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琶音| 专辑 | 曲名 | Vers. | 分轨文件 | 时长 | 作曲/艺术家 | 描述 | 关键词 | Key | BPM | ||
|---|---|---|---|---|---|---|---|---|---|---|---|
|
The Search [CCB1076 - 8] |
4'18 | Laurent Couson | Neo-Classical. Restrained, dreamy, sentimental & captivating. Evokes | 命运 爱情 感动 新古典音乐 | Bbm | 100 | ||||
|
|
The Search Alternate 1 [CCB1076 - 25] |
版本. | 4'18 | Laurent Couson | Piano only version | 命运 爱情 感动 新古典音乐 | Fm | 100 | |||
|
|
The Search Alternate 2 [CCB1076 - 26] |
版本. | 3'58 | Laurent Couson | Strings only version | 高雅 遗产 电影原声带 高雅 | Bbm | 100 | |||
|
|
A Hint of Elegance [CCB1076 - 9] |
2'24 | Laurent Couson | Neo-Classical. Waltz movement. Romantic, graceful, tender & peaceful. | 迷人 爱情 高雅 感动 | Eb | 117 | ||||
|
|
A Hint of Elegance Alternate 1 [CCB1076 - 27] |
版本. | 2'24 | Laurent Couson | Piano only version | 迷人 爱情 高雅 感动 | Eb | 117 | |||
|
|
A Hint of Elegance Alternate 2 [CCB1076 - 28] |
版本. | 1'51 | Laurent Couson | Strings only version | 迷人 爱情 高雅 感动 | Eb | 115 | |||
|
The Investigative Phase [CEG5061 - 2] |
2'23 | Jon Du | Cinematic. Shimmering keyboard, smooth bass, pizz string & pulse. | light tension 科学 加速镜头 信息技术 | Cm | 140 | ||||
|
|
The Investigative Phase
[CEG5061 - 14] |
版本. | 2'22 | Jon Du | Version without percussion | light tension 科学 加速镜头 信息技术 | Cm | 140 | |||
|
|
The Investigative Phase
[CEG5061 - 15] |
版本. | 2'23 | Jon Du | Underscore version | light tension 科学 加速镜头 信息技术 | Cm | 140 | |||
|
|
Insights [CEG5061 - 3] |
2'09 | Jérémy Dirat | Film score. Reflective, urgent & reflective. Running harp & pizz, | 高雅 固执 紧急 画面感 | Gm | 128 | ||||
|
|
Insights Alternate 1 [CEG5061 - 16] |
版本. | 2'09 | Jérémy Dirat | Version without beat | 高雅 固执 紧急 画面感 | Gm | 128 | |||
|
|
Insights Alternate 2 [CEG5061 - 17] |
版本. | 2'09 | Jérémy Dirat | Underscore version | 高雅 固执 紧急 画面感 | Gm | 128 | |||
|
|
The Stringer Profession [CEG5061 - 7] |
2'27 | Jon Du | Cinematic. Broody intro. Suspicious, ethereal, evolving & dynamic. | 画面感 调查研究 神秘 政治 | Gm | 120 | ||||
|
|
The Stringer Profession
[CEG5061 - 24] |
版本. | 2'27 | Jon Du | Version without percussion | 画面感 调查研究 神秘 政治 | Gm | 120 | |||
|
|
The Stringer Profession
[CEG5061 - 25] |
版本. | 2'27 | Jon Du | Underscore version | 画面感 调查研究 神秘 政治 | Gm | 120 | |||
|
NITRO GENERATOR [CEM3025 - 2] |
2'14 | B4D3.mp3 | Drift phonk. Medium. Ardent, proud, sharp & radiant. Dreamy break @ | 男人 冲突 火热 phonk | Gbm | 109 | ||||
|
|
NITRO GENERATOR Alternate 1 [CEM3025 - 22] |
版本. | 2'14 | B4D3.mp3 | Instrumental version | 男人 冲突 火热 phonk | Gbm | 109 | |||
|
|
NITRO GENERATOR Alternate 2 [CEM3025 - 23] |
版本. | 2'37 | B4D3.mp3 | Slowed version | 男人 态度 phonk 现代 | Ebm | 93 | |||
|
|
NITRO GENERATOR Alternate 3 [CEM3025 - 24] |
版本. | 2'36 | B4D3.mp3 | Slowed instrumental version | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
|
NITRO GENERATOR Edit 1 (60
[CEM3025 - 25] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | 男人 冲突 火热 phonk | Gbm | 108 | |||
|
|
NITRO GENERATOR Edit 2 (30
[CEM3025 - 26] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | 男人 冲突 火热 phonk | Gbm | 109 | |||
|
|
NITRO GENERATOR Edit 3 (20
[CEM3025 - 27] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | 男人 冲突 火热 phonk | Gbm | 109 | |||
|
|
NITRO GENERATOR Edit 4 (sting) [CEM3025 - 28] |
版本. | 0'11 | B4D3.mp3 | Sting | 男人 冲突 火热 phonk | Gbm | 108 | |||
|
|
NITRO GENERATOR Edit 5 (20
[CEM3025 - 29] |
版本. | 0'11 | B4D3.mp3 | 20 second sting | 男人 冲突 火热 phonk | Gbm | 108 | |||
|
|
NITRO GENERATOR Edit 6 (60
[CEM3025 - 30] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
|
NITRO GENERATOR Edit 7 (30
[CEM3025 - 31] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
|
NITRO GENERATOR Edit 8 (20
[CEM3025 - 32] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | 男人 冲突 火热 phonk | Ebm | 93 | |||
|
|
NITRO GENERATOR Edit 9 (sting
[CEM3025 - 33] |
版本. | 0'13 | B4D3.mp3 | Slowed sting | 男人 冲突 火热 phonk | Ebm | 92 | |||
|
|
FROZEN FAVELA [CEM3025 - 9] |
2'07 | B4D3.mp3 | Brazilian phonk. Speed. Dark, cold, sovereign, unyielding & powerful. | 男人 态度 brazilian phonk 冲击 | Bbm | 111 | ||||
|
|
FROZEN FAVELA Alternate 1 [CEM3025 - 100] |
版本. | 2'07 | B4D3.mp3 | Instrumental version | 男人 态度 brazilian phonk 冲击 | Bbm | 111 | |||
|
|
FROZEN FAVELA Alternate 2 [CEM3025 - 101] |
版本. | 2'28 | B4D3.mp3 | Slowed version | 沉重 男人 慢镜头 态度 | Gm | 95 | |||
|
|
FROZEN FAVELA Alternate 3 [CEM3025 - 102] |
版本. | 2'28 | B4D3.mp3 | Slowed instrumental version | 男人 态度 brazilian phonk 冲击 | Gm | 95 | |||
|
|
FROZEN FAVELA Edit 1 (60 sec) [CEM3025 - 103] |
版本. | 1'00 | B4D3.mp3 | 60 second cut | 男人 态度 brazilian phonk 冲击 | Bbm | 111 | |||
|
|
FROZEN FAVELA Edit 2 (30 sec) [CEM3025 - 104] |
版本. | 0'30 | B4D3.mp3 | 30 second cut | 男人 态度 brazilian phonk 冲击 | Bbm | 110 | |||
|
|
FROZEN FAVELA Edit 3 (20 sec) [CEM3025 - 105] |
版本. | 0'20 | B4D3.mp3 | 20 second cut | 男人 态度 brazilian phonk 冲击 | Bbm | 111 | |||
|
|
FROZEN FAVELA Edit 4 (sting) [CEM3025 - 106] |
版本. | 0'11 | B4D3.mp3 | Sting | 男人 态度 brazilian phonk 冲击 | Ebm | 74 | |||
|
|
FROZEN FAVELA Edit 5 (60 sec
[CEM3025 - 107] |
版本. | 1'00 | B4D3.mp3 | 60 second slowed cut | 男人 态度 brazilian phonk 冲击 | Gm | 95 | |||
|
|
FROZEN FAVELA Edit 6 (30 sec
[CEM3025 - 108] |
版本. | 0'30 | B4D3.mp3 | 30 second slowed cut | 男人 态度 brazilian phonk 冲击 | Gm | 95 | |||
|
|
FROZEN FAVELA Edit 7 (20 sec
[CEM3025 - 109] |
版本. | 0'20 | B4D3.mp3 | 20 second slowed cut | 男人 态度 brazilian phonk 冲击 | Gm | 95 | |||
|
|
FROZEN FAVELA Edit 8 (sting
[CEM3025 - 110] |
版本. | 0'14 | B4D3.mp3 | Slowed sting | 男人 态度 brazilian phonk 冲击 | Gm | 99 | |||
|
Dreams In Rewind [AMS5069 - 5] |
2'04 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Sublime, dreamy, bittersweet & assertive. Climax | 忧伤 户外 伴音 气氛 | Abm | 102 | ||||
|
|
Dreams In Rewind Alternate 1 [AMS5069 - 25] |
版本. | 2'04 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 忧伤 户外 伴音 气氛 | Abm | 102 | |||
|
|
Dreams In Rewind Alternate 2 [AMS5069 - 26] |
版本. | 2'04 | Dario Ferrante, Jure Jerebic | Underscore version. | 忧伤 户外 伴音 气氛 | Abm | 102 | |||
|
|
Dreams In Rewind Edit 1 30 sec [AMS5069 - 27] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 忧伤 户外 伴音 气氛 | Abm | 102 | |||
|
|
Dreams In Rewind Edit 2 15 sec [AMS5069 - 28] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 忧伤 户外 伴音 气氛 | Abm | 102 | |||
|
|
Into The Ice [AMS5069 - 6] |
1'54 | Dario Ferrante, Jure Jerebic | Cinematic Synthwave. Anthemic, retro, and playful. Analog synth, drum | 户外 模拟合成器 气氛 命运 | C | 124 | ||||
|
|
Into The Ice Alternate 1 [AMS5069 - 29] |
版本. | 1'54 | Dario Ferrante, Jure Jerebic | Version without lead synth. | 户外 模拟合成器 气氛 命运 | C | 124 | |||
|
|
Into The Ice Alternate 2 [AMS5069 - 30] |
版本. | 1'54 | Dario Ferrante, Jure Jerebic | Underscore version. | 户外 模拟合成器 气氛 命运 | C | 124 | |||
|
|
Into The Ice Edit 1 30 sec [AMS5069 - 31] |
版本. | 0'30 | Dario Ferrante, Jure Jerebic | 30 second cut. | 户外 模拟合成器 气氛 命运 | C | 123 | |||
|
|
Into The Ice Edit 2 15 sec [AMS5069 - 32] |
版本. | 0'15 | Dario Ferrante, Jure Jerebic | 15 second cut. | 户外 模拟合成器 气氛 命运 | C | 123 | |||
|
Bass Pulse SFX 6 [CSDL1044 - 41] |
1'16 | Salvador Casais | Sound design element. Dark evolving pulse with tape saturation & | 冲突 琶音 琶音器 态度 | Dm | 147 | ||||
|
|
Bass Pulse SFX 6 1 [CSDL1044 - 42] |
版本. | 0'10 | Salvador Casais | Dark evolving pulse with tape saturation in A | 冲突 琶音 琶音器 态度 | Em | 146 | |||
|
|
Bass Pulse SFX 6 2 [CSDL1044 - 43] |
版本. | 0'10 | Salvador Casais | Dark evolving pulse with tape saturation in B | 冲突 琶音 琶音器 态度 | Bm | 147 | |||
|
|
Bass Pulse SFX 6 3 [CSDL1044 - 44] |
版本. | 0'10 | Salvador Casais | Dark evolving pulse with tape saturation in C | 冲突 琶音 琶音器 态度 | Gm | 147 | |||
|
|
Bass Pulse SFX 6 4 [CSDL1044 - 45] |
版本. | 0'10 | Salvador Casais | Dark evolving pulse with tape saturation in D | 冲突 琶音 琶音器 态度 | Am | 110 | |||
|
|
Bass Pulse SFX 6 5 [CSDL1044 - 46] |
版本. | 0'10 | Salvador Casais | Dark evolving pulse with tape saturation in E | 冲突 琶音 琶音器 态度 | Bm | 146 | |||
|
|
Bass Pulse SFX 6 6 [CSDL1044 - 47] |
版本. | 0'10 | Salvador Casais | Dark evolving pulse with tape saturation in F | 冲突 琶音 琶音器 态度 | Cm | 147 | |||
|
|
Bass Pulse SFX 6 7 [CSDL1044 - 48] |
版本. | 0'10 | Salvador Casais | Dark evolving pulse with tape saturation in G | 冲突 琶音 琶音器 态度 | Gm | 145 | |||
|
Whereabouts [CEG5064 - 4] |
3'08 | Gopal Sound | Electro beat. Constant, pressing & obstinate. Synth & rhythm. Ideal | 气氛 信息技术 当代艺术 稳定的 | Fm | 120 | ||||
|
|
Whereabouts Alternate [CEG5064 - 15] |
版本. | 3'08 | Gopal Sound | Alternate no drums. | 信息技术 当代艺术 反省 伴音 | Fm | 161 | |||
|
|
Crowd Monitoring [CEG5064 - 6] |
2'51 | Rémo | Electronica. Atmospheric, inevitable & dark. Synth, strings & choir | 飞行 令人激动 阴险 神秘 | Bm | 86 | ||||
|
|
Crowd Monitoring Alternate [CEG5064 - 17] |
版本. | 2'51 | Rémo | Alternate no choir. | 飞行 令人激动 阴险 神秘 | Em | 116 | |||
|
|
Sousveillance [CEG5064 - 7] |
2'50 | Ben Williamson | Cinematic beat. Interrogative yet resolute & panoramic. Synth, | 疑问 信息技术 反省 科学 | Abm | 86 | ||||
|
|
Sousveillance Alternate [CEG5064 - 18] |
版本. | 2'36 | Ben Williamson | Alternate no drums. | 疑问 信息技术 反省 科学 | Abm | 86 | |||
|
|
Everyone's a Target [CEG5064 - 9] |
2'26 | Jérémy Vino | Electro beat. Fatal, determined & obstinate. Synth & rhythm. Ideal | 无情 司法 夜晚 electronic score | Em | 98 | ||||
|
|
Everyone's a Target Alternate [CEG5064 - 22] |
版本. | 2'26 | Jérémy Vino | Alternate no drums. | 无情 司法 夜晚 electronic score | Em | 98 | |||
|
Invocation of Dread [ISC115 - 7] |
3'54 | Christophe Le Guen | Horror trailer. Mysterious intro with piano, floating soundscape & | 进步 画面感 高潮 史诗 | Fm | 140 | ||||
|
|
Invocation of Dread Alternate
[ISC115 - 23] |
版本. | 3'54 | Christophe Le Guen | Version without percussion. | 进步 画面感 高潮 史诗 | Fm | 140 | |||
|
|
Invocation of Dread Alternate
[ISC115 - 24] |
版本. | 3'54 | Christophe Le Guen | Light version. | 进步 画面感 高潮 史诗 | Fm | 140 | |||
|
All Night Long [CEZ4699 - 4] |
2'20 | IDALIA, Sandia | Christmas Pop Ballad. Emotional piano-vocal intro. Chorus @ 0'35 歌词 | 圣诞节 流行民谣 爱情 女歌手 | Gbm | 124 | ||||
|
|
All Night Long Alternate 1 [CEZ4699 - 26] |
版本. | 2'21 | IDALIA, Sandia | Instrumental version | 流行民谣 圣诞节 爱情 多愁善感 | A | 124 | |||
|
|
All Night Long Edit 1 (60 sec) [CEZ4699 - 27] |
版本. | 1'00 | IDALIA, Sandia | 60 second cut | 流行民谣 圣诞节 爱情 多愁善感 | A | 93 | |||
|
|
All Night Long Edit 2 (30 sec) [CEZ4699 - 28] |
版本. | 0'30 | IDALIA, Sandia | 30 second cut | 流行民谣 圣诞节 爱情 多愁善感 | A | 93 | |||
|
|
All Night Long Edit 3 (20 sec) [CEZ4699 - 29] |
版本. | 0'20 | IDALIA, Sandia | 20 second cut | 流行民谣 圣诞节 爱情 多愁善感 | A | 93 | |||
|
|
All Night Long Edit 4 (sting) [CEZ4699 - 30] |
版本. | 0'05 | IDALIA, Sandia | Sting | 流行民谣 圣诞节 爱情 多愁善感 | A | 89 | |||
|
Time are Changing - Electro
[CEZ4700 - 6] |
0 | 2'03 | Elisabeth Skornik, Guy Skornik | Electronic version. Reflective intro then serious & technological. | electronic score light tension 稳定的 调查研究 | Gbm | 64 | |||
|
|
Pendulum Curve [CEZ4700 - 22] |
0 | 2'18 | Elisabeth Skornik, Guy Skornik | Neo-classical. Dramatic, punctuated, tragic & stubborn. String | 时间（滴答声） 进行中 固执 严谨 | Am | 108 | |||
|
|
Maybe I'm Dreaming - Electro
[CEZ4700 - 30] |
0 | 2'05 | Elisabeth Skornik, Guy Skornik | Electronic version. Corporate, confident & steady. Processed piano, | 稳定的 electronic score 调查研究 悬念 | Bbm | 89 | |||
|
Antechamber [CEZ4682 - 10] |
1'55 | Antoine Berquet | Trip hop. Cinematic, inspirational & positive. Piano, keyboards, | 广告 高雅 令人激动 稳定的 | Dbm | 100 | ||||
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|
Antechamber Edit 1 60 sec [CEZ4682 - 57] |
版本. | 1'00 | Antoine Berquet | 60 second cut | 高雅 令人激动 广告 稳定的 | Dbm | 100 | |||
|
|
Antechamber Edit 2 30 sec [CEZ4682 - 58] |
版本. | 0'30 | Antoine Berquet | 30 second cut | 高雅 令人激动 广告 稳定的 | Dbm | 100 | |||
|
|
Antechamber Edit 3 20 sec [CEZ4682 - 59] |
版本. | 0'20 | Antoine Berquet | 20 second cut | 高雅 令人激动 广告 稳定的 | Dbm | 99 | |||
|
|
Antechamber Sting [CEZ4682 - 60] |
版本. | 0'11 | Antoine Berquet | Sting | 高雅 令人激动 广告 稳定的 | Dbm | 100 |
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