Eu não poderia deslembrar jamais
Tem jeito não
Tempo passou pra nós dois
Mas ficou um gosto bom
Tempos depois pra nós dois
Tempo bom que passou
Que passou que ficou
Typical Bossa Nova from the 60's. tender, warm & charming with a Typical Bossa Nova from the 60's. tender, warm & charming with a touch of melancholy. Lead fuglehorn, guitar & light Brazilian percussion.
Jazzy bossa-nova like in the 60s. Sensual, relaxed, cosy & classy. Jazzy bossa-nova like in the 60s. Sensual, relaxed, cosy & classy. female singer, Brazilian guitar & tenor saxophone. Ideal for grand hotel lounge.歌词
Jazzy bossa-nova like in the 60's. Sensual, relaxed, tender & classy. Jazzy bossa-nova like in the 60's. Sensual, relaxed, tender & classy. Lead tenor sax, guitar & light Brazilian percussion.
Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. Samba/funk in the spirit of the 90's. Rhythmic, festive & confident. Spoken female vocals, male choir, slap bass & Brazilian percussion. The sound of the favellas...歌词
Funk iluminado, bateria da mangueira
Nosso funk ta ligado de segunda a sexta feira
Funk ritmado com cozinha de primeira
Belo funk revoltado no swingue da rockeira
Funk bagunçado descambando em barulheira
Vira funk sossegado do vovô na gafieira
Funk liberado sem receio sem barreira
Pelo funk misturado com forró e capoeira
Povo mal nutrido da caatinga, do cerrado
Vira povo divertido pelo beat do pecado
Povo destemido de miséria ta cercado
Belo povo colorido da mistura derivado
Povo extrovertido generoso e relaxado
Nosso povo é resolvido teje certo teje errado
Povo emputecido com destino complicado
Pelo povo corrompido que se cala no senado
Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, Jazzy bossa-nova in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Female vocals & jazz quartet. Piano lead @1'25. Ideal for hotel lounge.歌词
Não é fácil ver ao tempo que là esta passando
Flutuando em nossas mentes, não quero ver ninguém
E se fosse por mim
Eu ficaria sozinho na minha árvore nunca saindo
Lembrar de você é como esquecer meu coração
Você não deixou o traço do nosso imenso amor
Saber quantas vezes eu poderia ter mudado
Você não quer ver ninguém tampouco ser encontrado
Solidão doi a alma e pode destruí-la
Coração aberto revela novos sentimentos
Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, Bossa nova jazzy in the spirit of the 60's and 70's. Sophisticated, classy, charming & relaxed. Jazz quartet with delicate lead piano.
Capoeira, traditional Afro-Brazilian music & dance from Bahia. Capoeira, traditional Afro-Brazilian music & dance from Bahia. Rhythmic, ritualistic & rootsy. Berimbau (traditional musical bow) & Brazilian percussion.歌词
Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated & classy. Female & male singer duet. Male singer @0'45, guitare & Brazilian percussions.歌词
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te pegar
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te encontrar
Zum zum zum zum Jussara vem sambar
Zum zum zum zum Jussara vem sambar
Indie folk ballad in a "do it yourself" spirit. Tender & relax. Indie folk ballad in a "do it yourself" spirit. Tender & relax. Singer, folk guitar, xylophone & claps. Suggested for indie films, light drama, road trip & portrait.歌词
I can’t deny it, I guess I fell in love,
9 years old still I got feelings
her curly hair her spontaneous laugh My heart beats as when run too fast
Lets play cat and mouse what else to do
kissing girl is disgusting
I could try that once
just to make sure though
But for now I’m the mousse so I’d better run, run, run
I’m stuck in corner well I guess that was my plan feeling like prey ain’t that bad
She jumped at me, damn I’ve been touched
We did not kiss lets keep it for later
Now I’am the cat
she runs away
But I won’t let her go to far away
My heart beats as when I run too fast Even though I do
Instrumental version. Indie folk ballad in a "do it yourself" spirit. Instrumental version. Indie folk ballad in a "do it yourself" spirit. Tender & relax. Folk guitar, xylophone & claps. Flute @ 1'06. Suggested for indie films, light drama, road trip & portrait.
