Energetic, mystic, powerful. Clapping percussion and winding flute ...Energetic, mystic, powerful. Clapping percussion and winding flute melodies set out a traditional Arabian style, moving into emerging beat with impassioned vocal ad libs. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Subtle style allows for an austere atmosphere.
Energetic, mystic, powerful. Clapping percussion and winding flute ...Energetic, mystic, powerful. Clapping percussion and winding flute melodies set out a traditional Arabian style. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Subtle style allows for an austere atmosphere. Instrumental version.
Energetic, mystic, powerful. Clapping percussion with subtle flute ...Energetic, mystic, powerful. Clapping percussion with subtle flute setting out a traditional Arabian style. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Soft style allows for an austere atmosphere. Stripped back underscore version.
Energetic, mystic, powerful. Clapping percussion with subtle flute ...Energetic, mystic, powerful. Clapping percussion with subtle flute setting out a traditional Arabian style. Bass builds alongside sophisticated flute trills, creating an atmosphere of energy with decorum. A middle eastern dance with passion and energy. Soft style allows for an austere atmosphere. Stripped back underscore version.
Buoyant, energetic, confident. Piano riff joined by African ...Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful vocal performance with lyrics boasting skills and success. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. A smart individual who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions.歌词
I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.
Buoyant, energetic, confident. Piano riff joined by African ...Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady electronic beat. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. Visions of a confident individual in a club, someone who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions. Instrumental version.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll, Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Exotic, determined, hypnotic. Drooping synth notes play out over a ...Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Powerful, wistful, strong. Swirling synths and guitar play out a ...Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking to a love interest about how they stay cool and focus on making money. Catchy lyrics with comedic comparisons infers a confident aura. An individual who has control of their life and has control over others, a top dog or someone people fear and respect.歌词
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Colder than da ice up in dat cooler, I got money on madula, Want dat smoke I bring it to ya, Ay I’m makin' lil shawty move her body like a dancer, Answer, I don’t even know da question random, Vamping, I just popped a 30 so I’m vamping, All night baby Ima hit it till I’m cramping, Head game honor student like she went to Hampton, I don’t hold no hands really not into romantics, Shawty clean me up yeah she got manners, I got, all diz money on me like a scammer, Nailin it you know I keep da hammer,
Fit you in my schedule I write it in my planner.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Powerful, wistful, strong. Swirling synths and guitar play out a ...Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent of an individual who has control of their life and has control over others, a top dog or someone people fear and respect. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of ...Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a ...Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture, Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering, Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a ...Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi ...Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi ...Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Romance in waltz time. Melancholic, loving & sentimental. Male & ...Romance in waltz time. Melancholic, loving & sentimental. Male & female duet. Orchestra, string ensemble, piano & rhythm. In the spirit of Broadway musicals of 40s & 50s. Suggested for happy endings.歌词
WE MAY FALL IN LOVE
Music by Julien Vega
Lyrics by John Greaves & Julien vega
I don’t want to fall in love
It’s not a game I wish to choose
Sweet as your advances are
I must regrettably refuse
Love Is just a game of fools
So maybe we could bend the rules
Play the game, lose every time
You bet a dollar, win a dime
I will take that broken heart and heal it
Maybe there will come a day you’ll feel it
‘cause there is something you can’t disguise
There in your eyes
We may fall in love
Will I ever love again, Will I? Will I?
Let me wash away the pain
Love is meant for other men Not I Not I
Let me help you love again
There is such a lot to find
Circumstances
But you need an open mind
Please don’t take this personally,
Take some chances
It simply wasn’t means to be.
I will take that broken heart and heal it
But I can’t let you do it
Maybe there will come a day you’ll feel it
I am impervious to it
But there is something you can’t disguise
I see it in your eyes
We may fall in love
Tonight
Bright, promising, thoughtful. Resonant strings push out into fervent ...Bright, promising, thoughtful. Resonant strings push out into fervent landscape. Leading flute melody conjures visions of a beautiful rolling countryside, content people living out their lives in peace and harmony. Lively organic texture illustrates a luscious natural energy.
Bright, promising, thoughtful. Resonant strings push out into fervent ...Bright, promising, thoughtful. Resonant strings push out into fervent landscape. Leading flute melody conjures visions of a beautiful rolling countryside, content people living out their lives in peace and harmony. Lively organic texture illustrates a luscious natural energy. Stripped back underscore version.
Wondrous, eerie, theatrical. Strings and creepy bell melody create an ...Wondrous, eerie, theatrical. Strings and creepy bell melody create an atmosphere of light-hearted horror, a fun house at night or a town overcome by a nonsensical menace. Theremin and light choral vocals follow buoyant strings, immature energy similar to a children’s film or fairground ride.
Wondrous, eerie, theatrical. Strings and creepy bell melody create an ...Wondrous, eerie, theatrical. Strings and creepy bell melody create an atmosphere of light-hearted horror, a fun house at night or a town overcome by a nonsensical menace. Church bells indicate a sense of eerie unease, with theremin and light choral vocals conjuring immature energy similar to a children’s film or fairground ride. Stripped back underscore version.
Wondrous, eerie, theatrical. Low creepy strings and percussion create ...Wondrous, eerie, theatrical. Low creepy strings and percussion create an atmosphere of light-hearted horror, a fun house at night or a town overcome by a nonsensical menace. Tightly wound string melody conveys eerie unease, with playful melodies conjuring immature energy similar to a children’s film or fairground ride. Stripped back underscore version.
Odd, slow, sophisticated. Dissonant string gives way to sinister ...Odd, slow, sophisticated. Dissonant string gives way to sinister piano sequence and tight defunct notes. Instrumentation wavers in and out of tune, reminiscent of a fancy house that contains ghosts or a sense of mystery. Clockwork FX percussion at 01:20 offers a feeling of dread and anticipation, with high intensity section at 02:16 ratcheting up the feeling of worry and macabre danger, an evil spirit or creature chasing individuals through a dusty old mansion.
Odd, slow, sophisticated. Dissonant string gives way to sinister ...Odd, slow, sophisticated. Dissonant string gives way to sinister piano sequence and tight defunct notes. Instrumentation wavers in and out of tune, reminiscent of a fancy house that contains ghosts or a sense of mystery. Clockwork FX percussion at 01:20 offers a feeling of dread and anticipation, with high intensity section at 02:08 ratcheting up the feeling of worry and macabre danger, an evil spirit or creature chasing individuals through a dusty old mansion. Stripped back underscore version.
She knows all about hearts,
And I believe it's true
There's no doubt in this love
She believes it too
Two, inside of a chest
Apart from the rest
There's no way to back down,
will you make it cruel ?
REFRAIN
I want a fresh start
I'm on a new start
I wanna leave the ground
The rest is up to you
She knows all about me
I believe it's true
When I tell my story
She believes it too
Two, inside of a chest
Apart from the rest
There's no way to back down,
will you make it cruel ?
What’s in your dream I wanna know And tell me can you see the afterglow ?
An island in the snow is what you draw And then you know you can’t let go
What you’ve never seen I’ll show you
I’m stepping in your dreams I’ll wall through
Open your eyes
And tell me twice
You don’t see life otherwise Tell me how
Tell me how
If you don’t try you never know
What you’ve never seen
I ll show you
I m stepping in your dreams I ‘ll wall through
Indie chill pop rock. Dreamy, mellow, slow, lovely, spacey & ...Indie chill pop rock. Dreamy, mellow, slow, lovely, spacey & soothing. Lead guitar @ 1'19. Male singer (love lyrics), guitar & drum. For tv show, teenagers drama, indie movie & web.歌词
We've talked enough
We're sharing nothing
I start to laugh
While hearing you talking to
My door
I laugh
I keep you close but
Crave for you to go
My love
I keep you close but
Right behind my door
We've lied enough
We've darkened our springs
I start to laugh
While hearing you talking to
My door
I laugh
I keep you close but
Crave for you to go
My love
I keep you close but
Right behind my door
Serene, meaningful, touching. Hang drum plays out a searching ...Serene, meaningful, touching. Hang drum plays out a searching sorrowful melody, reminiscent of someone on the run or looking for someone desperately. Resonant texture of instrument pushes a sense of acceptance, a person searching through an evil uncaring world, bravely looking for peace or justice. Pacy instrumentation increases feelings of worry and concern, placated by tranquil hand drum notes and touching piano.
Serene, meaningful, touching. Hang drum plays out a searching ...Serene, meaningful, touching. Hang drum plays out a searching sorrowful melody, reminiscent of someone on the run or looking for someone desperately. Resonant texture of instrument pushes a sense of acceptance, a person searching through an evil uncaring world, bravely looking for peace or justice. Pacy instrumentation increases feelings of worry and concern, placated by tranquil hand drum notes. Stripped back underscore version.
Serene, meaningful, touching. Hang drum plays out a searching ...Serene, meaningful, touching. Hang drum plays out a searching sorrowful melody, reminiscent of someone on the run or looking for someone desperately. Resonant texture of instrument pushes a sense of acceptance, a person searching through an evil uncaring world, bravely looking for peace or justice. Pacy instrumentation increases feelings of worry and concern, placated by tranquil hand drum notes. Stripped back underscore version.
